I Love You Molly Flynn (1988) Review

I Love You Molly Flynn (1988) Poster

Today we are going to be heading back to the 1980s. We talked modern yesterday, but today, we are going to hit our time machine and visit the 1980s. This is 1988 that we are visiting, and we are going to be looking into a movie that was distributed by VTO and was directed by Fred J. Lincoln. This was a movie that was sent to movie theaters, etc. Moving along the way, we are going to be visiting the 1980s and seeing some of the stars that you can probably guess. This movie is called, “I Love You Molly Flynn”, and it features some standards from the 1980s. The stars of this movie include Angel Kelly, Billy Dee, Erica Boyer, Joey Silvera, Randy West, Sharon Kane, Tom Byron, and Trinity Loren.

This movie starts with an original theme song from the 1980s, and features a lot of colorful elements. The theme song starts and then we see the cast come through with cheesy 1980s graphics. This is definitely one of the movies that went to the movie theaters, and it shows. The production values are high here, with interesting graphics, fonts, and overall design to the start. It’s almost like the entry of a sitcom, only with spliced in hardcore sex, but it features something endearing about it as well. Once the credits roll we go into the movie’s plot.

The opening shows Randy West talking to a blonde haired woman and he talks about well he’s dressed and how cleans up. They talk about how he’s going to meet with the president. Then a servant comes in, and interrupts them. The servant says that there’s someone to see Molly Flynn, and it’s none other than Joey Silvera. Flynn doesn’t want to see him, and is upset that he’s come back again. The two talk, and Flynn pushes Silvera away, stating that they are not like they were, and she’s not interested in his advances. That brings Randy West down to see what is going on. Silvera is introduced to Flynn’s new love, and we get moving forward with an awkward introduction, and your standard starting line for a romantic comedy. Despite Flynn not wanting Silvera to hang out, her new man invites silvera to make himself at home, and the couple leaves him downstairs while they rush upstairs.

We are sent to another scene, and it’s Flynn discussing the situation with Angel Kelly. She says that there’s an unexpected guest and that her ex is now in the house, and things are going to get complicated. She’s venting to the help, Angel Kelly is a maid for Flynn here.

We are moved to another scene, and here we see Joey Silvera and Tom Byron talking to Angel Kelly, talking about having some fun, but then Silvera is pushed aside and Tom Byron gets into things.

Tom Byron and Angel Kelly start to make out on a red couch, and the camera swipes to a blow job. Angel Kelly is an African American woman with a thin frame, short hair, and medium sized breasts. She is a beautiful woman, and Tom Byron still looks like his boyish self. There’s romantic music playing to start, and Angel is works her magic with a fast blow job and hand job combination that nearly forces Bryon to cum within a few minutes. The music continues, and the scene moves to oral for Kelly. The two move into a few positions, the most prominent being reverse cowgirl. The camera focuses on an artsy movement, and you don’t immediately see the penetration. It moves with the music, and eventually we see the two having full blown sex, as sweat starts to bead up on each participant. The music here is really good, the lighting is great, and while Tom Byron looks to be in “work mode” Kelly really gets into the process, squeezing her breasts, and moaning a great deal. After several position switches, and a good amount of time, the finale comes with Angel Kelly giving Byron a hand job, and him cumming in her hands, which is a sight to see as she really knows what she’s doing. The two kiss lightly and the scene ends.

There’s a swipe and we see Joey Silvera roaming around the house in a blue tank top. Joey Silvera knocks on the door of Molly Flynn’s bedroom, or what seems to be a bedroom. Silvera comes in and tries to kiss her, but Flynn says that she’s with someone but Silvera tells her that he misses her and the two start to kiss a little more, even though Flynn, played by Trinity Loren, does not want to get moving forward, saying that she’s with Andrew, and that he’s amazing and doesn’t want to cheat. The scene ends with Randy West refusing Trinity Loren’s advances.

