Wild Widow (1995) Review

Another 1990s movie? Yeah, well what can I say, I’m always watching something in the 1990s and today we are going to look into a movie that features some heavy hitters yet again. The name of the movie is, “Wild Widow”, and it stars Anna Malle, Hank Armstrong, Jeanna Fine, Steve Hatcher, Morgan Fairlane, Rick Masters, Alexandra Silk, Guy DiSilva, Raven McCall, Don Fernando, Ron Jeremy, and Santino Lee. 

 

The plot revolves around Jeanna Fine’s character, she has lost her husband and doesn’t know what to do with herself now. She has sex with her friends, her right hand man, and anyone else that is available. 

 

Scene 1. Anna Malle, Hank Armstrong  

Scene 2. Anna Malle, Jeanna Fine

Scene 3. Jeanna Fine, Steve Hatcher

Scene 4. Morgan Fairlane, Rick Masters

Scene 5. Alexandra Silk, Guy DiSilva

Scene 6. Jeanna Fine

Scene 7. Raven McCall, Don Fernando, Ron Jeremy, Santino Lee

 

Instead of going play by play, this time around I’m just going to point out that some of these scenes are boring and some are actually quite good. Anna Malle has a sense of enthusiasm that you miss in a lot of actresses. She really goes at it, and while Hank Armstrong isn’t that great, her work is not half bad. 

 

Fans of Jeanna Fine will love her work here, as she and Anna Malle make for a very good set of scenes. However, that’s where things really start to fall apart. Aside from scenes featuring Fine and Malle, you’re not going to get much. Alexandra Silk does anal, but other than that, this is a production that falls flat. 

 

I give “Wild Widow” a 2 out of 5 

Edward Penishands (1991) Review

Edward Penis Hands (1991) 

We come back to another movie from the 1990s. This time around we are taking a look at the movie that was a parody of a famous movie. You already know what to expect with this one, as they made 3 of them. This movie we are going to be looking into is none other than “Edward Penishands”. That’s right, the parody, and well here we go, this movie stars Alexandra Quinn, Sikki Nixx, Jamie Leigh, Jeanna Fine, Ashley Nicole, Domonique Simone, and Jon Dough. The movie is a direct parody of the Hollywood movie, and has a good overall script, although the movie is not filmed with that film grain, that you expect from other movies, but I guess that doesn’t matter as this is a porno, by the way.

The movie starts with a woman carrying a suit case, walking through a warehouse. SHe’s tall, blonde, wearing a green dress, and is continually saying, Hello. No, it’s not Adele, but it most likely can have some moments of hilarity. If this was Mystery Science Theater 3,000 you know they’d make that reference. This blonde haired woman looks to find who is in the warehouse, and she runs into a recluse. This recluse has penises for hands! That’s right, he has penises, and that’s it. Mr. Penishand asks the woman not to go, and we get into the story.

There’s a trendy soundtrack for the 1990s that comes into play, and we see the blonde take off her clothes. She lets down here hair, and she starts to suck Edward’s hands. I kid you not. He’s in full makeup. This is a jolting movie if you aren’t ready to see what is going on. The makeup job on Edward Penishands is great, and he looks like the Depp character, meanwhile the woman here is blonde, small breasted, and gets into the role. Edward begins with oral sex on the blonde, whom I assume is Alexandra Quinn. She has tan lines, and Edwards goes down on her with his tongue, and using his hands a little. After some time, we see Edward using both hands in both holes, and he’s fully clothed while you watch the penishands do their work. I’m not sure if this is eroticism or not, it’s actually kind of werid, and yet Quinn’s black pumps make it for me, so I guess there’s something to say. The set here is well lit, a warehouse setting with a bed, and that’s not bad. After some foreplay with the hands, Edwards gets his zipper open and Quinn gives him a blow job. Then the two get into doggy style and things get forward progress. The camera angle here is ok at best, and Edward stays clothed in doggy style, trying to hold on with his penishands. Quinn screams and moans and that really turns me on. This scene becomes grotesque, and yet I couldn’t turn away. Quinn’s screaming is what I want in a partner, I’ll say that much. After a couple of positions we see Edward cum through all of his penises, real and prosthetic, and that’s the end of the first major scene.

