Cop Sucker (1998) Review

Cop Sucker (1998) Dvd Cover

Today we are going to be venturing forward or backwards to 1998. That’s the year when I discovered cable television pornography, and if you were like me, you didn’t see penetration. They had the bumping and grinding, but cleverly edited out the literal penetration, so I swore back then that one day I would see the hardcore versions of these movies, and well here I am, reviewing another classic of sorts. This time around, we are going to be looking at the Joe D’Amato directed movie, “Cop Sucker” from 1998. It was released by Moonlight Entertainment, and it stars Maria de Sanchez, Kyle Stone, Christi Lake, Dave Hardman, Nick East, Mercedes, Sean Michaels, Gina Rome, Vince Vouyer, and Kimberly Jade. I’m a big fan of Christi Lake, and wish I could have met her, even now, just to interview her. But alas, here we are judging her performances because that’s what we do with this blog. So let’s take a break to 1998, and see what “Cop Sucker” has for us.

The starting line of this movie features Christi Lake sitting at a desk writing some notes. We then go to a scene where a woman is talking to a police officer. She’s dressed in his uniform, and there’s some soft music playing. It’s Kyle Stone, and Maria De Sanchez. Now, I’m a fan of Kyle Stone because he got to have sex with Stacy Valentine in the movie “Stupid Cupid”, and it’s one of my favorite scenes with Stacy Valentine.

Stone doesn’t want to have sex right away, he says he has to go to work, but Maria de Sanchez convinces him to stay for a minute to have some illicit fun. The movie shifts from safe, to sexy within 3 minutes. Maria de Sanchez is a latin woman that resembles Selma Hayek a bit, and she takes her clothes off completely, letting Stone start to give her oral. The starting point is oral from Stone to Sanchez, and away we go with the sex. Stone isn’t hard right away, he takes a little time, but Sanchez starts giving him a blow job and he starts to get up fast. I’ve never seen Sanchez before, but she is a perfect latina, with large breasts, long black hair, a thin waist, and gets into the role with relative ease. The two go into a bedroom that looks ok, a little bland overall. Nothing special here, and there’s no condom. The music sucks here, and it’s horrendous, smooth jazz. However, Stone gets hard, and starts to go back and forth with Sanchez, as she starts to moan. She reminds me a little of Katrina Jade, and the two have a little chemistry during this one. Even though Stone has a knee bandage, he goes through the motions of sex in multiple positions, and really gives Sanchez some attention. After about 15 minutes of sex, Stone can’t hang on and pulls out to let Sanchez get a facial, and the camera slows down a little, while she takes it on her face, and that’s the end. Not a great scene at all, and definitely killed by the music.

There’s a keyboard playing, and we see Christi Lake talking about an experience from the past. Lake looks like a former boss of mine, so she’s always been hot to me. She talks about a couple of cops that came to her house in uniform, and they are Dave Hardman and Nick East. They knock on her home’s door, and she’s waiting with a red dress on and red cowboy boots. Her hair is up. She’s a tall, leggy, blonde haired woman, and if you’ve seen her before, you know that she is beautiful. I still wish I could meet her, just to interview her, but alas, I’ll digress. The two cops come inside the house and start to ask some questions.

After Lake doesn’t want to give up any questions, she asks them to give her a strip search. Christi Lake takes off her clothes, and the two cops start to unrobe. We start with Christi Lake giving Dave Hardman a blow job while Nick East gives her oral, and she starts to get into the motions. The music here is terrible. I hate it. Soft, bad jazz plays, and the trio start to work with the motions of sex. Hardman isn’t hard at first, so you see a soft penis get into the action, then you see East get hard and go in with Lake without a condom on, and just starts to go fast on the kitchen table. The music here is louder than the sounds of the sex, and I personally thought hit was distraction. Outside of that, Christi Lake has a beautiful face, and the sex is a little more inspired than the first scene. Don’t expect double penetration here because it doesn’t happen, it’s just a straight forward sexual romp. The trio have sex, one going in and one getting blown until the two end up giving her a facial and that’s that. Lake gets her hair pulled and a nice cum shot at around the 27 minute mark, and that’s it. Not her best scene at all, and well, the music really killed it for me.

We move along to a prison. We see Sean Michaels trying to interview Mercedes. He’s in a full suit and she is in a chair, with leather on. She tells Micheals that she is not going to tell him anything unless he gives her something. So the two agree to sex, as is the norm in these movies.

Mercedes is a tall, leggy, blonde haired woman, with a stunning look to her. Michaels is an African American actor that has been a mainstay in porn for some time. Upon closer look, you may find that Mercedes looks like Donna from the 70’s show, and well, we get to the action in a few moments.

