Pickup Lines 2 (1995) Review

Pickup Lines #2 (1995) DVD Cover 

We are going back in time again, but this time it’s not too far away from our previous route. This time around we are going to be moving towards a series that I’ve covered in the past, and honestly don’t really care for, and that’s something that I’ve stated many times on this blog. I am not a fan of gonzo productions, and one of the major gonzo features that kept getting released was that of the Pickup Lines series. This option from 1995 was directed by Tom Stone and distributed by Odyssey, and no doubt hit a lot of rental stores and you may have even bought it. I picked this up only because there were scenes that I had to check out with Lori Michaels and Jill Kelly. So let’s focus on this release from 1995, as it is called, “Pickup Lines 2”. The stars of this movie include Demi Fairbanks, Peter North, Jill Kelly, Vince Vouyer, Alex Dane, Nici Sterling, Wilde Oscar, Goldie Star, Kim Kitaine, Ceran Morris, Felecia, Lori Michaels, Sean Rider, Ed Powers, Taboo, and Nicole Jefferson.

If you know what a gonzo movie is, then you know what to expect from the story line of this series of releases. If you’re not familiar with that term, then you should know that this is something that doesn’t necessarily have a story to it, but rather just a bunch of random scenes that are thrown together for the purpose of making a porno release. A lot of today’s web series and more often work within the confines of gonzo, which is not my favorite genre, but I recognize is as a resource for pornographic involvement, which is something that is going to be part of the larger scope of this blog, eventually. I can’t only stick to story lines, as I’ll run out sooner than later, so here’s some more gonzo for the people that want pure sexual gratification.

This was the first introduction to Lori Michaels, which got a different credit. The music was produced by Dr. Shears, it was edited by Miles Long, and it is the second in a series of probably hundreds of gonzo pictures.

The movie starts after the credits and we see random sequences from the porno that is to come. You see a few slow motion elements and you see what you are going to be detailing with the sex, and it’s not bad. The music is calm, then you are interspliced with B-footage and you really get a feel for what is to come next.

The movie starts in a vacation destination with Demi Fairbanks and Peter North. They are simply on vacation and walking around before they get to a roof top near a beach house and then start to make out. The start here has Peter North giving oral to Demi Fairbanks, and away we go within the first 10 minutes there’s oral. Demi Fairbanks is an attractive woman with large breasts, a tan, medium length hair, a brunette and has minimal sounds to start. The two are outdoors on a balcony overlooking the beach. After some oral from North, Fairbanks gets on her knees while some soft music plays. The two are in swimsuits then nude, and the music is boring. The camera cuts in, but the visual design is interrupted by the shadows and lack of secure elements from the sun. The two go through the motions of sex, and then go into the house. There they get on the bed and start to work out some stress with several positions. The positions are standard, and Peter North doesn’t wear a condom. Demi Fairbanks barely makes any noise, and the two go at it for a good amount of time before North eventually just strokes it until he cums on her face. It’s a lackluster scene with little to no chemistry between the two. When North cums, Demi Fairbanks looks away and puts her hand up noticeably not into this at all, and really takes away from the scene.

There is a blooper here! At one point Demi Fairbanks around the 17 minute mark tries to cover her face and even tries to avoid blowing North again, and you see the director’s hand from outside of the frame come into the frame and moves her hand! They didn’t edit this out!

After the sex the two go out onto the balcony and then start to talk to Jill Kelly and Vince Vouyer, whom are their neighbors. We then fade to black and then get to the interior of the next apartment.

In the apartment Vince Vouyer and Jill Kelly are in a bath tub, nude, and Kelly starts to blow Vince for the start. Soft music starts, and we get to the next sex scene. This is early Jill Kelly, before she had breast implants, my favorite period of her career, and if you’re a fan, then you’ll know her blonde hair, and tan lines well. Vouyer doesn’t even get hard to start, his penis flops a bit which is a sign that he was using a penis pump, or isn’t into the sex scene, until Kelly really gets to work with oral. If you’re a fan of Jill Kelly, then you will like this scene as it’s in her prime for me. Vouyer and Kelly have sex in the bathroom, and there’s no condom, she’s young, and looks very “California” overall. Vouyer stays hard throughout and the two eventually et to the bedroom and get it on. It’s obvious that Vouyer loses his erection at one point and has to get it back, before he starts to hump Kelly. The two move to the bedroom and go through a few positions and it’s ok at best, nothing crazy. Over time we end up seeing Vouyer cum on Kelly’s face and that’s the end.

After the scene we are taken to the streets where we see a couple of women talking. They are just talking and it appears to be Venice or the San Fernando Valley somewhere. One of the ladies invites the other and they take a drive somewhere. They drive to a house on the hills and they start to drink some wine together. This is a prelude to the sex scene that is next.

Alex Dane, Nici Sterling and Wilde Oscar all get undressed poolside at a mansion and start to really get into the sex. The women are two brunettes, one that is European with an accent, and the other that is Caucasian with a tan. They both look like they are in their late 20s or even early 30s, thin, and medium sized breasts. There is a man involved here and he is balding, and has an average sized penis. They are all outdoors, soft music starts and we get oral introduced. Both women are trimmed here, and the dude isn’t shaved completely but has some shaved. WE see the trio start to work through a threesome, and it’s not too bad. The trio move to the bedroom and they continue their sex romp, and around the midway point they end up having anal sex. The anal is interesting, as it’s with one of the ladies that has breast implants and they do it reverse cowgirl. Other than that, it is just a mediocre sex romp with one of the girls obviously confused as to what to do during the sex, and just watches, looking somewhat bored. The dude loses his erection at the 44 minute mark, and the two women try to get him back up, and it seems like a struggle until he starts pulling hard and eventually cums. This is an awkward sex scene with little to no passion, and really drives down the value of the release if you ask me.