We then move forward to see Joey Silvear cooking in a kitchen with Molly Flynn, aka Trinity Loren, and they just talk. They are talking about cooking, and whether they want Silvera to cook full time etc. Silvera discusses the issue of cooking, and catering, and whether they want him to stick around long term, and more. It’s an interesting conversation that happens without any sort of sexual advancements.

The movie changes scenes and now we end up looking at a random den and it’s Trinity Loren and Joey Silvera talking about old times. Silvera puts his hand on Loren’s breasts and tells her that she should relax, and then the two start to make out a little. Silvera proceeds, and Loren caves in.

Trinity Loren and Joey Silvera start to undress, kiss, and engage in sex. Trinity Loren is a young looking, blonde haired beauty, with large natural breasts. She wears stockings and a pair of silver high heels, as she begins to blow Silvera. There’s romantic music here, and the two start to have sex on a brown couch. Why is every couch in the world brown? Answer me that?! I’m just saying it’s really generic. The scene starts with some of the most romantic piano music I’ve ever heard in a porno, and the sex starts slow, with a focus on the blow job that is so simple, and yet somewhat passionate. There’s no condoms, Loren isn’t shaved, she has a full pubic mound of hair, and Silvera isn’t shaved either. The two start to have sex, and for once, the scene looks like the two have a great deal of chemistry together as they start to get into the action. At one point Silvera squeezes Loren’s breasts and she sucks on the nipples herself, while Silvera goes in and out of her slowly and then sped up. This is perhaps one of the best 1980s sex scenes that I’ve seen in a long time, as it is passionate, and definitely more than just pure sex. The two trade positions a couple of times, and it gets a little harder and faster, with Loren moaning quite a bit here. After a while the two end up on a coffee table where Silvera goes between Loren’s breasts and then cums for the finish.

After the sex, we are taken to the kitchen where Randy West encounters Erica Boyer. Erica Boyer is a curvy dirty blonde, and she has classic 1980s highlights in her hair. She’s quite lovely here, compared to another scene that I saw her in where she and a dude were playing with a penis pump and he got massive before going in with her. There’s 1980s techno music that starts, and then we flash back to another scene.

The director flashes back to the brown couch where Joey Silvera and Trinity Loren are having sex, and the two are looking into each others eyes as Silvera goes all in with her. It’s a 1980s thing for the director to cut from sex to conversation to sex, and it’s mainly to give people in the movie theater a break between strokes, so that they can’t keep it up throughout, I assume. The finish here shows Silvera cumming on Loren’s pubic mound for the finish, and the two look into each others eyes and kiss, and it’s a nice little element overall.

We are taken back to the kitchen, and it’s Erica Boyer and Randy West. She has made him something to drink, it looks like a shake, and she talks about the ingredients, as the two talk. Erica Boyer gets on top of the counter and starts to give Randy West a little bit of a look while she rubs her breasts. Randy West tries to make conversation, but Boyer keeps trying to get him to touch her and kiss her, which he keeps trying to avoid. He can’t resist too long.

Randy West and Erica Boyer take off their clothes, and get on the counter for a starting point of oral sex. Boyer receives as Randy West and his stupid looking mustache go down on her, and then things switch up and she gives him a casual blow job. It’s slow, there’s romantic music that comes in, and West keeps talking about how amazing it is to have her mouth on his penis. The blow job continues through the scene, but the director decides it’s time for one of those infamous cuts. I kid you not, right when things are starting to get good, the director decides to cut to Trinity Loren talking to Silvera.

Silvera and Loren discuss how they made a mistake. They see things differently, but the sex is over, and Loren regrets getting moving forward with the sex. Silvera is proud of what happened, and Loren eventually walks away while Silvera is sitting with a grin.

The director cuts back to the kitchen, and that’s where Randy West is going all in with Erica Boyer. There’s once again good lighting, a nice counter top, and romantic music throughout. I’ve seen Boyer in a lot of other scenes, so this one is a bit tame, she seems to enjoy it for the most part, and West works up a sweat. Boyer is screaming at the 46 minute mark, and West is in full work mode, as the two share a connection after some time that is quite fascinating. They trade several different positions before Boyer eventually gives West a hand job and has him cum in her face and mouth. As she finishes West off Loren walks in on them, and he knows he’s in trouble.

