Showing posts with label posters. Show all posts
Showing posts with label posters. Show all posts
Thursday, September 20, 2018
Tuesday, July 24, 2018
Casual Encounters (2016) Review
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| Casual Encounters (2016) Poster |
The movie begins with Jessica Drake looking online for dates, and seems to find someone to email. The two then plan on meeting at a bar, and end up talking. This is all filmed with stellar lighting, amazing camera work, and shows more of a “movie” vibe than a porno. If you like high end productions, this one takes the cake, it’s well lit, it has some stellar angles, and it’s regular in terms of movies. It’s not at all gritty, with the sole downside for me being the music, which is a bad EDM production. The movie shows Drake and Derrick Pierce going to a bar and conversing, and that’s really all you see for the first 10 minutes to start the movie. As the movie progresses, the two start to kiss in the corner of a bar, and then signal to go to the back, where the action will no doubt start.
The movie goes to the bathroom, and that’s where we are treated to seeing Jessica Drake and Derrick Pierce having sex. They are just going at it, and it seems to be a natural progression, from kissing to sex. Drake has a red top, long black boots, and a black skirt. She’s a tall woman for the adult film world, has long blonde hair, and medium sized breasts, that may be augmented, but I can’t tell in this scene. Derrick Pierce isn’t a big guy, but he gets hard and lasts. The sex scene starts with Derrick performing oral on Jessica Drake, then the two go into counter sex, with only Pierce going full nude here. As far as the sex goes, it’s ok, a few positions here and there, and Drake trying to moan and look like she’s into it at first, only to finally get into it around the 17 minute mark. Derrick Pierce looks like he’s just concentrating, and while this is very much a sensual scene, it’s a little robotic in nature. If you watch it, you’ll note that it’s mostly business, even when Pierce seems to go in a little harder. After a good amount of back and forth, Pierce cums on Drake, and that’s it. Visually this is well lit, the bathroom is clean, the director does well with the camera, and the performers are ok, but Pierce is noticeably not large, and Drake seems less than enthused for a bit of this movie. The ending was ok, she sucks Pierce off a little, while EDM starts again, and I personally hate the soundtrack.
The movie fades to Derrick reading an email and seeing that Jessica Drake wants another round. He says that he will instruct her, and she is sent on a quest to find a dude to blow.
Drake meets up with a man named Marcus London, or rather that’s the actor’s name. London is a built, ripped guy, and Drake gets on her knees immediately, to start to suck him off. Her skills here are lacking. Drake visually does well, and it’s not a terrible sequence, but it’s definitely visually striking rather than something she seems to be really into. There are moments where she seems to be interested, but London has to just egg her on to continue at times. As far as a blow job scene is concerned, it’s not half bad, and at the 25 minute mark, really starts to take off, as though Drake starts to enjoy herself for a moment, and forgets she’s on film. The two move into the passenger seat of a car, as they are in a parking lot, and they start to have sex, and it’s reverse cowgirl with a condom on. It’s nothing fancy here, just your average sex scene if you ask me. Drake looks bored a bit, and London seems to know it, so he gets her up and asks her to suck him off again, and she obliges, until he finishes. There’s no music here, but the film quality is great here, yet again, giving you great angles, good lighting, and ambient noise as well. London finishes on Drake’s face and that’s it.
We are taken back to Drake’s apartment, and she is just looking off into the distance, seeing what’s around, and nothing more. She then texts Derrick and he says to come over, and he’s in a room having sex with another woman.
There’s a hotel bed, and Romi Rain is in bed with Pierce, having sex. Romi Rain is a voluptuous woman with tan skin, a large tattoo on her body, long black hair, and large breasts. She moans a great deal as Pierce goes in and out of her, and the two are nearly all naked. The two have sex the way you would with an escort, hurried, lacking passion, and just going through the motions. Drake watches and just sits in the corner as the two continue their involvement, which has no sound, other than the moans and the movement of the bed which squeaks. As far as this sex scene is concerned, it’s way better than the previous drake ones, as the two exchange positions, moan a great deal, and is quite good. Even the ending is good with Pierce cumming on Romi Rain. Romi Rain upstages Drake if you ask me, and it’s a good scene with some passion, which is lacking in the other scenes up to this point. At the 52 minute mark, Pierce cums in her mouth, and that’s the end of this sequence.
We go back to Drake texting Pierce, and wants to know what else is next. It’s here that we are taken to a new option. This time around, Pierce drives Drake to a circle of cars in the middle of nowhere. It’s here that she starts to suck off a bunch of guys, while blind folded. This scene features Jessica Drake, Eric Masterson, Mr. Pete, and Steven St. Croix, and it’s mostly a blind folded blow job sequence with the guys keeping their clothes on for the most part, and cars lights shining onto them. It’s straight forward, until around the 1 hour and 5 minute mark when St. Croix starts to have sex with Drake, while she’s still blindfolded. At around the one hour and 9 minute mark, you’re going to get a double penetration moment, with Drake getting pounded and hoked, blind folded, with another guy getting blown at the same time. This is the most interesting of visuals, and it’s really the most hardcore of the sequences that Drake has been in, that I have seen her in, thus far. It truly seems like she gets into the scene, and the director lets the action play on, relatively easy going with Drake actually looking like she’s into the sex. It’s a fascinating push forward, in an otherwise sterile film. All of the guys take turns, and eventually cum on Drake, before Pierce gets out of a car and starts to approach her. Drake takes off her blind fold and starts to blow Pierce while a couple watches in a car.
The scene ends without a money shot, and we are taken to a bathroom in which we see Jessica Drake, just taking a shower. She is in there and taking a shower, soaking up the cleanliness, and that’s it. A nude Jessica Drake starts to masturbate in the shower, and that’s it. If you like solo masturbation scenes, then you may like Drake’s scene here, where you see her completely nude, and notice that she does in fact have breast implants. Visually it’s simple, but the director stays above the waist for a lot of it, making this an odd choice if you ask me. There’s a bit of focus on the masturbation around the one hour and 20 minute mark, but it’s more of an artistic send off than a hardcore sex scene if you ask me. Drake does get herself off though, which is sexy, and finely tuned if you ask me.
The scene fades, and we are taken to a mundane task where Drake is texting Pierce and we are along for the rid. It’s a simple look at Drake with minimal make up and just in regular clothing. I personally like her this way, but that’s just my two cents. She texts Pierce and the two setup a date for later.
At the next meeting, we see Pierce hanging out and waiting for Drake. This next scene features Jessica Drake, Olivia Austin, and Derrick Pierce. We are given a little bit of a story here, as Drake drops a photograph on her. We start to see that Drake has been trying to blackmail this guy for some time, and has been working an angle the whole time, eventually getting her revenge at the end. She then enters the room with the dude’s wife, and there’s some explaining that needs to get done, right? Nope! This is a porno, and we are taken into a whole new world of sex as there’s a threesome. This time around Olivia Austin gets most of the action, and she’s a tall blonde woman with large breasts. Her and drake could be sisters in this. Jessica Drake, Olivia Austin, and Derrick Pierce have sex on a white couch, and it’s visually good, just a bit dry if you ask me. There’s no passion again, and it’s robotic in nature. However, as far as a modern porno is concerned, it has all the elements that you would expect, so I guess in a way it’s not terrible? I can’t complain too much, it’s two hot blondes getting railed on a white couch, simple and plain. Pierce cums on Austin’s face and that’s the end, another movie done.
I give “Casual Encounters” a 3 out of 5. While I am a fan of Jessica Drake’s work at times, visually, I didn’t find this one to be that great. She is a great looking woman, don’t get me wrong, but the sex just didn’t feel passionate at all. She is a stunning woman though, and I’d love to interview her, and maybe clear up some of my criticisms of the sex. Otherwise, it’s a random porno that I probably won’t remember.
Now, if you’re a fan of modern porno, and like the premise of casual encounters, and love Jessica Drake, then by all means, this is a blu ray and DVD you want to get. It’s well made, it looks great, and it will definitely impress a lot of people. It’s a good looking movie, and you can buy it by clicking HERE.