The scene ends and we end up going forward to another scene, where two women are talking on the phone. We see Quinn bring in Edward to a set that I is definitely in a warehouse studio somewhere. I can tell because of the shadows from the lighting. It becomes obvious that we are seeing this filmed on a sound stage, which isn’t bad, it’s well decorated, it’s just painfully obvious. The movie continues and we hear about Quinn’s daughter, and that Edward can stay and make himself at home.

We get a firm cut, and we are shown another bedroom scenario. This one features two women, Jeanna Fine and Jamie Leigh. Both are average looking women here, no implants, dirty shoes, and just average elements. The set is lit like a studio, and the shadows play to that regard. We see the women masturbate, use toys, and just go for it, with no real story to this, other than they are trying to get off. The two join one another in a bed and use toys then keeps going, and that’s it. The two just enjoy themselves. One brunette and one dirty blonde, both thin, no major large breasts, somewhat shaved, and that’s it.

After the lesbian sex scene, we see Edward looking at his hands, and that’s it. He starts to imagine things, and realize his past. It’s suppose to add a story arc to the movie, but it’s painfully thrown in place.

The movie continues and Edward is introduced to three new women. They are all thin, and they get sent away out of a room. We are left with Jon Dough and Quinn, while the scene fades to black.

Now we are taken to a bathroom where Edward is with two women. Domonique Simone is an African American woman with small breasts, and Ashley Nicole is a dirty blonde haired, thin woman with medium sized breasts as well. The two start to suck on Edwards hands, and he is just looking like it is pleasurable. The full concept here is Edward just playing with the women with his hands and then he cuts with his hands and it shoots out a little, and that’s it. It’s a short scene, and it’s not that fun.

Moving along, we get Ashley Quinn and Jon Dough talking about how sales are down for Quinn’s sex toy elements. Quinn signals Dough that she wants him, and that two start to kiss. The generic porn music comes in, and they begin. Remember, the set here is a warehouse, so the backgrounds are terrible, there’s blue painters tape along a window frame, the walls are way too high, and the interior is just stupid looking. At one point you can tell that there is no ceiling, as the camera goes too high. The sex begins with Quinn taking off her body suit and blowing Jon Dough. He’s not huge, but he gets into it fairly well. Quinn moans a lot, screaming at one point, and making her my new “it” girl to watch. Quinn and Dough go at it on a kitchen table, no condoms, and it’s just straight forward. The two go through two different positions, then Quinn ends up getting summed on in the back, as Dough finishes things off. That’s it. Not a bad scene, but not a great one either.

Next we are taken to a bedroom, in the same warehouse set that you’d expect from a porno sound stage. Here we see Edward trying to play with himself, then cumming, and running we hears that Jeanna Fine is coming through the door.

This fades, and we see Jeanna Fine and Edward meet in a warehouse where Fine finds out that he has penis hands. There’s a soft song that plays, and it’s supposed to be a love song, while Edward squirts cum from his penis hands and Jeanna Fine dances under it. This is beyond stupid, and yet it’s endearing somehow. This is a very young Jeanna Fine, so she doesn’t have enhancements, and is toned nicely, skinny, and has long black hair. As we move forward, we end up seeing the scene fade to black and send the two back to a location in front of a fireplace. There’s a cheesy song playing, and the two here start to kiss and go forward. Fine sucks on the hand penises, then the two start to have sex, but not before a blow job begins. This is not a long scene. Fine does have enhanced breasts as one angle shows, and she rides Edward while he is fully clothed, until he climaxes and that’s the end.

I give “Edward Penishands” a 2 out of 5.

I love Jeanna Fine, I always liked her work, and Quinn’s yelling during sex turned me on. However, the novelty of this movie really wears on me, and it’s not sexy after a while. Fine looks like a Chicago escort that I know, and well, other than that, I don’t really know what to tell ya. It’s not a great movie, it’s not a bad movie, but it’s definitely one to check out if you’re curious. It’s not going to win any awards or anything, but as a novelty sex film, it’s not half bad. I’d watch Jeana Fine read the dictionary, though. She’s hot.