At this point I got distracted. The main reason why is because this movie was dubbed in French for the copy that I got. “Do you speak French?” No! Then I realized that the movie wasn’t in French! It’s in German! Holy crap, how is it that I understand German? I don’t know, I can’t explain it, but I know what they are saying and perhaps I’ve watched too much porno.

We are taken to a room where Silvera, Billy Dee, and Randy West are smoking cigars and talking about what they do, and how business is going. Billy Dee talks about the changes that are going on in his industry, something about exporting things. Then Billy Dee starts to talk about a conquest he had while on a work trip, and in comes Erica Boyer.

Before they get too far, the director cuts to Loren and another blonde haired woman just talking.

The director goes back to the brown couch and we see Erica Boyer blowing Joey Silvera, while Billy Dee is in doggy style going in all the way with her. Again the romantic music kicks on, and the trio have sex on the brown couch in a somewhat passionate way. Silvera and Boyer do a lot of kissing here. And it’s fascinating to see overall.

The stupid director cuts again, and we are taken to a dining room where Randy West meets Sharon Kane. Sharon Kane is a blonde haired woman with short hair, red pumps, and she commands Randy West to give her oral. Randy West says that he can’t, because he is with someone and can’t just go in. Kane tells her to shut up and start going down. Then she insults him. So he gets on one knee and starts to give oral to Sharon Kane, but the director changes the scene.

The scene changes and we are back with Erica Boyer, Billy Dee, and Joey Silvera on the stupid brown couch. This time the positions have switched and Boyer is getting plowed by Silvera.

The director cuts yet again and we see Randy West giving oral to Sharon Kane. Kane reacts with a lot of moaning and vibrations, but the editing once again stops things.

We get taken back to the Erica Boyer, Billy Dee, and Joey Silvera trio of sex, for about 2 minutes and they are all in with their sexual positions, but that’s not good enough. The director cuts again.

Another cut and we are taken to Boyer in reverse cowgirl with Billy Dee and she’s orgasming wildly, and it shows. It’s a good piece of footage, and one that is much longer than the director lets you see. Meanwhile, Joey Silvera tries to get hard and masturbates, and it’s a bad little element that I noticed. The director cuts again.

Sharon Kane blows Randy West on a dining room table, the same romantic song is still playing overall. Kane is wearing red lingerie, and reminds me of an escort I once met with a Romney sticker on her SUV. West isn’t huge here, and while he’s hard, you can tell that he’s just the average sized dude, but can seem to last forever.

The director cuts, as per usual. Boyer is blowing Billy Dee and Silvera at the same time as the two get ready for the money shots. The two start to masturbate wildly in a race of who cums first, and it’s not a terrible little sequence, but I don’t know how they can synchronize this sort of thing. Eventually both cum at the same time and that’s it, and Boyer is watching and laughing and seems to enjoy the whole thing.

The director cuts again, and this time we still have that romance in the air with the music. Randy West is now having sex with Sharon Kane on the table, and the two are making out while he pushes his pelvis into her deeply. They exchange a few positions and while there’s a bit of moaning, it starts to look a lot like mechanical sex, as the director asks the couple to slow down a little, and they oblige. It’s romantic with the song, and Kane asks West to finish, and hurry up. The chemistry seems lost at the one hour and 8 minute mark, and while this is still sex, it’s just not that good. After some reverse cowgirl on a chair, West cums onto Sharon Kane’s pubic mound, and Trinity Loren walks in and sees the goings on and calls Andrew a bastard. Randy West plays Andrew, and then Joey Silvera and Billy Dee walk in as well and laugh.

The screen fades to black, and we are taken to a staircase where Randy West and Joey Silvera are talking. The two are getting a real heart to heart about the nature of love and romance. They found out a bunch about each other, and the sex that goes on. Randy West feels bad, but Joey Silvera gives him some advice about how to get Loren back.

