Coed Fever (1980) Review

Coed Fever (1980)

Today we are getting back to our time machine and we are going back to 1980. We are going to be seeing a Cabellero Home Video million copy seller, as it was a huge hit for the company in 1980. “Coed Fever” was released in 1980, and it had a lot of solo acts, and 19 overall sex scenes. It was directed by Robert McCallum, and it features some heavy hitters. Some of the names that are in this include Terri Dolan, Aaron Stuart, Serena, R.J. Reynolds, Lisa De Leeuw, Jamie Gillis, Piper Smith, Gloria Harrison, Vanessa del Rio, Michael Morrison, Ron Jeremy, Samantha Fox, John Leslie, Lysa Thatcher, Brooke West, Terri Dolan, Jon Martin, Annette Haven, Eric Stein, Don Fernando, and Paul Baressi, just to name as many as I could. There’s a lot going on here, and the movie is only 89 minutes long. This really feels like a movie that was meant to be seen in movie theaters, and it shows. It really pushes that envelope from the start, with sex being the biggest thing, at least with my copy of the film.

The movie begins with a pixie haired dirty blonde with small breasts, not shaved, and Aaron Stuart with a late 1970s hair cut and mustache. No one’s shaved here, and it gets straight into a blow job as the clothes start to come off. The film grain is here, you know this was on the silver screen. The set is a kitchen, and the two actors get into the sex, showing off no condoms, and the classic push of the 1980s. The sex has a lot of edits, a lot of cuts, and a lot of facial expressions, so you go back and forth with the close ups, and then the penis and the vagina, with lots of hair everywhere. Eventually, Stuart cums on the pub ic hair of Terri Dolan, and starts the movie off with straight forward sex. These two are not young coeds, that’s for sure.

We have a cut and we end up going to a sorority house where we see girls talking. Then we go to a frat house where some dudes start talking and that’s it. A lot of exterior shorts are shown, and we see a variety of men and women talking. This is a full movie with sets, and film grain, it’s simple. The dean calls for the women to come over, and we just get moving forward like a 1980s college flick. If you’ve seen one of those, then you know that the movie is about the guys against the evil Dean of the School. We see that the Dean is going to have a photo shoot that is going to do a story on the sorority, but they have to ditch their men. The Sorority lead talks to the girls and says that they need to date only good men.

We are sent to a date, where a man named Joey and a girl talk about doing it, and the guy is getting rejected. This is a break up date. The woman breaks up with ole Joey, and he starts throwing chairs, and gets really upset. Meanwhile we see the waiter going mad, and miming his disinterest.

The scene cuts to Serena and R.J Reynolds in a gym. Serena is a red haired girl, and she gets on her hands and knees to start sucking off Reynolds, and that’s it. There’s no sound, there’s no artistic elements, just hard light from the left, and the sounds of sucking.

The movie then shifts to another couple in a sauna, and they are talking about how they need to break up. The movie moves along and we see others break up before we are sent back to Serena and Reynolds in a very basic sex scene. It’s like watching two parents or a long time couple have sex, very little passion, not a lot of moaning, just him on top, and moving forward on gym mats. There’s romantic music, the lighting sucks, and there’s little to no “passion” here, it’s just straight forward, with a basic movement. The best part here is that Reynolds go down on Serena and she really gets into it, and that’s where she starts to moan, and we get to see a better sequence of sex.

The break ups continue, and we get more of the story. We are hearing about the future of the sorority and the frats and dating. It’s a story driven movement, and we are introduced to other characters along the way. This movie is swift, we are 22 minutes into this movie, and we haven’t seen a lot of sex just yet, but there’s a lot of story. It’s ok at best.

Moving forward, we are taken to a threesome that happens after a couple of guys go to a bar.

THis scene, from what I can gather includes Piper Smith, Gloria Harison, and Jamie Gillis. Terrible music begins, and one of the other guys starts watching, and Gillis starts to eat out one of the women, and then one of them rides him, and his face. The two girls are blondes, there’s some smooth jazz that comes through, and away we go through another sex scene, with bad lighting, and random moments of sex. There’s some good moments with a blow job, having two blonde haired women blow Gillis is good, and they seem into it completely. The movie continues with bad lighting, bad shadows, and what appears to be a swing set? After some time, there’s a facial and that’s it. This was ok at best, the women were a little more into it, but it wasn’t grand to say the least.

After the scene, we get to another part of the movie, two guys and a laundry truck. The two guys have a plot to work with and are talking about delivering some new detergent, but it’s really poison. They knock out a woman, drag her upstairs, and replace her with someone else.

Ron Jeremy and Michael Morrison talk about how they want to get moving forward with taking pictures and getting forward progression on the story. Vanessa del Rio is there and giving the guys a tour, and Jeremy keeps saying that he can’t contain himself. After the trio look into a random bedroom, they decide that they need to get it on. Jeremy gets down on his knees and gives del Rio oral while Morrison gets blown, and the smooth jazz comes over again. If you’re a fan of del Rio than you will like this, it’s average at best. Jeremey and Morrison work well in the doubles, but eventually Jeremy cums onto del Rio’s breasts, and Morrison goes soft, allowing this to finish off.

The Dean shows up and catches del Rio, and then chases her out. The Sorority house gets made, and they aren’t sure how to move forward. They say that people will be getting in trouble if they don’t fess up to who is responsible.

As the movie progresses we see another couple, this time it’s John Leslie naked on a bed with Samantha Fox blowing him. There’s no sound again, just the sound of the blow job. This leads straight into sex, and it’s Leslie on top, and he’s going in and out, with Fox’s legs up.

The movie continues and the Dean is mad, and he starts plotting how to move forward. We are at the 54 minute mark at this point.

Moving along we see a random dude scoping out the sorority, meanwhile, a couple of women are doing it together. There’s a simple scene with Lysa Thatcher and Tawny Pearl. A brunette and a blonde just having fun together, lesbian sex, lots of oral, fingers, and forward progress. There’s a slow moving bass line, and we see the guy come inside the room to see it all happen.

Up next there’s a sorority initiation, and we see Tawny Pearl, Lysa Thatcher, Brooke West, Smantha Fox, and Terri Dolan all getting spanked while they play with vibrators. This is a sorority initiation and it’s quite sexy.

We move forward and find out that the sorority found out who was causing the problems with the Dean. That made Annette Haven, Samantha Fox and Paul Baressi engaging in a threesome which features sex and a paddle, then a strap on dildo with some strong elements. There’s a sense of punishment in this arena, and it’s a domme sex scene that borders on violence at times. It’s not my favorite scene, but it progresses the plot, so in that arena, I guess it’s ok. It’s a threeway overall and at some point Paul Baressi cums on and rubs his penis all over the brunette, and that’s that.