Wednesday, June 6, 2018
The Time Machine (1996) Review
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| The Time Machine (1996) Cover |
The movie starts with Jonathan Morgan and Serenity walking around a mansion. Morgan’s grandfather have left him an interesting home, and the two start walking around the home to figure out what is going on from the past. They end up going through an old lab, and that’s where Morgan finds a letter. He reads the letter out loud as he walks around Serenity, and the two start talking about time travel according to Einstein. The two are great actors here, and I’ve always said that Morgan has been good in the movies that I’ve seen him in. The two start to look for the machine’s components and how to use it, then they uncover it. It’s not too unlike the H.G. Wells version, mind you. There’s a lot of attention o details on the set here, the sound design, the acting, the script, and the introduction. To the point that Morgan doesn’t have sex with Serenity right away. The build up of this movie features a lot of build up, and Morgan reads the letter, and discovers the machine and more. After Morgan reads that he has been given 1 million dollars in gold, Serenity perks up and, and says that there’s something that makes her quite horny about money, and so the two begin to undress.
Serenity and Jonathan Morgan start to undress, and Serenity goes for a blow job right away. Serenity has a girl next door look to her, with dirty brownish blonde hair, and perky, young breasts. Morgan looks like your average joe, a teacher even, and the two start things off with making out, before Serenity gets on her knees to give a blow job. The camera follows them nicely, and there’s a soft jazz tune that plays, with a minor bass tune. The camera blocks things as if this were made for cable, but eventually you get hardcore, because you know, that’s what I review on this site. Serenity blows Morgan until he cums, and he’s not that large, and doesn’t have a lot of semen, so if you were expecting a large cum shot, you didn’t get it here. However, Serenity’s skills does well enough to get him to cum, so if you’re a fan of just pure blow job scenes, then you’ll appreciate Serenity’s dedication. Although, Morgan doesn’t seem to get quite hard for a while, so maybe that’s why the scene gets cut short.
During the blow job, something gets kicked on, and the two end up going through time, as Morgan can’t figure out what is going on. There’s a bit of B-footage playing, and you get a mix of different b-level backgrounds as the two end up going to a wild west area. The two figure out that they are in 1882. They just sit there and argue, and discuss how they are going to get back to their own time, while Serenity gives Morgan some guff for getting them lost.
The movie progresses, and we see a wardrobe change for the two, playing up the wild west theme. The two get involved with a couple of outlaws, before running off to try and protect themselves from getting hurt. Meanwhile, we are introduced to Ruby, Alex Sanders and Mitchell Grant in a saloon that turns into a sex scene. Ruby here looks like a prostitute from the old west, while the guys wear western garb. The saloon set is good, with wooden floors, and a lot of background elements that make you get into the scenario quite well. There’s a tune that plays behind the action, and it’s not half bad, with Ruby getting naked first, and on her knees, blowing both Sanders and Grant immediately. The two waste no time getting hard, and while they aren’t huge, Ruby does a great deal of work to get them excited. There are no condoms here, and Ruby yells a great deal, cums, and is really loud at the 30 minute mark, which made it difficult for me to continue my review. The two take turns having sex with Ruby, although the scene isn’t that long. By the 30 minute mark, however, Ruby cums hard, and one of the actors cums a great deal on her pubic region, and rubs it all in, making for an interesting ending.
After this scene we are taken to a tent, and inside is Peter North wearing Native American garb, and a woman is with him. The woman is named Tatiana, and North is supposed to be a Native American here. Tatiana gets on her knees and starts to blow Peter North, with an instrumental tune in the background, and it’s very much supposed to resemble Native Americans having sex, although Peter North is circumcised, so there ya go. Tatiana is a Latin looking woman with black hair, and large breasts, with a great deal of curves. The two go through the motions of sex well enough, and North just lets her pound against him in doggy style to start things off. It’s not a great scene, but if you’re a fan of Peter North, then you’ll know his style, and it’s not always passionate, as much as it is adequate for the cameras. At the 38 minute mark, however, North really starts to push things, and gets Tatiana to scream a bit. She looks a little like Brie or Nikki Bella to be honest, so if you know who they are, then you may like the scene. Things go into anal towards the end of the scene, with a full focus on reverse doggy style, and after a few minutes, you get another classic Peter North cum blast, and if you’re a fan of those, then you’ll know what to expect as he unleashes all over Tatiana’s face and chest.
After the scene, we see Jonathan Morgan talking to Peter North, and if you’re someone that is upset with racism or cultural appropriation, then you’ll hate what you see here. It’s somewhat racial in nature, but it’s a porno as well. Morgan is funny, and he’s great at using the strict, with North doing some straight man gimmickry. Morgan is great though. He gets Serenity and then takes off the western wear, and then gets on the time machine and gets sent to the Roman Empire.
In Rome, we see the Time Machine land with Morgan and Serenity. They think it’s 1996, but it’s not, it’s 196, and the two start to argue again. The two put on Roman gear, and say that they want to go back to Egypt. Things go sour but one of the Roman soldiers that finds them starts to talk to Serenity long enough to get her to go back to his home, mainly a bedroom.
Serenity starts to unrobe, and is in the presence of Colt Steel, which looks cut, and has a beard. He has long hair, and looks every bit the part that you’d expect a Roman soldier to be. He’s ripped, he has a somewhat large penis, and Serenity blows him immediately. What really breaks the mood here is that Steel wears a condom, so you know that attention to the details gets thrown out the window. Aside from that, however, the set here is a candle lit area, with roman style drapes, carpeting and more. Throughout that, Serenity starts to ride starting with cowgirl, and moans a great deal to begin. This is not a passionate love making session mind you, it’s fast paced, and gets to the meat of things quickly, with Serenity really getting pounded. The Roman Soldier goes through various positions with Serenity, and it’s a sexy scene, that is fast, and eventually garners cum on the back of Serenity. This is not the best scene in the world, but if you’re a fan of Serenity, then you’ll like how it turns out, with her in multiple positions, moaning and cumming.
After this, Morgan and Serenity get back to the time machine and they go into the future. The future is where they end up as an experiment, mainly Serenity on a slab talking to an alien. Then comes in a woman played by Sindee Coxx and they start to make out. Sindee Coxx and Serenity go through a lesbian sex scene. The backdrop here is a futuristic space medical lab, and it’s a good set. Coxx is a tall, blonde haired, somewhat skinny woman, and looks very much California, if you know what I mean. Serenity and her work together well, with moaning, oral, fingers, and more. The majority of the scene is spent with oral and fingers that’s for sure, and they seem to get into it, which is always nice to see with lesbian sex scenes.
The movie then shows off Jonathan Morgan and he’s in the caveman times. He ends up talking to Davia Ardell, and Tracy Love. These are two very thin, very small women. They make a few jokes and then Morgan is asked to get on a bed for them. They rip off his clothes and then he gets hard, and the two end up having sex with him. Davia Ardell, Tracy Love, and Jonathan Morgan start to have sex, and it’s a stone age setting, with some good lighting. Love and Ardell are petite women, one with enhanced breasts, but both wearing black hair wigs. They immediately get Morgan hard and start with a dual blow job sequence. This is the most mechanical sex scene, with the women moaning in robotic tones, and Morgan just going through the motions, trying not to cum too fast. Visually, this is ok, but honestly, it’s lackluster performance makes it somewhat boring, and mechanical. Those that have had casual sex and just went through the motions will recognize this first hand, with just boredom. There’s a small cum blast, and he wants to get out of there before a dinosaur gets him.
The scene ends and Morgan wants to go back to his time. He gets back to his time machine and starts to wonder how he can get Serenity back again. At the end, Morgan goes to the future, and rescues Serenity from the aliens, and then flies away, with an explosion that leaves them back at the old mansion, and that’s the end of the movie. A sci-fi twisting porno, with some good acting, good sets, and some mediocre sex here and there. Serenity is hot at times, Morgan’s acting is great, and the effects are good for a porno.