In another scene the plan goes forward. Joey Silvera and Randy West play fight in front of Trinity Loren. The winner gets to have her. Loren watches the two and Silvera pretends to knock out West, and he goes down. Then we see that Loren loves West more than Silvera, and stays with him.

Trinity Loren and Randy West start to kiss. Loren is taken aback because he got knocked out, but he says that he’s fine, and there comes the romantic music. The music starts and we are taken to a well lit bedroom where Trinity Loren starts one hell of a blow job on Randy West. The blow job here is epic, and Trinity Loren has such a good body, and her hair is so nice with minimal makeup here. The two really get into this sequence, and it’s one of the best sex scenes in the movie. After a swipe of the camera, the two get into the sex, and it’s good, with Randy West going as hard as he can with Loren, and Loren moaning throughout. It’s a fascinating push forward, with the two actually seeming into what they are doing, throughout the short sex romp. Eventually Randy West gets between Loren’s breasts and then cums. The director shows their faces, then shows the sequence, and it eventually the cum shot appears and that’s that.

Moving right along we see that Randy West and Trinity Loren have decided to get married, and Silvera congratulates them as they leave. That’s the end of the movie, right? Nope!

Right when you think the movie is over, in comes Angel Kelly. She talks to Silvera, and they start to kiss and then get into the sex. The sex is quick, on the brown couch in the den, and the two just go through the motions. There’s no major oral here, there’s no major foreplay, it’s just straight forward sex. Silvera looks to be in work mode and for this round Angel Kelly seems to be less than enthused to start, but the two eventually pick up the steam with the backdrop of romantic music playing again. After some position changes, the two end up in close proximity with Kelly giving Silvera a hand job until he cums, and that’s the end. He cums hard, and Kelly watches it all go down, and that’s that.

I give “I Love You Molly Flynn” a 2 out of 5.

There's not much more I can say about this one. This movie is plagued with problems. The women are pretty, the sex is just boring, with the exception of a couple of scenes. The romantic music really is awful.

Black To The Future (1987) Review

Black To The Future (1987) Cover

After taking a little time away to watch and write more for this site, we are back. Today we are going to be firing up our time machine for porno and going to a movie that parodies one of my favorite movies of all time. That’s right, we are going to be reviewing “Black to The Future”. This movie came out in 1987, and it is a parody porno from the 1980s, and it makes fun of “Back to the Future”. This is not to be confused with the other parodies that I’ve talked about for this site, as this is a completely different parody from a different studio, with different actors. This movie is directed by Charlie Diamond, and was distributed by Vidco Entertainment. “Black to the Future” stars Tish Ambrose, Buddy Love, Frank James, Robbie Dee, Kristara Barrington, Melissa Melendez, Erica Boyer, and Herschel Savage. You’ll recognize a few of these actors from other movies, and some new comers as well. This was made in 1987, so you may find that the tropes that come from that era are alive and well.

The movie starts with a four way sex scene. This first sex scene features Tish Ambrose, Buddy Love, Frank James, and Robbie Dee. Tish Ambrose is a pretty blonde haired woman with naturally wavy hair, red stockings, and heels on. She has B cups if I can gauge them correctly, and takes turn with 3 guys, all of whom are hard for this one. Each one takes turn in what seems like a trash bag set. The walls are made of black vinyl, there’s a blow up doll in the corner, and the focus is on her and the sex at hand. She moans a bit, and at one point there is a slow down in the erections, which is funny, but for the most part, the guys are into it, and she seems to like the process as well. After some switching, there’s a point where there’s anal action, and that’s an interesting turn. Overall, however, this is a fast paced, odd sex scene with a lot of moaning, and some limp penises here and there. I hate to see a porn actor struggle, but it happens here and there. Ambrose takes a lot in this scene, and it’s not half bad, but it’s just hardcore, without feeling, and feels mechanical at times. That’s all I can really say about this one, it’s mechanical, with an odd set, and music that comes in and out here and there. There is anal focused on towards the 10 minute mark, so if you’re a fan of interracial anal, it happens here, and it makes Ambrose scream when it happens. After some back and forth, and weird things going on in the background, the guys cum, and that’s the end, they all cum on her, and she smiles, and the camera has a hard cut to a telephone.