Some soft music plays, and we see the movie progress to a date again. This time Brooke West and Jon Martin are talking, and they simply talk about how they want to do it. That leads to another plot point, before we end up in a soft sex scene, with West and Martin. Brooke is a brunette girl next door looking woman, and Martin is a nerd, and well, the sex is ok at best. It’s soft, it doesn’t get a lot of movement, the lighting is horrendous, and they do it on a carpet, and well, it’s just not great at all. It looks clumsy as hell.

The climax and ending of the movie features the coeds having sex at the mansion of the Dean, and the camera guy and article writer get in on the action, as the jazz music comes through and we are treated to a little disco, and a cum shot to finish things off, nothing that great, but just a finish.

At the end of the day, there’s a lot going on in this story driven movie. It’s more story than sex, that’s for sure. There are some funny moments, and it’s hilarious to see how things work through the elements, including a little gay nod at the end.

I give “Co Ed Fever” a 2 out of 5.

It was hard to review this one because the editing was so bad, but it worked for what it was. It’s like a 90s or 80s sex comedy, with hardcore in it, the sex is not passionate, you sometimes don’t see penetration because of the lighting, and it really seems like a movie that played as a double feature to a better porno, but then again, that’s what you get with the 1980s, right?

John Leslie's Night Shift Nurses (1987) Review

John Leslie's Nightshift Nurses

Today, we go back to a topic that is near and dear to my heart. We talk about porno and nurses, and the original elements that made me raise an eyebrow when I was going through puberty. There’s something about nurses and sex, even to this day, and while the uniforms are all different now, I still think fondly of them for various reasons. Today we are going back to 1987, for a movie about some hard working medical staff, and the men they help. This movie is called “Night Shift Nurses” and it’s from 1987. The movie stars Dana Dylan, Lynn Franciss, Joey Silvera, D.J. Cone, Steve Henessey, Keisha, Jose Duval, John Leslie, Siobhan Hunter, Peter North, Bionca, and Lois Ayres. Some of these names you know, and some of them will be new, as they weren’t that famous, but hey, it’s 1987, and the VHS revolution was just gaining steam in the adult video world, so you probably didn’t buy this one, you rented it. Directed by John Leslie, “Night Shift Nurses” is another one of those nurse movies your dad probably hid on betamax.

The beginning of this movie is not pornographic. It shows a janitor mopping a floor, very much like you would expect from a horror movie. The camera is low, and you see a man mopping, and that’s it. There’s nothing sensual, nothing extreme, just a man mopping the floor, and just doing his job. There’s film grain here. There’s a nod to cinematography initially, but the lack of cuts and stationary camera, reminds you that this is not Hollywood, outright. I do appreciate the lighting, shadows, and set design, as this is certainly a hallway set, not just a random warehouse, without ceilings.

The opening sequence takes a turn. The janitor looks into a crack in a door way, and sees a doctor and two nurses. They are Dana Dylan, and Lynn Franciss, and the doctor is none other than Joey Silvera. There’s nothing shaved here, Silvera has full pubic hair, and he’s rock hard to start, but he’s not a big guy, as I may have stated before. We have a contrast in women, both slim, medium sized breasts, equally as pretty, one brunette and one blonde, and they kiss, suck, and make sure that Silvera stays in the moment. Meanwhile, the janitor starts to get hard, and puts his hands down his pants, as the camera juxtaposes manual stimulation, with Silvera and the nurses getting into a threesome behind closed doors. The sex starts with Silvera getting sucked off by one nurse, while he kisses another, and that’s enough gusto to get this movie rolling into what it is, a porno. Silvera here is golden, the women do their roles well, and the sex is swift, the editing is fast, and you really end up seeing both the sex, and the solo act all in the same scene, with a mix between the two. The brunette in this one is great, she rides silvera and seems like a natural against the blonde, but both definitely do work with Silvera. Meanwhile, Steve Henessey is outside the doorway masturbating. The trio have sex in a small room, with blue walls, and odd lighting, and yet it has a sexy quality to it that you cannot deny. There is anal around the 3 minute mark, mind you, so if you’re a fan of anal, there’s a few sequences of that.

Meanwhile the janitor is watching, and a nurse comes up on him to look at what he’s doing. The camera shows a very blonde, tall woman, and she just watches the janitor, and he of course looks into the room. While in doggy, the brunette and the janitor lock eyes, and the two have a moment while Silvera continues to anal. Silvera cums on the brunette’s lower back, and the janitor cums while the nurse keeps watching, and that knocks out two scenes in one edit.

The cool thing for me about this movie is that it’s dubbed in Spanish! Score me! I love when porno comes to me dubbed. The blonde from the hallway talks to an admin and he talks about how his staff needs to be up to snuff. The nurses are all busty, have big 1980s hair. The set here looks like a legit hospital, with admin files, overhead lighting, and shadows that you’d expect, but of course, it’s a set. The head nurse said that there is going to be an inspection later today, and that no one is going to lose their job. There’s a good overall plot point here, and that’s something that you’ll definitely note as something interesting. The movie goes to another room, and it’s the janitor cleaning, meanwhile Joey Silvera shows up to talk to him. Silvera says he just operated on a woman and that she had the biggest prostate ever, and the janitor tells him that only men have that. Silvera then talks about how he’s a detective, and that he is watching for changes, and more. Silvera is so natural here, with his bushy hair and mustache, he just exudes porn acting.

After the meeting in the random room, two nurses talk in the main lobby. They talk about how new uniforms were ordered, and they were on the way. Meanwhile, we end up going back to see the janitor cleaning, and inside a closet, when the head doctor comes in and puts on a lab coat. A woman comes into the doctor’s office, and says she has a headache that won’t go away. This is the 12 minute mark mind you, and the doctor looks at a file. The woman here is mature, made up like the late 1980s sitcom women would be, and has large red hair. The doctor makes some jokes, and tries to see what’s going on with the lady. She’s not having it, though, and she seems annoyed by the doctor’s lax methods. The doctor gets a phone call and says he has to go, but will be right back. The janitor comes out of the closet, and the woman grabs him, and pulls his pants down.

For this scene we see D.J. Cone, a redhead that looks a lot like your standard 1980s sitcom mom, and Steve Henessey, she blows Henessey a little, then seems frustrated when the doctor comes back yelling. The doctor comes in and recommends that we look into getting her temperature rectally, and we see him put a thermometer in her butt. The doctor gets a phone call again and says he will be right back. This time, D.J. Cone is nude, and as the janitor comes out of the closet again, he encounters Cone naked, and once again she pulls his pants down and wants to get action. The funky music starts and Cone gets really horny here, as Henessey just gets blown.

The scene cuts and we go to the lobby, and the doctor is yelling and muttering random bs, before we go back to the sex scene. I don’t know why there are edits of this type, but

Cone has full red pubic hair, and Henessey is big, as he goes in deep on the doctor’s table. The shadows here indicate studio lights from where the camera is facing, into the action. You can tell that this is not a real hospital, but a poorly dressed set. After some pumps, the janitor cums and Cone wipes herself up and then puts the thermometer back in her anus, and that’s it. The doctor returns and he starts to talk about what they can do to help her. She gets dressed, smiles, and we move along to the next scenario.