The music turns up, and it’s another soft jazz tune from the 1990s. It’s not old school jazz mind you, and it’s way louder than the sex. Mercedes gets on her knees and blows Sean Michaels, then he gets her up and goes in from behind. The contrast of light skin and dark is wonderful, and fans of interracial sex will love this scene, which is quite good. The two keep their clothes on for the most part, and Michaels even smokes a cigar during the sex, which is filmed in an abandoned jail cell. After a while, the two take off their clothes, an there’s a mattress strategically placed on the floor. The director decided to slow the footage down, increase the sound of the piano, and let you in on Michaels going deep into Mercedes. I found it boring, and not needed, but if it extended the time of thrusting, maybe it was a good idea after all. At around the 42 minute mark, Michaels cups on Mercedes’ chest and throat, and you see that she has a tongue piercing. They slow down the footage so you see a slow motion cum blast, and honestly, it’s not that good at all. Mercedes is beautiful, but the sex here is robotic, with music that is horrendous, and a set that isn’t half bad.

We go back to Christi Lake at the police headquarters, and outside is Gina Rome in a nice sun dress. She is in high heels, and she says that her cat is lost, and needs help. Vince Vouyer comes in to help, and the two talk a little.

Gina Rome is a tall brunette with girl next door milf looks. Vouyer is a mainstay of 1990s porno, and we go inside to a random house where she takes down her dress and starts to blow Vince. Gina Rome starts with a full blow job of Vince Vouyer, and he is hard nearly immediately. Again, this movie is awful with the sound, a smooth jazz track is louder than the sex, and there’s a lot of transitions through this one. The director doesn’t really focus on Rome’s face, because her teeth are all jacked up, and honestly, that threw me off. The two have sex on the counter, and there’s a reflection of the boom mic and more. Vouyer does ok here, but Rome’s teeth and overall performance lacks in passion, and the director slows down the thrusting to compensate. Eventually Vince can’t hang on, and he masturbates to a finish into Rome’s face and tongue. She’s not very attractive, especially with those teeth, I can’t unsee that. Sorry.

We are back at the office and Christi Lake is talking to the camera, saying that she remembers another sex story. This time it features Nick east and Kimberly Jade.

We are taken to a bedroom set with ok lighting. There we see Kimberly Jade, nearly nude and Nick East in uniform. She has blonde curly hair, and dark roots, and wears a black garter belt with stockings. East takes his pants down and Jade immediately starts to blow him, but he’s not hat hard. You can see the boom mic reflection in the head rest of the bed, and the lighting here is dramatically bad. Kimberly Jade has some amazing eyes, and is quite pretty compared to the other girls in this movie thus far. She blows East for quite a while, finally getting him hard. The music is louder than the sex again, and it’s awful. The music is so distracting here, and the director again slows the sex down so that you see the penetration in and out in slow motion. I didn’t like that. The two seem to have ok chemistry together, but it honestly reminds me of an escort having sex with a client, kind of rushed, kind of forced, and really nothing that passionate. The two have adequate sex, but the music is harsh, and the keyboards are so loud I had to really think twice about giving this more than a few stars rating. I do find Jade pretty, though, so for that it almost got me to attention. At the one hour and 9 minute mark, East cubs on Jade’s pelvis and that’s the end of this scene. It’s done in slow motion, and again, it’s not that good.

We are at our final scene, and this time around we see Christi Lake and Maria de Sanchez under cover, and going to a back room with Vince Vouyer. The music again sucks here, and really throws me off. You hear the sounds of the trio underneath the loud keyboard sounds of smooth jazz. Within a few minutes, though, Sanchez starts to blow Vince, and we are off to the sexual races. Christi Lake joins them too, and there’s a dual blow job given here which is quite good for the final scene. Vince has sex with Sanchez the most. They go into a couple of positions, and the finish shows Christi Lake and Sanchez getting a facial from Vince and that’s it. The movie ends abruptly and the credits role. There is slow down with the sex, and there’s a lack of passion and moaning. The music is far too loud again, and it just doesn’t fit the scene. The best part is the finale, with a dual blow job on Vince and summing on both Sanchez and Lake’s face, which must’ve been fun overall. Other than that, this really has a lackluster finish to a lackluster movie.

I give “Cop Sucker” a 2 out of 5.

Christi Lake can’t save this one, and the rest of the sex is lackluster. The director really messed up a good thing, slowing down the motions, and putting the audio way louder for the music than anything else. It messes with your head and vibe, making this a terrible movie to watch. I didn’t like it, but maybe you will, if you find it out there.