We move from the city to the farm. That’s where we see two blondes hanging out. They are platinum blondes, and one has massive fake breasts, the others are natural, and they look very much different. They are thing, slightly pail, and have your average farmer’s red plaid with jean shorts. One of them is way older, and the other is not. The two are out by some stables and they start to kiss a bit and undress a little. After a bit a guy shows up and tells them to come through and have sex.

We see Ceran Morris, Kim Kitaine, and Goldie Star in this scene having sex. It ends up going fast, and immediately goes into doggy style, with one of the girls moaning quite loudly upon insertion, but that’s it. There’s minimal sounds here, just the sex element, with a little bit of moaning as the three start to work through oral, and doggy style sex. Again, no condom here, and honestly Morris loses his erection at one point and the camera slows down and just lets him stand there while the women have sex, and look at the director. At one point the director is in the fame, and it’s funny to see, but after some time, we see Morris get back up and then cums all over the women. This is a lackluster, terrible sex scene that is a waste of talent.

Up next we see a couple of women in the back of a boat. They are hanging out and then stop at shore while a dude watches on. The women start to kiss, and we are taken to the next sex scene.

In the next sex scene we see Felicia and Lori Michaels start to have sex, going forward with oral and fingers first. These two girls have that “girl next door” quality, and Lori Michaels looks like a milf that I know, while Felecia is young, ethnic, thin, and has long hair. She’s only done lesbian scenes with one sole exception from what I know, and Lori Michaels is premiered here for the first time. The sex is ok at best, as they go outdoors, you can see that Michaels is uncomfortable with it, and Felicia tries to go through the motions with some slight moaning overall. The two don’t have a lot of chemistry, and while it’s a serviceable scene with two attractive ladies, there’s something missing, especially from Michaels.

This scene kind of takes a dip and we see Lori Michaels start to blow Sean Rider, the driver of the boat. She blows him and then the camera switches and we go to the bedroom where we continue moving forward with the two. There’s a bit of oral from Sean Rider here and it’s not that good, but then we go back to oral with Lori Michaels giving him head. It’s soft, sensual, and she really does well with this. A condom is placed for the scene, and we start to get into the sex, which is basic, mechanical, and lackluster. Lori Michaels is an attractive woman, but it doesn’t look like she’s enjoying the sex too much, while Sean Rider just goes through the motions of in and out as you would expect. After a few position changes and random kissing, and going through the motions of casual sex, Rider takes the condom off at one point and Lori blows him for the finish. It’s not a great one it’s kind of boring.

After the hard cut we are taken to a living room where we see Vince Vouyer and Peter North jacking off and not hard at all! I kid you not, this is a real thing that is happening in this movie. The two stop pulling rope and then approach two women that are kissing, and it’s Demi Fairbanks and Jill Kelly. This is where the duo turn into a foursome, and we get some real sex, instead of just trying to pull on some play-doh for the camera. There’s some calm music that starts, and we see the guys finally get hard and start working with the women, going into them with sex, and oral. Demi Fairbanks is not interested at times, as she receives oral and Peter North has to tell her that she’s supposed to suck him off, but isn’t doing that. Meanwhile, Vince Vouyer goes forward with Jill Kelly, all of this with no condom mind you. Jill Kelly moans the most here and it’s an interesting little sequence overall, and if you’re a fan of hers, she saves the whole scene, and really has true orgasms at several points. Demi Fairbanks is there, but isn’t really there and it looks like she just goes through the motions, and well it’s a bit tired overall. Overall, the best part of this is Jill Kelly getting off, the rest is just boring to me. At one point the dudes change partners, and you see things go forward there, which is an interesting pairing with Peter North and Jill Kelly being the most attractive of options at one point, but it’s limited in scope and by the time you really get into the scene, it’s time to cum and that’s that. Perhaps one of the laziest of scenes? I don’t know. The direction, the bedroom, the lighting, and editing all work against this one, and only Jill Kelly really saves this one for me. After some mediocre sex, Peter North shoots a blast that hits both women and that’s the end. The detriment here is Demi Fairbanks performance, which is abysmal, while Jill Kelly tries to save it, it’s not enough, I can’t believe how terrible this is. I wish I knew why the performance was so bad.

Up next we see the final portion of this movie and it shows Ed Powers showing up to a random house. He is going to be doing a scene and interview as per usual, and it features two women. This time around he introduces Nicole Jefferson and Taboo. Both women are young, thin, and ethnic. Both women are African American. We start with an interview in the bedroom before Ed Powers and the women start to kiss.