For the next scene we are back in the locker room. We see 4 nurses, all with big 1980s hair, and Joey Silvera sitting on a blue couch. The women are just talking randomly, and saying that they are not going to go anywhere until the inspectors have come through and gone through their work.

Moving forward, we see the blonde head nurse, and a young woman asking for a young man regarding seeing a young man, named Johnson. She claims that she’s his sister, and that she is a nurse. Harry Johnson, is of course the joke here, and the lady wants to do a good deed. She said she’d wait for up to 5 hours for Harry Johnson to get out of surgery.

The scene changes and we see three nurses laughing and giggling in a hallway. They said that they should give a bath to a random guy, and that he’s a fun dude to hang with. The women come through, and we get into a room where you know it’s a set. There’s a makeshift door, a blue wall with a 2 x 4 cross beam in the background. This is a set, you can tell by the way the shots are setup, and the women come in from an outer hallway. The shadows are cast as though there are studio lights overhead and off screen, while a hard camera and director situate themselves away from the action. Immediately, one of the women takes off her white panties, and we start to move forward to what will be the next sex scene. The women approach Peter North, as he is sleeping, and they all talk about what they should do first. One of them suggests that they use their tongue to wake him up. Bionca, Lynn Franciss, and Sheena Horne are the 3 women here, and they each have small breasts, thin frames, and large 1980s hairspray hair. They are straight out of the 1980s with their style, and all are wearing the white nurses uniforms that all nurses wore back in the proverbial day. There are two blondes and two brunettes getting in on the action, and immediately get Peter North hard. The women leave North asleep, and start to make out, and then do themselves while he is asleep. North has an odd penis here, where it flops up towards him, like he was using a penis pump, and it’s not all the way hard, until he starts to rub it and bring it up straight. There’s a terrible rock soundtrack, and the camera moves in front of him stroking, classic North style. The women get naked at this point. Through the shifting of the women’s positions, we get a threesome that is somewhat slow and steady, with North not wearing a condom, and the women taking turns riding him as he wakes up from his coma. The end comes with a Peter North cum blast on two women, and that’s about it. They dubbed the moaning! That’s when I notice they dubbed the freakin moaning! This scene was fast and simple.

Joey Silvera looks like Kurt Vonnegut by the way!

After the fourway sex scene we see Joey Silvera coming through and talking about how his head hurts. He talks about how he is having a hard time dealing with certain things. He then tells the head nurse that he’s on a mission and can’t seem to find the answers. Then goes to the Johnson sister and she talks to him a little.

We then move to the locker room, or break room, so to speak. It’s where the lockers are, and we see Keisha, a busty brunette with too much makeup, and Jose Duval. Duval is a thin, older looking dude, and he immediately jumps into the scene and takes over saying he is the man that wrestles himself, nude, and starts to take his clothing off in front of Keisha. Keisha is wearing a nurses uniform, is somewhat tall, has natural breasts, and without makeup, wouldn’t look so great. The dude is older, Duval is wearing a black thong, and he starts to wrestle himself. Duval is the luckiest man in porno, because this is too funny to me. He tries to wrestle himself, before Keisha starts to rub herself. This is a low point in the movie, as you see that he wrestles himself, and he says that sometimes he loses himself. Keisha asks him if he has ever wrestled a man, and Duval said that he has never wrestled them, but he would totally wrestle her. Keisha starts to suck the old man off, and he has a hard time taking the bra off of his woman, but she continues to suck Duval in a slow, methodical manner. The old man and the woman do it doggy style, and it’s a lackluster scene with a cum shot that is not that great. Duval does not have a big penis, or anything, and the cum blast is short, before the end shows Keisha sucking him off, and then tells hi m that he is very attractive, and then we move forward. That was beyond the lowest of the low in terms of sex. Duval is hairy, skinny, and while Keisha is good here, she’s not great, and just goes through the motions.

We move along and we see a woman praying with Peter North. There’s a prayer that occurs here, with Siobhan Hunter, a tall, red haired woman that claims she is a nun in an order of certain women. She prays a little with Peter North then begins to suck him off, fully clothed, mind you, until John Leslie walks in on them. The terrible music comes in, and Leslie starts to take off her shirt. We see more of Hunter’s body, and she has long red hair, small breasts, and light skin. The music throws me off, as I try to make sense of the room, which is terribly lit this time, with a two camera model that is just bad as the editing moves through several hard cuts. During this sequences, Leslie goes from behind while Peter North gets blown while John Leslie forces Hunter to bite a condom package open, then the camera slows down for her to start having sex with North, without the condom, mind you. We then see the action, and it’s Leslie with a condom going in anal, while North goes in the other side. You get double penetration here, and the condom is so yellow, and so dark, while the sex continues, and the two men have their way with this woman. The finish shows Leslie taking off his condom, then cumming on her backside while holding the condom in the other hand, while the soft keyboard music plays, and then Leslie walks away. While Leslie goes to another bed, North is finished off, but we don’t see a a cum shot, just a hard cut as he says that the nurses are too much.

There’s a hard cut, and we see the head nurse talking to Joey Silvera as he comes through and says that she has stolen all of their uniforms. So we see the head nurse yelling at Silvera, and saying that the nun stole clothing and what not. We then see Silvera in a bath robe run away, and then ask for Linda to come through and help him. out. The movie shows Silvera talking to a nurse and just talking about adoration, and how he wants her to work with him.

We get a long shot, then into the sex, as Joey Silvera and Bionca have sex on the floor of the hospital. Continuity wise this makes little sense, and why would they have sex on the hard floor in a hospital? For goodness sakes, this has only a couple of positions, and back and forth, with Silvera trying to hang on for a short romp. Silvera is rock hard, and goes into Bionca straight way, with her legs up, and him pushing in with bad kissing. Silvera tries to kiss Bionca at the one hour mark, and it shows that she isn’t into kissing, and it throws me off a little. There is a cum shot, and a random teddy bear, yes a teddy bear in a mop bucket watching them.

After that, we end up going forward to the waiting room, where the nurses are talking to the nun. She said that she is not the inspector, and is just a nun and is waiting for her brother. She says that the women are prostitutes, and that they are nothing short of being sluts. That’s it. We then see Silvera and Bionca cuddling and that’s about it.