On the telephone there’s a punk girl that answers a call from a professor. She says that payment can be made now that the fantasy has been fulfilled. The woman smiles, and we go back to the sex scene a bit, but then the woman picks up the phone and starts to dial away. She’s in crazy make up and a wig. She calls an android, and there’s a weird voice on the other line. The plot is found out here. We see the punk chick is an alien, and she is conducting an experiment in human sexuality to find out what is going on with humanoids, etc. She answers the phone, and as the camera pulls back, we see that’s she is nude. She gives people fantasies, and that’s what this seems to be. There’s no costs, apparently, and there’s a location where people show up and enjoy the fantasy world of sex.

There’s a hard camera cut and we hear some futuristic music. The only thing that I can say about this is that it has the name credentials of a parody, but the plot is nothing like the movie it’s making fun of. The hard cut takes us to a pin super futuristic car. This thing looks like something out of hot wheels, mind you. Inside of the car is a bed, and it’s a really cool set to look at. A woman shows up and gets into the car, and our alien starts to drive it and away we go. A bunch of smoke comes through and we are taken to a new place. It’s here that we see a sexual romp occur. An Asian woman asks about if a dude is really hung, and then there we go forward.

In what appears to be a speak easy, we see Kristara Barrington and Buddy Love start with a blow job. There’s romantic saxophone music playing underneath, Buddy Love wears a cap and sunglasses, and watches Barrington blow him in a speakeasy. This is just a blow job scene from what I can gather as the two don’t really get into sex. There’s a cut from the camera back to the phone room, and that’s where go next.

The camera cuts to what is supposed to be ancient Egypt. Here we see a random ddue having sex with a blow up doll. I kid you not. There’s some bass heavy music, and it’s a guy on a leopard print rug having sex with a blow up doll! He then cums on it, and that’s this scene. As he starts to cum, the woman becomes real, although the scene switches between different elements. This is supposed to be Melissa Melendez and Frank James, mind you.

The camera cuts, and we are taken to a fireplace, in a den. Here we see Kristara Barrington and Buddy Love going back to oral. This is obviously where we are going to see some sex, right? We do get a little bit of doggy style, but it doesn’t last that long. It’s a basic scene if you ask me, and no real romance or passion. It’s mechanical, Barrington barely moans until towards the finish line, and Buddy Love doesn’t seem to be that aroused at first, so it’s just a standard mechanical sex scene with no real payoff. Barrington is an Asian lady, by the way, with black hair, and a thin frame.

The camera cuts and we are back to Melissa Melendez and Frank James having sex. It’s supposed to be Cleopatra, mind you, but the set is completely cheap and funny to look at. The sex is fine here, mechanical as ever, but the director decides to cut back to Love and Barrington.

Buddy Love cums on Kristara Barrington and that’s it. There was a hard cut to this, and we see the finale of their sex scene. I do not understand why directors do this, but it’s the most annoying thing about 1980s porno movie editing if you ask me.

The camera cuts again and this time we are back to see Melissa Melendez and Frank James in doggy style, going for anal. It’s not a bad sex scene, Melissa Melendez has the face of Katy Perry, but lacks the big breasts, and is dolled up with gold and other elements from Egypt. Frank James cums on Melendez’s face and she turns to the camera and asks, “are you sure this is how Elizabeth Taylor got started”? Then we get a hard cut to the next scene.

We see Erica Boyer get into the bright pink car, and she is looking great. Boyer is a blonde haired rock star type, and she has black pumps and a sports jersey as she gets into the back of the pink time machine. Meanwhile, we see Herschel Savage talking to the camera and he says that he should be the director, and that’s it.