Ed Powers starts to remove his clothes alongside Nicole Jefferson and Taboo. Powers doesn’t have a huge penis, mind you, and he looks like a dork, but he has bedded some amazing women, and well, props for him for doing that. This one features two attractive ladies, and the trio go through some sexual positions and well, it’s ok at best. The oral is good, but the sex is laughable, with Powers still wearing his socks, and the women letting him plow them. There’s a bit of chemistry here, and some standard moaning, but nothing too crazy, as the camera seems to stick to one or two areas overall. Powers has sex with both women, and eventually finishes on their faces, and that’s it. A terrible ending, with a lackluster scenario, with two attractive women and one fugly dude. Good for Powers, good for him.

I give “Pick Up Lines 2” a 1 out of 5.

The only saving grace to this movie is the first Jill Kelly scene. Other than that, this is a lackluster gonzo movie, with a lot of downside. The camera work is bad, the editing is rough, there’s a blooper in the movie, and the music is just awful. Overall, this is not a great movie at all, and I don’t recommend it. Unless you are looking to buy the full series as a collector, in which case, have at it. Lori Michaels is still hot, Jill Kelly is hot, but man, you have a lot of wasted space in the other scenes.

Big Game (1997) Review

Big Game (1997) Poster

Today we go forward in time from the last review, and we see ourselves in the 1990s. We will be visiting 1997 where we pick up a movie with a higher budget than most, and a full story that would’ve been easily put in a movie theater had this been in the 1980s. This is 1997 of course, so it’s not filmed with such high resolution, but there are some artsy elements, and the movie starts with some great introductory elements. The movie that we are going to be reviewing today is none other than, “Big Game” from 1997. The movie was directed by David Stanley and was distributed by Arch Angel. It has all the elements that you’d expect from a 1990s movie, including some of the stars. The stars of this movie include, Coral Sands, Sindee Coxx, Tiffany Mynx, Randee Lee, Tom Byron, Felecia, Billy Glide, Alyssa Love, Don Fernando, Jay Ashley, Melissa Hill, and Stephanie Swift. Is “Big Game” any good? Well, let’s find out by looking into what goes on in this movie from 1997.

The opening sequence lets you in on the story. You are told about three women that are on trial, and it’s a media story. The newscaster talks about the women that are on trial and why, and then we move forward to the court room. The courtroom set is really good, and quite interesting. The set features a real courtroom with all of the bells and whistles that you’d expect. A witness is called to the stand, and within 3 minutes we get thrown into the action of sex.

Coral Sands, Sindee Coxx, and Tiffany Mynx get involved with a sex scene where all of them get involved. Sindee Coxx has a strap on, and the other women just get undressed. Two of them are blonde, and one is brunette. They are all thin, have nice curves, long legs, and large breasts. They each moan, and at times scream as they are eaten out, and use their fingers on each other. This is a hardcore lesbian sex scene and has a great deal of passion involved, including the moments where the strap on is used. Coxx doesn’t have large breasts ,I take that back. There’s a bit of anal at one point, and for the most part these women seem to be very interested in pleasing one another, not just playing up for the camera, which is a good sign. There’s a decent soundtrack to this, and the sex is adequate for the most part. This seems like a lengthy seem by the 10 minute mark, even though it’s not that long, and well, it works for the most part, but it’s not something that that is going to get many people into. I think there’s a lack of camera work at times, and while Coral Sands screams at one point, there’s still something that is intangible here, and I’m not sure what it is. It’s a decent opener, and some good overall screams and moans, with an interesting setting, that being the judges desk inside a courtroom, but other than that, I am not sold. Of course, we see an audience, including Tom Byron. Tom Byron plays Frankie The Fishing Cowboy, and it’s funny watch the interval.

After the quick comedic routine, we are taken to a random bedroom where Tom Byron has called a pretty lady. He’s in a makeup chair and asks what the woman in the bedroom is wearing, meanwhile the makeup artist is starting to rub him and then starts to blow him.

Randee Lee and Tom Byron start to enjoy themselves, while Byron is in the makeup chair. Randee Lee is a tanned skin brunette, with a curvy body. Tom Byron has dyed blonde haired in this sequence, and we see the two start with a blow job. The director sends us to the bedroom where Melissa Hill is listening in on the duo and pleasing herself while on the phone. This scene has a duality to it, that is unlike the 1980s hard cuts, as we get sent back and forth between Hill masturbating with a dildo and Tom Byron getting it on with the makeup lady.

All of this is interesting, and during the sequence we are sent to another room where Steven St. Croix is in an interrogation room or somewhere with a wire, listening into Melissa Hill’s conversation with Tom Byron.

The director goes back to Randee Lee and Tom Byron, and they are having sex now. There’s no condom here, and it’s a slow moving progressive sex scene. Lee is pretty, in that southern California style, with augmented breasts, and tan lines. The music here isn’t terrible, the set is a warehouse makeup chair and desk, and the director lets you see all of the points of insertion. Despite the good production, and music, the two don’t seem to have much chemistry together, and that really makes for a boring scene. I hate when there seems to be a lack of passion, and it shows here. Byron and Lee do their jobs, but that’s it, it just looks like a job and they keep going through the motions, and that’s it. It happens. At the 22 minute mark there is anal, of course. It’s a slow start as usual, and it goes forward a bit before concluding the entire scene. During the anal scene, I noticed that there was a dip in sound design and quality, and while the two did get into the sex a little more, it lacked that passion that you’d expect from sexual partners. You’d have to see this to understand, but it’s just robotic to me. There is a cum shot at the end where Tom Byron cums on Randee Lee, and then we see Melissa Hill finish herself with a vibrator, and that’s that.