I give “Time Machine” a 4 out of 5.
One bad scene aside, this is a well put together porno, with some good moments, including a few elements that made me want to stop reviewing and do other things, so that’s always a plus. It’s not a great one, but it has a lot going for it, all things considered, so it’s definitely a 4 out of 5 effort.
If you're inclined to purchase adult movies, make sure that you pick up "The Time Machine" on DVD or stream it HERE!
Friday, February 23, 2018
Motel Blue (1998) Review
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| Motel Blue (1998) Poster |
The movie starts with a voice over from Kobe Tai. She talks about how her town is small, and that she doesn’t think it’s so bad. She then goes to work at a small motel, and she takes over the front desk. As she commands the front desk, and a random dude shows up and gets Room 69. The dude then gets in his car, where a blonde-haired woman is waiting, and that’s it. The movie builds you up to a plot that is heavy on the mundane, which is just motel focused. Kobe Tai pushing a laundry basket for instance, and just going through motions of motel work. If you like plot heavy movies, that have visual design that goes beyond just a black couch, then you’re going to love this. The set is treated like a movie, not a porno, and the movements are treated with a bit more clarity and art to them. Even though there’s sex involved. As Kobe Tai does laundry, she finds that she can hear into Room 69, and so she decides to see if she can get a glance at what is going on, and sure enough, she can peep right into the room. She gets on a small step stool and watches it go down.
The first sex scene starts at around 6 minutes, mind you, and it’s a cheap motel, as the title suggests. It starts with Timber and Joel Lawrence. The two aren’t familiar to me. Joel Lawrence has brown curly hair, and is not a large guy, just normal white dude. Timber is a blonde-haired woman with fake breasts, shaved completely, with long nails. She looks to be in her 30s here, at least from the caked on makeup that covers up a great deal of her expressions, and she seems to have a bit of chemistry with Lawrence as they go through oral. Lawrence gets hard and Timber blows him for a little bit before she asks him to give her some, and he obliges with doggy style off the side of the bed, spanking her a bit. Meanwhile, Kobe Tai watches and starts to touch herself. The focus however is on Timber and Lawrence, the two seem to engage in some extra focused sex, with real sweat and some great reactions. While they are doing it, Kobe Tai has to go to the front desk.
At the front desk, there is a couple that wants a room. They want the penthouse suite, so they get Room 20, and that’s it. The couple just get to the room, and that’s about it. The guy at the front desk has a pony tail and starts talking dirty to Kobe Tai. She is coy at first, and the dude keeps talking and asks her to visit the room a little later. She then smiles, and then goes back to watching Timber and Joel Lawrence.
What makes the Joel Lawrence and Timber scene so good is that the director doesn’t stop for sweat. There’s a constant take, and the two build up to a good climax. Timber’s performance here starts well enough, but as it goes forward, she seems to be over acting a bit, which is fine, but it’s not needed if you ask me. She keeps looking at the camera at times, and the director keeps cutting to Kobe Tai watching them on the step stool in the laundry room. The sex ends with Timber pleasing herself while Lawrence masturbates to a climax, cumming on Timber’s leg and vagina and that’s it. The scene cuts, and we are taken back to the mundane world of running a motel.
Kobe Tai is walking around and sees a couple carrying what seems to be a body around the parking lot. She decides to hide behind a trash can, then goes back to the front desk area where she can watch what is going on in Room 20. She looks in and it shows the couple counting a lot of money, and then starting to kiss.
The next sex scene features Marc Wallice, Lexi Leigh, and eventually Kobe Tai. It initially is just Lexi Leigh and Marc Wallice, but Marc hears something so he goes out to see what it is. She finds Kobe Tai and asks her to join in. This is a threeway sexual romp that features two women and one man. Lexi Leigh is a tall blonde haired, curvaceous California looking girl with a pierced tongue. Kobe Tai is a slim, short Asian woman, and Marc Wallice looks like a broke ass Rob Van Dam. The scene features Kobe Tai in a maid’s dress, and no underpants. The trio start to make out, and then start going into oral sex, and it’s a slow moving process. Marc Wallice goes down on Tai while Lexi Leigh gets oral from Kobe. This fulfills several fantasy elements at once, with the tall blonde getting a bit of love, while the petite Asian also gets in the mix. Wallice and the women are all shaved for the most part, and the scene transitions from kissing and oral, into straight forward sex. No condom is used in this one, and Lexi Leigh is the first one to get into the action with Wallice, while Tai kisses him. Tai takes a turn riding, both women moaning with pleasure and again, there’s no break for sweating or anything, allowing the scene to go naturally through the throws of passion. There are several positions, and lots of oral, giving everyone a great deal of work through the scene, and sweating up a storm in a seedy motel setting. The money shot arrives at around the 28 minute mark and Wallice finishes on Leigh’s butt, and that’s the end of this very sweaty scene.
The movie continued, and this time around you see Kobe Tai back in uniform doing laundry. She goes to pull a blanket and finds out that there’s a dead man in the laundry. She then covers him up and runs to the office. She tries to call someone to no avail. A red haired woman comes to the front desk with sunglasses on and starts up a minor conversation with Kobe Tai’s character. The two go out to get some ice, and that’s it. Nothing comes of this. However, the set reminds me of a movie starring Asia Carrera called “The Bitch”. Now I’ll have to go and look that up to see if it’s the same set, but other than that, this scene is mundane. Kobe Tai’s character goes to talk to the redhead after she peers in on her through a peephole. She runs across the parking lot, but we are taken to another room.
In this new room we see Jamie Leigh and Billy Glide filming a makeshift porno movie. Jamie Leigh is a blonde short-haired woman with fake breasts. Billy Glide is your typical California looking dude. The scene goes directly into sex, and you see a scene within a scene as Glide goes forward to putting his penis into Leigh. Leigh also uses a vibrator at the same time, and both are almost completely shaved. Leigh looks a little older here, and a bit rough for wear. There’s not a lot of noise on this one, no music, no condoms, and just the buzzing from the vibrator throughout. At one point Glide goes for anal and just rails Leigh with his movements. The finish comes with Glide cumming on a television set, I kid you not. That’s the ending.
Meanwhile, Kobe Tai’s character looks in on the happenings via a pair of binoculars. Once this is over Tai goes over to the redhead’s room and starts up a conversation. She walks into the room and meets the redhead which is played by Deva Station. Deva gets undressed and leaves Kobe Tai’s character in the room and the two started to chat a little about drugs and life. Then they get talking about the dead body that was found. Deva talks about being a dancer in a gentleman’s club.
The next scene shows Deva Station and Jacklyn Lick having lesbian sex at a bar. The two drop their panties, keep their heels on, and go to town on one another with precision oral, fingers, and more. If you’re a fan of lesbian sex, you’ll love this one, as it plays out with some great sensuality, and some smooth jazz music. The two seem to have genuine chemistry in this scene, and the film grain adds to the quality of the movie, with a saxophone playing in the background. I liked it a lot, and I’m not usually a fan of these scenes, but this had a little creative push. Deva Station has red hair, perky breasts a tongue piercing, and Jacklyn Lick is a tall brunette milf looking woman with a tongue piercing. The two enjoy a sensual scene with a vibrator, their tongues, and all that you could want from a lesbian scene.
The movie continues with Deva Station narrating, and we get to find out what really happened between her and Lick after the sex and dancing was done. The story moves forward with the two running away from their lives and heading to the motel for a new life. The movie shows a POV scene where the two ladies shoot the camera with a gun, and then try to get rid of the body. This is an odd scene that has a heart beating. Then we see Lick leaving Deva Station behind and that’s that.