Candy Stripers 5: The New Generation (1999) Review

Candy Stripers 5: The New Generation Poster

We leave the 1980s for today’s review. Instead of staying in that decade, we venture forward in our time machine to 1999. That’s right, 1999 another number, another summer, sound of the funky drummer. The movie we will review is directed by Bud Lee, and is distributed by Arrow Productions. The movie is titled, “Candy Stripers 5: The New Generation”. There are a lot of people in this one, and some are major stars in my book. The stars of “Candy Stripers 5” include, Shanna McCullough, Capri Cameron, Brian Surewood, Barett Moore, Tawny Ocean, Chris Cannon, Christi Lake, Michael J. Cox, Tyce Bune, Tina Tyler, and a few others. This is the fifth installment of the series, and I didn’t get my hands on the other releases, so I have to start with this one. Not a bad thing, just mentioning it in case anyone is asking, and I doubt anyone will.

The movie starts with a hard rock guitar riff, and Capri Cameron ironing a Candy Striper outfit. She’s naked, and she is just putting on clothing while the guitar and keyboards play on. The hard rock sound is unique to the porno scene if you ask me, because they often don’t have great music. This track, however, isn’t that bad, with a lot of walking bass lines, and strong distorted guitarwork. Capri Cameron is a tall blonde with dirty blonde hair, and the camera loves her, moving in and out as she puts on her clothing.

The movie moves forward to showing a building that looks a lot like a high school in Los Angeles, but they are calling it a medical facility. There’s film grain on this movie, so you know that the production has a little money on the overall production. A nurse enters the frame and is complaining about the overall work that she has to do, and then sits down. She sits down and says that she can always play with herself.

The camera zooms in and out, then goes over the top to show you the action of Shanna McCullough. Shanna McCullough starts to undress herself, and then play with herself. Shanna McCullough is a brunette woman, that has been in a lot of movies by the time she’s featured here in 1999. She’s worked with a lot of top stars, including Peter North, and in this scene, her hair is straight, long, and her breasts look augmented. She’s trimmed down below, and she has short nails. She moans and moves a bit while the music is a strong orchestral sound. She moans with theatrical loudness, and if you’re a fan of masturbation scenes, this is going to do it for you as she really does work hard to enjoy herself for the camera, with just her fingers.

After the masturbation scene, we are shown the interior of the nurse’s station. Here we see nurses talking, and they are just talking and getting orders about the work that they have to do. If you look closely, you’ll find that Barett Moore is none other than Veronica Caine from XPW! I kid you not, she’s in this movie.

The movie continues and it shows a random dude getting brought through to stay at the hospital. He’s in the witness protection program, and he’s going to be staying put and under surveillance. It’s a simple plot point that doesn’t show much of anything up this point, but there is a hot detective waiting outside of his door.

In another part of the building we see a black haired woman walking through the halls. The camera cuts and shows you a patient’s room. It’s there that a patient is dying, and a candy striper is trying to save him. She does everything she can, in a room that looks like a real medical office.

When the patient isn’t responsive, our striper does the only thing she can to keep the dude alive. She has sex with him. Capri Cameron jumps on top of Brian Surewood and starts to have sex with him, to revive him you know. The set is good here, the costumes stay on. Capri Cameron is shaved, blonde, and has a tight young body. She stays in uniform, Brian Surewood gets hard and lets her do all the work. If you’re a fan of young blondes, Cameron is one hell of a beauty here. She looks like someone I went to high school with, and for that alone, I love this scene. The music is a mix of techno beats and keyboards, which remind of Streets of Rage 2 for the Sega Genesis. Cameron rides until Surewood comes back to life and then cums in Cameron’s face.

Once the sex is done we are sent to a hallway where one of the doctors hits himself with electrical current for some odd reason. Then we are sent to the nurse’s station again. There’s a funny joke at one point where the black haired woman of mystery gets hit with a door and gets knocked out. Meanwhile, outside there’s a guy all wrapped in paper just walking around. If you watch the total of this film, you’ll see a lot of characters going through the motions. Including a hitman on the loose, the mummy dude, random orderlies walking around, and more.

After some camera work and following the mummy around, we are taken to a patient’s room that is empty. It has full medical elements inside, including IV bag, computers, and much more. Two women come in with an orderly and the they start to make out. Saxophone music plays, and we see them start to kiss. Barett Moore, Tawny Ocean, and Chris Cannon engage in a threesome here. Moore is Veronica Caine from XPW, and she has augmented breasts, blonde hair, and thick thighs. Tawny Ocean is a tanned brunette with small breasts, long hair, and a homely look to her. Cannon is just another name that I recognize, and he’s not bad, but there’s nothing that really stands out besides the name. He does have an interesting chin, so maybe that’s something to consider. The women start this out, licking, using fingers, and moaning a bit with the saxophone jazz music that plays. After the foreplay, Chris Cannon jumps in, and he’s immediately hard. He’s shaved, and the women go for every inch of him, blowing him to start, and just looking good. It’s always interesting to see what level of erection the male stars have, and here, it’s rock hard, and the women appreciate that, going in deep and hard. Lucky guy, this scene isn’t too bad. The starting point is good, mind you, but the sex is formulaic. By the time Cannon gets into having sex with the women, you see that one of them is, well, not too attractive, and the other is just going through the motions. It’s a sterile type of sex scene that is kind of boring. Cannon does good to stay hard, mind you, but the overall sex is just kind of there. The director makes up for it showing you a great deal of different angles, including a point where Moore and Cannon get into anal. After some time, the trio go for the ender and Cannon pulls out and just cums, although it’s not much. This scene works, but it’s not very exciting.

