Interview With A Milkman (1996) Review

Interview With A Milkman Poster 

There are a few tropes that come through in the world of pornography, and one of them is that of the milkman. The delivery of items to the home when a husband is away means that someone’s going to have sex. Well, in this movie from 1996, the Milkman is the center of the production. This movie comes from director Ralph Parfait, and was distributed by Vivid. It was released in 1996, and most likely was one of the movies that was once again screened through the Hot Network or Spice Cable Television. Either way, it stars some names you know, and some that you may not know. This movie stars, Madelyn Night, Laura Palmer, Jon Dough, Kimberly Kummings, Bobby Vitale, Sindee Coxx, and Steve Drake. The movie that we are going to review today is none other than, “Interview With A Milkman” from 1996.

We are greeted with the familiar Vivid Video introduction, and I love it. “You’re watching a Vivid feature presentation” is how we start things off, then we go straight into the credits. It says that this is a Paul Thomas production, and the graphics show up. We have a little ragtime tune starting, and we see a woman pouring milk all over her nude body. I’m assuming it’s Madelyn Night, but I’m not sure. If it is her, she is thin, soaked in milk, has large breasts, and is bathed in dark light. The opening isn’t so much a milk bath as much as it is a girl showering herself with a glass bottle of milk. This movie was written by Guillermo Brown, by the way. It’s an introduction that really is a throw back to the old days.

The movie goes onto show that it has film grain. I love when porno has film grain, and we see a man getting pushed through on a wheel chair. He pulls out a cigarette, and we start an interview. We see a glass of milk show up, and a random dude starts talking into a recorder. This is a nursing home, from what I can tell. The old man says that he was a good milkman in his younger days, and he starts to talk about his story. “I was the greatest milk delivery man in the world”. We then see a driver going around town delivering things door to door and we are thrown into the movie.

We see the delivery guy talking to a couple of women, and he asks if he can help with carrying a few things for the women. We then get moving forward with seeing the milk delivery guy just go through the motions as usual. The story goes through well enough, and there’s not much to this other than seeing that our Milk Delivery Man is top delivery guy, and he gets a silver medal at one point from Steve Drake. This is a high end production. You do not just get thrown into sex, you are thrown into a real story. The film grain gives a lot here, and I enjoy that aspect of it.

As the story goes, we see the delivery man enter his truck and there’s a glove filled with chocolate milk in it, and it starts to spray all over him. He then says he has to change his uniform. Meanwhile, at the offices of the milk delivery service, an angry caller wants Joey, the delivery guy to show up and deliver, and of course the secretary says he will go out there soon enough.

At around the 13 minute mark, we get the first taste that this is a porno movie. It features Madelyn Night as the secretary. Madelyn Night is a thin brunette with large breasts, tanned skin, and a trimmed pubic mound. She pulls out a vibrator and dips it in milk, and starts to masturbate for the camera. A soft jazz tune comes on, and we are taken into the fullness of her solo work. She is a beautiful woman, and the show here is a solo masturbating act. The soft jazz music and the overall production value of this scene makes it one of the more erotic scenes I’ve reviewed in a long time. You hear her moan, she drinks a little milk, and just uses her vibrator for the majority of the scene, and that’s it. It’s a good sequence with art and sex mixed in for good measure.

The camera cuts to a delivery, and it’s Joey. He comes into the home, and picks up an empty glass bottle, and then starts to look around to see if anyone is home. He creeps through the house and picks up empty milk bottles, trying to figure out if anyone is home, and trying not to make any noise. Hen then stumbles in on Jon Dough and Laura Palmer.

He sticks around to just watch what is going on.

Laura Palmer bends over, and Jon Dough starts to spank her. Laura Palmer is a blonde haired, thin, tall, small breasted woman. She has model features, and she wears high heels for the start of this part. Dough spanks her until her butt starts turning red. All the while the Milkman watches. What I like about this scene is that it starts with dry humping. It completely starts with fully clothed, dry humping, spanking, and movement that is not nudity. In fact, it’s a way to get the actors to get a little more chemistry, and I like that part. After some dry humping, Palmer gets on her knees and starts to blow Jon Dough. He gets hard right away, and she just goes in on him, while a jazzy number starts to play. The set has an all wood wall, and looks like a den at a cabin somewhere, while the couch is a light brown color. Dough wears sunglasses as Palmer blows him, and it’s a slow, casual start to their sex, after the dry humping. After the blow job, we get some oral returned, then right into doggy style with no condom. Palmer moans, and Dough seems to have an urgency about getting forward progress into the sex. Palmer’s pale skin, blonde hair, and long legs really make for a hot scenario here. After a few positions, Palmer goes reverse cowgirl, and then Dough cups on her pubic mound, which is trimmed. That ends the scene, and that’s it. The scene is quite sensual, and definitely doesn’t feel like a robotic sequence, which is a great thing. The two genuinely shared a moment in this one, including Dough slapping his penis on Palmer’s pubic area after the sex.

The delivery guy keeps going on his route, and we see him going through the motions, nothing special. It continues the larger story arc of course. He ends up getting back to his truck nd there’s Kimberly Kummings waiting for him. She says that she wants special treatment, and while he declines at first, the two go in for a kiss and we are off to the races.

Bobby Vitale is the main guy here, and Kimberly Kummings throws herself at him. Kummings is a large breasted brunette, and she looks older in this scene, compared to Palmer. She is a great contrast to the blonde in the previous scene, and the two get right to action. Kummings gets on her knees and blows Vitale immediately, giving him a sense of urgency to start. The starting point here has some great jazz music, and the two are doing it in the parking lot, on a delivery truck. She has large breasts, tanned skin, and a thin frame. For the sex, it starts in reverse cowgirl, and just goes forward with some moaning from Kummings, and robotic movements from Vitale overall. She squeezes her oversized breasts, and does a little bit of talking, amidst moaning overall. The music subsides, and the camera fixes in on the action, although this time there’s a condom in plain view. She’s trimmed, with pubic hair on her mound, and the two just go through the motions, getting robotic at the 39 minute mark. There’s anal at the 41 minute mark, and doggy style, with an eventual money shot on Kumming’s backside, for the finish, and that’s it. Vitale doesn’t deliver a huge load, but it’s enough for the sequence overall.

Something sinister occurs here. Someone is changing the regular milk for chocolate milk! Or what appears to be chocolate milk, or something that is tainted.

We see Steve Drake and Madelyn Night kissing, and then we get a cancellation. Night and Drake discuss some issues with the business, cancellations, and they start to get back to the kissing. Steve Drake is a veteran, of course, and we see Madelyn Night earlier as a single performer. This is a little more sensual, with lots of kissing to start, and just chemistry that you would get from a couples movie, not a hardcore porno.

Drake puts Night on a wooden desk and gives her oral in a well lit office space. That’s the starting point of the sex, and it gets underway at around the 49 minute mark. A nice jazz number starts up as the two go in for oral. The music gets turned up a lot, but so does the sounds of the sex. The sound design in this movie is very odd. Whomever did the levels was not accurate. Drake takes Night and starts doggy style, and there’s a notable condom as Night asks for him to do it harder and harder. The angle is interesting, as it is trying to hide the condom, but there was definitely one there. After a position change it looks like Drake doesn’t have a condom on any longer, at least at the 51 minute mark. This could be a blooper or two different scenes edited together in the same space. Either way, the sex is robotic, and formulaic. The two don’t have that much chemistry and it shows. I can confirm that there is no condom after going doggy style, and I’m not sure why that was. Drake finishes on Night’s pubic mound, but she has a look of disgust at first.

After some time we see Vitale getting yelled at back at the office. He is then back on the job, and he continues to go on his way, until Sindee Coxx asks for help.

Sindee Coxx is a blonde haired woman with big breasts, and a storied career in porn. She takes her clothes off, and gets on her knees to service Vitale. The blow job here is deliberate, slow, and steady. It’s nothing special, just straight forward, and Vitale isn’t even hard at first. The director moves the camera around so that you don’t see that action, but you can tell he’s not all the way there yet, so Coxx really has to work for this one. After a little 69, the two end up going at it on a picnic table, and Coxx is wearing nothing but a pair of knee high black boots. Vitale goes all in here, and the two are very close together for the scene, but at the 57 minute mark, you hear the director’s instructions! I kid you not! Coxx moans, and the two switch positions. I don’t see a condom in this one, and it appears to be anal at one point, and it’s not a terrible sequence at around the 59 minute mark. There’s a robotic element to this, although Coxx seems to enjoy the process a little. At one point Vitale chokes her hard, and you can see Coxx not really into it, but if you like hard pounding, there’s a sequence here for you as Vitale goes nuts at a few spots. The edits are rough here, the cuts are insane, and after the hour mark, Coxx seems to just give in to the movement. After a bit of work, Vitale cums on Coxx’s stomach and she moans a little. She’s almost completely shaved for this one.


For the final two sequences we are split screened. There is equal time spent with Madelyn Night and Sindee Coxx having sex with some chocolate milk as a momentum push, and we see Laura Palmer and Bobby Vitale having sex as well. The lighting int he Palmer and Vitale scene is blown out, with a lot of direct light, and shadows that show that this is a set. Palmer really goes in hard on her blow job this time, and it really makes up for the rest of the movie, which was a little robotic. As for Coxx and Night, the two are sensual, kissing, caressing and using their hands to go through the motions of lesbian sex. It’s not a bad sequence, mind you, and it has more passion than the other sex scenes that the two were in during this movie. After seeing them do oral, for a while, we are taken back to the den, and there’s no condom for the sex, as Palmer rides Vitale for the finish of this movie. The sex is adequate here, a little rough, but nothing crazy, with Palmer seemingly enjoying the process a bit. She reminds me of an old boss I once had, so the fantasy was real in this one. Vitale cums on her chin, and then in runs Jon Dough to discover them.