Two women come into the scene, and we’re back to that original set with the trash bag walls. Tish Ambrose and Erica Boyer start to kiss. Ambrose has the pink punk hair and the looks from the phone call set that was shown earlier. Boyer and Ambrose start to have sex, in a passionate lesbian scene that features a lot of fingers, oral, and much more. There’s a vibrator introduced at one point, and something that is somewhat simple to see and focus on overall. The scene isn’t half bad, the two work up a good sweat and they use the vibrator, fingers, and more to full effect. After some orgasms from the vibrator, Herschel Savage shows up and starts to get into the mix.

In the progression from the scene, we see Herschel Savage take on Erica Boyer. Boyer takes it all in, and the two have sex on the floor of the set. It’s mainly one position for the most part, Boyer doesn’t really moan much, and the two just go straight through the sex. Eventually Savage cums on Boyer’s face, and that’s it. It’s mechanical, there’s barely any moaning, it’s short, and the rock instrumental in the backdrop sucks. Boyer is left on the floor with the director zooming into her face, and the sex is done, the sound stops, and we just see a blur occur.

After this sex scene, we see our punk haired woman talking about how they have completed the science experiment. The movie ends, the credits roll, and that’s the end of this one.

I give “Black To The Future” a 1 out of 5.

This is perhaps one of the worst porno movies I’ve ever seen. However, I really liked the car, and the interior of the car. The rest of the movie is awful, with no good passionate sex scene, but there is a little creativity here and there. Other than that, I can’t really give this a good grade. It’s interesting for collectors and for a good laugh amongst friends, so there’s that.

If you want to check out "Black to the Future" from 1987, you can do so by clicking HERE to stream it for as little as $3.99! Also, sign up and get 15 minutes FREE so you can see how cool the car is, and how the sex in this movie is. 

Mile High Girls (1986) Review

Mile High Girls (1986) Poster and DVD Cover

Today on John G’s Dirty Movie Review we are going back to 1986 in order to review a movie with a lot of stars in it. The movie is called “Mile High Girls”. It’s a movie that caught my attention because I like the idea of the mile high club. I reviewed a movie about stewardesses and other things, and that was fine, but would this live up? I didn’t know at first, but hey, it’s my duty to watch and review these movies. “Mile High Girls” from 1986 stars Erica Boyer, Jon Martin, Porsche Lynn, John Leslie, Jim White, Viper, Tom Byron, and Joey Silvera. These are all major players in the 1980s porn world, and well, let’s see how they did it, no pun intended.

Now, I don’t know how porn sets are constructed to have such a cool look and feel. This movie starts with a real looking airplane interior. Now just any one, either, one from the 1980s. I flew in the 1980s, and 1990s, and can tell you that the interiors were way different. This was very much different, and it’s interesting to see it. Joey Silvera is seated in in an aisle seat and is brushing his teeth. He orders a drink and a stewardess drops a drink on him. He’s the best part of this movie, his acting is second to none, and it’s funny to see him interact with the women.

We move from the aisles to the cockpit. It’s here that a stewardess drops a cup of coffee on the pilot of the airplane! She freaks out and says that she can make it up to the pilot. That’s when she starts to open up the pilot’s shirt, and that’s when the two kiss, and you know what’s going to happen next. The plane goes into autopilot, and a smooth jazz sound comes in.

Erica Boyer and Jon Martin have sex in the cockpit of a commercial airliner, with a soothing jazz tune on the background. It’s interesting to see Erica, because I just saw her in a penis pumping instructional video, which was gross, and interesting all at the same time. For a 1980s porno, there’s certainly a lot of kissing. Erica Boyer is a blonde haired, medium breasted woman, and Jon Martin is your average stud. Not huge, just regular in size, if you ask me. I didn’t mention this before, but there’s film grain, and this movie was definitely meant for the silver screen, and it shows. Boyer goes to town on Martin’s penis, and he’s not shaved, giving every-man a sense that they could get in on the porno craze too. This is a sensual scene for the most part, and it’s interesting to watch Boyer work. She really seems to be into what she’s doing, while Jon Martin looks like he’s fighting not to cum as Boyer sucks and moves. She’s really sucking here, not just gliding, and this could very well be the best blow job start I’ve reviewed in on this blog thus far. After a quick blow, Boyer lays down a little and gets oral, she’s not shaved, and Martin gives it a little try, but moves to sex quickly. He bends Boyer over and the two start to work through doggy style. The directory gets you in close a bit, but it’s not nearly as much as you’d expect from modern porn. Meanwhile the co-pilot and the other stewardess is listening in in a hallway. There’s a bit of sex and it’s not bad, Boyer moans and Martin just goes through the motions. Eventually Martin finishes on Boyer’s lower back and butt, and that’s the end. He says, “Welcome to the Mile High Club”, and that’s the end of the first sex scene.