The last scene shows the janitor and Lois Ayres. Ayres comes into his work area and just says that he needs to be quiet and do her now. Lois Ayres is the head nurse, she’s very blonde. Ayres and Steve Henessey starts to kiss, and we get a terrible view from above. They are supposed to be in a janitor’s closet, but the makeshift walls are obviously fake, and the scene moves fast into a blow job. Lois Ayres bleach blonde hair and white pale skin allows for contrast with Steve’s dark skin. She blows him and the music intensifies, before they start to get into the sex, which isn’t too good, but hey there’s no condom here. The sex is a quicky at best, and it is heavily edited, so you only get a few pumps before Henessey cums and that’s it. It’s at this point that I think Lois Ayres is wearing a wig. The two have sex, it’s quick, and he cums and it’s not romantic at all, but then again, it doesn’t need to be. The camera barely hits penetration, and the dubbing is just so bad here, that I don’t want to see it. It slows down at the cum shot, but you don’t see it, it just slows down, and we get a hard cut.

The camera zooms in and the music starts to get louder, and we get a hard cut back to the lobby and we realize that it’s Henry Johnson not Harry Johnson, but it doesn’t matter. Silvera comes back and says he found the uniforms and then we see everyone laughing. She comes through and says that the inspection is being done by Edwin Justice, and then Duval comes through and said he’s the man that wrestles himself, and that’s it. He gets carted away, the women and the guys look at one another, and says that they all passed the inspection.

I give “Night Shift Nurses” a 2 out of 5.

This is perhaps the worse nurse themed porno movie that I’ve ever seen, and at the same time, I’m attracted to nurse movies, because I love the uniforms. It’s not a terrible movie, but it’s far from good, a 2 out of 5, as it had a good plot, but other than that, I’ll pass on a repeat viewing. But hey, why not check out "Night Shift Nurses" anyway?

The Pillowman (1988) Review

Pillowman Poster (1988) 

Today we are going back to a John Leslie directed movie. This movie in particular was released by VCA, and stars some major people. I’m going to say, that the diverse cast alone is one reason to see it, and the second? Well, the second is the fact that I used to see a lot of this poster around my local rental store. You see, I didn’t go to Blockbuster, I went to Asian owned video stores, and they would always have a well stocked porno section behind red curtains. So, I would see “The Pillowman” posters every time I went in, and never got to see the movie, until today. Today, we are going back in time to 1988, for a movie directed by John Leslie, and starring lots of great names, including the following. Chanel Price, Peter North, Brandy Wine, Tammy Reynolds, Joey Silvera, Aja, F.M. Bradley, Renee Morgan, Tony Montana, and Britt Morgan. Now that we know what movie we are reviewing, of course titled The Pillowman, and we know the stars, let’s get into this movie from 1988 to the future!

The first thing that I liked was the font and titles shown for the movie. The movie starts with the title and then runs the credits, and we see a man with a letter jacket from high school, snooping around a home. He has a flash light, and we see him just looking around, obviously trying to be inconspicuous, as he wants to rob the place. The lights abruptly come on, and standing there is a blonde with a revolver. She asks, “what do you think you’re doing?”, and it’s Peter North with his hands up, and a gun to his chest! Chanel Price is holding the gun, has her hair up, and full makeup. She’s taller than Peter North, but maybe cause she has heels on. North says nothing, as a gun is on him, and Price starts to grab him, and see if he’s packing, to which she is surprised, cause she feels his penis. She pulls down North’s pants, and honestly, it’s not that big. It’s flaccid. It’s a little penis. But of course, that leads to sex.

Chanel Price, a tall, milf looking blonde, in a white dress starts to blow Peter North from a flaccid state to get him hard, and he grows fast. Fully erect, Peter North has been said to be very thick, and big, and of course we all know about his epic cum shots. I recall that Jenna Jameson states in her book that he was the first major porn star to open her up and really cause some pain, cause he was so big. Here, he’s the right size for Price, as she starts to strip him and get him to a point of sexual conquest. Chanel Price is a big girl, she’s tall, amazon features, large breasts, and is completely shaved. She towers over North, and goes into reverse cow girl to start. The set here screams 1980s, with a lot of bad drapes, terrible furnishings, rugs, and what appears to be a den in your uncle’s basement. Music kicks in as the two start to have sex, and it’s not that great. Price takes over the whole way, and she is truly a big, tall, girl. Looking up some info, I found out that Chanel Price is 6 foot 3 inches tall, and she totally looks it here, towering over Peter North. However, she gets into the sex, and if you are a fan of both tall blonde women, and Peter North, you’re going to love this one. The sex goes forward and eventually Price gives North a blow job until he cuts in her face, and that’s the end.

After the sex, Price says that she recognizes North as The Pillowman! He then tries to talk to her a little, and eventually gives up, and goes home. We then see North walking around the city, just chillin. It seems to be Los Angeles in the late 1980s. He walks into a pawn shop, and he just waits in line as we see people bargaining, and he gets yelled at for not paying up. It’s not a pawn shop, after all, it’s an apartment building and he is scolded for not paying the rent. We then see North talking to his roommate in a bad apartment, and it’s a random old guy. I though tit was Silvera, and of course he is an icon of good porn acting. However, the mood shifts as we are taken to another set, this is a warehouse porn set, and that’s where we see a couple of women making out.

The two women are Brandy Wine and Tammy Reynolds. One blonde and one brunette, and the two are making out, as Joey pulls out his penis and starts to masturbate. The women here are voluptuous, all natural breasts, big 1980s style hair, not shaved, and Joey has his fro and he’s stroking it. He then joins the action. We get close ups of Brandy Wine, Tammy Reynolds, and Joey Silvera getting into the sex. There’s some great jazz music for this scene. The set is terribly lit, and looks like your average porn garage in the valley, with a brown couch. There are no condoms here, it’s the 1980s, and Joey gets into it fast, first getting into the brunette, and really just going along the motions of sex. There’s some bad shadows here and there, and you can see the boom mic at one point, but the whole thing is casually filmed, with a focus on the action at times, and at other time, the women’s breasts. Nothing too fancy here, mind you. At the 32 minute mark, Silvera cups onto the brunette’s pubic mound, and then immediately gets back up and goes back into her! Silvera is a golden god for this, as I haven’t seen this since TT Body did it with Jenna Jameson, he gets a few more minutes of stroke before he cums again, and the refractory period of his work is incredible on this scene. Wow, Silvera pulls off a stellar scene elevating this movie’s rating from 1 out of 5 to a 3 out of 5 just for that sequence.

Moving along, we end up with another moment in time. We see Peter North styling his hair, and he’s in a random warehouse set. He then appears at a random house, and talks to a dude. The set changes and we are in a den somewhere in Los Angeles. Aja comes down, and F.M. Bradley is on the other side of the den watching. Aja is a brunette, her hair is up, she has a 1980s look and feel to her, and immediately gets on her knees to suck off Peter North. Aja has natural breasts, and has this amazing look to her. She’s quite hot here, and North looks like he’s going to pop within a few minutes, but controls it a little. There’s no loud music here, but rather Aja moaning, and North staying in control, while the camera moves left to right, and zooms in and out at times. The shadows from the lighting are horrible here, and the brown couch is funny to me. Midway through the sex, Bradley shows up, fully naked, and gets asked to join the party. Bradley is a large black man, and Aja gives him a hand job, then puts a diaper on him, no joke! No joke! Then she puts a pacifier in his mouth! Then Aja returns to North for doggy style. After some back and forth, North cums on her butt, as Bradley watches, and that’s the end. Nothing too crazy here, but Aja is quite the beauty, as this is the first time I’ve seen her work. The mid point diaper change was really odd though. North asks her out, then Bradley gets mad and asks him to get out of his house and not to ask his wife out! Wow.