The camera cuts, and we see the mummy outside. Then we go back to the interior of the hospital to a surgery suite. The set is great, mind you. Here we get a close up of one of my favorite actresses, one who I wish I could’ve met before she retired, or even now, Christi Lake. She seems like such a cool person. Anyways, she’s in scrubs when she tells two doctors that she wants to get laid. Christi Lake, Michael J. Cox, and Tyce Bune start to make out. There’s a starting point where Lake blows the guys, and then starts to go forward with sex. The music here is a bit more rock and pop oriented, and is different from the other scenes. There’s also a different element here. One of the guys puts on a condom, and then starts to have sex with Lake. That’s correct, no other scenes up to this point have condoms, but this scene does, which isn’t terrible, mind you. Christi Lake is a tall, dirty blonde with a long neck, long legs, and pretty smile. This is a normal sex scene for the most part with Christi Lake going to town with both men. They both condoms, mind you. She doesn’t moan a lot, but she is definitely enjoying this one as you can see her movements, and reactions, including nearly squirting at one point. At the 52 minute mark, we start a double penetration sequence and it’s in a surgical suite. This is a very sex scene, with Lake really moaning and getting into the action. This is perhaps the best part of the movie, with Lake cumming, and getting very wet through the sequence. After the three go through double penetration for a while, the director hard cuts and we see both guys cumming on Lake’s face, and she blows both after the fact, and seemingly enjoys the process.

After the scene we are follow the mummy, and he’s just walking around slowly. We also see the assassin, which was the mystery woman. She has a gun and she’s looking for the rat. In another hallway we see a nurse talking to a detective. We catch up with the assassin at this point and she’s touching a bunch of bodies in the morgue. They all come to life, and in comes our mummy patient. The detective shows up and stops her, takes her gun, and then a candy striper shows up to want to have sex.

For the final sex scene we get Barett Moore, Capri Cameron, Shanna McCullough, Sonya Redd, Tawny Ocean, Tina Tyler, Brian Surewood, John Decker, Kyle Stone, Nick East, and Tyce Bune in an all out orgy in what appears to be a morgue. This is straight forward, with each guy getting a girl and having sex with them. The camera goes around the room to show off all of the women in different positions, each one going through the motions, no one standing out. If you’re a fan of any of the ladies, you will see some o fthem, but not all of them for too long since this is a scene with multiple sex acts at the same time. It’s not a bad scene, mind you, it’s just has a lot going on and the director has to move around the camera to show a lot, and not just “one” thing, so that’s something to consider. Eventually, every one has a money shot, and that’s the end of the movie. The story has a plot somewhere in there, and it’s really just a matter of sex, and uniforms, with some clever sets and a random story thrown in for good measure. Loma Vista Hospital is where this was shot, mind you.

I give “Candy Stripers 5” a 3 out of 5.

There is only one good scene in this whole movie, which is the Christi Lake threeway. I love her, so this scene makes this movie worth checking out. If you’re a Christi Lake fan, then you’ll love the threeway that includes double penetration, and two money shots, with Lake looking amazing. She’s in her prime here, if you ask me.

Angels In Flight (1995) Review

Angels In Flight (1995) Poster

The year was 1995, and there are a lot of actors working in the porn world. Some of the most recognizable names come through movies that you may not have even heard of, and that’s the case for this movie. This is a movie that has a decent set, a premise that isn’t half bad, and actors that you know. The actors involved in this movie include, Christi Lake, TT Boy, Rebecca Lord, Jon Dough, Alec Metro, Houston, and Keisha. There are 5 scenes total, and you get narration from all of the people involved. They are all coming up to check into an flight to San Jose. They are all from different backgrounds. There’s even a guy with a makeshift turban on his head, which is funny to see. The narration all talks about sex, and then you see the boarding of the plane. People are boarding an airplane, which is an obvious set, and you see Houston as a stewardess, first of all, and the rest of the flight crew comes in. This is Houston before she did the Houston 500, mind you. “Angels in Flight” is a 1995 porno movie that captured my attention because one of the main actresses is a crush for me, Christi Lake. Christi Lake looks like one of my former bosses in tech, and she’s stunning, even now, wow, this review could take a few moments, as I’ll need to take a, well, a break from the action or maybe get some action. Let’s see how this movie breaks down.