City of Sin (1991) Review

City of Sin (1991) DVD Cover (from later release) 

Today we are going to be in the 1990s, and we are going to see a movie that was directed by Henri Prichard. This was a movie that came out in 1991 and had a lot of different stars in it, some that had non sex roles. The distributor here was Las Vegas Video and it had a good deal of different performers, and an interesting story line with a bit of focus on graphic design up front. The movie we will be reviewing today is called, “City of Sin” and it was released in 1991. The stars of this movie include, Raven, Tom Chapman, Debi Diamond, Jenna Wells, TT Boy, Trixie Tyler, Jeanna Fine, Jon Dough, Deidre Holland, Flame, Joey Silvera, Ona Z, and Johnny Nineteen. That’s a lot of people for a movie that is only 84 minutes long, but hey, it happens, and that’s why we are here to discuss the goings on. So sit back and see if “City of Sin” is worth checking out again for your adult cinema needs.

The opening scene shows a woman running away from a house and the graphics start to introduce who the characters are. They are typed up in a detective style formatting, and it’s quite interesting to see overall. It’s like you’re watching a detective show, and you are introduced to the people that are involved in the story, and it’s kind of neat to see. There’s obvious production value given to this movie, so that’s something worth noting.

The opening scene starts with a man going into a bordello. There’s film grain here, and it’s awesome. I love that this was filmed on 35MM or something. It’s fascinating to see. The movie goes forward and we see a man in a business suit talking about how he had a problem last time he was at the bordello. He starts to take off his clothes, and talks to a brunette haired, thin, pretty lady named Raven.

Raven is tall, thin, has brunette hair, tan, has large natural breasts, and wears a silk robe before taking it off. She starts to lick the business man, and we get some soft jazz music to start this one. Raven and Tom Chapman start to go with oral, and it’s an interesting beginning to the movie, giving you a cinema feel to the release. The camera focuses on an angled view here, so you don’t see anything too hardcore at first, and it’s blocked out nicely, kind of like a made for cable release. In fact, at one point all you see is Tom Chapman’s flaccid penis, instead of anything else, so maybe he couldn’t get it up? I don’t know.

The scene changes a bit, with a hard cut and we are taken to another room in the bordello where TT Boy, Debi Diamond, and Jenna Wells are. Debi Diamond and Jenna Wells are both older looking blonde haired women, and it shows. TT Boy is a stellar performer. We see a threesome starting to erupt. TT Boy, Debi Diamond, and Jenna Wells start to go forward with oral sex, and the movie starts to really get good in terms of the sex. There’s a bit of chemistry found here that is always a pleasure to see in these types of movies. The room is drab, well lit, and the camera focuses on the hardcore action here, more than the previous scenario. There’s a decent amount of chemistry found here, as TT Boy gets sucked off well, and it’s interesting to see a scene with so much chemistry between the performers, as it almost feels like a contest to see who can get off faster, making this scene quite good to start with.

There’s a hard cut, and we are taken back to see Raven and Tom Chapman. Finally, Chapman is hard, and he starts getting a blow job from Raven. The two get into a 69 position and things start to go forward with their room. The room is drab as well, basic, and not too complex. We see Raven pull out a condom, then we get a hard cut to the detective Joey Silvera looking on ready to bust the bordello.

We get a hard cut, and we are taken to TT Boy, Debi Diamond, and Jenna Wells still in a threesome. The blow job sequence here is perhaps one of the best ones that I’ve seen in porn thus far, and that’s saying a lot. I don’t know how TT Boy was able to stay hard, as the women here treated him like a god, licking, sucking, and just showing off at one point before getting into the sex, which doesn’t have a condom here.

There’s a hard cut, and we are back to Raven and Tom Chapman having sex. Raven is in reverse cowgirl to set things up and Chapman has a condom on. The sex is fine, nothing too crazy, with minor moaning, and movement, the two have no major chemistry in comparison to the other scene going on. As far as the sex goes here, it’s generic, and if the goal was to show what it would be like to have sex with an escort, they achieve that, since this is somewhat limited in passion. Chapman does well enough to go through the motions, and Raven is there as a counterpart, with good lighting overall, but the two just lack chemistry, and at the 21 minute mark, Raven stops the sex completely and leaves the room.