Bradley then takes off his diaper, and asks Aja to suck him off. Aja sucks Bradley off, as he spouts one liners and jokes, including “I have some wonton soup!”, and it’s funny to see. He doesn’t get all hard, but he gets a medium amount before he gets into Aja for some sex on the brown couch. He doesn’t last that long, less than 5 minutes, for a quickie and that’s it. I was surprised by how long the scene lasted, which was horrendously slow. He cums on her breasts, and that’s it. We are moving away to the final two scenes, and it’s been around 48 minutes at this point.

The movie’s plot continues, and now we are taken to a brothel of sorts, and we see Tony Montana and Renee Morgan get involved. There’s some nice jazz in this one, and that supersedes everything else. Renee Morgan is a skinny, brunette, with small breasts, and is supposed to be latin here, as Montana speaks Spanish one liners, and gets really into the sex. I mean, she’s more into it than anyone else in this movie, and that makes it great. Renee Morgan sucks off Tony Montana then goes into doggy style while wearing a Spanish hat. The two have sex for a while, and it’s not terrible, but it’s also nothing that I would want too see again. In the mean time, Joey Silvera is talking to what I can only assume is Britt Morgan and then starts to make out with her. Meanwhile, Peter North keeps asking about his free trip that Silvera promised him, and the camera goes back and forth to the sex. After some back and forth here, Montana ends up cumming onto Renee’s pubic region, which is not shaved. That scene ends, and we are taken back to North’s apartment.

The story moves forward, and we see Britt Morgan and Peter North talking at a bus stop. The movie’s plot thickens as North hasn’t paid rent at all, and then is invited to hang out with Morgan. Britt Morgan has large hair, she’s all blonde, and comes out wearing a nighty that is lace, and white. She does not have the most attractive face, it’s round, and somewhat unattractive, with a “baby” type of look, but she has a nice body, and well, she rides North’s literal head. That is funny, and she does have natural breasts. The set here is a random porn warehouse, and North can’t help but laugh at the beginning of this scene. I’ve never seen a woman literally ride a dude’s head and comment on his hair. Hair fetish? Is that a thing?

Peter North sits down on a faded brown couch, and Britt Morgan gets to work. She starts to suck him off, and he gets hard immediately. I don’t find Morgan that attractive, mind you, but honestly, she has good technique here. She moans a bit as they change positions, but Peter North is in robot mode. The jazz soundtrack is great here, and I liked that. However, the sex isn’t that great, and eventually North cums on Morgan’s shaved pubic region, and stomach, and that’s that. If you’re into blondes, perhaps you’ll like her, but this is a short scene that is spliced with other elements of the story line.

The plot continues to move forward, and we see that North and his friend get evicted. Then North gets into fatigues, and gets thrown out of a window, onto a deck and that’s it. This movie has a plot at first, then completely throws it out of the window, and well, it’s porn, so what did you expect, right?

I give “Pillowman” a 3 out of 5.

This is not a great movie, but I loved the production value, the non sex roles, the random jokes, and the attention to some finer details here and there. The women are pretty, and there’s at least one good sex scene that I’d watch again, just to see the double cum blast from Silvera, which is god like if you ask me.

Satin Angels (1987) Review

Satin Angels (1987) Poster

I got tired of the 1990s and so decided to dial the time machine back a little to go to 1987. Of course that’s not too far away from the 1990s, but the difference between movies in the 1980s and any other time in the world of pornography is quite different. I can truly say that there is a lot of interesting elements that come through. “Satin Angels” came out in 1987 and it stars a lot of different actors. The stars of this movie include John Leslie, Nina DePonca, Peter North, Samantha Strong, Shone Taylor, Frankie Leigh, and Tiaja Rae. These actors make up the whole movie, and there’s a lot of scenes. The movie is directed by John T. Boone, and was distributed by Western Visuals. This movie just randomly showed up on my radar and well, let’s get into what very well could be a nice change of pace from the past few reviews that were a bit more modern.

The movie starts with a calm introduction to the movie with the title screen and the stars of the movie. There’s a bit of a country music theme here and we are not immediately taken to the sex, which is a moniker of the 1980s scene in many ways.

Once the credits roll, we see a card driving through a farm land. It’s a limo, and a woman opens up her window and says that she’s visiting her cousin. The lady is a blonde haired woman that looks a little like Traci Lords, but isn’t. The scene switches and we see a woman talking to a maid, enjoying a little orange juice in the shade. After some time out comes another woman, and she is carrying a saddle. The lady doesn’t like that the blonde is there. The plot thickens, and we are shown a room where the blonde and the maid talk and in a mirror there’s John Leslie nude, and he is wondering where the “slut” went. The two then move forward with the plot, talking about the gardener and nothing much else. The production value of these sequences are soap opera level, with nothing too fancy, although the sets are real, and it’s a legitimate Bread and Breakfast or just someone’s home that’s been fully decorated. There’s no nudity until the 5 minute mark when we see our blonde take her top off and wrap a towel around herself. She says she’s going to take a shower, and the camera just follows. After a quick wipe, we immediately go to the sex which starts at around the sixth minute mark.

The first major sex scene features Taija Rae and John Leslie. Leslie is an old school actor that made a name for himself through the golden age of porn, and Taija Rae is a blonde haired all natural big breasted woman that has 1980s rocker hair. The scene starts with a blow job, and then some romantic music starts coming in, which sucks. The set looks like a cheap motel, mind you, and the lighting is a bit off, low, but the camera goes to the action. The two have a bit of chemistry and it shows when Rae gets on top and starts to really get into the sex. The interesting aspect of this scene is that the bed they are on squeaks loudly. The blonde interrupts them at one point, but they get back to the sex. Taija Rae is not too skinny, she has some natural curves and when she’s having sex with Leslie you can see them move, she’s all woman, that’s for sure. No one is shaved, no one has condoms, this is the 1980s at its finest. Rae moans a great deal and while they switch positions, she keeps her lingerie on, and really looks good in this sequence. The only bad part is the music is terrible, and I mean completely terrible. However, Rae’s moans get so loud that it’s well worth checking out just for her scene. After a good amount of sex, Leslie finishes on Rae’s breasts and that’s the end. Nothing too crazy here, and it finishes with Leslie and Rae making out as the screen goes black.