The movie moves along with the stewardesses talking to the passengers. We then get thrown into the dialogue that is terrible, and of course, sex is to come.

The first major sex scene doesn’t happen until round the 7 minute mark. This features TT Boy and Christi Lake. I’m a fan of Christi, so this scene is quite hot, as she has lingerie on. The two move to a secluded part of the set, or airplane in this case and they start to sensually go through the motions of sex. The two get going through the regular motions, a blow job first, then Lake sits on TT Boy to get started with sex. The two are in total work mode, but it works here, especially if you’re a fan of either actors. There’s no condom, and Lake talks a lot, some seems careless throw away lines, and others seem really dirty, as the two play along with a techno musical score. The coolest part of this scene is the ending, where Christi Lake begs TT Boy to cum in her face, and he obliges sending the money shot flying into her hair and face, and post that, she sucks him once again, and it’s quite a hot scene, but it fades to black and we get moving forward to another scene. This was a hot scene, albeit only around 12 to 13 minutes.

Up next, we are thrown into a scene with Rebecca Lord and Jon Dough. Rebecca gets on her knees and Dough just gets blown for the starting line, but eventually takes Lord’s panties off and then gets started with a full penetration, albeit with a condom. You don’t see him put the condom on, but he has one, and the two start going at it standing up. Rebecca Lord is a tall brunette, thin, and not completely shaved. Dough is not shaved, has some body, hair, and wraps it up with a condom, and the two have sex to a bass driven jazzy tune. The two eventually go to a lavatory and start having sex, with Lord doing reverse cowgirl. The movie then switches to the money shot where dough gets blown to completion. He cums on her chest, and that’s the end of the scene. It’s not a great scene, and the two don’t seem to have that much chemistry together. It’s ok, at best. But it’s really not as good as the first one. Lord does masturbate to completion for herself, and that’s interesting, but other than that, this is a somewhat boring second scene compared to the TT Boy and Christi Lake opener.

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There’s a transition and we see the pilot up front flying. He has a headset, and he’s just flying alone. Houston shows up with a cup of coffee, and starts talking to Alec Metro, the pilot. Then the two start talking about the mile high club! The two start to disrobe, and Houston gets on her knees to give a long sensual blow job. This is Houston before all the plastic surgery after the Houston 500, and she’s looking good here. The two work well together, going sensual throughout the scene. The two go into doggy style at first, and then start to work through the motions of multiple positions. The camera and lighting don’t let you see if there’s a condom or not, at least not at first. After some changes, you can see that there’s not a condom, and the two go to work in the cockpit of the aircraft. It’s a sensual scene with flutes and random jazzy notes. Metro finishes on Houston’s chest, and that’s the end of the scene. Not a great one, minimal moaning, and Metro just didn’t seem to be into it. Interesting note, he would be very into Stacy Valentine in another movie, but this one, not so much. Houston is ok at best.

The next scene features Keisha and Rebecca Lord. Two brunettes that disrope and go downstairs to another part of the airplane and just go to town. It’s all oral and fingers, and lots of back and forth moaning. If you’re a fan of lesbian scenes, this is a nice one. It is almost like an instructional guide on how to perform oral sex, as the camera gives you a full close up of everything that is going on. If you’ve never seen good oral, then here you go, a scene that will surprise you at every level, and all natural. Fingers, tongues, and a little rimming for good measure. The two have chemistry here, and really get into the motions of sex. Good for them. A good lesbian scene to transition before the grand finale, I recommend this one for sure.

The next scene features Vince Vouyer with a turban on his head. He has a gun and he wants to hijack the plane. But Christi Lake and Houston give him a different option, as they start disrobing and dancing for him. They say that they would rather have sex with him than to get hijacked, and he obliges because he can’t control himself with these two fine blonde haired vixens.

Vince Vouyer, Christi Lake, and Houston have sex in the cockpit of the airplane, all while Vince has a turban on. He gets blown by both, then goes for several positions with each woman. There’s light moaning here and there, and there’s a bass driven musical score to round out the movements. Vince has more chemistry with Houston at some points than Lake, and Lake says her lines callously. This is not a great scene, but it works if you’re a fan of Houston and Christi Lake. I love Christi Lake, but I can’t get too far into this scene, it just isn’t that compelling. However, Houston and Vince have something going, and there are points where you can tell that Vince can’t hold it together and wants to cum early. The money shot happens with Vince cumming on both of the women’s faces, and then just letting them take care of him. They save the day!

The camera pans to the airport terminal, and that’s it. An empty terminal, and the end of the movie, without incident.

I give “Angels in Flight” a 3 out of 5.

On one hand I love Christi Lake, on the other hand, she seems to not have as much chemistry with her costars as she does in other movies. Like “Sex Commandos”. The rest of the cast does ok, but this is a far cry from a great porno, and aside from the premise is kind of forgettable if you ask me. Which you didn’t.