We see Steven St. Croix listening in and figuring out what is going on, before we go to a new scene.

The next scene we see Felicia putting on a towel, and a man is at the door. It’s Billy Glide and he comes into the house. Meanwhile, Sindee Coxx gets up and looks for something to wear, and then shows up. Sindee Coxx here has large breasts, blonde hair, and a great bit of makeup. Meanwhile, Felecia is a short, thin, and tanned woman with tan lines, and brunette hair. Coxx gets on her knees in front of Glide, and then an orchestral music soundtrack begins, and we see the sex start. Billy Glide, Sindee Coxx, and Felicia start with oral. Felicia for the most part sticks to giving Sindee Coxx oral, while Billy Glide and Sindee Coxx engage in something else. Coxx starts to blow Billy Glide like there’s no tomorrow, a sequence that raises the bar on the movie within a moment, and I’m impressed with it overall. Felicia rims Coxx at one point, and that’s interesting to see, and the director has his hands full trying to capture the threesome here, as they all seem to be into what is going on. Felicia pulls out a dildo, and starts to work herself into a frenzy, while Glide goes in with Coxx and just goes forward with relative ease. Felicia is on one side of a cream couch while Glide and Coxx use the other side to have sex. Glide eventually cums on Coxx’s butt and that’s it.

Coxx and Glide discuss Steven St. Croix for a moment, and we see him in a wheel chair. There’s been an accident, and he’s now being “weird”.

After that scene we are sent to Mickey G. and Stephanie Swift sweaty, in bed, and a phone call comes through.

We are sent to where a trio of women start to talk to Steven St. Croix, and he wants the women to kill someone. Stephanie Swift says that she doesn’t kill. Then he says, do you know what “Fucking” is? And then we are sent to a threesome sex scene.

The scene shows off Alyssa Love, Billy Glide, and Jay Ashley having sex. St. Croix shows the women the sex scene, and it’s spliced into the scene with an interesting focused and distressed camera lens. It’s almost like watching MTV from back in the day, while St. Croix talks about why he wants someone dead. As for the sex, it’s horrible. It’s slow, it’s mediocre, and Alyssa Love seems to just be there. Even when there’s an anal moment, it’s just a slow moving, and workable scene. At one point one of the guys doesn’t even have an erection, and is getting blown, making it an awkward sex scene. Eventually we get a money shot, and that’s that. This is perhaps one of the worst sex scenes I’ve reviewed since opening up this blog, even though there’s all the components that you’d expect from a sex scene, including Alyssa Love getting two money shots in the mouth.

We move along to a hallway where Stephanie Swift is talking to Don Fernando. She’s pretty here, young, with glasses. She tells Don Fernando that she doesn’t have the rent money, and that she can do something else if he wishes. To that avail, Stephanie Swift takes her top off and looks stoically into the camera while she gives Don Fernando a hand job. Swift asks Fernando not to touch her, but he keeps touching her breasts. The sequence is just a hand job sequence until he cums, and that’s it. He cums and that’s the rent paid. He cums on her dress, and then they look to see who’s watching and it’s Mickey G.

Mickey G. runs down to the apartment, and confronts Stephanie Swift. Swift says that Mickey G. doesn’t want to know her, and that she’s a bad girl. Soft music starts, and we see Mickey G pull out his penis, and start to stroke it. Meanwhile, Stephanie Swift is in the bathroom by herself and she starts to masturbate for the camera. The director contrasts between the two, and they are solo, in separate rooms of an apartment. This continues and doesn’t lead to anything big, and that’s it.

The scenes switch and we are taken to a brown couch. Another brown couch in a random apartment. Its here that we see Tom Byron and Melissa Hill starting to kiss and fool around. An instrumental track starts, the lighting is a little dim, and the two seem to have a lot of chemistry together. Melissa Hill has a unique face, reddish hair, small breasts, a skinny frame, long legs, long arms, and tan lines. She looks like someone I knew in high school, and she really gets into the beginning of this sequence with lots of kissing, and then oral from Tom Byron. The two progress to take off their clothes and then start to have sex. They go through multiple positions, and no condom, with Hill moaning a great deal and even screaming at one point. She seems to really enjoy this, and the two work up a real sweat in the sex that is had here. I found it to be a better sequence than any other one in this movie, and since I’m a fan of Melissa Hill, it was a real joy to see her bouncing on Tom Byron. This scene saves the rest of the movie if you ask me. After a lot of positions, some sweat, and changes there’s a cum shot to Melissa Hill’s face, and the end of a good sex scene for a change. I do put down a few points because someone was messing with the boom mic and it was in the edit, so that was dumb, but other than that, this was a great little romp of sex.

After the sex there are a few non sex scenes and we see the women from before in masks put a bomb onto Tom Byron! That’s right, they strap a bomb on him in an attempt to kill him. We don’t see the bomb go off or anything, so that’s something. But we do see the women in jail, so obviously they got caught. We are returned to the court room, and that’s when Stephanie Swift is on the stand. A tape is played, and we are taken to the bedroom of Mickey G. and Stephanie Swift. This set is nice, darkly lit, with candles, and silk sheets. The two are romantic with one another, naked in bed and just kissing lightly.