When the camera comes back on, we see Taija Rae and Samantha Strong (the blonde from the beginning of the movie) talking, and Rae sparks a conversation saying, “what is this! Look”, and then brings Taija Rae’s face to her vagina.

In the second sex scene we see Taija Rae and Samantha Strong going through the motions of lesbian sex. The music ramps up and it’s a knock off of “Bad To The Bone” with instrumental loops, keyboards, and other crappy sound design. I hate the music in this movie, and it really takes me away from the whole thing. However, the two women are great, licking, using fingers, and really getting into the action. At around the 14 minute mark, there’s a sequence that appears to be filmed on a better format camera, but then switches back to regular porn-chic. Samantha Strong looks so much like Traci Lords at certain points you’ll swear it’s her. The two go through the motions of sex, fingering, and more, and you hear the moans a bit though it’s more of a terrible music video than anything else. The sex is fine, but it’s not nearly as good as some of the other lesbian scenes that I’ve reviewed on this blog.

The scene ends, and the two stare off into the distance, and we go back to the plot, which is razor thin at this point. We see Samantha Strong talking with Leslie for a second then going to the farm and just watching what is going on. A random dude is working out, and she watches him longingly. She then walks over to where he is and the two talk a bit, before Taylor and Strong kiss, and then we go forward to a very fascinating scene.

In what may be the strangest start to a sex scene, we are treated to an interesting use to a belt sander. I kid you not. Shone Taylor and Samantha Strong start a sex scene where Taylor uses a sander on Strong’s vagina and gets her to cum like a roaring storm, and it’s fascinating to say the least. The two start to kiss and looks like they are going to have sex after the vibrations of the machinery, and at one point Taylor even has his penis out for Strong to use her hands on. He sticks it in, and in comes Strong’s overbearing aunt, and stops the sex. Taylor zips up hard and it looks painful. Strong leaves with one last kiss, and the scene fades.

In the next scene we see John Leslie walking around the house naked while the family sits in the kitchen talking. They are all dressed up in what seems like 1980s prom dresses. They seem to be going out, or something, and it’s an interesting push forward. Peter North calls over the maid and says that after dinner they are going to get it on. We are then taken to a sequence with light piano music and a champagne glass. It’s Nina DePonca talking to Peter North by candlelight.

The two start to kiss, and here we go, the next sex scene. Peter North starts to makeout with Nina DePonca on a piano bench. Nina DePonca is an Afro-Asian looking woman with brown skin, dark eyes, black hair, and a maid’s outfit here. She’s thin, and has a small mouth compared to Peter North’s penis. There is a romantic music score playing while North gets a blow job, all dressed up. DePonca reveals here all natural breasts, and the two continue their movement towards sex starting with a blow job that leads to a handjob and more mouth action. After some of this, DePonca gets on top and the two have sex on a piano bench with North below DePonca. The two go up and down and it’s not half bad, it’s adequate. DePonca moans a bit, and the sex isn’t completely nude, while the set looks to be a music studio of sorts. The music here isn’t half bad compared to the rest of the film, which is an interesting touch. DePonca has a full set of lingerie, garters, and keeps a great deal on, including her panties which are taken to the side. At the 36 minute mark the two really start to get into this thing, and the chemistry is real with DePonca nearly tearing North’s shirt, and pushing him hard to get more into her. After some time on the bench, North picks up the woman and the two start to make noise on the piano while humping and it’s funny to see. It makes an annoying sound obviously, but it’s a funny little moment to watch. The two go at it for a long time, change positions, getting on top of the piano, on the floor, and more. It seems to be a continual shot with few edits too. As they are going forward Samantha Strong shows up and asks, what are you doing here? Strong says that she won’t tell anyone if they share. The scene continues and now, it’s a threeway! Samantha Strong, Nina DePonca, and Peter North start a threeway sex scene in what appears to be another room. A strong saxophone lead jazz tune starts, and it’s a classic send up to the 1980s music scene, like you’d here in a Cannon action film. This trio doesn’t have sex that long, and Strong does get into doggy style for a bit after getting some oral from North. After some time, and not long, North can’t hold it in and he drops a load for the money shot of this scene. North unloads a hard cum blast into Strong’s mouth and face, and she continues to blow him after the fact, making it one hell of an ending overall. This scene looks to be one long take too, which is interesting, and as the camera fades you can see that they didn’t leave the room, it’s still in the piano room, so it wasn’t half bad.

Moving forward, we see Taija Rae and Frankie Leigh talking about how they don’t trust anyone, and they just laugh together in lingerie. After a few moments, Leigh gets to Rae and starts to giver her oral. Frankie Leigh is a tall, black haired, pale skin woman that looks older here, and Rae looks far younger. Either way, the two start to have lesbian sex in a bedroom set that looks all too familiar. There’s a 1980s style saxophone driven rock song in the background, as the moans get louder and louder from Rae. The two exchange oral sex until John Leslie shows up. John Leslie, Frankie Leigh, and Taija Rae begin a sexual romp. It’s a smooth transition where Leslie receives a blow job and gets hard while watching the two women go at it. He keeps asking for some action, and the women are more involved with one another than paying attention to him. At the 50 minute mark, they have a hard time getting Leigh’s bra off, which is funny to see. After asking to get in on the action through the whole second half of this scene, Leslie finally gets to enter Leigh, while she gives Rae oral. No one’s shaved here, and the sex is average at best, with Leslie not really getting much traction and just looking at going through the motions. There’s little moaning here and there, and it’s obvious that the chemistry just isn’t that great between the actors for this particular scene. After some time going in and out Leslie cums on Rae’s pubic hair, and then the two women just keep kissing. Leslie looks mad, but the scene fades to black and we are taken to another part of the house.

In the kitchen we catch up with Shone Taylor. He’s just standing around when Samantha Strong comes in and the two talk a bit. He says that she’s gorgeous, and then she replies with, “gorgeous enough to have sex with”, or something like that, I got distracted for a second.

The final sex scene features Samantha Strong and Shone Taylor in the kitchen of what we assume is a country mansion. At this point we get a little pay off from the earlier scene that the two had. Shone Taylor is a blonde haired “every man”, and doesn’t have a huge penis or anything. Strong looks like Traci Lords here, with the makeup that makes her look just like her, and the throws and moans that are a bit over-reacted like the latter. The two have extreme chemistry though, and at the 59 minute mark Strong really cums hard with oral, and it’s perhaps a great touch here. The two seem to genuinely like each other and go nuts here. The music is a 1980s keyboard driven tune and that’s about it. After some oral, the two go through some hard sex on the counter of the kitchen, and the two scream together, which is interesting. There’s a great deal of sweat and focus here, and the two really get into the actual sex, which is always a great thing to see when you’re reviewing porno movies. It seems genuine, too. There’s no money shot here, and it looks as though Taylor cums inside Samantha Strong for this scene, but we don’t see that finish, it just kind of stops.