Dough runs after him. Then we are sent to the backyard of the house where Coxx and Night are. The movie runs through, and out of the blue we see Night and Vitale driving and boom, they cash into each other, and that is that. We see that Vitale’s character gets back to being the best employee, and then we are taken back to the interview.

We see an interview with the Milkman, and we hear that America has changed completely, and that the Milkman job is no longer great, and the rest of the degrading of American culture was due to the stop of milkman delivery.

I give “Interview With A Mlikman” a 3 out of 5.

Out of all the scenes, only 2 of them really spoke to me, and they were involving Laura Palmer. I’ll have to really look into more of her work, as she is definitely a shining light in this one. Other than that, it’s a serviceable movie with good film grain, a few interesting notes, but robotic, short sex scenes with a blooper thrown in for good measure.

The Time Machine (1996) Review

The Time Machine (1996) Cover 

Ok, so it takes a little while to keep coming back to this, but hey, I’m here and we are going to be discussing a high budget movie for a change. This time around, let’s focus on a movie that came out in 1996. This is a movie that was directed by Jace Rocker, and was distributed by Wicked Pictures. The movie was shot on film, has a lot of props, and different actors that were great for the time. The movie stars Serenity, Jonathan Morgan, Ruby, Alex Sanders, Mitchell Grant, Tatiana, Peter north, Colt Steel, Sindee Coxx, Davia Ardell, and Tracy Love. The title of this movie, from 1996 is, “The Time Machine”.

The movie starts with Jonathan Morgan and Serenity walking around a mansion. Morgan’s grandfather have left him an interesting home, and the two start walking around the home to figure out what is going on from the past. They end up going through an old lab, and that’s where Morgan finds a letter. He reads the letter out loud as he walks around Serenity, and the two start talking about time travel according to Einstein. The two are great actors here, and I’ve always said that Morgan has been good in the movies that I’ve seen him in. The two start to look for the machine’s components and how to use it, then they uncover it. It’s not too unlike the H.G. Wells version, mind you. There’s a lot of attention o details on the set here, the sound design, the acting, the script, and the introduction. To the point that Morgan doesn’t have sex with Serenity right away. The build up of this movie features a lot of build up, and Morgan reads the letter, and discovers the machine and more. After Morgan reads that he has been given 1 million dollars in gold, Serenity perks up and, and says that there’s something that makes her quite horny about money, and so the two begin to undress.

Serenity and Jonathan Morgan start to undress, and Serenity goes for a blow job right away. Serenity has a girl next door look to her, with dirty brownish blonde hair, and perky, young breasts. Morgan looks like your average joe, a teacher even, and the two start things off with making out, before Serenity gets on her knees to give a blow job. The camera follows them nicely, and there’s a soft jazz tune that plays, with a minor bass tune. The camera blocks things as if this were made for cable, but eventually you get hardcore, because you know, that’s what I review on this site. Serenity blows Morgan until he cums, and he’s not that large, and doesn’t have a lot of semen, so if you were expecting a large cum shot, you didn’t get it here. However, Serenity’s skills does well enough to get him to cum, so if you’re a fan of just pure blow job scenes, then you’ll appreciate Serenity’s dedication. Although, Morgan doesn’t seem to get quite hard for a while, so maybe that’s why the scene gets cut short.

During the blow job, something gets kicked on, and the two end up going through time, as Morgan can’t figure out what is going on. There’s a bit of B-footage playing, and you get a mix of different b-level backgrounds as the two end up going to a wild west area. The two figure out that they are in 1882. They just sit there and argue, and discuss how they are going to get back to their own time, while Serenity gives Morgan some guff for getting them lost.

The movie progresses, and we see a wardrobe change for the two, playing up the wild west theme. The two get involved with a couple of outlaws, before running off to try and protect themselves from getting hurt. Meanwhile, we are introduced to Ruby, Alex Sanders and Mitchell Grant in a saloon that turns into a sex scene. Ruby here looks like a prostitute from the old west, while the guys wear western garb. The saloon set is good, with wooden floors, and a lot of background elements that make you get into the scenario quite well. There’s a tune that plays behind the action, and it’s not half bad, with Ruby getting naked first, and on her knees, blowing both Sanders and Grant immediately. The two waste no time getting hard, and while they aren’t huge, Ruby does a great deal of work to get them excited. There are no condoms here, and Ruby yells a great deal, cums, and is really loud at the 30 minute mark, which made it difficult for me to continue my review. The two take turns having sex with Ruby, although the scene isn’t that long. By the 30 minute mark, however, Ruby cums hard, and one of the actors cums a great deal on her pubic region, and rubs it all in, making for an interesting ending.

After this scene we are taken to a tent, and inside is Peter North wearing Native American garb, and a woman is with him. The woman is named Tatiana, and North is supposed to be a Native American here. Tatiana gets on her knees and starts to blow Peter North, with an instrumental tune in the background, and it’s very much supposed to resemble Native Americans having sex, although Peter North is circumcised, so there ya go. Tatiana is a Latin looking woman with black hair, and large breasts, with a great deal of curves. The two go through the motions of sex well enough, and North just lets her pound against him in doggy style to start things off. It’s not a great scene, but if you’re a fan of Peter North, then you’ll know his style, and it’s not always passionate, as much as it is adequate for the cameras. At the 38 minute mark, however, North really starts to push things, and gets Tatiana to scream a bit. She looks a little like Brie or Nikki Bella to be honest, so if you know who they are, then you may like the scene. Things go into anal towards the end of the scene, with a full focus on reverse doggy style, and after a few minutes, you get another classic Peter North cum blast, and if you’re a fan of those, then you’ll know what to expect as he unleashes all over Tatiana’s face and chest.

After the scene, we see Jonathan Morgan talking to Peter North, and if you’re someone that is upset with racism or cultural appropriation, then you’ll hate what you see here. It’s somewhat racial in nature, but it’s a porno as well. Morgan is funny, and he’s great at using the strict, with North doing some straight man gimmickry. Morgan is great though. He gets Serenity and then takes off the western wear, and then gets on the time machine and gets sent to the Roman Empire.

In Rome, we see the Time Machine land with Morgan and Serenity. They think it’s 1996, but it’s not, it’s 196, and the two start to argue again. The two put on Roman gear, and say that they want to go back to Egypt. Things go sour but one of the Roman soldiers that finds them starts to talk to Serenity long enough to get her to go back to his home, mainly a bedroom.

Serenity starts to unrobe, and is in the presence of Colt Steel, which looks cut, and has a beard. He has long hair, and looks every bit the part that you’d expect a Roman soldier to be. He’s ripped, he has a somewhat large penis, and Serenity blows him immediately. What really breaks the mood here is that Steel wears a condom, so you know that attention to the details gets thrown out the window. Aside from that, however, the set here is a candle lit area, with roman style drapes, carpeting and more. Throughout that, Serenity starts to ride starting with cowgirl, and moans a great deal to begin. This is not a passionate love making session mind you, it’s fast paced, and gets to the meat of things quickly, with Serenity really getting pounded. The Roman Soldier goes through various positions with Serenity, and it’s a sexy scene, that is fast, and eventually garners cum on the back of Serenity. This is not the best scene in the world, but if you’re a fan of Serenity, then you’ll like how it turns out, with her in multiple positions, moaning and cumming.

After this, Morgan and Serenity get back to the time machine and they go into the future. The future is where they end up as an experiment, mainly Serenity on a slab talking to an alien. Then comes in a woman played by Sindee Coxx and they start to make out. Sindee Coxx and Serenity go through a lesbian sex scene. The backdrop here is a futuristic space medical lab, and it’s a good set. Coxx is a tall, blonde haired, somewhat skinny woman, and looks very much California, if you know what I mean. Serenity and her work together well, with moaning, oral, fingers, and more. The majority of the scene is spent with oral and fingers that’s for sure, and they seem to get into it, which is always nice to see with lesbian sex scenes.

The movie then shows off Jonathan Morgan and he’s in the caveman times. He ends up talking to Davia Ardell, and Tracy Love. These are two very thin, very small women. They make a few jokes and then Morgan is asked to get on a bed for them. They rip off his clothes and then he gets hard, and the two end up having sex with him. Davia Ardell, Tracy Love, and Jonathan Morgan start to have sex, and it’s a stone age setting, with some good lighting. Love and Ardell are petite women, one with enhanced breasts, but both wearing black hair wigs. They immediately get Morgan hard and start with a dual blow job sequence. This is the most mechanical sex scene, with the women moaning in robotic tones, and Morgan just going through the motions, trying not to cum too fast. Visually, this is ok, but honestly, it’s lackluster performance makes it somewhat boring, and mechanical. Those that have had casual sex and just went through the motions will recognize this first hand, with just boredom. There’s a small cum blast, and he wants to get out of there before a dinosaur gets him.

The scene ends and Morgan wants to go back to his time. He gets back to his time machine and starts to wonder how he can get Serenity back again. At the end, Morgan goes to the future, and rescues Serenity from the aliens, and then flies away, with an explosion that leaves them back at the old mansion, and that’s the end of the movie. A sci-fi twisting porno, with some good acting, good sets, and some mediocre sex here and there. Serenity is hot at times, Morgan’s acting is great, and the effects are good for a porno.

I give “Time Machine” a 4 out of 5.

One bad scene aside, this is a well put together porno, with some good moments, including a few elements that made me want to stop reviewing and do other things, so that’s always a plus. It’s not a great one, but it has a lot going for it, all things considered, so it’s definitely a 4 out of 5 effort.

If you're inclined to purchase adult movies, make sure that you pick up "The Time Machine" on DVD or stream it HERE!