The narration ends and Kobe Tai goes in for a kiss on Deva Station, and the two start a lesbian sex scene. This is a pure lesbian sex scene and features what you’d expect from two women. They use their hands, fingers, tongues, and go into 69 of sorts, and they just do it all in the motel room set. There’s light jazz music playing here, and the camera goes in close at times. If you’re looking for a tutorial on how to please a woman with your tongue, you can learn a lot from these two, which have a great deal of chemistry in the scene, and a lot of moaning and pleasure throughout. This is a great lesbian scene with some real chemistry between the actresses, and a beautiful look at the body’s and what is going on. There are genuine orgasms here, and perhaps one of the better lesbian sex scenes I’ve reviewed for this blog thus far. You will definitely be turned on by the way that these women take care of business, that’s for sure.
The scene ends, and we are back to the front desk. Kobe Tai says nothing really happened on her shift, and that’s the end. She walks out of the front door, and the sun is shining. She has a piece of paper and a pencil in her hand, and just looks at a few things outside before the screen showcases the motel sign and fades to black, end of the movie.
I give “Motel Blue” a 3 out of 5.
I know, you expect more from this rating, but honestly, there are only two good scenes in this whole thing. I liked the plotting and that raised the movie up a lot more. The film grain is great, the chemistry is good here and there, but aside from Kobe Tai’s performance, there’s not much to this movie. Some of the acting is over done, some of it is awful, and while it’s functional, it just leaves you wanting something more. I did enjoy Kobe Tai’s acting though, which gives this a solid 3, and that’s about it. Good work, just not a great one.
Fans of Kobe Tai will want to purchase this movie for their collection, but if you’re not a huge fan of hers, you may not want to check it out. You can buy “Motel Blue” by clicking here, and seeing Kobe Tai in her prime.
Wednesday, January 31, 2018
Jenna’s Revenge (1997) Review
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| Jenna's Revenge (1997) DVD Cover and Poster |
The movie begins with a bar scene. We are taken into a bar where Jenna Jameson shows up and starts being catty with the bartender. She goes in and asks for a drink, and she is snotty. This is prime Jenna Jameson, with long blonde hair, breast implants, and make up done right. The bartender delays in pouring drinks, and eventually gets one to our main star. In the bar, a random dude asks what she’s looking for and Jameson replies, that she’s looking for a man. There’s a man in the bar that says he’s the one she’s looking for and they go outside to talk. Jenna gets a little roughed up and she says that she needs help with her husband. She needs someone to take care of him. From there we are taken to our first sex scene.
The screen fades and you are taken to a bathroom in which Jenna Jameson is in lingerie on her knees, and she’s blowing Tony Tedeschi. There is an incredible amount of chemistry in this scene, especially from Tony, as he’s rock hard in this one, no joke, and Jenna is working him over in a way that few scenes seem to focus on. There’s an orchestral movie theme playing as the two get things moving forward, and it’s truly a sight to see. Jenna here is in her prime element, and the lighting, set design and overall cinematography lends itself well to this release. Tony Tedeschi looks like he’s going to blow his load several times, and I’m not sure how he keeps it together during some of the initial blow job sequences. Jenna just goes to work, with long passionate strokes, and deep throating at times, making this one of the better sex openers I’ve reviewed in a long time. There is no sex here, it’s just a blow job and a facial, and that’s it. Tedeschi cums on Jenna’s face and she continues to blow him after, making a mess and then sucking on afterwards, creating one hell of a sequence, and truly opening up this movie in quite a striking fashion. The scene is shot in a bathroom inside a mansion, and it’s not half bad.
The scene ends, and Jenna tries to act, and it’s not great. But she wants to get away from her husband, and wants him dead. The dude says he’s not interested. The character’s name is Ray, and he gets into a hummer, before he finally decides to say yes to helping out the poor woman. He agrees to help, and then we are shifted to another scene. This other scene features Tony Tedeschi in an office, and he is talking and then leaves. But leaves behind a random office dude, and Jill Kelly. The two are the next two to get it on.
Eric Price and Jill Kelly start out with a blow job sequence. If you’re reading this blog regularly, then you already know that I’m a big fan of Jill Kelly, and would love to meet and interview her one day. Not sure if that will ever happen. In this scene, she puts on a showcase, outdoing the chemistry that Jenna had in the first scene, and going deeper than her in the blow job. She deep throats, she sucks, she strokes, and the music makes this scene seem a lot more creative overall. Jill Kelly sports the classic swimsuit tan line, and has high heels on as Price gets to initiate oral after some time. The sex is adequate, but not that grand, with Price cumming fast, and getting some anal in for good measure. He cums so fast the scene barely gets you aroused, and then finishes on her stomach. Kelly couldn’t have been satisfied here, and the scene cuts to black before sending you back to the mansion for another part of the story.
Tony Tedeschi is seen coming home, and he’s in his full business attire. He walks into a bedroom inside his mansion and there he finds Jenna Jameson. She asks how his day was, and then she gets mad at him, and yells at him to pay attention. He then threatens to call her psychiatrist, and that ends in her yelling. Jenna goes to the phone and calls Ray. He asks for 100,000 dollars and a picture of her husband, and he’s going to take care of him. Jenna then quickly hangs up the phone, and the deal isn’t necessarily done. Tony walks into the kitchen and Jenna is in there, he asks if she’s going to go to bed soon, only to have Jenna yell again. She’s desperately wanting out of this marriage that they are in. It’s here that Jenna takes her long hair and starts cutting it, leaving strands all over the floor and crying as the orchestra plays on. Later, she goes to the designated drop off spot, and delivers the 100K in money, and our antihero Ray goes to pick it up. This was shot in Los Angeles, and it’s painfully obvious that it was. Oh the good times, I used to live there. At this point, the movie has more plot than sex, so if you were waiting for lots of sex, you’re not going to get it here, it’s just not going to happen. There’s a lot of plot and dialogue. The movie continues and we are taken back to the mansion, after a brief interaction between Ray and Jenna, where Jenna comes home to Tony, and gets a surprise. Tony says he has a surprise for her, and well, it is a gift. Tony hands Jenna a blindfold. He then leads her to the pool area of their home.
It’s at the pool where Tony starts to give Jenna oral, and then out comes Sindee Coxx. Sindee begins to take over with the oral, while the music turns into another orchestral sounding rock tune. This is very much the same kind of music you’d hear from a Cannon Films release. It’s actually kind of good, and the soundtrack should be available for download. The scene is outdoors, and then slips into the pool a bit. Coxx has long blonde hair, and is skinny, Tony gets in on the action as well, but this is mostly just oral for the starting line of the scene. Eventually the blind fold comes off, and Jenna and Coxx give into Tony. But it’s mostly just Coxx. Jenna disappears after a few moments, and leaves Tony and Coxx to do their thing. Jenna gets mad when Tony is having sex with Sindee, and runs off. After a few more strokes Tony cums on Sindee and that’s the end of this scene.
The scene shifts, and it’s Jenna driving to the bar where Ray’s at. I believe Ray is played by Brad Armstrong at this point. The color from the film turns off, and it’s black and white. This features Jenna on the bar top dancing for Brad. She goes topless and in comes the classic guitar rock, and this is quite the scene. It gets quite sexy, and right when she puts her legs around Brad’s head, reality calls and color comes back into the scene, changing the scenario back to reality. The two start to argue. Then kiss, and they start to go forward with gusto towards sex.
Jenna Jameson and Brad Armstrong start to have sex in an alley way. Jameson immediately pulls out Armstrong’s member and starts to blow him. He gets hard instantly, and she really works him over, much more passionately than she did in the opening sequence. This is not a long scene, with Armstrong putting it into Jameson while she rests on a Hummer. He goes forward through a couple of positions, always standing, and eventually cums on Jameson. There’s a melodic guitar rock tune here, and it’s straightforward, no nonsense sex. There are a few moments where it seems like this is going to turn into anal, but it doesn’t, Jameson just keeps things in one area, and there are no condoms here. Eventually Armstrong can’t keep it together and cums on her face, and that’s the end of the scene. Jameson and Armstrong have unique chemistry in this sequence, and it’s quite hot as you see her green eyes throughout the sex. Not a bad sequence, but it’s outdoors and has bad music.