After the sex is done, the two embrace and kiss, but it seems as though Taylor has another thing on his mind. He keeps complimenting Strong, but he turns around and grabs a bottle of wine and pours it on her. He claims that he’s mad from earlier and he pours a whole bottle of wine on her. She slaps him, and the two have a little bit of a back and forth. Then Shone Taylor picks up Strong and places her on the counter and receives a blow job and mouth sex the likes you only see in modern porno as a standard. It’s here that you finally see that money shot, and after he cums Strong keeps sucking, and it truly is a glorious finish to the overall movie, although the plot has completely been thrown out the window at this point.

After the sex is over, we see the real motive behind Samantha’s visit. Samantha says that she was there in secret to ensure that a message was sent. And that’s the fact that Samantha now owns the house and everything, and that she’s going on her honeymoon with Shone Taylor, and that’s that. The end of this 1980s romp.

I give “Satin Angels” a 3 out of 5.

Overall, the music sucks. It was too loud, and it wasn’t that great to listen to. However, there are two major sex scenes that I enjoyed, including the final sex scene. The final sex scene here is one of epic proportions for me, as it looked like the two were really having fun, and it wasn’t just going through the motions of sex. The opening scene was good too, but nothing as good as the final scene that featured Shone Taylor and Samantha Strong. For that alone, this gets a 3 out of 5.

This classic 1980s porno is available for streaming and purchase by clicking here. You can get 15 minutes free if you click here and sign up! Plus the full movie is here, so why not check out that final scene? Seriously. Click here for “Satin Angels” in full.

Trinity Brown (1984) Review

Trinity Brown (1984) Poster 

We now venture back to the 1980s, and we review an AVN Award winning movie that was filmed on full blown Hollywood style cameras, and was released to movie theaters that played adult features. From the start, you don’t get a sense that this is a porno, you think you’re settling in for a movie that was featured in grindhouse cinemas. It’s a testament to how great some of the 1980s porno movies were, and how different today’s gonzo productions are, which I personally dislike. I want story with my porno. Anyways, “Trinity Brown” is the name of this 1984 classic, and it starts off with one hell of a sequence, and some great moments. If you’re a fan of story with your porno, then settle in for this one. The movie stars Tamara Longley, Joey Silvera, Colleen Brennan, John Leslie, Melanie Scott, Kimberly Carson, and Jamie Gillis.

The movie starts out with a couple of cops chasing a truck, they finally get to their culprit, and they shoot him, and cuff him. This is not without a quick fight, featuring a nice trash can shot, which brought me back to ECW. It’s here that the two cops are introduced, and after the arrest, we are sent to another scene. The next scene features a couple dancing in a large home. They dance a bit and Joey Silvera says that he wants to get some action, but before we get to the sex, we see a few people in an alley setting up an illegal poker game.

The scene cuts, and we are treated to Tamara Longley blowing Joey Silvera in a bed. They are both nude, unshaved, and the lighting is quite good for the time. The music is a deep funk tune. The two have a bit of chemistry, and while Silvera is not huge, he certainly gets hard for this one. Tamara Longley is an all natural brunette, unshaved, and quite erotic through the motions with Silvera. No condoms here folks, just straight forward sex, and it’s simple. The set is a warehouse set, with a nice bed, and the sex doesn’t last too long, although it’s hardcore. It eventually ends with Silvera cumming on Longley’s chest, and she comes back to lick things up after the fact, making this a hot scene. I need to remind that this is NOT a long scene, although it is hardcore, it is only part of a larger plot.

After the sex is done, the two are found to be cheating. Silvera says that Longley’s husband is home early and that never happens. Silvera then struggles to put his clothes on and then runs out the back of the house. Meanwhile a gun is shown and boom, what appears to be Silvera getting shot, occurs.

The scene shifts, and we see John Leslie and Colleen Brennan talking together. She goes topless, and the two start to kiss. Colleen Brennan is a tall dirty blonde with big breasts, and all natural, while Leslie is a star from the 1980s and was around the time a lot of other big names were getting known. The two start to work through what should be a sex scene, but nope. A phone call stops them. They don’t have sex, mind you. The call is from the cops and they ask for Brennan’s character, the titular character to come investigate. She shows up at the mansion, and it’s not Silvera that is shot, it’s her husband, Tony. That’s right, Tony is shot dead and was found floating in the pool. This turns into a detective story, and it’s really good overall. The plot works through like a cable television movie, with sex. This is something that isn’t half bad.

The next sequence starts, and it’s finally time to see Colleen Brennan and John Leslie getting hot. Collen Brennan, as stated is a dirty blonde, or rather a blonde hair because her drapes match the curtains so to speak. The scene starts with Leslie giving her oral, and her going topless, then goes towards the bed, which is in a bedroom set. There’s soft piano music playing, and Leslie gets hard immediately, putting it into Brennan right away. This is a sensual sex scene, which is hardcore, mind you, but it lacks that porno feel, which is probably why this won an award as it features a story, sensual sex play, and hardcore showcasing. As a sex scene, this is kind of boring, slow motions, some nipple sucking, and Leslie slowly moving back and forth with his hips. This is a slow scene, but it finishes quickly, as Leslie doesn’t hold on for long, and ends up cumming in Brennan’s face. She moans and seems to get off a little, but not nearly as long as you’d expect, and the scene just kind of ends.

We next see the two cops in a bedroom just talking, when the phone rings. They call in Trinity Brown to investigate a new occurrence, and the two get out of bed and go to the scene.

Meanwhile, Joey Silvera is at a strip club, watching a blonde-haired woman dance topless. Which then switches to an apartment building. This is a sex scene that features Melanie Scott, a thin topless dancer with heels on, and Joey Silvera wearing a leather jacket. She starts to blow Joey, and he just receives oral nicely, with no music in the background, just the sounds of sucking. The interior set is a motel looking area that appears to be in Los Angeles somewhere. Nothing fancy here, and nothing too complex. There is a bit of music that comes in midway through the blow job. It’s drum driven 1980s music, and it leads to the two getting started with some sex. On a tiger print blanket, Joey and Melanie start to have sex, and this is a bit more frantic and fast forward than the other sex scenes in the movie up to this point. There’s no money shot here, it just kind of ends, although there are multiple positions. It’s not a great sex scene, but it works for the movie’s premise, I guess.

The sequence ends and Joey Silvera is found in an alley, and Leslie and Brennan show up and try to arrest Silvera. Silvera pulls a knife and says he’s innocent. The movie then switches back to detective mode, as the cops drive through the Los Angeles area. This time it’s John Leslie, solo, however. Leslie is looking for an actress and he is going to ask a few questions about what is going on. He interviews Kimberly Carson, and the two strike up some chemistry, which leads to sex.