The Temptation of Serenity (1994) Review

The Temptation of Serenity (1994) Poster

Today we are leaving the 1980s and we are going to be visiting the 1990s. Not too far away from the last movie I reviewed, but definitely a different era. Let’s get into our time machine and visit 1994. The 1994 release by Wicked Pictures known as “The Temptation of Serenity”. This is a movie that has been made famous because Serenity does her first boy-girl scene. She previously only did lesbian sex scenes on film, but this time around, she starts to work with men, and this is the first time she does it, making it a special release from Wicked Pictures. The stars of this movie includes, Serenity, Sindee Coxx, Tera Heart, Tony Tedeschi, Emerald Estrada, Jonathan Morgan, and Steve Justice. Is this release from 1994 a good option? Will it strike your fancy? Well, let’s take a look at some of the minor and major points associated with this movie from 1994 to the modern era.

The movie opens up with the credits and a silhouette of music that sounds like we’re going to Medieval Times. It’s an interesting concept, and we find out that this movie was written by Jonathan Morgan, and was directed by Jim Enright. He also served as editor, so good for him. The credits stop, and we are taken to the main part of the movie.

There’s a woman walking down the stairs with a random dude. It’s Serenity and a random actor, and she starts to complain about how her boss is not seeing eye to eye with her. She goes through a monologue of writing here, and it’s fascinating to see her try to act. It’s like a high school play on video, and there’s no film grain, mind you. It’s well lit, an office space, the costumes are good, and it truly does look like a low budget play on film. This is obviously a set. I like it. The lighting is from overhead, and you can totally tell that this is nothing more than a façade or a warehouse of sorts. Serenity is a thin, girl next door, and she tries hard to be the “Boss” here, and she fires her assistant. When he comes back in he knocks her out, and we get to the rest of the story.

The movie continues and we see Serenity show up to a game show. Jonathan Morgan plays a great role as game show host. He does great here, and Serenity shows up in a director’s chair. There is a panel with a man named D-Man and he’s sitting next to an angel. This game show focuses on Serenity’s character and whether she will go to Heaven or Hell. The host tells her that she’s dead, and that she’s in purgatory, and there is a battle for her soul. What will occur? Who will go forward? Serenity has no choice, and the movie continues. A game show type of sequence, and it’s interesting to say the least. The actors are good here.

We are directed to a screen where we see moments from Serenity’s life. Or rather, the character she is playing. We see that she was attracted to a man that was a pushover, and that she helped him gain some confidence, However, she also hooked up with his sister, and there’s a dichotomy of good and bad that occurred. To that effect, we see a full sex scene play out.

Sindee Coxx and Serenity are making out on a green couch, in what is a well lit warehouse of a studio setting, and of course this is being shot on VHS. The quality is mired, the music kicks in, and we see the two women start to get naked. Both women are blondes, both are thin, tanned slightly, have full makeup, and are mostly shaved. They almost like twins here. This is at the 8 minute mark, mind you, so you can tell there was some build up to this. The music is a piano driven smooth jazz tune, and the sound of the moaning is turned up for the viewer’s pleasure. As far as the sex is concerned, there’s a lot of oral, lots of finger play, and the camera focuses between the two. The two women are flawless as far as I’m concerned, and the sex is fine, it’s heated, and it’s pure. They seem to work very well together, and the movement isn’t half bad. Watching two girls go at it is great, and it’s nice to see them here.

The story continues, and we see that Sindee Coxx’s brother saw them having sex, and turned him into a transsexual individual. He was so upset. We go back to the game show and we see that the devil wins round one. We then see another round, to see if Serenity was selfless during her time at work. Serenity is in an office with Tera Heart, and Tony Tedeschi. Serenity’s character tells them that she will take on the work alone, and leaves them in the office alone.

Tera Heart and Tony Tedeschi wait for Serenity to leave, and then start making out. A Soft jazz tune comes in, and the two throw stuff off the desk, and start to really heavily pet. Tera Heart has breast implants, is tan, thin, and has long brunette hair. She kind of reminds of me of Kelly from “Saved By The Bell” a little, and she gets nude fast, while Tedeschi starts to go in for some foreplay to start this. The moaning is louder than the music, and Tera Heart is loud as Tony gives her oral and fingers her. The two change positions and Heart starts to blow Tony Tedeschi with gusto. This is a fast paced, hard blow job, and the two seem to really be getting into it, and it’s there that you see Tera Heart has some amazing looking light eyes. You’ll have a hard time not getting attracted to her as she gets up and sits on an erect Tedeschi. There’s no condom here, she’s mostly shaved, and starts to go to work on Tony while he sits on an office chair. After some back and forth you get to see the two go into anal and it works well enough. Tera Heart is loud, has black stockings on, and high heels, making it an interesting visual design element as the two have sex on a desk.

After the sex, with no money shot, mind you, you’ll find that we get back to the game show. We see that Serenity’s character ratted out her coworkers and that meant that she wasn’t all that good. That’s where we end up seeing that Serenity’s character is tied and may not go to hell but rather heaven. That’s where we are going to take a break from the action, and see the devil guy state that he needs a woman to help him win the soul. That’s where we see Jonathan Morgan in front of a makeup mirror getting ready, and he’s introduced to the devil woman, a thin, brunette, that looks a bit older, ahs extra large breasts, and dressed in all black.

Jonathan Morgan and Emerald Estrada teleport to the backstage area of the warehouse set that the movie is being made in, and we see them on a red comforter. The set is dark except for the spotlight on them and the movie goes forward with fast paced sex. Jonathan Morgan pulls down his pants and Emerald Estrada gives him a blow job, before he starts to get going too far. He gets hard immediately, and then the two move forward to sex. Estrada puts her legs nearly over her head and Morgan goes forward with focused strokes. Estrada moans a bit as he goes as fast as he can, and the music is a jazzy number that is instrumental that’s all. The scene is devilish in a way and it’s straight forward, sex, with speed as the major focal point. Morgan moves as though he only has an hour with an escort, so he just plows ahead, no major rhythm just frenetic movements forward. After a few positions, things get to a point where there’s anal. That’s around the 45 minute mark, and there’s no condom, so if you like raw anal, here you go, the scene turns into an anal sex one. This continues for a few minutes, and eventually Morgan can’t keep things in place, and he ends up cumming on her face and into her mouth, and that’s that. A devilish scene that works as a bit to move the story forward, and in an artistic way as well.

The scene ends and we see the Devil and an Angel talking to Serenity. She says that heaven is where she wants to go, and Serenity’s character is a bit scared about what will happen. Morgan goes back to the makeup chair and he is approached by an angel. The angel says that she is there to watch over him. The two teleport to another bed, in the same warehouse obviously, and the lights dim, and a spotlight is on them.

Amanda Addams and Jonathan Morgan slow things down, start to kiss on a bed that has a yellow comforter on top, and things go straight into oral. Amanda Addams is a thin, tanned, red head with large fake breasts. She’s partially shaved, and has a bit of pubic hair, but not much, and is a bit older here as well. She’s a bit more quiet than the devil woman, and the music is somewhat romantic in nature. It’s a quality starting point for a contrast of what heaven and hell may be in terms of sexual activity overall. Everything is made different here, including the blow job sequence, the sex which is a little slower, and the attention to the finer details. That’s a good artistic point for the director and the focused lighting, as well as the way the actors play the sexual element here. By the time the sex starts, you start to wonder if they are making love, as it’s tender, and not that hard. The two go through several motions, and eventually Morgan cums on Addams’ face. As far as sex is concerned, this may very well feel like a wedding night sex romp, honestly. It’s that different than the devilish sex scene that occurred before this one. It’s a nice dichotomy, honestly.

After the sex is over, we are taken back to the studio where we see another round of the game. We see the topic of love, and we see whether or not Serenity has a true love. The D-Man says that no one loves serenity, and then the Angel says that no one loves her either. Serenity’s character may end up going to hell, but she says that someone does love her, and she starts to think. Serenity’s character keeps saying that someone loves her, and she ends up waking up and on the lap of her assistant. She wakes up, and she was dreaming all along, and it’s her assistant, and he says that he loves her, and that she’s ok.

Some soft music comes in and the two start to make out. Here is the final sex scene of the movie and it starts with a delicate starting point. Some making out on an office chair, the same costumes from the beginning of the movie. Serenity and Steve Justice start to kiss like they are old friends, and lovers. They slowly undress and you get a feeling for this first time for Serenity, meaning her first time on film with a guy, and it’s fascinating to see how it’s played to be erotic, and artful at the same time. This is not frenetic sex in any way, it takes time to build forward. Serenity here looks like a college senior, with large breasts, dirty blonde hair, and dressed like she’s going to a job interview. She’s relaxed, sexy, and will most likely turn on anyone that has seen her work. She has that “girl next door” vibe to her look for this movie, and she even delicately moans to start the sex. Steve Justice finally gets a blow job in this scene and isn’t immediately hard. He’s not a big guy at all, he’s got an average sized penis, which seems to have a difficult time getting up at first glance. However, Serenity and him work things out enough for the elevator music to shift and the two to start penetration and more. There’s no condom used here, and it’s just forward process sex. The two have sex on a desk, and exchange just a couple of positions overall, nothing too fancy, and it’s actually kind of short and sterile. While the opening was great, the foreplay really made it seem good, the sex itself lacked in creativity, and chemistry. At one point you don’t even see much going on besides Steve Justice barely grinding and pushing into Serenity, obviously trying to last longer, but it’s not going to work as he eventually just finishes fast on Serenity’s backside and that’s it. Not exactly a thrilling sex scene.

He says, a guy would have to sell his soul to the devil for sex like that, and out comes the D-Man and he says, “Hey, a guy’s got a make a living”, and that’s the end.

I give “The Temptation of Serenity” a 4 out of 5.