Stephanie Swift and Mickey G. go forward with a simple start, kissing, and then masturbating facing one another, and then out of the blue, Stephanie Swift sticks her foot into Mickey G’s butt. I kid you not, this is a first for me in these narrative style porn movies. Her food, almost to the ankle goes into Mickey G’s butt hole, and she moves it around while he masturbates. This lasts a few minutes before Swift jumps on and starts to blow him in a casual, and steady blow job, changing the fetishes to normal, I guess. The two then start to have sex, but the camera doesn’t show you a lot of the insertion, and then we get a money shot. It’s a scene that is quite interesting, as it is a bit tame, and then we see that Stephanie Swift was dreaming all along!

We see Mickey G. hearing the radio in a new room where Melissa Hill is and he finds out that someone is going to testify against him, and he gets upset. Melissa Hill tries to comfort him, and we are taken to another scene after this.

The next sequence shows Felicia and Sindee Coxx having jailroom sex together. The set here is a jail house looking cell, and the two are naked, and just start to have sex with a lot of oral, and a lot of moaning. Felicia screams at one point, her tan lines are so pronounced here, and Coxx does well to get her to cum several times. If you’re a fan of legitimate sexual experiences between porno stars, then here you go, one of the better sequences. It doesn’t last that long, mind you, but it works well enough to further the story and to titillate.

After the jail house sequence we are taken back to a bedroom where Melissa Hill and Mickey G are in the throws of passion. This is a fast scene, the two work very quickly to get into the sex, with Melissa Hill blowing Mickey G to start, and then letting him penetrate her, and go through multiple positions. She doesn’t even take off all of her clothes, just enough to see her breasts, stockings, and penetration. The two have sex against a marble wall, and the lighting is a bit dim, while you look into their pushing and moaning. At the 2 hour and 10 minute mark there’s a slow motion cum shot and that ends the movie for the most part.

After Mickey G cums, they look over and see Steven St. Croix in a wheel chair and Stephanie Swift standing in the hallway. The two look on in, and then go outside. Stephanie Swift walks around to where Steven St. Croix is, and puts her hands on his shoulder. The two share an intimate moment of reflection. Swift then sits on St. Croix and the two just hug. The wheelchair is pushed into the waters of a pool, and that’s it. Piano music plays and the two just sink, and the camera watches them go below the waters, and they kiss. They kiss hard, and they float a bit up, as the music moves forward. It’s a miracle Steven St. Croix legs start working again! The two kiss and the music continues, and that’s the end.

I give “Big Game” a 3 out of 5.

There’s really only a few scenes in this whole movie that really got me excited. Melissa Hill is a goddess in this one, and the rest, well it works for the most part, but if you’re not a fan of the women or the men involved you may not like it. I didn’t think it was that great, even though it had a long plot that had a lot of non-sex scenes in it. I’m sure that there will be fans that like it, but I can’t give it more than 3 out of 5.

You can purchase “Big Game” and see what you think about it, as it features a great deal of stars, some sex, and plot that you don’t always get with these types of movies. You can click HERE to stream it, download it, or buy it on DVD for a discount.

More Sorority Stewardesses (1995) Review

More Sorority Stewardesses (1995) Poster

Going back to the 1990s, we are going to be looking at a sequel to a movie that features a great deal of awesome women, and men. If you’re a fan of the 1990s porno world, then you’ll no doubt like the line up that is found with this movie. This movie came out in 1995, and it’s called “More Sorority Stewardesses”. This movie was directed by Jim Holliday, and was distributed through Plush Entertainment. If you’ve seen Jim Holliday’s work before, then you’ll no doubt like this one, as he’s got an eye for sex movies, and it’s on display here again. The movie stars J.R. Carrington, Peter North, Felecia, Kylie Ireland, Sandi Beach, T.T. Boy, Joey Silvera, Hailey Davidson, Kirsty Waay, Nina Hartley, and even Jim Holliday in a non sex role. As I read that Craigslist personals has shut down, I am reviewing this option as something quite interesting to say the least, trying to take my mind off the idea that I will probably never talk to a lot of people online.

I have to admit, I didn’t want to review anything, the shutdown of Craigslist rocked me. But then again, I have a job to do, so let’s get into it.

The opening of this movie starts with Peter North talking to a red head. That immediately switches within a minute, to showing off some sex, and I’m not sure who it was. Then we see another money shot occur, and I realize that what we are seeing is just a preview of what the movie is going to have. In between the shots we see Joey Silvera talking to his nurses. Then we go back and forth to the sequences a little, and it’s interesting to see. Perhaps this is a throwback to the original movie? I don’t remember, but it’s a lot of quick close ups of what is to come or at least some hardcore focused elements with a little bit of a Rockabilly soundtrack to boot.

At the four minute mark Peter North, Joey Silvera, and TT Boy are talking and then the camera cuts to introduce all of the women in the movie. This is done with a cheesy focused music underneath, but for the most part it’s tame. It reminds me of the original movie, and I recall reviewing that one too. You start to forget all of the movies that you review after so many, but if you search on the left of this blog, you’ll find that I’ve talked about the original and even “Car Wash Angels” which is a favorite of mine.