The next cut we see Trixie Tyler show up to talk to Tom Chapman. They are in the same room that Raven was in. Trixie Tyler has large augmented breasts, brunette hair, and purple lingerie. She’s got to be in her late 20s here, and she’s mostly shaved. Chapman gets started with oral, and things start to get heated.

There’s a cut and we go to TT Boy cumming on two women, then a hard cut goes and we see Chapman cumming on Trixie Tyler.

But here’s the thing, Joey Silvera and Jeanna Fine see that there’s a bust, and therefore they run out of the bordello while the detectives bust into the home, and they start to read everyone their Maranda rights. They are all getting busted and we see things developing negatively. During this bust, we see the detective talking to the boss saying that they’ve closed down everything. The boss asks them to detain Ashley Freelove, and she’s not there. The story continues and we see more characters around different homes and just talking. We see the head of the police with a vendetta, an ex con, and much more. The head of the police asks for an ex con to do him a favor and bring in Jeanna Fine’s character, and that’s it. There’s a great plot here, and it’s fascinating beyond the sex.

We move along and see Joey Silvera and Jeanna Fine walking into the woods somewhere looking for a hide out. They eventually reach a house, and they just settle in. I must note that this is a young Jeanna Fine, with longer hair, smaller breasts, and different from her latter releases. There’s a cut, and we see a memory found from Fine, where she’s talking to Jon Dough. Dough plays a music box, and the two are on a brown couch talking. She isn’t wearing any makeup, and has a green bra and panties set. The two begin to kiss and we are taken to the next sex scene.

Jeanna Fine and Jon Dough start to make out on a brown couch, within the new hideout that we just saw. There’s a large black cat painting, and there’s some good lighting here, and the two juxtapositioned with the light, as things start to heat up. This is a slow moving sex scene, and it features minimal make up, minimalism throughout the set, and the camera work. The sex is slow, almost as though they are trying to say that the two are making love, and it works well. Dough uses a condom here, and the two go through a couple of positions. IT’s a workable sex scene, with a little bit of chemistry, but there’s something missing, and I don’t know what it is. This doesn’t seem like it’s from 1991 as you see the back and forth motion of the sex, you start to think that you’re in the 1970s, as the sound design is really bad, with a terrible soundtrack. Jeanna Fine with no makeup, and going through the motions is odd too, especially at the 43 minute mark when Dough is going to cum, and well, it’s just as mechanical as things can get if you ask me. The two barely break a sweat for this scene, and Fine sounds like she’s been smoking for 30 years. She does have a sexy body, though, but that’s about it, a lackluster scene if you ask me.

We are taken back to the current timeline, and we see Jeanna Fine light up a cigarette and just reminisce a little.

The next sequence shows Jon Dough and Deidre Holland in a random home. There’s a blue couch and the two start to talk about different things before she asks him to stay the night. Deidre Holland is a blonde-haired woman with medium sized natural breasts, and is not shaved at all. She starts to blow Dough, and the scene gets kicked off. The music here is a jazz version of “Black Magic Woman” which is just an odd choice, and the two start to have sex on a couch. As far as the sex is concerned, it’s adequate, nothing of consequence, and nothing too exciting. Dough and Holland seem to have little chemistry, but are able to get through the scene with the same kind of gusto you would for your average romp, without getting too excited. There are some nice shots of the two together, kissing, but it just lacks that certain element that you got with the opening sequence earlier. There’s no condom here, and eventually after some time, Dough cums on the backside of Holland, and that’s it. Fade to black, and we go to another section of the movie.

We see Jon Dough show up to the house, and meets with Joey Silvera. Then we see him talking to Jeanna Fine. The two start talking about the past, and start to hug and kiss, as they reminisce about old times. The story continues, and we get more backdrop into the past, and the current state of things, with the police, and their professions, etc. After some time we are taken back to the bordello, and we see a few things going down.

There’s a sex scene that features a redheaded woman named Flame, and Joey Silvera. Flame is short, pasty white, has short hair, and of course you know Silvera. The two start to make out on a random couch in a bordello, and we see the two starting to have sex. Meanwhile we see a phone call take place, and find out that Dough doesn’t want to give up the girl. Meanwhile, we are back to the white couch and Silvera goes straight for the sex, and it’s a fast moving scene, without any passion, just raw sex, with a terrible soundtrack. After a few minutes of doggy style, Silvera cums and that’s the end of the sequence, nothing too crazy.