I wanted to like this more, but the creativity shown in the movie, and the two stellar sex scenes make it an above average affair. The fact that it’s Serenity’s first boy-girl scene also factors in, but the creative lighting, the performance by Jonathan Morgan, and the attention to some finer details make this a worthwhile sex show to watch.

You can purchase “The Temptation of Serenity” by clicking here, and seeing why this is a well reviewed, kind of hot porno movie from 1994.

Breeders (1996) Review

Breeders (1996) Poster

Well, here we go again, it’s time to get back into our time machine and look at the 1990s. It’s here that we are going to find out a bit more about a movie that has a lot of stars from the past, and some that you may be familiar with. This time around we are going to a larger budget movie option that was directed by Brad Armstrong, and distributed by Metro. This movie is called “Breeders”. It was released in 1996, and it has a higher budget than most. The stars of this movie include Sindee Coxx, Peter North, Dawn Burning, Kaitlyn Ashley, Alex Sanders, Sean Rider, Nadia Moore, Steve Drake, Anna Malle, Ruby, Gina LaMarca, Jon Severini, and Asia Carrera. The movie seems interesting enough, but is it any good? Well, let’s find out and see what’s up with this release from Metro.

From the start of the movie, you can tell that there was a higher budget than most. This movie starts with a very video game style introduction, with a lot of noise, and audio production to the credits. You really get a feel for the post-apocalyptic element that you’re going to be witnessing in this movie, that’s for sure.

Earth has become split into a few different factions. Those that are breeders and those that are not. The non-breeders are a band of criminals that want to kill everyone else. They are an underground group. They are criminals, and after the nuclear war killed everyone, only 12 people were left to breed. This is all talked about in the introduction which features a narrative voice. We see Peter North walking around a desolate area, which seems to me to be a spot near Inglewood.

Peter North runs into a busty blonde haired woman, and it’s none other than Sindee Coxx. Sindee Coxx gets on her knees and starts to blow Peter North. Sindee Coxx is a blonde haired, busty woman, and she has that California porno look. There’s a weird saxophone driven soundtrack that begins, and North stands amidst some dirt trees, with shadows being pushed to the side by the lighting rigs of the movie. It’s not well lit, but it’s lit enough to see what’s going on, and it’s Coxx going to town before North and her decide to have sex. The sex is adequate, the angles are ok, Peter North always looks like he’s in work mode, while Coxx seems to get wet and really get into the sex, even if it doesn’t last that long. The two work out well enough in multiple positions until North cums on Coxx’s pubic hair.

After North cums, we see some Roman Reigns looking dude come through and says, “they were here”. Then you are taken to an underground lair where a few guys are talking about how they need to kill more breeders. This is definitely a post-apocalyptic area, and it’s interesting to see, no doubt.

After the guys say they need to get more breeders, the camera takes us to prison cell. It’s here that Dawn Burning, Kaitlyn Ashley, Alex Sanders and Sean Rider are. They are kissing, moaning, and starting to take off their clothes. The two women are blonde haired, big breasted women, with your classic porno look. One is tanned, the other isn’t. There’s a pubic mound that is trimmed, and there seems to be some genuine chemistry between the couples. For this scene, the lighting is great, the set dressing looks like something out of the “Walking Dead”, and close ups are really close, giving you a very specific view of the oral, and the different positions. The women seem to get into it, and the guys are hard, making this an interesting scene. The music is good too, and the only downside is the many shadows that are in here, which counteract with the glare of my television screen as I try to review this. Other than that, it’s an artistic balanced scene that you could easily splice into “The Walking Dead” and get fanfare for. At one point there is anal, and I wonder why the purpose of breeders would garner such a thing. I thought the purpose was repopulation? Then I remembered, this is a porno. At the 24 minute mark, the director accidentally shows what appears to be Sean Rider trying to get hard, and not being able to perform, so the edit goes back to Sanders, going in with anal. It threw me off balance, and it really doesn’t do well for the scene, and as the scene progressed there’s a lot of blocking, to ensure that you don’t see his short comings in the scene.

After the sex is done, we see the breeders putting on their clothes, and they are attacked by the rebels on motorcyles, and they have guns. They are all casually shooting at the breeders, and one of them gets shot in the arm. From this point forward we get a lot more story. We are taken through the story and lots of dialogue. There’s some clever acting from Steve Drake, Asia Carrera, and others. It’s actually not bad, and if you were to splice the non-sex elements of this movie, you’d actually get a nice little science fiction piece. After some back and forth between the tribes, and Steve Drake’s character introduced we are taken to the memories of his character.

Nadia Moore and Steve Drake are stuck in his memory, and he is slowly caressing and kissing her. They are about to have sex in what appears to be a military outpost. They start slow, with oral, and then start to go forward with a few sensual moments before engaging in sex. The music here is slow, methodical, and artsy, with a focus on the scenario as an art piece, even if there is a bit of sex involved. There’s a sense of purity to the sex here, and it’s interesting to see. However, Nadia Moore doesn’t seem that interested in Drake, and while he’s a pro, the scene lacks that authentic sensuality and chemistry that I feel is necessary for a good sex scene. Remember, this is a fantasy, so it’s interesting to see how this doesn’t really fulfill that element for me. It’s artsy, it’s hardcore, but without that little extra, it’s just two people going through the motions, and it shows. There’s not much to this sex scene, there’s minimal focus on the actual sex, Drake blows his load into Moore’s face, and the music continues to be erotic and we then get a director’s slow down to show off that this is art, not just porn. It’s not a terrible scene, but it lacks that certain sensuality that you’d expect from porn. It is a cool scene to watch though.

Up next we are taken to another lair and this time, it’s Alex Sanders meeting Ruby, and Anna Malle. However, the director has slowed everything down to the point where it’s kind of a terrible scene. The sound design is good, the artsy nature of the sex is not lost on me, but it’s so slow at times that it is just like flipping through a porno and watching the images kind of shift. It’s a lackluster scene that really ends with a cum shot and that’s it. You barely see the women, and the lighting is so bad, that you can’t really tell what’s going on with some of the shadows that are in place.

After the terrible sex scene, we are taken to a mercenary with a shot gun. This is a tall redheaded woman, and she asks for one of the bad guys to take off his clothing. She points a shotgun to him, and finds out that he has water, and then takes it from him, drinking the water and letting it drip on her body. This woman is Gina LaMarca and she is an older redhead, with a lot of makeup. She immediately starts kissing the rebel, and we are taken to the next scene.

In this scene, we are treated to Gina LaMarca and Jon Severini having sex. It starts with oral on her, and then moves forward to the traditional elements. She keeps her boots on. She is a tall redhead with a shaved pubic area, but with a clear landing strip, a tan body, and large augmented breasts. Severini and her have some great chemistry together and though the director again uses slow motion to capture some of it, and the music is horrendous, the two seem to work well together here. The two have sex in multiple positions, but mainly doggy style, but it’s mired by the director’s decision to use slow motion again, and keep the sound and music at full speed. It takes you away from the action, as the lighting shifts because they are outside. It’s a bad scene, and truly a baffling decision if you ask me. The two go well together, and the sex is fine when not in slow motion, but it’s the lighting, music, and lack of chemistry that gets me towards the end of the scene, which starts off nicely, and then mellows out towards the end. It’s like watching an escort work for an hour. Eventually Severini cums and it lands in LaMarca’s face a little, and that’s it. He’s not a big guy, and she doesn’t seem that interested in the sex, yelling out at the end and barely looking sweaty at all. It’s a lackluster display if you ask me.

After they have sex, the rebels come down on motorcycles and they are shot by the two. They get on their motorcycles and run off to another outdoor post.

I don’t know why, but the next scene after this includes Gina LaMarca and Jon Severini having sex again. That’s right, there’s essentially a duplicate scene from what you just saw, only this time it’s full speed, full sex, and features a cum shot to the back of LaMarca’s body. It’s not that good, it’s fast, and the lighting is horrendous. But at least we don’t get that crappy slow motion for this one. LaMarca moans a great deal, and the camera ends the sex fast.

After the sex, we see Steve Drake and Asia Carrera running to the lair of the bad guys with guns, and they go in guns blazing. They then go in and shoot the main guy, and we come to find out that he was a breeder all along. Drake shoots him, and that’s it. All of the bad guys are killed and we are left with just Breeders.

The movie takes a lighter tone when we see Asia Carrera and Steve Drake outside some abandoned building. Asia Carrera gets on her knees and starts to blow Steve Drake. The worst thing about this is the slow motion, and the director once again goes for artsy, with a focus on music that is sold at a swap meet by some Peruvian flautists. Steve Drake and Asia Carrera have sex outdoors, and it’s not a bad scene, if it wasn’t all done in slow motion! Asia is a beautiful woman, needs no introduction, and Drake really works well with her. The two seem to have some great chemistry in this sex scene, and while the motions are good, and you really get a feel for the sex, the slow motion elements mixed with real audio sounds is a horrible way to cast this. Drake eventually cums on Asia’s pubic mound and that’s it. We get a short, slow motion sex scene that was probably much funner for the actors to do than for me to watch. I didn’t even get half a chub, which makes this an odd finish to a cool movie.

I give “Breeders” a 2 out of 5.

This is a terrible movie. However, it’s interesting, it has a lot of cool elements to it, but it lacks all of the elements that make a good porno movie, good. The sex kind of sucks, but the story is cool, and the ideas are great. But the choice to make a lot of the sex slow motion and artsy really takes me out of it. Plus, the Asia Carrera scene should’ve been longer in my view. But then again, hey, I am not the director, I’m just a guy reviewing movies.

You can check out “Breeders” and see if you like it, as it is available on DVD, streaming, and other mediums. Click here to pick it up and get 15 minutes free for starting a trial. I didn’t hate it, but I also didn’t love it. Maybe you will, though.

