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| Black To The Future (1987) Cover |
The movie starts with a four way sex scene. This first sex scene features Tish Ambrose, Buddy Love, Frank James, and Robbie Dee. Tish Ambrose is a pretty blonde haired woman with naturally wavy hair, red stockings, and heels on. She has B cups if I can gauge them correctly, and takes turn with 3 guys, all of whom are hard for this one. Each one takes turn in what seems like a trash bag set. The walls are made of black vinyl, there’s a blow up doll in the corner, and the focus is on her and the sex at hand. She moans a bit, and at one point there is a slow down in the erections, which is funny, but for the most part, the guys are into it, and she seems to like the process as well. After some switching, there’s a point where there’s anal action, and that’s an interesting turn. Overall, however, this is a fast paced, odd sex scene with a lot of moaning, and some limp penises here and there. I hate to see a porn actor struggle, but it happens here and there. Ambrose takes a lot in this scene, and it’s not half bad, but it’s just hardcore, without feeling, and feels mechanical at times. That’s all I can really say about this one, it’s mechanical, with an odd set, and music that comes in and out here and there. There is anal focused on towards the 10 minute mark, so if you’re a fan of interracial anal, it happens here, and it makes Ambrose scream when it happens. After some back and forth, and weird things going on in the background, the guys cum, and that’s the end, they all cum on her, and she smiles, and the camera has a hard cut to a telephone.
On the telephone there’s a punk girl that answers a call from a professor. She says that payment can be made now that the fantasy has been fulfilled. The woman smiles, and we go back to the sex scene a bit, but then the woman picks up the phone and starts to dial away. She’s in crazy make up and a wig. She calls an android, and there’s a weird voice on the other line. The plot is found out here. We see the punk chick is an alien, and she is conducting an experiment in human sexuality to find out what is going on with humanoids, etc. She answers the phone, and as the camera pulls back, we see that’s she is nude. She gives people fantasies, and that’s what this seems to be. There’s no costs, apparently, and there’s a location where people show up and enjoy the fantasy world of sex.
There’s a hard camera cut and we hear some futuristic music. The only thing that I can say about this is that it has the name credentials of a parody, but the plot is nothing like the movie it’s making fun of. The hard cut takes us to a pin super futuristic car. This thing looks like something out of hot wheels, mind you. Inside of the car is a bed, and it’s a really cool set to look at. A woman shows up and gets into the car, and our alien starts to drive it and away we go. A bunch of smoke comes through and we are taken to a new place. It’s here that we see a sexual romp occur. An Asian woman asks about if a dude is really hung, and then there we go forward.
In what appears to be a speak easy, we see Kristara Barrington and Buddy Love start with a blow job. There’s romantic saxophone music playing underneath, Buddy Love wears a cap and sunglasses, and watches Barrington blow him in a speakeasy. This is just a blow job scene from what I can gather as the two don’t really get into sex. There’s a cut from the camera back to the phone room, and that’s where go next.
The camera cuts to what is supposed to be ancient Egypt. Here we see a random ddue having sex with a blow up doll. I kid you not. There’s some bass heavy music, and it’s a guy on a leopard print rug having sex with a blow up doll! He then cums on it, and that’s this scene. As he starts to cum, the woman becomes real, although the scene switches between different elements. This is supposed to be Melissa Melendez and Frank James, mind you.
The camera cuts, and we are taken to a fireplace, in a den. Here we see Kristara Barrington and Buddy Love going back to oral. This is obviously where we are going to see some sex, right? We do get a little bit of doggy style, but it doesn’t last that long. It’s a basic scene if you ask me, and no real romance or passion. It’s mechanical, Barrington barely moans until towards the finish line, and Buddy Love doesn’t seem to be that aroused at first, so it’s just a standard mechanical sex scene with no real payoff. Barrington is an Asian lady, by the way, with black hair, and a thin frame.
The camera cuts and we are back to Melissa Melendez and Frank James having sex. It’s supposed to be Cleopatra, mind you, but the set is completely cheap and funny to look at. The sex is fine here, mechanical as ever, but the director decides to cut back to Love and Barrington.
Buddy Love cums on Kristara Barrington and that’s it. There was a hard cut to this, and we see the finale of their sex scene. I do not understand why directors do this, but it’s the most annoying thing about 1980s porno movie editing if you ask me.
The camera cuts again and this time we are back to see Melissa Melendez and Frank James in doggy style, going for anal. It’s not a bad sex scene, Melissa Melendez has the face of Katy Perry, but lacks the big breasts, and is dolled up with gold and other elements from Egypt. Frank James cums on Melendez’s face and she turns to the camera and asks, “are you sure this is how Elizabeth Taylor got started”? Then we get a hard cut to the next scene.
We see Erica Boyer get into the bright pink car, and she is looking great. Boyer is a blonde haired rock star type, and she has black pumps and a sports jersey as she gets into the back of the pink time machine. Meanwhile, we see Herschel Savage talking to the camera and he says that he should be the director, and that’s it.
Two women come into the scene, and we’re back to that original set with the trash bag walls. Tish Ambrose and Erica Boyer start to kiss. Ambrose has the pink punk hair and the looks from the phone call set that was shown earlier. Boyer and Ambrose start to have sex, in a passionate lesbian scene that features a lot of fingers, oral, and much more. There’s a vibrator introduced at one point, and something that is somewhat simple to see and focus on overall. The scene isn’t half bad, the two work up a good sweat and they use the vibrator, fingers, and more to full effect. After some orgasms from the vibrator, Herschel Savage shows up and starts to get into the mix.
In the progression from the scene, we see Herschel Savage take on Erica Boyer. Boyer takes it all in, and the two have sex on the floor of the set. It’s mainly one position for the most part, Boyer doesn’t really moan much, and the two just go straight through the sex. Eventually Savage cums on Boyer’s face, and that’s it. It’s mechanical, there’s barely any moaning, it’s short, and the rock instrumental in the backdrop sucks. Boyer is left on the floor with the director zooming into her face, and the sex is done, the sound stops, and we just see a blur occur.
After this sex scene, we see our punk haired woman talking about how they have completed the science experiment. The movie ends, the credits roll, and that’s the end of this one.
I give “Black To The Future” a 1 out of 5.
This is perhaps one of the worst porno movies I’ve ever seen. However, I really liked the car, and the interior of the car. The rest of the movie is awful, with no good passionate sex scene, but there is a little creativity here and there. Other than that, I can’t really give this a good grade. It’s interesting for collectors and for a good laugh amongst friends, so there’s that.
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