The movie continues and you see the plane arrive at an airport for a layover. Everyone empties out the plane, and that’s it for a moment. There’s some talk between the stewardesses. When everyone leaves except for the co-pilot and one of the stewardesses, the two engage in an bout of eroticism.

Porsche Lynn and Jon Leslie start making out, and they are fast moving straight into sex. This is a bit more fast paced than the first scene, and there’s a hard bop soundtrack to this. Meanwhile the camera follows Erica Boyer in the airport, which looks to be in Japan, and she’s just walking around. The director cuts back to the sex, and Jon Leslie asks for a blow job. At one point he commands, “don’t lick it, suck it”, which the director left in the movie, for another blooper. Leslie is not a big guy, mind you, and it shows. He does hold on before cumming, but it sure looks like he’s trying hard not to blow things as Lynn really works over his erection. Leslie has a lot of body hair, Lynn is a blonde haired, good looking woman, and reminds me of Ginger Lynn, of course. The two eventually get to the sex, and the director doesn’t show you a lot of penetration, just a little bit, before Leslie finally can’t hold on and cums in the face of Lynn. The best part of this scene is watching Porsche Lynn’s hair go from high and tight to loose and all over the place during the course of the sex. Other than that, this wasn’t that great, unless you like blow job finishes, in which case you’ll like how Leslie holds on just long enough to drop a load on Lynn’s face, which she seems to enjoy.

In between the sex scenes we get more dialogue from different people. We also see Erica Boyer taking photographs, and just exploring different areas. IT’s not bad, but it’s also not great either. It’s honestly just B-roll to fill the movie. Remember, this was meant to be in movie theaters, so you aren’t going to just get pure sex, you’re going to get a mix of things, and this definitely fills that void. So when you are going to see a movie in the theater, there’s sex, but there’s also b-roll and other elements to help break up the brown paper bags being used for personal reasons. In this case, Boyer seems to have almost her flight and runs into an old flame while catching a taxi.

A jazzy bass line begins in the backseat of a Taxi cab in what appears to be Hong Kong. Erica Boyer and Jim White starts to kiss, and well, that prompts the clothing to start coming off. Erica Boyer starts off with a blow job to Jim White. All while in the backseat of a taxi that’s headed to the airport in what I can only assume is Hong Kong. The driver doesn’t seem to care, as the two just go for it in the back seat. For what it’s worth, Jim White has a bigger penis than most of the other guys in this movie, and Boyer really seems to get into this scene more than the others. She eventually moves over and sits on White’s face as she blows him. This is one of the biggest taxi cab back seats ever! Eventually Boyer moves over to reverse cowgirl and the two have sex while the taxi is supposedly moving. This has to be a set. Either way, the two have some chemistry here, and it really does look good overall. Mind you, this is only 33 minutes into the film, and the two are really going to town. They seem to have a great deal of chemistry, and when White’s finished, he cums on Boyer’s pubic mound.

After this sequence, we end up back in the airplane, and two flight attendants are talking about how they are going to be flying to Macau. Then you get some more b-footage of the city and different areas. It’s interesting to see the signs from Macau, and well, one day I want to visit.

Up next the movie shifts to a club scene. It’s a live sex show in Macau. This features a lot of dancing at first, then comes through with an interesting focus.

The sex show features Buddy Love, Jason Jules, and Viper. I’ve wanted to review Viper’s movies because she’s a very tall woman with a very specific body tattoo that wasn’t seen in the 1980s porno world a lot. When I say she’s tall, I mean it, and this tattoo of a large snake is definitely something you have to see to believe. She works very well here, giving an incredible blow job, and then accepting hard cock. The sequence was said to have two guys and viper, but it starts with just one guy and one girl, then switches to another area of the movie.