Big Game (1997) Review

Big Game (1997) Poster

Today we go forward in time from the last review, and we see ourselves in the 1990s. We will be visiting 1997 where we pick up a movie with a higher budget than most, and a full story that would’ve been easily put in a movie theater had this been in the 1980s. This is 1997 of course, so it’s not filmed with such high resolution, but there are some artsy elements, and the movie starts with some great introductory elements. The movie that we are going to be reviewing today is none other than, “Big Game” from 1997. The movie was directed by David Stanley and was distributed by Arch Angel. It has all the elements that you’d expect from a 1990s movie, including some of the stars. The stars of this movie include, Coral Sands, Sindee Coxx, Tiffany Mynx, Randee Lee, Tom Byron, Felecia, Billy Glide, Alyssa Love, Don Fernando, Jay Ashley, Melissa Hill, and Stephanie Swift. Is “Big Game” any good? Well, let’s find out by looking into what goes on in this movie from 1997.

The opening sequence lets you in on the story. You are told about three women that are on trial, and it’s a media story. The newscaster talks about the women that are on trial and why, and then we move forward to the court room. The courtroom set is really good, and quite interesting. The set features a real courtroom with all of the bells and whistles that you’d expect. A witness is called to the stand, and within 3 minutes we get thrown into the action of sex.

Coral Sands, Sindee Coxx, and Tiffany Mynx get involved with a sex scene where all of them get involved. Sindee Coxx has a strap on, and the other women just get undressed. Two of them are blonde, and one is brunette. They are all thin, have nice curves, long legs, and large breasts. They each moan, and at times scream as they are eaten out, and use their fingers on each other. This is a hardcore lesbian sex scene and has a great deal of passion involved, including the moments where the strap on is used. Coxx doesn’t have large breasts ,I take that back. There’s a bit of anal at one point, and for the most part these women seem to be very interested in pleasing one another, not just playing up for the camera, which is a good sign. There’s a decent soundtrack to this, and the sex is adequate for the most part. This seems like a lengthy seem by the 10 minute mark, even though it’s not that long, and well, it works for the most part, but it’s not something that that is going to get many people into. I think there’s a lack of camera work at times, and while Coral Sands screams at one point, there’s still something that is intangible here, and I’m not sure what it is. It’s a decent opener, and some good overall screams and moans, with an interesting setting, that being the judges desk inside a courtroom, but other than that, I am not sold. Of course, we see an audience, including Tom Byron. Tom Byron plays Frankie The Fishing Cowboy, and it’s funny watch the interval.

After the quick comedic routine, we are taken to a random bedroom where Tom Byron has called a pretty lady. He’s in a makeup chair and asks what the woman in the bedroom is wearing, meanwhile the makeup artist is starting to rub him and then starts to blow him.

Randee Lee and Tom Byron start to enjoy themselves, while Byron is in the makeup chair. Randee Lee is a tanned skin brunette, with a curvy body. Tom Byron has dyed blonde haired in this sequence, and we see the two start with a blow job. The director sends us to the bedroom where Melissa Hill is listening in on the duo and pleasing herself while on the phone. This scene has a duality to it, that is unlike the 1980s hard cuts, as we get sent back and forth between Hill masturbating with a dildo and Tom Byron getting it on with the makeup lady.

All of this is interesting, and during the sequence we are sent to another room where Steven St. Croix is in an interrogation room or somewhere with a wire, listening into Melissa Hill’s conversation with Tom Byron.

The director goes back to Randee Lee and Tom Byron, and they are having sex now. There’s no condom here, and it’s a slow moving progressive sex scene. Lee is pretty, in that southern California style, with augmented breasts, and tan lines. The music here isn’t terrible, the set is a warehouse makeup chair and desk, and the director lets you see all of the points of insertion. Despite the good production, and music, the two don’t seem to have much chemistry together, and that really makes for a boring scene. I hate when there seems to be a lack of passion, and it shows here. Byron and Lee do their jobs, but that’s it, it just looks like a job and they keep going through the motions, and that’s it. It happens. At the 22 minute mark there is anal, of course. It’s a slow start as usual, and it goes forward a bit before concluding the entire scene. During the anal scene, I noticed that there was a dip in sound design and quality, and while the two did get into the sex a little more, it lacked that passion that you’d expect from sexual partners. You’d have to see this to understand, but it’s just robotic to me. There is a cum shot at the end where Tom Byron cums on Randee Lee, and then we see Melissa Hill finish herself with a vibrator, and that’s that.

We see Steven St. Croix listening in and figuring out what is going on, before we go to a new scene.

The next scene we see Felicia putting on a towel, and a man is at the door. It’s Billy Glide and he comes into the house. Meanwhile, Sindee Coxx gets up and looks for something to wear, and then shows up. Sindee Coxx here has large breasts, blonde hair, and a great bit of makeup. Meanwhile, Felecia is a short, thin, and tanned woman with tan lines, and brunette hair. Coxx gets on her knees in front of Glide, and then an orchestral music soundtrack begins, and we see the sex start. Billy Glide, Sindee Coxx, and Felicia start with oral. Felicia for the most part sticks to giving Sindee Coxx oral, while Billy Glide and Sindee Coxx engage in something else. Coxx starts to blow Billy Glide like there’s no tomorrow, a sequence that raises the bar on the movie within a moment, and I’m impressed with it overall. Felicia rims Coxx at one point, and that’s interesting to see, and the director has his hands full trying to capture the threesome here, as they all seem to be into what is going on. Felicia pulls out a dildo, and starts to work herself into a frenzy, while Glide goes in with Coxx and just goes forward with relative ease. Felicia is on one side of a cream couch while Glide and Coxx use the other side to have sex. Glide eventually cums on Coxx’s butt and that’s it.

Coxx and Glide discuss Steven St. Croix for a moment, and we see him in a wheel chair. There’s been an accident, and he’s now being “weird”.

After that scene we are sent to Mickey G. and Stephanie Swift sweaty, in bed, and a phone call comes through.

We are sent to where a trio of women start to talk to Steven St. Croix, and he wants the women to kill someone. Stephanie Swift says that she doesn’t kill. Then he says, do you know what “Fucking” is? And then we are sent to a threesome sex scene.

The scene shows off Alyssa Love, Billy Glide, and Jay Ashley having sex. St. Croix shows the women the sex scene, and it’s spliced into the scene with an interesting focused and distressed camera lens. It’s almost like watching MTV from back in the day, while St. Croix talks about why he wants someone dead. As for the sex, it’s horrible. It’s slow, it’s mediocre, and Alyssa Love seems to just be there. Even when there’s an anal moment, it’s just a slow moving, and workable scene. At one point one of the guys doesn’t even have an erection, and is getting blown, making it an awkward sex scene. Eventually we get a money shot, and that’s that. This is perhaps one of the worst sex scenes I’ve reviewed since opening up this blog, even though there’s all the components that you’d expect from a sex scene, including Alyssa Love getting two money shots in the mouth.

We move along to a hallway where Stephanie Swift is talking to Don Fernando. She’s pretty here, young, with glasses. She tells Don Fernando that she doesn’t have the rent money, and that she can do something else if he wishes. To that avail, Stephanie Swift takes her top off and looks stoically into the camera while she gives Don Fernando a hand job. Swift asks Fernando not to touch her, but he keeps touching her breasts. The sequence is just a hand job sequence until he cums, and that’s it. He cums and that’s the rent paid. He cums on her dress, and then they look to see who’s watching and it’s Mickey G.

Mickey G. runs down to the apartment, and confronts Stephanie Swift. Swift says that Mickey G. doesn’t want to know her, and that she’s a bad girl. Soft music starts, and we see Mickey G pull out his penis, and start to stroke it. Meanwhile, Stephanie Swift is in the bathroom by herself and she starts to masturbate for the camera. The director contrasts between the two, and they are solo, in separate rooms of an apartment. This continues and doesn’t lead to anything big, and that’s it.

The scenes switch and we are taken to a brown couch. Another brown couch in a random apartment. Its here that we see Tom Byron and Melissa Hill starting to kiss and fool around. An instrumental track starts, the lighting is a little dim, and the two seem to have a lot of chemistry together. Melissa Hill has a unique face, reddish hair, small breasts, a skinny frame, long legs, long arms, and tan lines. She looks like someone I knew in high school, and she really gets into the beginning of this sequence with lots of kissing, and then oral from Tom Byron. The two progress to take off their clothes and then start to have sex. They go through multiple positions, and no condom, with Hill moaning a great deal and even screaming at one point. She seems to really enjoy this, and the two work up a real sweat in the sex that is had here. I found it to be a better sequence than any other one in this movie, and since I’m a fan of Melissa Hill, it was a real joy to see her bouncing on Tom Byron. This scene saves the rest of the movie if you ask me. After a lot of positions, some sweat, and changes there’s a cum shot to Melissa Hill’s face, and the end of a good sex scene for a change. I do put down a few points because someone was messing with the boom mic and it was in the edit, so that was dumb, but other than that, this was a great little romp of sex.

After the sex there are a few non sex scenes and we see the women from before in masks put a bomb onto Tom Byron! That’s right, they strap a bomb on him in an attempt to kill him. We don’t see the bomb go off or anything, so that’s something. But we do see the women in jail, so obviously they got caught. We are returned to the court room, and that’s when Stephanie Swift is on the stand. A tape is played, and we are taken to the bedroom of Mickey G. and Stephanie Swift. This set is nice, darkly lit, with candles, and silk sheets. The two are romantic with one another, naked in bed and just kissing lightly.