The movie divulges into a plot driven thing, and we are taken to the random blue couch we saw earlier in the movie. This time around we see Diedre Holland and Jeanna Fine talking together. They are simply together talking and that leads to the two kissing. The two start to kiss, and then start to get deeper into the throws of passion, until they start to have sex. The sex is fine, fingers, tongues, oral, and lots of moaning from Holland, more than Fine. Fine gives a lot here, and doesn’t seem to get the same in return, although the two get into several positions and just seem to enjoy the process, albeit a short one.

The scene ends, and we are taken to a random living room where our main villain talks to Ona Z. This is an older brunette, that has a beautiful face. The villain is played by a guy named Johnny Nineteen. The two start to argue, and that brings about a lot of passion and actually good acting. The acting here is superb for the scene, and as a stand alone entry point, it’s solid. Nineteen is a District Attorney and wants to get the bordello women into jail. The two discuss things and then turns into sex. Ona Z and Johnny Nineteen have sex on the random blue couch. It’s a slow moving sex scene, with little to no real passion. In fact, it’s slow, and doesn’t last that long, with Nineteen cumming way early and that’s it. It’s laughable how little he lasts here, and the camera barely shows anything other than the motions of a cable sex scene.

The movie ends and we see that the District Attorney was part of a larger corruption scandal, and then we see Jon Dough and Fine in a park just making out, because they are back together. That’s the end of that, and the movie credits start to roll.

I give “City of Sin” a 3 out of 5

The movie started out very well, as the TT Boy scene really took things to a good spot, but over the course of the movie, the quality dwindled, and we started to get boring elements and mechanical sex. I didn’t like that, and well it really dragged down the purpose of the movie, right? Well, other than that, the movie does have a great story line, and one that makes this appear to be a classic from the 1980s where you would only see it in movie theaters. It’s shot on film grain, and it’s really good overall, but alas, the sex drags it down.

Stardust (1996) Review

Stardust (1996) Poster 

Today we are going to the 1990s yet again. This time around, we are going to be looking at a movie that spawned a series that goes deep. I’m talking like eleven sequels at this point. That’s not a bad thing, that’s a great thing! I guess. It’s kind of like “The Devil In Miss Jones”, watering down over the course of many years. As far as erotica is concerned, we are going to be venturing to the 1990s today, specifically to 1996. In this year we are going to be looking at the movie, “Stardust”. This movie was directed by Michael Zen, and it was distributed by Vivid Video. The movie stars Alex Sanders, Jon Dough, Jill Kelly, Misty Rain, Jenteal, Missy, Bobby Vitale, Steven St. Croix, and others. There are a few non-sex role actors, but do you really care? I mean, Mike Horner is in here, which is always interesting, and Missy is in it too, but the rest, meh, right? I know, I’m not a great reviewer. But let’s go to the time machine and see what’s up with “Stardust” from 1996.

There’s something that is somewhat calming about seeing the Vivid Video, two people merging logo. It tells you that you’re watching a Vivid Video. It’s classic 1990s logo, and I love it. “You’re Watching a Vivid Feature Presentation”, classic. That’s how you know you’re in for something cool, right? The opening of this film is interesting, it roles the credits with a dancer. There’s a light in the background, and it’s a naked woman dancing, with fire sticks, but they aren’t lit yet. If you’re a fan of Cirque De Soleil, that’s kind of what you get to start, and then the sticks are ignited, I think they are called torches, my bad. There’s a unique soundtrack, a melody that is done with Peruvian flutes, and it reminds me of Southpark a bit. The credits continue to roll, and we see the shadows of nudity, a formed body, and shadows, which is a nice way to start things off, no doubt. The start of the movie begins with lettering, and it states, “From a far away galaxy…the star creatures are touched by the dreams of Earthlings”, and then we go into the actual movie.

The movie begins with a knight riding on a horse. He’s in full armor, and there’s a woman in a white dress, and full makeup. There’s a medieval times vibe to this, and the knight kneels and asks for his hand. But then we see what’s really happening, it’s a woman in front of a mirror and she says, why are you dreaming? She then starts to talk to the camera, and says how she met the wrong guy, a man named “Bubba King”, and what occurs here is the dude running into the knight with a golf cart. He then steps out looking like Boss Hog from “The Dukes of Hazard”, and he kisses the woman.