Kimberly Carson and John Leslie go straight into sex on a movie set, with a backdrop of smooth jazz. Kimberly is a dirty blonde with full pubic hair, and Leslie once again shows his slow, methodical sensual sexual side. Carson moans a little, Leslie and her kiss a great deal, and the camera draws back to show that they are in a bathroom, not the movie set. Leslie is a slow moving sexual partner, and in this one, you can’t really see much of his penis, so I can’t tell you if he’s huge, but he seems to last a bit longer here than in the previous scene. It’s a methodically slow, boring sex scene, with a money shot that has Leslie cumming on Carson’s stomach, and that’s it. It’s not grand at all.

Up next, we see John Leslie talking to Trinity Brown in the office. He comes in and tells the detective that there’s something awry, and that Joey could be the killer. But the two argue, and then Leslie says he is going to talk to Tamara. In this sequence, mind you, Colleen Brennan looks to have red hair, but that’s just odd to me. Anyways, the scene shifts again, and we are given more of the plot.

Leslie shows up at the mansion that you saw early in the scene. Tamara Longley is in a black bikini, and Leslie starts to talk about how he was once a stud. She then starts to walk away, leaving Leslie alone, while she jumps into a hot tub. She invites Leslie to join her, so he takes off all of his clothes, as a 1980s pop song starts. Leslie gets hard fast, and Tamara immediately goes for it, blowing him before he can step into the hot tub fully. He’s not a big guy, he’s got a full mound of pubic hair, and Tamara shows more enthusiasm here than in the previous scene she was in. However, the director cuts the scene, and you are sent back to the public areas, instead of finishing this sex sequence.

Trinity Brown, aka Colleen Brennan shows up at a random office to talk to Jamie Gillis. She goes topless, and the two start kissing, but the camera shifts.

The scene goes back to Tamara and John Leslie having sex now. Again, this is a slow moving sex scene, and John Leslie must’ve been all about just sensuality not just raw sex. That’s not a bad thing mind you, as Tamara here really responds to his movements, and the two get through a very sexy scene. It’s sexy, but not raw and animalistic like you would expect from porno. There’s a mirror on this set as they move away from the hot tub, and the two have sex in front of it, while Tamara kisses the mirror and gets railed by Leslie.

The director cuts, and you are taken to see Jamie Gillis and Colleen Brennan in an oral position. Gillis is giving Brennan oral and she’s responding a lot better than in her previous scene. But it’s short lived because the director sends you back to the pool house.

At the pool house it’s Tamara and Leslie in doggy style, and that lasts for a couple of minutes before the director sends you back to the office. I hate when this occurs, but it works here.

Back at the office, Colleen Brennan blows Jamie Gillis and his penis is a lot bigger than the other guys in this movie. I can’t be assured if he pumps or not, but it is wider for sure. Colleen Brennan starts giving him a good blow job overall, but the director switches views again.

Back at the pool house it’s Leslie getting blown until he cums on Tamara’s face, and that’s the end of their sex scene.

The camera switches again, and this time you see the point of insertion between Jamie Gillis and Colleen Brennan. He goes in deep in doggy style at first, and she responds with moaning out right. He’s a different type of performer than Leslie, and it shows. While the music is sensual, soft keyboard jazz, the movement here is far different with Colleen Brennan getting far more into the sex than before. She even nearly screams at the 58 minute mark, and Gillis pounds away a lot harder overall. This is a good one, as Gillis pulls her hair and the two have a great deal of focus in going forward with their sex, including lots of tongue, kissing, and momentum. The two here are far more into it than the other scenes, and it appears that Gillis actually cums inside Brennan for the finish.

The sex ends and we are sent back to the mansion. It’s there that Tamara and Leslie start talking about the murder of her husband. That moves back to Brennan back to talking with different people. The cops then question Kimberly Carson on the set of a movie. The two play the good cop bad cop routine, and they start discussing what is going on with the case. Then you get more of the story, focusing on the fact that a baby was going to get killed, and that they need to know what is up.

The two detectives go to a house, and they knock on the door. They walk in guns up, as the door is open. The two detectives start walking through, snooping, and then there’s action. The action isn’t necessarily shown, at least not hardcore. You get John Leslie looking around and out of the blue an explosion occurs, and he goes down. He is told to not move, and 911 is called. The movie then goes back to the detective’s office at the police center. We find out that Leslie will be in the hospital for a week.

Trinity Brown then goes to find out where Joey Silvera is, and gets an address and phone number. She then goes around and looks into picking up a whore, and talks to her about Joey Silvera. She then gets all dressed up, teases her hair, and then goes to the strip club he frequents and starts to hit on him. She asks, “would you like to fuck me?”, and Silvera says he’s not screwing any cop. She then says that she’ll let him have some if he can give her some info. Silvera caves in, and the two get out of the strip club and go to his apartment, where the sex starts.

The sex between Colleen Brennan and Joey Silvera is a little harder and rougher than the previous sex romps in the movie. She asks Joey to rip her panties off and he does, then the two go to work in a sex scene that has a lot of chemistry, with Silvera getting extremely hard and going hard with Brennan. This is a scene that has a lot of action, with a bass line heavy funk sound. The two work well together and it nearly got me thinking, as it was a good change of pace. Multiple positions, no condoms, and a money shot that features Colleen Brennan getting cum in her breasts, as this one goes through a fast moving sex romp. It’s hot, and it works very well with Silvera holding on for dear life at one point trying to hold onto cumming eventually he can’t hold it in and cums on her breasts.

The sex ends and Trinity asks more questions. She then ends up going to the mansion from the start of the film, and that’s when we find out who’s really behind the death of Tamara’s husband, as Trinity Brown walks in on Kimberly Carson and Tamara Longley in a lesbian sex escapade. This is a soft oral scene, and it doesn’t go very far, it’s limited, and the plot thickens, and ends.

That’s the end of the movie, not a long scene, just the revelation that it was the two women that shot our main victim. The scene changes, and Trinity Brown and her partner talk about the end. That’s all, the movie ends with a detective yarn all sewn up. This was an AVN winning movie, mind you, and it truly looks good overall.

Trinity Brown (1984) Back of DVD Cover

I give “Trinity Brown” a 3 out of 5.

“Trinity Brown” may have won awards back in the 1980s, but it definitely doesn’t hold up well as a prono movie. Now, I get it, it has historical value, and it does fill that niche of couples types of movies because the plot is heavier here than other movies. However, there are only 2 major sex scenes that are really good, the rest are somewhat boring. Overall, this is a good movie to have in the collection, but it’s not going to satisfy a lot of audiences. If you like classic erotica, this is a great one to see for historical value, and to get off a little, but don’t expect marathon sex scenes, because that’s not what you get here.

You can buy “Trinity Brown” from various sources, including by clicking here and getting it on DVD. It’s a good one, just not a great one. I’d watch it again though, as it’s like a grindhouse film more than anything.