Stephanie Swift and Mickey G. go forward with a simple start, kissing, and then masturbating facing one another, and then out of the blue, Stephanie Swift sticks her foot into Mickey G’s butt. I kid you not, this is a first for me in these narrative style porn movies. Her food, almost to the ankle goes into Mickey G’s butt hole, and she moves it around while he masturbates. This lasts a few minutes before Swift jumps on and starts to blow him in a casual, and steady blow job, changing the fetishes to normal, I guess. The two then start to have sex, but the camera doesn’t show you a lot of the insertion, and then we get a money shot. It’s a scene that is quite interesting, as it is a bit tame, and then we see that Stephanie Swift was dreaming all along!

We see Mickey G. hearing the radio in a new room where Melissa Hill is and he finds out that someone is going to testify against him, and he gets upset. Melissa Hill tries to comfort him, and we are taken to another scene after this.

The next sequence shows Felicia and Sindee Coxx having jailroom sex together. The set here is a jail house looking cell, and the two are naked, and just start to have sex with a lot of oral, and a lot of moaning. Felicia screams at one point, her tan lines are so pronounced here, and Coxx does well to get her to cum several times. If you’re a fan of legitimate sexual experiences between porno stars, then here you go, one of the better sequences. It doesn’t last that long, mind you, but it works well enough to further the story and to titillate.

After the jail house sequence we are taken back to a bedroom where Melissa Hill and Mickey G are in the throws of passion. This is a fast scene, the two work very quickly to get into the sex, with Melissa Hill blowing Mickey G to start, and then letting him penetrate her, and go through multiple positions. She doesn’t even take off all of her clothes, just enough to see her breasts, stockings, and penetration. The two have sex against a marble wall, and the lighting is a bit dim, while you look into their pushing and moaning. At the 2 hour and 10 minute mark there’s a slow motion cum shot and that ends the movie for the most part.

After Mickey G cums, they look over and see Steven St. Croix in a wheel chair and Stephanie Swift standing in the hallway. The two look on in, and then go outside. Stephanie Swift walks around to where Steven St. Croix is, and puts her hands on his shoulder. The two share an intimate moment of reflection. Swift then sits on St. Croix and the two just hug. The wheelchair is pushed into the waters of a pool, and that’s it. Piano music plays and the two just sink, and the camera watches them go below the waters, and they kiss. They kiss hard, and they float a bit up, as the music moves forward. It’s a miracle Steven St. Croix legs start working again! The two kiss and the music continues, and that’s the end.

I give “Big Game” a 3 out of 5.

There’s really only a few scenes in this whole movie that really got me excited. Melissa Hill is a goddess in this one, and the rest, well it works for the most part, but if you’re not a fan of the women or the men involved you may not like it. I didn’t think it was that great, even though it had a long plot that had a lot of non-sex scenes in it. I’m sure that there will be fans that like it, but I can’t give it more than 3 out of 5.

You can purchase “Big Game” and see what you think about it, as it features a great deal of stars, some sex, and plot that you don’t always get with these types of movies. You can click HERE to stream it, download it, or buy it on DVD for a discount.

Out of Love (1995) Review

"Out of Love" (1995) Poster

We step back in our time machine to review another porno, this time we go to 1995. In the mid-1990s there were a lot of beautiful women showing up in porn, and it wasn’t just the girl next door types. Some of my favorite actresses of all time come from this era, and 1995 was a good year in my opinion. For this movie, we are going to be going to 1995 to review a film that was directed by Paul Norman. It was distributed by Vivid Video, and it stars some of the bigger names in porno up to this point. The movie is called, “Out of Love”. The stars of this movie include, Alex Dane, Brittany Andrews, Jill Kelly, Joey Silvera, Kirsty Waay, Nikki Tyler, Peter North, Sindee Coxx, and Tom Byron. You just can’t escape Joey Silvera and Tom Byron can you? I hope one day I can interview Tom Byron, I bet he has some stories to tell about the many movies he’s been in. Of course, Peter North and Silvera are also great ones, and my favorite actress Jill Kelly is in this one. But is the movie any good? Let’s find out as we review “Out of Love” from 1995.

We open our movie with Joey Silvera and a blonde talking about marriage. They discuss how they were not in love anymore, and there’s a flash back to a time where they were having sex. This is a quick romp, nothing spectacular. They talk about how the sex was still good, but they weren’t in love any more. Silvera’s acting is quite good here, and it’s second to none. He can actually act, while the lady with him, just isn’t that good. I’m assuming it’s Nikki Tyler. The two continue to discuss things and then the camera fades and we go to another scene.

In a bedroom that looks like a modern bedroom inside a warehouse somewhere, we see three women talking a bit. After a bit of discourse, soft romantic jazz starts playing and the trio start making out. The women here are Brittany Andrews, Nikki Tyler, and Sindee Coxx. Each one is blonde, each one has enhanced breasts, and they each have tight bodies. What follows is a threesome that features sensual oral, lots of kissing, breast play, and moaning. It doesn’t last too long, and the women keep most of their lingerie on, but they do a great deal of fingering, and oral, and things like that, making it a standard scene, with no real payoff.

The scene ends and we are back to Tyler and Silvera discussing their marriage. This then goes to a story where Jill Kelly and Joey Silvera are talking in a bedroom. Silvera and Kelly here are great together, and the acting is taken up a notch. Honestly, 1995 Jill Kelly is one of the most beautiful women to me. She has a California blonde look, nice breasts, tan lines, and blonde hair. She’s a fantasy that I could never get in my life, and this is before she had breast implants. I’d love to interview her today, but alas, that’s not going to happen.

Silvera and Jill Kelly start to make out in the bathroom of what looks to be a very terribly designed hotel. There’s some terrible instrumental music that begins to play, and the two start to get really familiar, taking off their clothing and starting to kiss a bit more overall. There’s a lot of blocking in this sex scene, and the cameras can’t really show you a lot that you’d expect from a porno. You do see Silvera giving Kelly oral, and using his hands and fingers, but you don’t see a lot of the penetration here. The two do have sex, and it’s not a bad scene if you’re a fan of Kelly, but overall, you can’t really see what’s going on. It’s almost like watching it on the Spice Network, and that kind of ruins the scene for me. Jill Kelly moans a great deal, and she looks great, even though Silvera doesn’t last that long overall. It’s not a great scene at all honestly.

We go back to the conversation that Silvera is having with Tyler and they talk about infidelity.

The scene switches to another scene, and it shows Tom Byron and Tyler hanging out. Tom Byron is in his punk rock, rocker phase with long hair, facial hair, and more. He tells Tyler to get a blanket and pillow from the closet as he and Alex Dane retreat to a bedroom in what appears to be an apartment.

The director hard cuts and we are taken to a bedroom, with simplistic design, where Tom Byron starts to give Alex Dane head. For this sex scene Alex Dane and Tom Byron start to get familiar fast, Dane immediately nude here. Alex Dane is a brunette with a thin waist, large breasts, pearl necklace, and simplistic makeup. She looks like a professional, wearing black stockings and high heels, and gets into the action with Byron quickly. After some oral on Dane, Byron gets sucked off in a hard blow job scene that gets him quite hard, fast. There’s some terrible techno playing during this one, and the two go through multiple positions of sex. It’s not great, it’s not terrible, but it seems to lack a little bit of passion until there’s a point where Byron goes for anal. When he goes into anal, Dane moans a bit more, and seems to really get into the sex, while Byron looks to be in mechanical mode. This works for what it is, but the two don’t share nearly as much chemistry as you’d expect. The framing of the sex is good, with good lighting overall, and interesting momentum towards the end, where you get a money shot from Byron onto Dane’s back.

After the sex, we end up going back to the initial couple talking about their divorce some more. They discuss how jobs have changed, life has changed, and there’s a bit of depression involve. Tyler gets mad at Silvera for painting and being less stressed now than before. The two seem to start to warm up a bit. Then we are taken to another room where Joey Silvera is drawing. He has live models and they are being painted by Silvera as he watches them have sex.

There’s a bit of art to this scene, mainly Silvera just directing a couple into sexual positions so that they can be painted. Kirsty Waay and Peter North begin their scene with a blow job in what looks to be an attic. They are both nude to start. Kirsty Waay is a redhead with large breasts, and you already know Peter North. Some soft piano music starts and the blow job continues, with a bit of sensuality, and focus on the act, nothing too complex. Meanwhile, Joey Silvera is painting them doing it. The two continue to move forward with the sex, the piano music starting to get loud, and that’s when you see North has put on a condom. This condom is white as snow, and it stands out like a sore thumb in this sequence. Waay is an interesting model, but she lacks passion during the sex, meanwhile this condom is driving me nuts. I’m a fan of safe sex, and safe sex in movies, but here it just looks like a giant white dildo. It’s so unnerving, and it just seems unnatural to me. The two have sex, but it’s somewhat basic in nature, with only a few positions and mostly just blocking because they aren’t supposed to be professionals. After some changing of positions, North cums on Waay and that’s that. Nothing too complex here, and nothing really to say other than it works as a sex scene, and not much else. It’s not very passionate at all, and it’s mechanical in nearly every phase.

After the sex we are taken to a lawyer’s office where Joey Silvera and Nikki Tyler are finalizing a divorce. They fill out paperwork and there’s a lawyer there to finalize everything. That’s the end. The two end up talking about how they could just be friends. Then Nikki Tyler tells Silvera that he’s the best sex she’s ever had, and that prompts the two to go to a bedroom.