We go from that, to a movie studio, and we are introduced to a studio executive played by Mike Horner. However, in the waiting room is Jeanna Fine and Jon Dough. Mike Horner is laughing, and there’s a moose with a cigar on the wall. Jeanna Fine pulls Dough aside and talks to him on the couch in the office, and starts to rub her hands on Dough’s leg. For the record, I love Jeanna Fine, she has a smoker’s voice, short black hair, long legs, and a beautiful face. She starts to throw herself at Dough here, while Mike Horner is in near tears. Dough doesn’t really want to get with Fine, but eventually, as they keep discussing their next move, she gets on her knees and starts to blow him, and he obliges with the next sequence. Some romantic music plays, and we get to the action.

Jeanna Fine starts on her knees, fully clothed, without panties, and blows Jon Dough. Fine is partially shaved, trimmed, and neat, has red colored nails, a light tan, and has that professional woman’s look from the mid 1990s in a business suit and all. She has stockings, and the camera gets right into her work with the blow job. The moose watches the goings on, and tells the director to look at the goings on, and it’s a well lit scene. It’s obvious that this was not filmed on 35MM, as it looks like cable porn only it’s XXX so you see it all. The camera is steady, the lighting is good. Amidst the blow job sequence, Mike Horner starts to yell and stop them for a minute. After some oral, the scene shifts to sex, and Jon Dough gets into work mode. The two have sex on the couch, and while it’s not the best scene, Fine looks amazing. She moans a bit, and Dough pushes through, but honestly, it’s mechanical and lacking passion. Fine is a bit loud, but it’s theatrical, not passionate. If you’re a fan of Fine, then you’ll like watching her have sex with Dough, but if you’re not familiar with her at all, you may think that this is a bit over the top. She’s not that wet, she’s a bit demanding, and Mike Horner is in the corner watching it. She seems to be out of it towards the 15 minute mark too. Fine behaves like a 1 hour escort, waiting for the final cum shot, which arrives at the 17 minute mark, and that’s about it. Fine is in work mode, Dough at least throws in a great deal of pushing, and even sweats a little, but Fine, despite looking like a million bucks, kind of kills the boner with a lackluster, theatrical performance.

We move the story along to the “Beaver House” where we are on the hunt for Bubba King. We are taken to the inside of the strip club, and there’s a crowd of guys. One of the guys looks like Keenan Thompson! It’s just a bunch of random dudes, and the women here are in all feathers, and pink. They are going to do a performance act, much like a burlesque show. Meanwhile, Jon Dough is on the phone in another set trying to get info about Bubba King. The women start their dance, and it’s a very unique, and cool way to open up the second part of this movie. Dough is at a pay phone, remember those? After some time in the phone, he ends up meeting Bubba King and Steven St. Croix.

Jill Kelly and Misty Rain have a sexual encounter on stage for the men. It’s not hardcore, but they are dancing in pink, and it’s very sexy, while the guys watch. It ends after some time, and it doesn’t get too hardcore at all, but watching them dance is truly a nice little takeaway from the rest of the movie. But then of course, after a slight interlude with Alex Sanders and Jenteal, we are back to the women, only now they are starting to have sex with one another. The two get into oral, and it’s all in the pink getup. But what’s interesting here is that the director has chosen to go artsy with the camera work, dropping the frame rate and creating a look that reminds me of the Sega CD, and it’s not great. The two have a great deal of fun with one another, going through oral, fingering, and more. It’s a good sex scene for the most part, and it’s two women that seem into one another.