The conversation ends and we are sent to a hot tub room. That’s where J.R. Carrington and Peter North are talking, and that leads to making out. The music here sucks, it’s a surf rock instrumental that is not that great. The set is a sauna with a hot tub in it, and it’s really cheesy. J.R. Carrington is a hot blonde, is shaved, and has extra large breasts, enhanced lips, and kind of reminds me of Carmella from the WWE. She’s tan, has big breasts, and really looks hot. If you’re into blondes, you’ll love her. Peter North gets things rolling by getting hard and then getting oral. Carrington gives good oral here, and then the tables turn and North starts to get into the action, giving Carrington a great deal of pleasure by going down on her. This goes for a few moments before North goes in without a condom. This starts easy enough, while the hot tub keeps going. The two go through a couple of positions and Carrington keeps asking for North to go harder, and eventually he does, and the two have anal at one point. The music is terrible, mind you, and the hot tub keeps roaring. The camera stays in with the action, and Carrington moans a great deal, while still wearing her swimsuit, breasts exposed. After a while, North finishes things off with a money shot into Carrington’s face, and she licks spits, and blows him after the fact. It’s a great finish, and a good start to this adult movie.

The plot moves a little and we see a couple talking, and then we hear from the loud speaker that the school is now a charter school. It’s an interesting sentiment for the most part, to get a plot in. But after the announcement we see Felecia and Kylie Ireland talking. The two start talking about sex, and then they get into the action, as you know it’s going to happen.

Felecia and Kylie Ireland talk about sex, and then they start to kiss. Felicia is a thin, short, brunette with small breasts. Kylie Ireland has enhanced breasts, blonde hair, and is young here. A long way away from where she becomes a milf in the porno world. The two here start slowly, and the music kicks in, before they start to kiss. The music is an acoustic melody, the set is the bunk bed area of the set from the previous film, and they start to kiss and get undressed. The scene doesn’t last too long and it’s honestly just a lot of oral, fingers, and then friction. They are interesting to look at, they get wet, they seem to really get into it, but it’s not nearly as passionate as the first initial sex scene for this movie. That’s not to say that it’s bad, it’s just a bit different. The two look good and if you’re a fan of girl on girl action, this may suffice, but I’ve seen way better.

After the sex we start to look at the hallway of the school and there are two women talking. They start talking about history. I kid you not, it’s a U.S. History lesson. There’s a little sequence where see a blonde playing with herself, then we go to the phones with Joey Silvera and he’s in the middle of a radio contest, and he’s having a bit of trouble talking. There’s a candy striper there, and TT Boy comes through to interrupt at one point. The scene ends and we are taken to where the stewardesses are and they are all dressed up and just kissing a little here and there. Then we are taken to another office. There’s an office where T.T. Boy is talking to some random dude. Then we are taken to a bedroom where a bunch of women are talking, and that’s it. Nothing too crazy.

The camera cuts and there we see T.T. Boy getting blown by Sandi Beach. I don’t think I’ve seen Sandi Beach before, but I have seen plenty of T.T. Boy’s work. Here he is already naked when we join the two. There’s a soft rock tune playing, and we are in the dorm rooms of the school like we were before. Sandi Beach is a blonde with large breasts, and a cute face, with nice curves and a good overall look. She’s attractive, and T.T. Boy gets hard to start. There’s a condom in this one, T.T. Boy puts one on, and Beach gets on top for the ride. She doesn’t take off her bra in this one to start, and we see the two go through a few positions overall. WE do see a little bit of her nipples at one point, and she moans a little until T.T. Boy cums on her face. She has her mouth closed and doesn’t seem to want to get any on her, and it’s obvious the two didn’t have a lot of chemistry for this scene. It works well enough, but you can tell that this was not something that the two were that into.

We get through some sequences and we again see the women talking, and then we are sent to Joey Silvera pulling an alarm. The alarm wakes up all of the girls and they scream and run out of the building naked. Not sure why but it is just a drill. Joey Silvera and T.T. Boy are shown in another room and they are just in scrubs talking about random things. Then we go to the pool and more talking. There’s no major sex or plot just random actresses talking. After some random moments, we are taken to an exam room where Kylie Ireland and Joey Silvera are talking. They are doing some homework together or something, and they just talk about astronomy.

After doing some reviewing of the course materials for school, Joey Silvera and Kylie Ireland get close. Kylie Ireland takes off her top, and Joey Silvera drops to his knees to start giving her oral. Kylie is young here, and almost looks like Jenna Jameson’s sister, while Joey is looking a bit old, but he’s still got the moves. Ireland’s got a runway shaved, and augmented breasts. After going down on Ireland, Silvera gets a turn to have oral and Ireland goes through the motions quite well. Silvera isn’t a huge guy downstairs, but Ireland makes it seem that way with a lot of attention to what she is doing. Silvera puts on a condom and then starts to have sex with Ireland, as she moans a little, we are taken to the penetration point and it’s not great nor is it bad. This condom is thick too, and seems to be rolling up or ribbed or something, it’s weird. The two go through some positions and it’s not bad, it’s just lacking chemistry. After going through doggy style, and then getting through the motions of sex, things seem to be working well enough and Silvera finishes. This is a sterile type of sex scene, and Silvera finishes on Ireland’s butt, and that’s that.