For this scene, the two are in a random house, lighting is good, but it looks like your average home. There’s heavy techno music in the background of this one, and it’s really annoying. It’s the worst music for a scene that is supposed to have a sense of passion. Silvera’s moans are louder than Tyler’s to start, and it’s funny that the audio was chosen in this manner. Nikki Tyler starts things off with a blow job that is somewhat fast, and passionate. Silvera switches positions and gives Tyler oral. Nikki Tyler is a tall blonde with very large breasts, a tan, thin waist, and trimmed pubic hair. After the oral another song plays, and this one is a bit more tolerable. The sex begins and we see that Silvera has put on a condom for this scene. It’s a clear one, so it’s not nearly as intrusive as what Peter North was wearing. This is a slow moving sex scene with Tyler asking Silvera to do things, and Silvera obliging. The two go through the motions of sex and honestly, it’s a bit like a one hour session with an escort, rushed, and lacking any sort of connection. Silvera doesn’t even last that long before he cums on Tyler’s back, and that’s it. Silvera’s a legend, don’t get me wrong, but in this scene he’s just passable, while Tyler is an amazing looking woman in contrast, and yet only gets a little bit of action. It’s a scene that works, but it’s far from complete, as you totally know that Tyler didn’t get off here.

I give “Out of Love” a 2 out of 5.

There’s a lot of problems that I found with this movie. It lacked a sense of passion, the sex was bland at times, and there was an obvious disconnect with the director and his actors. Aside from the setting, and some interesting acting from Silvera, I didn’t find what I was looking for at all. The Jill Kelly scene especially was disappointing, but overall, it’s a movie that a couple may enjoy, but it’s not a great one at all.

You can purchase and stream "Out of Love" by clicking here. I gave it a 2, but reviewers on Adult DVD Empire gave it a 4.25! So maybe I am seeing things differently. Find out for yourself. 

Midnight Snacks (1994) Review

Midnight Snacks (1994) VHS Cover

Looks like I am stuck in the 1990s for a little bit, because today we are going to look at “Midnight Snacks” from 1994. This is a movie that was directed by Jim Enright and was distributed by Klimaxxx Productions. There’s a lot of stars in this one, including some that I personally have enjoyed in other movies as I’m not a callous individual. The stars of this movie include Melissa Hill, Sindee Coxx, Steven St. Croix, Tera Heart, Tony Tedeschi, T.T. Boy, and Tera Heart. I’m not sure what to expect with this one, but it’s 1994 and it stars a few people I’ve seen in the 1990s, so maybe it will be good. Let’s find out with this review of “Midnight Snacks”.

The movie starts with music and someone looking at interior design collateral. It’s fabric swatches and color swatches, all with a nifty tune underneath. We see the credits start and we simply just look at the materials as the credits start to roll through. Someone’s going to fashion design school, maybe? From the beginning point we are taken to an office, and it’s Melissa Hill talking to Tony Tedeschi about how she has some great fashion ideas. Tony Tedeschi says that the fashion cannot be used right now, Melissa has to work with the sales. She then offers to work both sales and fashion, and Tony can’t refuse, right? He agrees.

The scene ends and we are taken to another room in the fashion store and it’s Tera Heart and Melissa Hill talking. They simply talk and then we are taken back to the office where Tony is sitting. Tera Heart walks in and says that she wants to make sure that he is going with only her as a fantasy.

The camera cuts and we see Melissa Hill cleaning up a mannequin, working on fashion stuff.

Tera Hart and Tony Tedeschi start to take their clothes off for the first sex scene, which doesn’t start until the 7 minute mark. Some very light music starts here, and Hart gets on her knees and starts to blow Tedeschi. Tera Hart is an attractive brunette with a girl next door look. She has nice breasts, and soft skin, light makeup, and looks to be enjoying the process to start. She has large breasts, no doubt enhanced, and kind of has an “Elaine” from Seinfeld hair and look about her. Tony Tedeschi gets her to cum with a couple of fingers to move forward then we get to the sex with Hart begging for it. Hart gets wet and the two start to have sex in traditional positions on a desk in an office. The set is a bit dim, nothing too brightly lit, the music isn’t too loud, and you hear the moaning of Hart over everything else. She seems really into it, and then gets into things a bit more when Tony goes for anal. The anal sequence lasts a bit with Tera masturbating during the anal insertion and throughout the grinding, on a desk, and it’s not too bad of a sequence. After some squirting and even a far at around 18 minutes and 20 seconds, Tedeschi pulls out and then cums on Hart’s face. The whole sex scene was vibrant, strong, and featured a lot of chemistry between the two. It’s rare to get this much chemistry, no condom, low music, and a finish that really accents the overall focus of the porno scene. It’s a great opener, that’s for sure.

After Hart and Tedeschi finish, they come out of the office and talk to Melissa Hill about the mannequin. They like what they see and we get forward movement. Melissa Hill falls asleep on a couch and then goes into the mannequins world.

T.T. Boy is one of the mannequins that comes to life and Vanessa Chase comes to life as well, and the two start to make out. Vanessa Chase is a brunette with short curly hair, a thin frame, and small breasts. T.T. Boy is immediately hard for this, and Chase begins with a sensual blow job to start things off. The music here is light, and the set is just a back room in a fashion mall store. After some oral, the two switch and T.T. Boy gives oral to Chase, and she starts to get wet before the two start to engage in sex. There’s no condom on this one, and Vanessa Chase has her pubic hair trimmed a bit. The music is way low here, and you just hear the noises of sex. The best point is reverse cowgirl with a full view of the camera, dim lighting, good shadows, and raw sex. After some time in various positions, the two go for anal, and it Chase moans in delight. She moaned more for straight sex, not anal, and after some time T.T. Boy cums on Chase’s pubic mound.

Melissa Hill wakes up and realizes that she fell asleep. She goes into another room and she’s dreaming again because two mannequins come to life and start to make out.

For the next scene we see Sindee Coxx and Vanessa Chase start to kiss. Sindee Coxx is a blonde haired, thin framed woman with shaved pubic hair, and high heels. She’s thin, has natural breasts and is a natural working with Vanessa Chase. She has high pitched moans, and the two go to work with one another in a 69 position. This is a good overall sex scene with the majority of the sequence having Coxx cumming and loving the oerall oral that is given. The two really work well together to give one another passionate sex, and if you’re a fan of lesbian scenes this is a great one. Although it’s a bit shorter than the other scenes.

Melissa Hill wakes up again and realizes that she keeps falling asleep. Then we are sent to another sequence. This time we see Melissa Hill and Sindee Coxx in a room where Hill plays the mannequin. We then go to a bar where Melissa Hill asks for coffee. She’s tired, and she talks to Steven St. Croix about how she needs to stay awake to finish a project.

The two start to kiss and things start to work in the favor of St. Croix. Steven St. Croix goes down on Melissa Hill to start this sex scene. Melissa Hill has trimmed her pubic hair, has light makeup, and has a thin frame as usual. She seems to enjoy this a bit more than other scenes that I’ve seen her in, and it’s perhaps St. Croix method that gets her there, squirming in delight, and getting wet faster than other scenes I’ve reviewed her in. Steven St. Croix has been in many 1990s movies, so I know he’s good to go and he gets hard here quickly. The two went from a bar to a bedroom, and the sex here starts very slow. Melissa Hill gives a very slow, passionate blow job after getting head from St. Croix. The sex gets started on a bed and it’s once again slow. There’s movement, mind you, but it’s passionate, direct, and the two work well together in a sensual capacity. This is not break neck, fast porno sex, it’s slow, it’s direct, and the two look as though they are a real couple. Melissa Hill looks beautiful with her legs up, moaning, and kissing St. Croix, the two enjoying the process of sex without going too heavy, and yet it’s simple and sensual. Hill gets really wet here, and there’s no condom. The camera notices the subtleties of the sex and zooms in here and there to show off. If there was a sex scene for couples that weren’t really into porno, it would be this one. Hill gets on top after a while and we are taken back to the bar where Steven St. Croix and her are just talking.

This leads to Tera Heart showing up and getting on the counter, and Melissa Hill taking off her bra and clothing. We go right into a new sex scene, this time on the counter of a bar set. The sex starts with oral, with Steven St. Croix going down on Hart and getting her to cum before Hill takes St. Croix in for a blow job. The women have a lot of chemistry in this one and are moaning a great deal with the oral, to the point where Hart screams in pleasure at one point. St. Croix isn’t going too hard here and yet Hart is loving every push and thrust, meanwhile Hill screams as well, and the three seem to really be enjoying this one. I haven’t seen so much moaning and camera work in a movie in a while, so it’s a nice pleasurable sequence to see this go down on the top of a bar. At one point one of the girls asks St. Croix to cum on her face, and that is obliged. It’s not a lot of cum mind you, and the scene ends with that, only to pick up back in the bedroom.

In the bedroom we see Melissa Hill riding St. Croix. She finishes up and we don’t see a cum shot or anything.

The scene ends, and we are sent back to the mannequins, and the hoffice. Melissa Hill says that she didn’t dress the mannequins and wonder if they dressed themselves. Tedeschi says that he’s glad that Hill was put in charge and that’s the end of the movie.

I give “Midnight Snacks” a 4 out of 5.

There’s a lot of passionate sex in this movie. Despite a lackluster plot, a razor thin amount of acting, there’s a real chemistry found within the participants of the sex scenes. Between both the men and the women, each scene has a bit of chemistry that makes this one quite good overall.

Jenna’s Revenge (1997) Review

Jenna's Revenge (1997) DVD Cover and Poster

I haven’t reviewed a lot of movies that featured Jenna Jameson. I’m not sure why, but it just hasn’t happened. Yes, I have a few, but not nearly as many as you’d expect. It’s for that reason why today, I’m going to be reviewing a movie from 1997. Now, I did see this movie on cable, when I was a teenager, watching the Spice Network, when I shouldn’t have. This movie is none other than, “Jenna’s Revenge”, and it stars a lot of heavy hitters. The stars of this movie include, Brad Armstrong, Eric Price, Holly Body, Jake Steed, Jenna Jameson, Jill Kelly, Johnny Black, Mark Davis, Marc Wallice, Papillon, Ruby, Sindee Coxx, Tony Tedeschi, and Vince Vouyer. These are all stars that I have seen in the past, and some are more famous than others. Whatever the case may be, the movie is one of the classics of 1990s porno, but is it worthwhile today? Let’s review it and find out.