Jenna Jameson comes home to her mansion and Tony is playing pool. The two argue and he slaps the crap out of her. She then runs to Ray, and says that he needs to take Tony out. The sequence then shifts to Ray driving, and a part commencing in two places. However, the scenes shift to the bar again. Inside the bar there is a three way sex scene about to happen.
Holly Boddy, Jake Steed, and Mark Wallice start to kiss and start working through some vibrations. This is a fast moving scene, with Boddy getting naked first, then blowing the two guys, on a pool table. The music is a trip hop track that isn’t all that good. The two guys seem to work well here, and while it seems like one isn’t as hard at first, he eventually gets there, and Boddy does a lot of the work while wearing heels. After several positions, the movie moves into a double penetration. The double penetration gets the guys moaning more than Boddy, but it’s a unique sequence with a trippy soundtrack. Eventually one of the guys finishes on her lower back, and then the other just isn’t on screen that much. It’s an ok sequence, with a predictable finish. This felt like filler if you ask me. Holly Boddy is a tanned woman with black hair and large breasts.
After the sex, Ray comes in and talks to the owner of the bar and gives him the lowdown on what is going to occur. That shifts to another scene, and we are at the mansion again, there’s a party going on, and it has a lot of women and men there, all dressed up. It’s a swingers party from what I can tell, and it’s interesting to see who is there, as it will no doubt lead to an orgy scene, right? You know it.
Jenna Jameson, Johnni Black, Papillon, Ruby, Mark Davis, and Vince Vouyer all start to have sex, and it goes from party to sex right away. There’s no condoms in sight, and all of the women are beautiful, and moaning at different points. The camera moves around to different people, different movements, and it’s interesting to see. It’s an orgy, and it looks like a lot of fun, if you ask me. The lighting is nice, the mansion setting is good, and the focus is all on the women, with lots of pretty tanned ladies with fake breasts, and shaved pubic hair. There’s not much that can be said about this one, there’s a lot of sex, and multiple cum shots and that’s the end.
The scene ends, and in comes Ray with a gun. Jenna asks where he was, and asks him to kill Tony. There’s a stand off! Jenna pulls out a gun and says she’s sick of Ray, and then there’s a Mexican standoff. The lights go out and someone yells, “NO”, then fades to black. We are taken to another scene. It’s Jenna digging a hole, it’s in black and white and we don’t see anything but Jenna, a body bag and a hole. The narrator eludes to the fact that she killed both of them, and that’s that. Fade to black, roll credits, Jenna wins.
I give “Jenna’s Revenge” a 4 out of 5.
I have to give credit where it is due, “Jenna’s Revenge” has everything you want in a porno. It has a lengthy story, with some sex thrown in for good measure. The start is in the movie a lot, she has sex a great deal, and gets revenge on the people she needs to get revenge on. It’s a good movie that is worth picking up if you’re a fan of Jenna Jameson, and the rest of the cast. It’s plot heavy, not sex heavy, although it doesn’t shy from hardcore, including double penetration. A good overall showing if you ask me. Not perfect, but really good overall.
You can purchase “Jenna’s Revenge” on streaming or on DVD by clicking here. If you’re a collector, you’ll definitely want to add this one to your Jenna Jameson and Jill Kelly collection, for that matter.
Friday, January 26, 2018
The Perfect Slut (2005) Review
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| The Perfect Slut (2005) DVD Cover |
The opening scene features Cindy Crawford in what appears to be a bad motel, or a set somewhere in the San Fernando Valley. She starts playing with herself and then in comes Alex Rox, Sergio, and Tyce Bune. This is a fourway sexual romp, and two of the guys aren’t even hard. They struggle to get it up, while two guys are hard. Cindy Crawford, Alex Rox, Sergio, and Tyce Bune go through some good points overall. Cindy Crawford looks nothing like the super model. She’s a blonde haired, tanned, skinny porno actress, and well, she’s not half bad. If you like blonde haired women, this is going to be your scene, at least in the beginning, as she’s shaved, and she is perfectly tanned, and looks like that California blonde style. Crawford gets wet with some oral, she has a piercing down below, and a landing strip. The guys take turns with her, and she seems to genuinely get into some of the action, moaning, and nearly screaming at one point. There are multiple positions, multiple partner changes, and your classic 4 way sex romp. At one point she asks for anal, and that’s showcased at around 14 minutes into the movie. A few minutes later, there’s a double penetration, and that’s about the best part of the scene. The camera moves back and forth and shows you that this is a set, not a hotel, which is interesting to see. Overall, Crawford’s enthusiasm for this scene makes it worth checking out, as she really gets into the sex, and the guys are there to oblige her requests. The show ends with multiple money shots on her face, and that’s it.
From that scene we are taken to the back of a club. It’s there that two blondes are kissing. A techno beat starts and the two start to get a bit more extreme. The two women, are Ashton Moore and Tyler Faith. As far as lesbian scenes are concerned, this is not half bad. They are both thin, tall California blondes. They go slowly, and they are sensual throughout their scene. It’s an interesting scene and one that is definitely going to attract those that like blondes. Both women are shaved, both are toned, tanned, and seem to like what is going on. The lighting is dark, the music is bothersome, but the sex is above average. What else can you ask for?
The sequence ends, and we are taken to another scenario. This one features Kurt Lockwood, a toned guy with an average penis, Cindy Crawford, and Summer Sweet. Again, we are treated to blondes. It’s two blondes working over Lockwood, and a jazzy, new school beat. Kurt looks like a surfer dude, and he looks about as smart as a box of cement. No offense, but it’s just a funny looking guy, with an average sized member. The music doesn’t fit the scene, and the set looks like the lobby of an old hotel. The women immediately start working over Lockwood, giving wet blow jobs, and kisses. No condoms are in place, and the two women start things off with reverse cowgirl, taking turns. The new wave jazz was annoying here, but the sex is fine. Two blonde haired women that you’d find on the streets of Santa Monica, near the pier. If you’re into tanned, skinny, blonde haired women, then this scene will really do it for you. As for me, it’s average. The women are shaved, they seem semi-into it, and Lockwood does good not to cum too early and he really pushes into both women. Lockwood just looks like he’s going through the motions, and the women aren’t that into him, but they are doing the job. Sure it’s sexual, but it’s far from being passionate. However, as far as eye candy is concerned, the women are hot, and the more you watch, the more they tempt you. The scene ends with a money shot, and it’s not that great. Lockwood is delayed in finishing himself off, but the women make due and suck it dry, making it the best part of the scene. Other than that, this isn’t that great.
The scene shifts, as is the standard for gonzo porno movies, and it’s Alexis Amore, Charmane Star, and Alex Sanders hanging out at a strip club. This appears to be the champagne room, and while Chris Rock said that there’s no sex in the champagne room, this trio is ignoring it. The two women have long brunette hair, and medium tanned skin. Sanders has a skinny, rocker type body, and a condom is used in this scene. The two women pounce on him, blowing him, then getting on top for a ride. Sanders takes turn with both women, one had a piercing of a diamond on her lower parts, and then after some back and forth, Sanders gives the women a money shot, although he struggles to let it out and it doesn’t seem to come through with much vigor. The women blow him after the fact, and that’s the end. I like the finish, anytime an actor cums and then gets a blow job, lucky bastard.
And now, another sex scene. This time around there’s an alternative rock tune playing in the background. This set looks a lot like a college dorm room, and it’s a boy girl scene. This scene features Gia Paloma and Christian XXX. Gia moans through the kissing portions of this, and Christian gets hard fast, so Gia jumps on for a blow job. There’s some blocking that goes on here, the same that you’d expect from old Cable television porno, and it’s funny to see. Gia goes deep here, and actually seems to have some passion for what she’s doing. That makes this scene a lot better than the previous one. The two start having sex, and that passion seems to dwindle a little. Gia does moan while in different positions, and eventually in anal, but Christian seems to be in work mode and losing his erection at one point. It also looks to be painful at one point, and the signs of a penis that has been pumped comes through. Christian eventually cums on Gia’s back and butt and the scene ends.