The next parts of the movie shows talking, with different women, and men, as well as Silvera saying congratulations to people, and more. It’s a forced scene, and it’s funny to see this. It’s bad, like really bad. I was laughing hard. Then out of the blue, Nina Hartley claims that it’s time to party, and we are taken to a motel room. In a seedy motel room we see a few women start give one another oral, and then the camera pans out to show that there’s more to this. The ending scene is an orgy scene that features, Hailey Davidson, Kirsty Waay, Nina Hartley, Peter North, and T.T. Boy. This scene goes for quite a bit, and it’s mainly the two getting into the action while other use dildos, and it’s just your average sex scene. There’s some moaning, there’s some sex, but it’s just a little sterile at times. Sure, there’s no condoms, and it’s a fun little romp, but it’s just average at best. It’s almost like they were just phoning it in for the most part. There’s too much going on for the scene’s own good, and the rockabilly soundtrack doesn’t help at all. Nina Hartley blowing Peter North is interesting, but her technique seems a bit lame. At the one hour and 23 minute mark, we see money shots on both sides of a bed, and the camera focuses on Hartley, and then she blows North after he cums, which is the best part of this scene. T.T. Boy is getting blown but North gets the best one here.

The scene cuts and we are taken to Joey Silvera talking to a set of bones. Then we end the movie and the credits roll. Not exactly a great one, but then again what sequel is great in porno? Not this one that’s for sure.

I give “More Sorority Stewardesses” a 2 out of 5.

There’s nothing that saves this movie for me. Well, the Peter North scene with Carrington was good. But other than that, this wasn’t that great. It was a standard porno with the guys phoning it in, and Holliday’s unique visual style. Other than that, it’s not grand. I’d recommend it if you’re a fan of the series and you’re a big fan of Jim Holliday, but other than that, I’d skip it.

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The Right Connection (1995) Review

The Right Connection (1995) Poster 

We are back in our adult movie time machine and we stop in 1995. This time around we are going to see a movie titled, “The Right Connection”. This is a movie that was released on VHS and it starts with an interesting flag waving element. It talks about free speech, and tells people to vote, and more. It’s a few minutes long, and it’s about the Free Speech Legal Defense Fund. It says that the government doesn’t want you to watch porno, and other things, and that if you don’t fight, they could take it all away. Then you get the FBI warning, which I always love. You can’t duplicate this tape, obviously. I have a VHS copy of this, mind you. The movie then goes into the VCA Pictures logo, and away we go. Oh, and there’s a disclaimer from the Surgeon General, and talks about condom use, etc. This movie has some very cool 1980s music up front. The stars of this movie include Kia, Vince Voyeur, Misty Rain, Christi Lake, Felecia, Sahara Sands, Ariel Daye, and others. Clint Torres is the director of photography, and it’s edited by Hugh Briss, Dino and Earl do the music, and it’s directed by none other than Veronica Hart. Yes, that Veronica Hart!

The opening scene is a phone call, where Vince Voyeur calls a phone sex line, and speaks to Kia. Kia is an Asian woman, and she starts playing with herself. Vince talks to her, and the two have boring phone sex, and masturbation. It makes me never want to call a phone sex line, that’s for sure. To be fair, I have in the past, and it’s usually boring, but hey, that’s a thing of the past. This is a solo scene. It’s not a great scene, and Vince’s acting is terrible. This is just two people masturbating in different areas. Kia is pool side, and Vince is in an office, and the camera goes back and forth between the two. If you’re into solo scenes, this isn’t half bad, as both performers orgasm at different points, and that’s really it. The music is the most compelling part of all of this, honestly.

The next scene we get Vince calling the phone sex line and getting another Asian lady. But this time around, he starts imagining what goes on. He’s back in school, and Sahara Sands is his teacher. She talks to him and says that she’s going to have to spank Vince because he is late with his homework again. We then get a teacher and student scenario.

Sahara Sands is a pretty, tall, blonde, with small breasts, and long legs. Vince of course, is a standard in 1990s porno, and he does his job well. I had a boss that looked a little like Sahara Sands, so this is a particularly interesting scene for me. This is a cool scene, with Sahara sands over acting, and Vince doing his best to not look like he’s a robotic sex machine. He’s got good chemistry here, though, and he pulls through a great deal of positions with Sands, even if she is over acting at some spots. I can only imagine that she is, mind you, but hey, that’s what porno is about, right? Towards the mid-section of the scene, the two lose control of being characters, and actually start to go for it, and it shows. Vince especially just goes all in, and the two actually look like they are having fun in this otherwise routine sex scene. It’s interesting to see sweat, sound, and more. However, the music shifts into a new wave jazz thing that I hate. Sahara Sands gets really wet here, and she even squirts a little before Vince obliges her request to do anal. He puts on a condom for this, and then cums all over her rear, and it just looks great, as he has a lot going out on this one.

Moving along, we have another scene in which the phone is being used. Kia is sitting alone and she answers the phone. It’s Vince again, and he wants to talk to her again. He talks about how a girl is messing around with herself and a double headed dildo, which is Ariana, I believe. She’s on the phone, and she just goes through the motions of playing with it. Now, Kia watches that, and pulls out a clear dildo and plays with that, while the other woman, a redhead plays, and the camera goes back and forth between two women and Vince Voyeur again. It’s mostly sound and masturbation, nothing crazy. Again, the sound is the most compelling thing here.