The movie begins with a bar scene. We are taken into a bar where Jenna Jameson shows up and starts being catty with the bartender. She goes in and asks for a drink, and she is snotty. This is prime Jenna Jameson, with long blonde hair, breast implants, and make up done right. The bartender delays in pouring drinks, and eventually gets one to our main star. In the bar, a random dude asks what she’s looking for and Jameson replies, that she’s looking for a man. There’s a man in the bar that says he’s the one she’s looking for and they go outside to talk. Jenna gets a little roughed up and she says that she needs help with her husband. She needs someone to take care of him. From there we are taken to our first sex scene.

The screen fades and you are taken to a bathroom in which Jenna Jameson is in lingerie on her knees, and she’s blowing Tony Tedeschi. There is an incredible amount of chemistry in this scene, especially from Tony, as he’s rock hard in this one, no joke, and Jenna is working him over in a way that few scenes seem to focus on. There’s an orchestral movie theme playing as the two get things moving forward, and it’s truly a sight to see. Jenna here is in her prime element, and the lighting, set design and overall cinematography lends itself well to this release. Tony Tedeschi looks like he’s going to blow his load several times, and I’m not sure how he keeps it together during some of the initial blow job sequences. Jenna just goes to work, with long passionate strokes, and deep throating at times, making this one of the better sex openers I’ve reviewed in a long time. There is no sex here, it’s just a blow job and a facial, and that’s it. Tedeschi cums on Jenna’s face and she continues to blow him after, making a mess and then sucking on afterwards, creating one hell of a sequence, and truly opening up this movie in quite a striking fashion. The scene is shot in a bathroom inside a mansion, and it’s not half bad.

The scene ends, and Jenna tries to act, and it’s not great. But she wants to get away from her husband, and wants him dead. The dude says he’s not interested. The character’s name is Ray, and he gets into a hummer, before he finally decides to say yes to helping out the poor woman. He agrees to help, and then we are shifted to another scene. This other scene features Tony Tedeschi in an office, and he is talking and then leaves. But leaves behind a random office dude, and Jill Kelly. The two are the next two to get it on.

Eric Price and Jill Kelly start out with a blow job sequence. If you’re reading this blog regularly, then you already know that I’m a big fan of Jill Kelly, and would love to meet and interview her one day. Not sure if that will ever happen. In this scene, she puts on a showcase, outdoing the chemistry that Jenna had in the first scene, and going deeper than her in the blow job. She deep throats, she sucks, she strokes, and the music makes this scene seem a lot more creative overall. Jill Kelly sports the classic swimsuit tan line, and has high heels on as Price gets to initiate oral after some time. The sex is adequate, but not that grand, with Price cumming fast, and getting some anal in for good measure. He cums so fast the scene barely gets you aroused, and then finishes on her stomach. Kelly couldn’t have been satisfied here, and the scene cuts to black before sending you back to the mansion for another part of the story.

Tony Tedeschi is seen coming home, and he’s in his full business attire. He walks into a bedroom inside his mansion and there he finds Jenna Jameson. She asks how his day was, and then she gets mad at him, and yells at him to pay attention. He then threatens to call her psychiatrist, and that ends in her yelling. Jenna goes to the phone and calls Ray. He asks for 100,000 dollars and a picture of her husband, and he’s going to take care of him. Jenna then quickly hangs up the phone, and the deal isn’t necessarily done. Tony walks into the kitchen and Jenna is in there, he asks if she’s going to go to bed soon, only to have Jenna yell again. She’s desperately wanting out of this marriage that they are in. It’s here that Jenna takes her long hair and starts cutting it, leaving strands all over the floor and crying as the orchestra plays on. Later, she goes to the designated drop off spot, and delivers the 100K in money, and our antihero Ray goes to pick it up. This was shot in Los Angeles, and it’s painfully obvious that it was. Oh the good times, I used to live there. At this point, the movie has more plot than sex, so if you were waiting for lots of sex, you’re not going to get it here, it’s just not going to happen. There’s a lot of plot and dialogue. The movie continues and we are taken back to the mansion, after a brief interaction between Ray and Jenna, where Jenna comes home to Tony, and gets a surprise. Tony says he has a surprise for her, and well, it is a gift. Tony hands Jenna a blindfold. He then leads her to the pool area of their home.

It’s at the pool where Tony starts to give Jenna oral, and then out comes Sindee Coxx. Sindee begins to take over with the oral, while the music turns into another orchestral sounding rock tune. This is very much the same kind of music you’d hear from a Cannon Films release. It’s actually kind of good, and the soundtrack should be available for download. The scene is outdoors, and then slips into the pool a bit. Coxx has long blonde hair, and is skinny, Tony gets in on the action as well, but this is mostly just oral for the starting line of the scene. Eventually the blind fold comes off, and Jenna and Coxx give into Tony. But it’s mostly just Coxx. Jenna disappears after a few moments, and leaves Tony and Coxx to do their thing. Jenna gets mad when Tony is having sex with Sindee, and runs off. After a few more strokes Tony cums on Sindee and that’s the end of this scene.

The scene shifts, and it’s Jenna driving to the bar where Ray’s at. I believe Ray is played by Brad Armstrong at this point. The color from the film turns off, and it’s black and white. This features Jenna on the bar top dancing for Brad. She goes topless and in comes the classic guitar rock, and this is quite the scene. It gets quite sexy, and right when she puts her legs around Brad’s head, reality calls and color comes back into the scene, changing the scenario back to reality. The two start to argue. Then kiss, and they start to go forward with gusto towards sex.

Jenna Jameson and Brad Armstrong start to have sex in an alley way. Jameson immediately pulls out Armstrong’s member and starts to blow him. He gets hard instantly, and she really works him over, much more passionately than she did in the opening sequence. This is not a long scene, with Armstrong putting it into Jameson while she rests on a Hummer. He goes forward through a couple of positions, always standing, and eventually cums on Jameson. There’s a melodic guitar rock tune here, and it’s straightforward, no nonsense sex. There are a few moments where it seems like this is going to turn into anal, but it doesn’t, Jameson just keeps things in one area, and there are no condoms here. Eventually Armstrong can’t keep it together and cums on her face, and that’s the end of the scene. Jameson and Armstrong have unique chemistry in this sequence, and it’s quite hot as you see her green eyes throughout the sex. Not a bad sequence, but it’s outdoors and has bad music.

Jenna Jameson comes home to her mansion and Tony is playing pool. The two argue and he slaps the crap out of her. She then runs to Ray, and says that he needs to take Tony out. The sequence then shifts to Ray driving, and a part commencing in two places. However, the scenes shift to the bar again. Inside the bar there is a three way sex scene about to happen.

Holly Boddy, Jake Steed, and Mark Wallice start to kiss and start working through some vibrations. This is a fast moving scene, with Boddy getting naked first, then blowing the two guys, on a pool table. The music is a trip hop track that isn’t all that good. The two guys seem to work well here, and while it seems like one isn’t as hard at first, he eventually gets there, and Boddy does a lot of the work while wearing heels. After several positions, the movie moves into a double penetration. The double penetration gets the guys moaning more than Boddy, but it’s a unique sequence with a trippy soundtrack. Eventually one of the guys finishes on her lower back, and then the other just isn’t on screen that much. It’s an ok sequence, with a predictable finish. This felt like filler if you ask me. Holly Boddy is a tanned woman with black hair and large breasts.

After the sex, Ray comes in and talks to the owner of the bar and gives him the lowdown on what is going to occur. That shifts to another scene, and we are at the mansion again, there’s a party going on, and it has a lot of women and men there, all dressed up. It’s a swingers party from what I can tell, and it’s interesting to see who is there, as it will no doubt lead to an orgy scene, right? You know it.

Jenna Jameson, Johnni Black, Papillon, Ruby, Mark Davis, and Vince Vouyer all start to have sex, and it goes from party to sex right away. There’s no condoms in sight, and all of the women are beautiful, and moaning at different points. The camera moves around to different people, different movements, and it’s interesting to see. It’s an orgy, and it looks like a lot of fun, if you ask me. The lighting is nice, the mansion setting is good, and the focus is all on the women, with lots of pretty tanned ladies with fake breasts, and shaved pubic hair. There’s not much that can be said about this one, there’s a lot of sex, and multiple cum shots and that’s the end.

The scene ends, and in comes Ray with a gun. Jenna asks where he was, and asks him to kill Tony. There’s a stand off! Jenna pulls out a gun and says she’s sick of Ray, and then there’s a Mexican standoff. The lights go out and someone yells, “NO”, then fades to black. We are taken to another scene. It’s Jenna digging a hole, it’s in black and white and we don’t see anything but Jenna, a body bag and a hole. The narrator eludes to the fact that she killed both of them, and that’s that. Fade to black, roll credits, Jenna wins.

I give “Jenna’s Revenge” a 4 out of 5.

I have to give credit where it is due, “Jenna’s Revenge” has everything you want in a porno. It has a lengthy story, with some sex thrown in for good measure. The start is in the movie a lot, she has sex a great deal, and gets revenge on the people she needs to get revenge on. It’s a good movie that is worth picking up if you’re a fan of Jenna Jameson, and the rest of the cast. It’s plot heavy, not sex heavy, although it doesn’t shy from hardcore, including double penetration. A good overall showing if you ask me. Not perfect, but really good overall.

You can purchase “Jenna’s Revenge” on streaming or on DVD by clicking here. If you’re a collector, you’ll definitely want to add this one to your Jenna Jameson and Jill Kelly collection, for that matter.