The final scene, we are taken to a set with good lighting and Cindy Crawford talking. She starts off by stripping, and then a group of five guys show up. She is enthusiastic about what is to come, and well, here we go, the final scene begins at around one hour and 10 minutes. This scene features Cindy Crawford, Alex Rox, Anthony Hardwood, guy, Sergio, and Tyce Bune. Crawford immediately starts to suck everyone off, and no dick is giant, or monster in size. The guys that aren’t getting blown are just masturbating, trying to get hard, and one guy cums too early. The sex begins, and it’s standard five way sex, with one guy getting into it, while the others watch, then a DP sequence occurs after some anal, and things really get going. There are no condoms used here. A few of the guys don’t even stay hard for most of the scene. The camera work is not that good here, and the guys go through the motions, including several DP moments, but honestly, it’s not that great. Crawford seems to enjoy it, but at a certain point seems to get bored with the action. She moans, the guys go through th emotions, and she asks them to go slow, but they don’t, and she just takes it. The scene eventually finishes with the guys cumming on Cindy one by one and that’s it. The movie ends and that’s the end of the production.
I give “The Perfect Slut” a 3 out of 5.
Cindy Crawford is a name that I recognize from super models. However, this is not her. This blonde haired woman has a California look to her, and in my younger years would’ve turned me on. Now in my 30s, however, she’s not that great, and the movie seems forced at times. The rest of the scenes are a bit dry, although there are a few moments of enthusiasm. Gonzo porno sucks, and I never liked it. However, there’s enough here for a 3 out of 5, so I handed it down.
Friday, January 19, 2018
Mile High Girls (1986) Review
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| Mile High Girls (1986) Poster and DVD Cover |
Now, I don’t know how porn sets are constructed to have such a cool look and feel. This movie starts with a real looking airplane interior. Now just any one, either, one from the 1980s. I flew in the 1980s, and 1990s, and can tell you that the interiors were way different. This was very much different, and it’s interesting to see it. Joey Silvera is seated in in an aisle seat and is brushing his teeth. He orders a drink and a stewardess drops a drink on him. He’s the best part of this movie, his acting is second to none, and it’s funny to see him interact with the women.
We move from the aisles to the cockpit. It’s here that a stewardess drops a cup of coffee on the pilot of the airplane! She freaks out and says that she can make it up to the pilot. That’s when she starts to open up the pilot’s shirt, and that’s when the two kiss, and you know what’s going to happen next. The plane goes into autopilot, and a smooth jazz sound comes in.
Erica Boyer and Jon Martin have sex in the cockpit of a commercial airliner, with a soothing jazz tune on the background. It’s interesting to see Erica, because I just saw her in a penis pumping instructional video, which was gross, and interesting all at the same time. For a 1980s porno, there’s certainly a lot of kissing. Erica Boyer is a blonde haired, medium breasted woman, and Jon Martin is your average stud. Not huge, just regular in size, if you ask me. I didn’t mention this before, but there’s film grain, and this movie was definitely meant for the silver screen, and it shows. Boyer goes to town on Martin’s penis, and he’s not shaved, giving every-man a sense that they could get in on the porno craze too. This is a sensual scene for the most part, and it’s interesting to watch Boyer work. She really seems to be into what she’s doing, while Jon Martin looks like he’s fighting not to cum as Boyer sucks and moves. She’s really sucking here, not just gliding, and this could very well be the best blow job start I’ve reviewed in on this blog thus far. After a quick blow, Boyer lays down a little and gets oral, she’s not shaved, and Martin gives it a little try, but moves to sex quickly. He bends Boyer over and the two start to work through doggy style. The directory gets you in close a bit, but it’s not nearly as much as you’d expect from modern porn. Meanwhile the co-pilot and the other stewardess is listening in in a hallway. There’s a bit of sex and it’s not bad, Boyer moans and Martin just goes through the motions. Eventually Martin finishes on Boyer’s lower back and butt, and that’s the end. He says, “Welcome to the Mile High Club”, and that’s the end of the first sex scene.
The movie continues and you see the plane arrive at an airport for a layover. Everyone empties out the plane, and that’s it for a moment. There’s some talk between the stewardesses. When everyone leaves except for the co-pilot and one of the stewardesses, the two engage in an bout of eroticism.
Porsche Lynn and Jon Leslie start making out, and they are fast moving straight into sex. This is a bit more fast paced than the first scene, and there’s a hard bop soundtrack to this. Meanwhile the camera follows Erica Boyer in the airport, which looks to be in Japan, and she’s just walking around. The director cuts back to the sex, and Jon Leslie asks for a blow job. At one point he commands, “don’t lick it, suck it”, which the director left in the movie, for another blooper. Leslie is not a big guy, mind you, and it shows. He does hold on before cumming, but it sure looks like he’s trying hard not to blow things as Lynn really works over his erection. Leslie has a lot of body hair, Lynn is a blonde haired, good looking woman, and reminds me of Ginger Lynn, of course. The two eventually get to the sex, and the director doesn’t show you a lot of penetration, just a little bit, before Leslie finally can’t hold on and cums in the face of Lynn. The best part of this scene is watching Porsche Lynn’s hair go from high and tight to loose and all over the place during the course of the sex. Other than that, this wasn’t that great, unless you like blow job finishes, in which case you’ll like how Leslie holds on just long enough to drop a load on Lynn’s face, which she seems to enjoy.
In between the sex scenes we get more dialogue from different people. We also see Erica Boyer taking photographs, and just exploring different areas. IT’s not bad, but it’s also not great either. It’s honestly just B-roll to fill the movie. Remember, this was meant to be in movie theaters, so you aren’t going to just get pure sex, you’re going to get a mix of things, and this definitely fills that void. So when you are going to see a movie in the theater, there’s sex, but there’s also b-roll and other elements to help break up the brown paper bags being used for personal reasons. In this case, Boyer seems to have almost her flight and runs into an old flame while catching a taxi.
A jazzy bass line begins in the backseat of a Taxi cab in what appears to be Hong Kong. Erica Boyer and Jim White starts to kiss, and well, that prompts the clothing to start coming off. Erica Boyer starts off with a blow job to Jim White. All while in the backseat of a taxi that’s headed to the airport in what I can only assume is Hong Kong. The driver doesn’t seem to care, as the two just go for it in the back seat. For what it’s worth, Jim White has a bigger penis than most of the other guys in this movie, and Boyer really seems to get into this scene more than the others. She eventually moves over and sits on White’s face as she blows him. This is one of the biggest taxi cab back seats ever! Eventually Boyer moves over to reverse cowgirl and the two have sex while the taxi is supposedly moving. This has to be a set. Either way, the two have some chemistry here, and it really does look good overall. Mind you, this is only 33 minutes into the film, and the two are really going to town. They seem to have a great deal of chemistry, and when White’s finished, he cums on Boyer’s pubic mound.
After this sequence, we end up back in the airplane, and two flight attendants are talking about how they are going to be flying to Macau. Then you get some more b-footage of the city and different areas. It’s interesting to see the signs from Macau, and well, one day I want to visit.
Up next the movie shifts to a club scene. It’s a live sex show in Macau. This features a lot of dancing at first, then comes through with an interesting focus.
The sex show features Buddy Love, Jason Jules, and Viper. I’ve wanted to review Viper’s movies because she’s a very tall woman with a very specific body tattoo that wasn’t seen in the 1980s porno world a lot. When I say she’s tall, I mean it, and this tattoo of a large snake is definitely something you have to see to believe. She works very well here, giving an incredible blow job, and then accepting hard cock. The sequence was said to have two guys and viper, but it starts with just one guy and one girl, then switches to another area of the movie.