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The Right Connection (1995) Review

The Right Connection (1995) Poster 

We are back in our adult movie time machine and we stop in 1995. This time around we are going to see a movie titled, “The Right Connection”. This is a movie that was released on VHS and it starts with an interesting flag waving element. It talks about free speech, and tells people to vote, and more. It’s a few minutes long, and it’s about the Free Speech Legal Defense Fund. It says that the government doesn’t want you to watch porno, and other things, and that if you don’t fight, they could take it all away. Then you get the FBI warning, which I always love. You can’t duplicate this tape, obviously. I have a VHS copy of this, mind you. The movie then goes into the VCA Pictures logo, and away we go. Oh, and there’s a disclaimer from the Surgeon General, and talks about condom use, etc. This movie has some very cool 1980s music up front. The stars of this movie include Kia, Vince Voyeur, Misty Rain, Christi Lake, Felecia, Sahara Sands, Ariel Daye, and others. Clint Torres is the director of photography, and it’s edited by Hugh Briss, Dino and Earl do the music, and it’s directed by none other than Veronica Hart. Yes, that Veronica Hart!

The opening scene is a phone call, where Vince Voyeur calls a phone sex line, and speaks to Kia. Kia is an Asian woman, and she starts playing with herself. Vince talks to her, and the two have boring phone sex, and masturbation. It makes me never want to call a phone sex line, that’s for sure. To be fair, I have in the past, and it’s usually boring, but hey, that’s a thing of the past. This is a solo scene. It’s not a great scene, and Vince’s acting is terrible. This is just two people masturbating in different areas. Kia is pool side, and Vince is in an office, and the camera goes back and forth between the two. If you’re into solo scenes, this isn’t half bad, as both performers orgasm at different points, and that’s really it. The music is the most compelling part of all of this, honestly.

The next scene we get Vince calling the phone sex line and getting another Asian lady. But this time around, he starts imagining what goes on. He’s back in school, and Sahara Sands is his teacher. She talks to him and says that she’s going to have to spank Vince because he is late with his homework again. We then get a teacher and student scenario.

Sahara Sands is a pretty, tall, blonde, with small breasts, and long legs. Vince of course, is a standard in 1990s porno, and he does his job well. I had a boss that looked a little like Sahara Sands, so this is a particularly interesting scene for me. This is a cool scene, with Sahara sands over acting, and Vince doing his best to not look like he’s a robotic sex machine. He’s got good chemistry here, though, and he pulls through a great deal of positions with Sands, even if she is over acting at some spots. I can only imagine that she is, mind you, but hey, that’s what porno is about, right? Towards the mid-section of the scene, the two lose control of being characters, and actually start to go for it, and it shows. Vince especially just goes all in, and the two actually look like they are having fun in this otherwise routine sex scene. It’s interesting to see sweat, sound, and more. However, the music shifts into a new wave jazz thing that I hate. Sahara Sands gets really wet here, and she even squirts a little before Vince obliges her request to do anal. He puts on a condom for this, and then cums all over her rear, and it just looks great, as he has a lot going out on this one.

Moving along, we have another scene in which the phone is being used. Kia is sitting alone and she answers the phone. It’s Vince again, and he wants to talk to her again. He talks about how a girl is messing around with herself and a double headed dildo, which is Ariana, I believe. She’s on the phone, and she just goes through the motions of playing with it. Now, Kia watches that, and pulls out a clear dildo and plays with that, while the other woman, a redhead plays, and the camera goes back and forth between two women and Vince Voyeur again. It’s mostly sound and masturbation, nothing crazy. Again, the sound is the most compelling thing here.

The transitional scene shows off what the call center looks like. It’s a pool side residence in the Hollywood Hills, and women are tanning while waiting on the phone lines. Vince calls again (his name is Mike), and he wants to talk to Kia again. This time around, he can’t find her, it’s Felicia, a young looking exotic woman, that I’ve seen in other movies. The two discuss something simple, about how Kia loves him and wants to talk to him and possibly meet down the line. We then transition to seeing Kia back at her lawn chair, and Vince calls back. The two engage in a story, and we get into another sex scene. This time, it’s Vince talking about his day, etc. He’s a photograph, etc.

Christi Lake shows up, and she’s amazing. Another one of my crushes has been Christi Lake because she looks like a former boss as well. I guess I have a weird thing about my bosses, but hey that’s just me. Vince plays the slave here, and Lake plays the domme. Meanwhile, the director cuts back and forth between this scene and Felicia listening in and masturbating. This is mostly Lake and Vince, however, on the set of a photo shoot. I’ve seen this happen before, with stars, so it’s almost like watching things behind the scenes. For the most part, the two have sex on the floor, to a boring soundtrack, but you get to see Felicia intercut between sex, and she’s using a dildo. But then you’re thrown back into the regular sex scene, and Vince eventually cums onto Christ Lake’s face. The most compelling part of this is the after elements where Lake gives oral after the money shot.