The director floats to another scene, and this time it’s Porsche Lynn with big hair and a red dress. She gets on her knees and starts to work on Tom Byron. That’s right, another Tom Byron scene. Tom Byron and Porsche Lynn begin to eagerly undress and have sex in what appears to be a cheap motel. Lynn’s hair is out of control here, and Tom Byron has his signature moustache. He looks so young here, and it’s interesting see how his career kept going forward. Lucky man indeed. I’d love to interview the guy. Byron here has a bit of a sensual run with Lynn, and she gets very excited to work with him. Byron gets into the action while on top, and the two remain kissing through much of the strokes, which is kind of neat. The two are not shaved, so you get full close up of the action, and it’s quite nice to see. Tom Byron is an allstar in this scene, but it abruptly changes.

The director decides to go back to the live sex show. That’s where the third man comes in, and it’s a guy that was in the audience. He has leather pants on, and immediately takes them off and gives Viper something to suck on. The sex show turns into a threeway, and the dudes all work together to give Viper a good time. There are multiple positions here, and lots of back and forth, with a money shot on Viper’s snake tattoo, and then right in her face, before the director cuts to the Tom Byron scene.

Tom Byron at this point is in doggy style with Porsche Lynn. He really gets to work here and it’s interesting to hear her moan while Byron goes to town. Lynn really gets excited here, and is wet, while Byron’s youth takes over, and showcases why he’s one of the premier porn stars from the 1980s. This is a sweaty, casual sex scene that enhances the pleasure of both the viewer and the two getting it on. The cheap motel vibe aside, the music is good, Lynn’s red lingerie is nice to see, and the two seem to actually be enjoying the process of making this, with a lot of positions, and moaning. Eventually this one ends with Lynn blowing Tom Byron getting a blow job then a hand job, but no money shot. Not sure why they decided on that.

The movie goes forward to the airplane. The flight attendants talk while Joey Silvera keeps bugging them.

The camera then shows you some more B-footage. Eventually showing you a scene where Erica Boyer and Porsche Lynn seem to be in an apartment together. This is a classic 1980s set, with too many plants for some reason, and tacky interior design. The two women go into a shower and start to make out, and play with one another in a somewhat awkward and somewhat forced lesbian scene. Sure it works, but it’s lackluster compared to the rest of the movie. It is almost like a softcore porno movie, if you ask me, with a few notes of hardcore here and there. Nothing great, nothing terrible, just two blondes taking a shower and enjoying the process.

Joey Silvera goes into the apartment or room, and notices that his room has some women in it. The women stumble upon him and they decide to help him out a little. This turns into a three some. Joey Silvera, Erica Boyer and Porsche Lynn have a threesome in what appears to be a terrible apartment, or wait, a hotel room. This is not a terrible scene, it’s not a great one either. SIlvera has been in other movies that he shines in, but here he kind of just goes through the motions. The women seem to be fine with him, and they do perform ok, but it’s obvious that there’s that “it” factor missing in this sequence. Silvera gets enough action with both women, but it’s short lived as the movie ends with Silvera cumming on the two, and then just finishing up. That’s the movie, and it’s not a long one. This movie is only one hour and sixteen minutes long, mind you, so this scene kind of just ends with the flight attendants talking about how great it is to be working for an airline.

I give “Mile High Girls” a 3 out of 5.

I didn’t really like the short scenes, and the chemistry lacked throughout. The Tom Byron scene, and the opening sequences was fun. If you are a fan of Viper, and any of the other actors in this movie, then why not pick it up? It’s more than adequate, but it’s not something that you may want to see over and over again. I did like a few things, and I noted them. It’s a good movie, just not a great one.

You can purchase and stream “Mile High Girls” by clicking here. Check out Viper’s scene, and Tom Byron’s scene if you only purchase scenes from the link.