The director floats to another scene, and this time it’s Porsche Lynn with big hair and a red dress. She gets on her knees and starts to work on Tom Byron. That’s right, another Tom Byron scene. Tom Byron and Porsche Lynn begin to eagerly undress and have sex in what appears to be a cheap motel. Lynn’s hair is out of control here, and Tom Byron has his signature moustache. He looks so young here, and it’s interesting see how his career kept going forward. Lucky man indeed. I’d love to interview the guy. Byron here has a bit of a sensual run with Lynn, and she gets very excited to work with him. Byron gets into the action while on top, and the two remain kissing through much of the strokes, which is kind of neat. The two are not shaved, so you get full close up of the action, and it’s quite nice to see. Tom Byron is an allstar in this scene, but it abruptly changes.
The director decides to go back to the live sex show. That’s where the third man comes in, and it’s a guy that was in the audience. He has leather pants on, and immediately takes them off and gives Viper something to suck on. The sex show turns into a threeway, and the dudes all work together to give Viper a good time. There are multiple positions here, and lots of back and forth, with a money shot on Viper’s snake tattoo, and then right in her face, before the director cuts to the Tom Byron scene.
Tom Byron at this point is in doggy style with Porsche Lynn. He really gets to work here and it’s interesting to hear her moan while Byron goes to town. Lynn really gets excited here, and is wet, while Byron’s youth takes over, and showcases why he’s one of the premier porn stars from the 1980s. This is a sweaty, casual sex scene that enhances the pleasure of both the viewer and the two getting it on. The cheap motel vibe aside, the music is good, Lynn’s red lingerie is nice to see, and the two seem to actually be enjoying the process of making this, with a lot of positions, and moaning. Eventually this one ends with Lynn blowing Tom Byron getting a blow job then a hand job, but no money shot. Not sure why they decided on that.
The movie goes forward to the airplane. The flight attendants talk while Joey Silvera keeps bugging them.
The camera then shows you some more B-footage. Eventually showing you a scene where Erica Boyer and Porsche Lynn seem to be in an apartment together. This is a classic 1980s set, with too many plants for some reason, and tacky interior design. The two women go into a shower and start to make out, and play with one another in a somewhat awkward and somewhat forced lesbian scene. Sure it works, but it’s lackluster compared to the rest of the movie. It is almost like a softcore porno movie, if you ask me, with a few notes of hardcore here and there. Nothing great, nothing terrible, just two blondes taking a shower and enjoying the process.
Joey Silvera goes into the apartment or room, and notices that his room has some women in it. The women stumble upon him and they decide to help him out a little. This turns into a three some. Joey Silvera, Erica Boyer and Porsche Lynn have a threesome in what appears to be a terrible apartment, or wait, a hotel room. This is not a terrible scene, it’s not a great one either. SIlvera has been in other movies that he shines in, but here he kind of just goes through the motions. The women seem to be fine with him, and they do perform ok, but it’s obvious that there’s that “it” factor missing in this sequence. Silvera gets enough action with both women, but it’s short lived as the movie ends with Silvera cumming on the two, and then just finishing up. That’s the movie, and it’s not a long one. This movie is only one hour and sixteen minutes long, mind you, so this scene kind of just ends with the flight attendants talking about how great it is to be working for an airline.
I give “Mile High Girls” a 3 out of 5.
I didn’t really like the short scenes, and the chemistry lacked throughout. The Tom Byron scene, and the opening sequences was fun. If you are a fan of Viper, and any of the other actors in this movie, then why not pick it up? It’s more than adequate, but it’s not something that you may want to see over and over again. I did like a few things, and I noted them. It’s a good movie, just not a great one.
You can purchase and stream “Mile High Girls” by clicking here. Check out Viper’s scene, and Tom Byron’s scene if you only purchase scenes from the link.
Tuesday, January 2, 2018
Blonde Forces (1991) Review
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| Blonde Forces (1991) VHS Cover |
The opening scene features Mike Horner helping Carolyn Monroe break into her apartment, because she is locked out. He has a bucket of chicken, a 1980s mustache, and Monroe is a California blonde, with small breasts, and a slim body. She invites Horner in to her home, and then asks him if he’d like to have sex, and well, he obliges, and the two start on the couch. The set is hilarious, with a 1980s look and feel, flowery pattern, and the rest is pretty much what you’d expect. There’s music that plays here, but for the most part, it’s the sounds of the two having sex. It starts a little slow, and you can almost sense Carolyn Monroe having cold hands as she starts to blow Horner. She then gets him going, and the two position themselves for a quick sexual romp. Horner seemed to have a hard time getting it up at some point, as he’s not a huge guy, and while Monroe gets it up after a while, it’s obvious that there’s chemistry issues between the two. After about 10 or so minutes, Horner gives Monroe oral, the music gets turned up, no condom is present, and the two start working out their sexual frustrations with each other. That lack of chemistry diminishes, and the two seem to work well together, going through the motions and positions on a couch. Horner eventually finishes on Monroe’s back, but the camera doesn’t capture that. Horner finishes and then gets thrown out of the house, as Monroe’s lover has returned, and that’s the end of the first scene. Less than 20 minutes into the sex, this movie is a bit boring, but hey, not all of them are going to be epic, I’m sure.
Horner jumps into an open apartment window, and there’s Savannah. Savannah wants him, and Horner has to decline. Meanwhile, Peter North is in the hallway of the apartment complex, and well, he is looking for Sabrina, and well he runs into Savannah. Savannah really wants some, so Peter North decides to give her some action.
If you’re a fan of Savannah, then you’ll no doubt want to see this scene. She blows Peter North after he comes through the door, and it’s not half bad. North gets hard fast, the ultimate professional, and Savannah’s bangs and blonde hair are perfectly in place, as she goes to town on North. There’s a hint of 1990s 16 bit music underneath the scene, but mostly, you hear North and Savannah’s movements, kissing, and overall noise from the bed. The set is well lit, a bedroom from the 1990s, and nothing too complex or anything that is going to take away from the action. The duo go through multiple positions, and it is evident that North is more into it than Savannah. I’m not sure if Savannah ever had a scene where she was all in, but here she seems to be a little reluctant at around the 34 minute mark. However, seems to start enjoying it a little more as North goes deep into her, and just keeps going with a rhythm that you may have seen him work with in the past. Savannah keeps her heels on, which is sexy, and the two just get through a working scene together with Savannah announcing that she’s going to cum at around 34 minutes and 50 seconds. The director’s a bit clumsy, so you don’t see a lot of the penetration, but rather the bumping and grinding. You also nearly miss the money shot as Peter finishes on Savannah’s stomach. It’s not a great scene, and the director really should’ve backed up a little to see more of the action in the frame, but that’s just my two cents.
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Moving forward, we get a scene with another blonde, this time it’s Valhalla and Joey Murphy going through the sexual motions. Murphy is on his bed when Valhalla comes through the window. He’s dressed like a genie, and he blindfolds Vahalla before starting to give her oral. She then blows him, and then the two start to go through multiple positions, back and forth, with a soundtrack that is lower than her moaning. It’s a jazzy guitar riff, I think, but Valhalla’s moaning is mostly what you hear. Joey Murphy is a long haired dude with a strong sex drive, and doesn’t seem to have any problem thrusting fast, and hard with his partner here. Valhalla is a blonde, tan, skinny woman, and Murphy has some serious abs, and is built. The two go through the motions of sex, and it’s not half bad here. The two have some good chemistry together, and the director actually shows you more of the penetration here. Murphy’s hippy genie garb is funny to look at, and he makes it a comedic element at around the 51 minute mark, as the two go forward with doggy style for a good portion of the sex. Murphy eventually cums on Valhalla’s butt and that’s the end.
Moving forward, it’s time for the lesbian scene. Carolyn Monroe and Savannah meet at Mike Horner’s apartment and the two start to go through their own little sexual romp. There’s piano music accenting the moaning of this scene, with the two women exchanging oral, using their fingers and that’s about it. If you’re a fan of lesbian scenes, then you get two blondes going at it, here. It’s not bad, but it’s not the most sensual and chemistry filled scene. It’s decent, but the piano music interested me more in this scene than the actual sex. The lighting is off in this one, and the camera keeps moving, which makes it tough to really watch. It’s ok at best.