The transitional scene shows off what the call center looks like. It’s a pool side residence in the Hollywood Hills, and women are tanning while waiting on the phone lines. Vince calls again (his name is Mike), and he wants to talk to Kia again. This time around, he can’t find her, it’s Felicia, a young looking exotic woman, that I’ve seen in other movies. The two discuss something simple, about how Kia loves him and wants to talk to him and possibly meet down the line. We then transition to seeing Kia back at her lawn chair, and Vince calls back. The two engage in a story, and we get into another sex scene. This time, it’s Vince talking about his day, etc. He’s a photograph, etc.

Christi Lake shows up, and she’s amazing. Another one of my crushes has been Christi Lake because she looks like a former boss as well. I guess I have a weird thing about my bosses, but hey that’s just me. Vince plays the slave here, and Lake plays the domme. Meanwhile, the director cuts back and forth between this scene and Felicia listening in and masturbating. This is mostly Lake and Vince, however, on the set of a photo shoot. I’ve seen this happen before, with stars, so it’s almost like watching things behind the scenes. For the most part, the two have sex on the floor, to a boring soundtrack, but you get to see Felicia intercut between sex, and she’s using a dildo. But then you’re thrown back into the regular sex scene, and Vince eventually cums onto Christ Lake’s face. The most compelling part of this is the after elements where Lake gives oral after the money shot.

Next up, we get a conversation between two different dudes, and they discuss about their favorite girls, and the 1-800 numbers that they talk about. Kia talks about what Ariana and Misty Rain are doing, and they are both pierced and as alt as you could get in the mid 1990s. Kia describes the action to Vince, while Vince again masturbates. Meanwhile Ariana and Misty Rain go through a lesbian sex scene that is coupled with interesting instrumental music. The two are really into it, and then comes out a big clear double headed dildo, and the two go to town. This is the most exciting, and loud lesbian sex scene I’ve seen after reviewing many different movies here. If I were to give an award for this, I’d give this one an award for the most chemistry between girls, because the two really go to town here, and it’s just as exciting as I can possibly tell you. Multiple positions, double dildo penetration, and genuine emotion, and chemistry. It’s a sight to see folks, and perhaps the one reason to own this movie!

Up next, we get transitional scenes, and I remember where I first saw this movie! I first saw this movie on the Spice Cable Channel! I kid you not, I remember the scene because it features Nikki Arizona. She’s a redhead with a beautiful face, eyes, and body. Vince calls Felicia and tells her this story, and it’s about a female cop that arrests a couple of dudes. The guys are Vince Voyeur and Richie Razor. The music here sucks, which is an instrumental but isn’t nearly as good as some of the other things that were here. It’s another “new school jazz” tune. The set is an alley, with a red convertible, and Nikki is wearing a sheriff’s outfit. She starts to give both guys oral, and you get narration from Vince on the phone, and spliced in is Felicia talking on the phone. At a certain point the scene is all sex, and it features the trio going for it in the alley. Nikki Arizona reminds me of a high end escort in Las Vegas, and of course the two guys just go for it. After some different positions, Richie Razor puts on a condom, and gets into the action with Vince, going for a double penetration with Nikki Arizona on the concrete. As they do that, you get spliced back to Felicia, on the phone, playing with herself. Then you get spliced back into the garage or alley, rather, and the two guys finish on Arizona’s chest and face, and that’s that. Meanwhile, Felicia drops her phone and just goes to town with her hands. That’s the end of this scene, with everyone climaxing, except Arizona, because of course, she’s on the receiving end, but hey, that’s porno for you.

The scene ends, and we Vince talking to Kia once again. This time he invites her over to his house. This is a big taboo, because no performer on the phone ever does this, right? Well I guess that’s why it’s a fantasy. The movie’s final scene isn’t a long one, but it has been building throughout the movie, and so the two meet, and then go to the bedroom, and immediately just get into the action. Kia wears black heels here, and the two go from fully clothed to the bedroom right away. Kia reminds me of Asia Carrera a bit, but it’s definitely not her. The two start having sex nearly immediately, no foreplay, and not much more. Just straight sex in a silk, black bedroom, with ambient lighting. Several positions are done, with a great overall soundtrack. The soundtrack turns to the opening track, and honestly, it sounds like Kavinsky is doing the score, which I loved more than the sex itself. Towards the end of the scene, Vince calls out the finale, and eventually cums on Kia’s face, and that’s the end. Seriously, that’s it. A somewhat anti-climatic sex scene to end the fantasy, and that’s it.

The end of the scene, features Vince and Kia talking on the phone. That’s about it. She’s cooking, and Vince is in the bedroom, and the two meet in the kitchen, and that’s it. The fantasy of bedding a 1800 girl is the main finale here, and that’s that. The movie is over, and I’m going back to doing literally anything that is more important.

I give “The Right Connection” a 4 out of 5.

This movie has a lot going for it, mainly Kia, Vince Vouyer, Sahara Sands, Christie Lake, and Nikki Arizona. Veronica Hart’s direction isn’t half bad, and the music is good at times, making this a bit better than most movies. I didn’t hate it, and I actually enjoyed a few of the notes. The credits role, and that’s that, a half decent movie to watch.

You can purchase “The Right Connection” via a lot of different avenues, and see if this is a movie to add to your collection. I actually liked it a lot, which is a rare thing on this blog.