Up next, we see Jenteal hit the stage. Alex Sanders is in the audience and he starts to imagine what it would be like to have sex with her. The director fades into his dreams, and that’s the next sex scene. Alex Sanders starts to give Jenteal oral to start the sex. Jenteal is a blonde haired, small breasted, curvy woman, and is younger in this picture. Alex Sanders has long hair, and looks like he just got out of the sunset strip from the 1980s, a rocker looking dude. Jenteal has a semblance of the girl next door, until you see her assets, and you realize that she’s a pro. The two have sex in the backstage area and there’s minimal lighting. It’s straight forward sex, with Sanders going in hard at one point and making Jenteal scream and moan in pleasure. If you’re a fan of rough, hard, fast sex, with a good instrumental, there you go. This scene has that, and it’s not a sensual landscape, with Zen’s direction moving away from the action so you don’t always see penetration. You know they are really doing it, but it’s an artistic landscape of a sex scene more than pure hardcore. That can go either way for people. Sanders seeks to get his here, and he is not looking to play passionate, and that leads to the money shot at around the 49 minute mark where he cums on Jenteal’s chest.

The scene quickly ends, and we are taken back to the reality that sanders is watching her dance on stage with a bunch of other dudes.

What occurs next, is one of the oddest ways to end a movie. Missy comes out and starts talking to Bubba King played by Bobby Vitale. Missy gets on her hands and knees and starts to blow Bubba King. She’s dressed up, has a little mole on her cheek, has small breasts, dirty blonde hair, and gets under a table to blow Bubba, while Jon Dough and Steven St. Croix watch Jenteal on stage. Jenteal gets into the face of Sanders and lets him give her oral, meanwhile Dough, St. Croix and Bubba start to get blown by missy overall. She’s blowing the guys under the table, and the show is just going on, without any major work. It’s an interesting scenario, but it makes no sense to the story, as a whole. After a bit of dancing, and the guys cum, Jenteal gets off the stage and pours a beer on Bubbas face! Then Jenteal says that she’s the boss and she is upset with Bubba because he was getting blown during her performance.

Bubba King gets mad, and then we are taken to a noir scene where Mike Horner is laughing. He points a fake gun at his moose, and laughs. We are then taken to the dressing room of Jenteal and there’s a fortune teller, a drag queen that says she will meet a man from Hollywood. But then, we are taken to a preview of the next movie, and that’s the end of this one.

I give “Stardust” a 3 out of 5.

In order to see the whole movie, you have to see more than just this movie. You have to see several “Stardust” movies, in order to get the whole story. This is ok, I guess. It’s got interesting sets, interesting comedic elements, and some great introductions to a larger story, but honesty, it’s lacking in the sex department.

American Pie (1995) Review

"American Pie" 1995 Poster SRC adultdvdempire dot com

I had no idea that I would be reviewing the Paul Norman film, “American Pie” from 1995 today. It features Nikki Tyler’s first video, Jeanna Fine, Jenteal, Melissa Hill, Amber Woods, Marc Wallice, Tom Byron, Mark Davis, and Frank Towers. The movie starts with some guitar music, and an introduction to the cast, and it’s an interesting little movie title screen with Paul Norman getting the writing and direction credits here. In 1995, this would have played on Spice Network for sure. It screams mid-level production, and interesting San Fernando Valley interior elements. This has nothing to do with “American Pie” the movie featuring teenagers trying to get laid for prom. This is also not the same movie that Jenna Jameson was in, because that movie is called “Cherry Pie”, and I found an old VHS tape for that long ago. Instead, this is something that is altogether new for me. I know the stars of this film from other movies, but I didn’t realize this was Nikki Tyler’s first major role, so how does it play out? Is it worth watching? Let’s find out with this review of “American Pie” from 1995.

You start with that classic trope. A wife comes home looking for her husband, and can’t seem to find him. Where could he be? Jeanna Fine comes on screen and just starts looking for people, and see who was there. She asks for someone to get a car and then leaves. Meanwhile a maid and what I could only believe is the man of the house are hiding. Once Jeanna Fine leaves, Frank Towers and Amber Woods start making out.

Amber Woods is an interesting looking woman, blonde hair, tight body, but Frank Towers looks like a Televangelist, so it throws me off a little. Woods is a typical California looking porn model, and is quite lovely in the maid outfit. There’s no condom here, and Frank Towers makes some insane faces as the two have sex on a staircase near the basement of a house. Woods is not shaved, and she keeps her heels on. The two have somewhat basic sex before Woods gets off and starts to blow Towers for the finish. This wasn’t great, and the money shot was laughable. Woods rubs it on her face and lips, but doesn’t swallow at all. The two move the plot here, as they find out a will. Someone must’ve died or something, I’m not sure.