After the lesbian scene, we get one more scene, and it’s got a lot of chemistry. This scene is one of the best scenes I’ve seen in a while, and it’s Mike Horner and Holly Ryder going at it. Ryder gets wet from the near start of the scene, and Horner kisses her inner thighs a lot, and she gets about as wet as you can get without lube. I was actually surprised by how wet Ryder was, because this is usually not the case for porn sometimes, and well Horner was doing well. Ryder was not shaved, she’s a dirty blonde with curly hair, and Horner for some reason turned her on in this one a lot more than the other scenes, and it’s interesting to see watch. The synth 1980s music gets turned down a bit as you hear Ryder moaning for dear life and really getting into everything Horner throws at her. There’s a bit more foreplay from Horner to Ryder, before he finally puts his penis in her, and thet wo really work through the motions with Ryder nearly screaming at one point. It’s a fast paced sex scene, and it’s chemistry filled, sensual, and hot. The two don’t go through that many positions, but it’s so hard, and Ryder’s so wet that you can’t ignore how good this scene is. The director keeps you in the action too, noticing that the two have chemistry, and allowing them to just enjoy the process, rather than trying to direct the action or make the camera swivel. If you’re a fan of screaming, and loud sex, this isn’t half bad, and really does a good job of putting together a good sex scene. It ends with Horner cumming on Ryder’s stomach and that’s the end of the movie.
I give “Blonde Forces” a 2 out of 5.
One great scene doesn’t save the rest of the movie, although it can sometimes. Not this time, though. While I appreciate Savannah’s body of work, she didn’t seem that into it in this one, and was quiet throughout. Maybe it’s just this movie, I’m not sure. Other than that, there are a few moments where you really lose yourself, but the director has bad timing and editing. The final scene works well, and the two really have something together, making it easy to watch, and finish if you’re trying to get off to this movie.
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Tuesday, December 19, 2017
Carnivorous (1999) Review
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| Carnivorous (1999) DVD Cover |
The movie opens up in what appears to be an old west setting. Jessica Drake is trying to beat the heat with some water when Evan Stone with an eyepatch shows up and points a gun at her. That’s when you get narration, and story, and an interruption by Mickey G. The story is about an erotic novelist that is having a hard time figuring out how to move his story along, and Jessica Drake plays his wife that is breaking his concentration here and there. The erotic novel has a wild west theme to it, and the movie goes between the writer and his book, and so we get moving forward from there.
The first major sex scene starts around 5 minutes from the credits, and it features Jessica Drake and Mickey G. There’s a nice western themed guitar riff going and some drums, meanwhile the two make out for the most part. This is a sensual scene, featuring lots of kissing and lots of romantic elements between Jessica Drake and Mickey G. Drake in this movie has dirty brown hair, which is different from what I remember her having in the previous movie I reviewed. After some kissing, she gets on her knees and delivers a very sloppy, slow, and sensual blow job to Mickey G. The music is a rocksteady beat of guitar work, and is similar to what you’d expect from Eric Clapton, believe it or not. It’s a nice tune to complement the sex that is occurring here. Drake does well enough here, with passion, and Mickey G holds on for dear life, the professional, obviously. The movie switches to sex, and it’s standing doggy style, and it’s just straightforward, nothing crazy. Mickey G. dawns a condom, and Drake takes it, while wearing a shirt, so you can’t see her completely nude. It’s a steady scene of sex, and nothing too exciting, an outdoor sex scene with film grain, and high quality editing. Eventually positions change, and Drake takes off her top, and Mickey G. looks to be concentrating not trying to cum early, and rightfully so, because after a certain point Drake goes all in on this, and seems to lose herself in the scene. It’s an exciting thing to see, and the music shifts to a bass heavy element, as the two finish up with each other outdoors. The money shot goes forward with Mickey G letting loose on Drakes face, and she keeps stroking afterwards, then puts her mouth on it, a stellar movement, that is just sexy. Drake really seems to do well here, and acts great if you ask me.
The scene ends and you get narration, where our writer talks to his assistant or an editor and gets feedback about the book. He then is by a pool and talks to someone else about the book and some ideas as to how to keep writing etc.
We move along to the next scene, another imaginative tale, this time it’s Brian Surewood and Kristen that are in an artsy bedroom having sex. It’s as close as you’re going to get to a gonzo scene in this high end production. This woman is thin, has long legs, dirty blonde hair, and wears heels. Meanwhile, Brian Surewood looks like a mix of one of the DOA from WWF mid 1990s and Jesse Ventura. He gets straight to oral, with Kristen moaning and rubbing herself, all the while a techno beat plays under them. This porn actress looks like Ann Coulter a little, so you can imagine her that way. Kristen works through a nice blow job but she keeps looking at the camera, and it’s odd, to see her staring at the director and the camera. There’s a camera change, and then things get to the action, with full penetration as you’d expect, and a scene that speeds up quite well. The initial starting line doesn’t seem to have a condom, so it’s a bit different than the previous scene, and this goes from insertion to high gear. Brian Surewood really goes hard here, and why not? It’s a fast moving scene with a lot of action, and not much else. You get multiple positions, lots of movement, and a money shot on Kristen’s face, with an ending blow and tug, and that’s that. A good fast paced scene that is not sensual as it is just two people going at it, which is a nice change of pace from the starting scene.
The movie continues, and it’s our writer talking to Jessica Drake, and she wants him to stop working and drinking. She has little to no makeup on here, and is quite attractive here. I’d love to interview Jessica Drake and ask her a few questions about characters and more, but I don’t know who to even call for that one.
Moving along our writer needs help trying to get a bit of action, and with the help of an assistant he comes up with a new gonzo scenario. This time it features a tall, skinny woman that goes through a jail. She has brown hair and an orange dress, and starts to talk to a guard, and then gets into the action. The two start having sex in a cell, and she keeps her dress on for the most part. She’s very thin, and the guard is a bit dominant to her submissive style, and the two work well together, although it’s a bit straightforward, and out of the blue. It’s another contrast to the style that was placed in the earlier scenes, this time with techno and a bit slower methodology. It’s not fast at all, which is ok, but the two seem to lack chemistry for the start and eventually build. The two actors that start include Gia and Ian Daniels or Chris Cannon, I’m not sure. Either way, the two start and then we get a third. The music speeds up to a techno and keyboard mix, and things get even hotter when a third person comes in to help with the movement. You start with two, and end with three, and it’s not half bad overall, but it’s not sexy if you ask me. There’s something missing here, and while there are no condoms in sight, and the movie is well porn, it just lacks a certain chemistry if you ask me.
Moving forward we end up with a scene that features Cheyenne Silver and Evan Stone. This after a segue where the writer and Jessica Drake discuss the next scene and how they can make it better. The sex features a condom, and Evan Stone going through the motions. Silver and Stone do not have the same chemistry that I’ve seen him have with other actresses, but it’s a functional scene where he just goes through the motions and that’s about it. I’ve seen him interact with many others, and this was not nearly as wild or as intense. Silver is a blonde hair young woman, and she’s attractive, don’t get me wrong, but you can tell that the two are just going through the motions and aren’t really that into it at times. The money shot occurs on Silver’s chest and that’s it, nothing too wild. She even looks at the camera to see if the director wants her to stop or not, and that’s it.
The scene switches and the writer talks to a friend about where things are going, etc. Then he introduces the last bit of the story to a couple of women, these being Jessica Drake and Shanna McCullough. This ending scene features Mickey G, Shanna McCullough, and Jessica Drake.
I give “Carnivorous” a 3 out of 5.
The final scene got me, I have to admit. Shanna McCullough and Jessica Drake making Mickey G a lucky man is a great ending to an otherwise average porno movie.
You can purchase “Carnivorous” through a variety of means, including the link right here, which is something to consider.
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