Next up, we get a conversation between two different dudes, and they discuss about their favorite girls, and the 1-800 numbers that they talk about. Kia talks about what Ariana and Misty Rain are doing, and they are both pierced and as alt as you could get in the mid 1990s. Kia describes the action to Vince, while Vince again masturbates. Meanwhile Ariana and Misty Rain go through a lesbian sex scene that is coupled with interesting instrumental music. The two are really into it, and then comes out a big clear double headed dildo, and the two go to town. This is the most exciting, and loud lesbian sex scene I’ve seen after reviewing many different movies here. If I were to give an award for this, I’d give this one an award for the most chemistry between girls, because the two really go to town here, and it’s just as exciting as I can possibly tell you. Multiple positions, double dildo penetration, and genuine emotion, and chemistry. It’s a sight to see folks, and perhaps the one reason to own this movie!

Up next, we get transitional scenes, and I remember where I first saw this movie! I first saw this movie on the Spice Cable Channel! I kid you not, I remember the scene because it features Nikki Arizona. She’s a redhead with a beautiful face, eyes, and body. Vince calls Felicia and tells her this story, and it’s about a female cop that arrests a couple of dudes. The guys are Vince Voyeur and Richie Razor. The music here sucks, which is an instrumental but isn’t nearly as good as some of the other things that were here. It’s another “new school jazz” tune. The set is an alley, with a red convertible, and Nikki is wearing a sheriff’s outfit. She starts to give both guys oral, and you get narration from Vince on the phone, and spliced in is Felicia talking on the phone. At a certain point the scene is all sex, and it features the trio going for it in the alley. Nikki Arizona reminds me of a high end escort in Las Vegas, and of course the two guys just go for it. After some different positions, Richie Razor puts on a condom, and gets into the action with Vince, going for a double penetration with Nikki Arizona on the concrete. As they do that, you get spliced back to Felicia, on the phone, playing with herself. Then you get spliced back into the garage or alley, rather, and the two guys finish on Arizona’s chest and face, and that’s that. Meanwhile, Felicia drops her phone and just goes to town with her hands. That’s the end of this scene, with everyone climaxing, except Arizona, because of course, she’s on the receiving end, but hey, that’s porno for you.

The scene ends, and we Vince talking to Kia once again. This time he invites her over to his house. This is a big taboo, because no performer on the phone ever does this, right? Well I guess that’s why it’s a fantasy. The movie’s final scene isn’t a long one, but it has been building throughout the movie, and so the two meet, and then go to the bedroom, and immediately just get into the action. Kia wears black heels here, and the two go from fully clothed to the bedroom right away. Kia reminds me of Asia Carrera a bit, but it’s definitely not her. The two start having sex nearly immediately, no foreplay, and not much more. Just straight sex in a silk, black bedroom, with ambient lighting. Several positions are done, with a great overall soundtrack. The soundtrack turns to the opening track, and honestly, it sounds like Kavinsky is doing the score, which I loved more than the sex itself. Towards the end of the scene, Vince calls out the finale, and eventually cums on Kia’s face, and that’s the end. Seriously, that’s it. A somewhat anti-climatic sex scene to end the fantasy, and that’s it.

The end of the scene, features Vince and Kia talking on the phone. That’s about it. She’s cooking, and Vince is in the bedroom, and the two meet in the kitchen, and that’s it. The fantasy of bedding a 1800 girl is the main finale here, and that’s that. The movie is over, and I’m going back to doing literally anything that is more important.

I give “The Right Connection” a 4 out of 5.

This movie has a lot going for it, mainly Kia, Vince Vouyer, Sahara Sands, Christie Lake, and Nikki Arizona. Veronica Hart’s direction isn’t half bad, and the music is good at times, making this a bit better than most movies. I didn’t hate it, and I actually enjoyed a few of the notes. The credits role, and that’s that, a half decent movie to watch.

You can purchase “The Right Connection” via a lot of different avenues, and see if this is a movie to add to your collection. I actually liked it a lot, which is a rare thing on this blog.

Ghost Town (1996) Review

Ghost Town - 1996 DVD Cover - adultdvdempire dot com src 

There are two major reasons that I wanted to review the movie “Ghost Town” from 1996. The first is simple, the actress that stars reminds me of one of my friends, and dare I say lovers. I kid you not, my friend is one of the most beautiful people I’ve ever met, and whenever I see Lori Michaels, I think of her. But before I ever met my friend, I saw this movie on the Spice Network. I’ve talked about the Spice Network before, but this is a big one for me.