The next scene shows two women talking about what could have been given to the mistress.

Jenteal and Nikki Tyler go at it here, after talking about having sex with a 70 year old man, and how one misses the old dude. This is a good enough scene, especially if you like lesbian scenes. The two work well together, and there’s a lot of moaning here. If you’re a fan of lesbian sex, specifically watching women perform oral on each other, then this is for you. It seems genuine, and the two seem to really get off in this scene, which is always a good note. This scene sure beats the first scene, and the music is also quite good.

Moving forward, Jeanna Fine is seen in a bath robe and we get the crux of the movie. Fine is a wife that has lost her husband, and is concerned that she’s not going to get a lot of money. She’s saddened, as Mark Davis and Tom Byron standby listening to her complain. Tom Byron here has his long hair, and it’s interesting that his look is so different from the past.

Jeanna Fine asks for the butlers to start massaging her, and they eventually start taking off their clothes, because you know, this is a porno after all. Jeanna Fine was one of my first ever porn crushes, and seeing here really got me thinking about the past and present. If you’re a fan of Jeanna Fine, then you’re going to love this scene as the Byron and Davis give her a full ride of pleasure. Fine seems to enjoy herself here, as she does both guys, gets rimmed, and orally pleased throughout. There was no music for a good part of this scene, then out of the blue, there’s a country rock alternative tune in play as the two dudes really start to work on Fine. It’s a standard threeway for the most part, and then with a quick transition, it turns into a DP, and that’s really the interesting part about this one. Jeanna Fine doing a DP, and wow, she seems to love it. Byron comes first and then just lets it all out on her back. But there is a point where Fine looks to be in pain, but that ends, and Byron leaves the scene. I can’t confirm this, but there appears to be a stunt dick at the end, which is quite funny overall. Jeanna Fine swallows, but then kisses Mark Davis on the mouth, so maybe it wasn’t a stunt dick? I don’t know.

Jeanna Fine is in the office of Marc Wallice and wants to know how she can save her money. This is the best acting job for Fine, and Wallice is just there pretending to be a lawyer. This is a good overall conversation, and it’s not half bad. Fine does a good job here, and she eventually walks away, only to have Melissa Hill show up. Melissa Hill shows up in a red dress and pumps, and Wallice and Hill start to make out.

Melissa Hill and Marc Wallice have sex in his office and it appears that he is the only guy in this film that has a condom. Now, the condom is extra thin and really doesn’t show up, until you get a close up. It stays on perfectly with Melissa Hill, and she’s not shaven. He looks a lot like an adult romance novel cover model. Hill’s red hair and unique facial features make her a nice girl to watch, and I have reviewed some other of her movies. This wasn’t half bad, without a lot of music coming through for the most part, until towards the end. There’s some blues heavy guitar work, and the two just go at it standing for the most part. It’s always odd to me when the music sounds a lot better than the sex, and that’s what happened here. I was more interested in the soundtrack by the time the condom came off and Melissa Hill blew Wallice into cumming. Melissa Hill’s eyes are great, wow, what a vision, oh and she gets a facial, which is always nice to see in porno, I presume.

The movie moves to the County Courthouse where Jeanna Fine is going to talk to a lawyer, I can only assume. She gets in a fight with the mistress, who happens to be there too! The two wrestle a little and then start to have lesbian sex in a bathroom stall. That’s the finisher of this movie, and the two seem to really enjoy the process. Nikki Tyler gets a strap on, and Jeanna Fine gets plowed here, and the two go through some great moments, having fun together. Eventually the two finish, and I’m certain the director called cut. This is the end of this movie, there’s no real resolution, and I don’t know if anyone actually wanted to watch to the end. It’s a good scene for what it is, but it very much cuts the story short, if you were invested in it. I guess they become lovers? Fade to black, and The End, 1995, Wave video. No credits.

I give “American Pie” a 3 out of 5.

This is not a terrible movie, mind you. But it’s far from great. Jeanna Fine is great, Nikki Tyler is hot, and the rest, well it’s functional.

You can purchase “American Pie” from a wide variety of different locations. Including HERE where you can get an autographed copy of this movie!

Did you see “American Pie”? What did you think? Drop me a comment.