The reason why this is such a big movie for me is because I recorded this from the Spice Network onto a VHS tape. Now, the VHS tape I had recorded had a hard R feature of this. Now, I want you to try and think of what that was like in 1996. Take this movie, and then try to imagine not seeing an erect penis, but rather imagine the ending scene from “Austin Powers”. You see the motions, you hear the moaning, but you do not see an erect penis, and you do not see it go in someone’s mouth, nor do you see it go into the vagina or anywhere else. Now, you do see eyes, facial expressions, and directors zooming into the act, but you do not see it. I know, that sounds insane, but that’s how we used to get off in the mid 1990s on basic cable.

So what now? I’m older, and I can get the X rated version, and you better believe that I took full advantage of that. I went ahead and finally watched this full release, and well, it certainly brought back a lot of memories.

This is a movie that has a plot, which is why I chose to review it. It features a lot of bad acting, as per usual. The movie starts with a couple that gets lost on the way to Phoenix. When their car breaks down in the opposite direction, the couple argue and meet up with an old man, “Doc”. He then offers to help fix the car. Doc, Bobby Vitale, Lori Michaels and Doc talk about, and he said the two should walk to the next town. The two decide that they will wait for help, and just walk around the two. Doc continues to make funny quips, and I wonder how I could get a non-sex role like that one?

Night falls. The setting changes. Vitale and Michaels find an old place to spend the night. Steve Hatcher and Lori Michaels fall asleep, and that’s it. When they wake up Michaels is all naked, and Vitale is fully clothed. Michaels finds an old night gown, puts it on and decides to see what’s around town, looking for her clothes, since she’s lost them overnight. And that’s where this movie starts to get sexual. You’ll have to wait a while before you get any sex, making this a favorite of mine already. I like plot driven movies. Michaels stumbles into a brothel, and is forced to dance, meanwhile Sahara Sands, Steve Hatcher, and Tom Byron go to another room, and have their way with a show girl. Tom Byron here has a full mustache and goatee, and long hair. He’s going through a phase, huh? Sahara Sands is a buxom blonde, and is a bit older here. The action is fast, with a country music tune in the background. You really feel like you’re in the wild west when you watch this go down. The threesome involves Sands doing anal, blow jobs, and that’s it. No DP, and the sound designer muted her expressions at one point, and you can’t hear her moan, instead you get the sound track. When Byron pops, she screams, and it’s quite nice, but at that point Hatcher is soft, which is an odd dichotomy.

After the sex scene, we are thrown into another sex scene, this time a threeway featuring Felecia, Lori Michaels and Melissa Hill. This is ok, and features the women on stage inside a brothel, while the same country music soundtrack plays. The music and the sounds of moaning and kissing are leveled out, and this is not a bad scene, but it’s definitely not grand either.

The plot keeps moving forward after the sex scene. Michaels’ character is wondering where her husband is, and he’s on stage with Christi Lake, one of my favorite actresses from the 1990s. Michaels is upset that Vitale is going to have sex with Lake, and well, that’s exactly what goes down. Lake looks like an old boss of mine, which is why I love to see her work, as I always wanted to be involved with her, so I guess for me, this is a fantasy. Lake and Vitale have good chemistry, and the two work out well on the stage, in multiple positions, going back and forth, and just enjoying the process of the sex. Vitale eventually gives Lake a cum shot to the face, and that’s it.

Michaels’ character runs off looking for her husband, and sees Jill Kelly and Tony Tedeschi getting friendly. The camera zooms in on the two of them, and that’s the next scene here. The two go through a very mechanical, somewhat boring sexual romp. It is probably my least favorite Jill Kelly scene I’ve ever watched. It’s functional, but there’s an interesting change here. What you’re going to find is that Tony Tedeschi here has a condom on. He goes for anal play at one point, but it’s a very tame scene, with a new soundtrack of country styled music.

The next scene has Lori Michaels and Peter North finding each other, and Peter North branding Michaels like a piece of cattle, metaphorically, mind you. And what occurs next, wow, another boring disconnect from sexual virtual reality. This scene was not as hot as I recall, and it is a slow moving, condom based scene that is just disastrous. Michaels is silent, North is mechanical, and the music shifts in tone. This was a fast moving sex, and that was it. It’s just not grand.

After this, Michaels runs to her boyfriend and they get into the car that found them in this ghost town, only to leave and that’s that. The movie that once got me very hot, fizzled out and really made me rethink my own memories.

I give “Ghost Town” a 2 out of 5.

I know, nostalgia is neat, but this movie sucked. I liked the plot driven method, there was some chemistry between Christi Lake and Vitale, but the rest of the movie is kind of boring, the music isn’t that good, and well, I just can’t get behind calling this one a great one.

You can purchase “Ghost Town” via a lot of outlets, and I guess it’s an ok movie.

Did you see “Ghost Town”? If so, dropped me a line in the comments below.