The Many Faces of PJ Sparxx (1995) Review

The Many Faces of PJ Sparxx (1995) DVD Cover

Today we are going back to the 1990s. This time around we are going to be looking at a movie from Wicked Pictures and directed by Fred Lincoln. I have no doubt that this was one of the many movies that I saw on the Spice Network, when I was a teenager. The movie is from 1995, and it features a cast of performers you may know very well. The cast includes, Stephanie Swift, Vince Vouyer, PJ Sparxx, Colt Steel, Anna Malle, Hank Armstrong, Roxanne Hall, John Decker, Tyler Sweet, and Ruby. These are main players in the world of adult cinema at the time, and if you are familiar with 1990s porno, then you know these people already. This movie was released in 1995, and was distributed by Wicked Pictures, and the production value shows that from the starting line, only to get moving forward to a movie that has 5 scenes. So let’s go to the 1990s and see how this all plays out, in the movie, “The Many Faces of PJ Sparxx”.

The movie starts with a party scene, and in this scene we see Vince Vouyer dancing a bit. He is a stripper, and at the 5 minute mark, we realize that this is a porno, because he takes his underwear down, and Stephanie Swift is there to service him.

Stephanie Swift begins the scene with a blow job on Vince Vouyer, and her technique is grand. The brunette star has changed in recent years, as she’s now an advocate against sex abuse, and porn, but here she is performing at her prime with Vouyer in a toned, shaven state. The music is a classical mix of new wave jazz, and bass sounds. The set is a warehouse somewhere in porn valley, and honestly, it’s like any other den or living room scene, with a light colored couch, made of leather, and lighting that hides the boom mic here and there. The lighting is fine, the overall sequence is good, and if you’re a fan of Swift, you’ll love the length of her blow job for this sex starting point. A condom gets put on, and we see Swift start with cowgirl, facing Vouyer directly on the couch, and bouncing slowly until she starts to moan. There’s a good editing quality here, as the camera moves through various angles, all with a nice shadow of lighting from the perspective of where the director and cameras are. The two go through different positions, but eventually Vouyer can’t hold on, takes off the condom, and cums on Swift’s face. It goes up her nose at one point, and she stays in the scene, eyes closed, and that’s it. She blows him upside down at one point, and that makes this a stellar opener, even if the keyboard and guitar work takes me out of the show.

The movie moves forward, and we see P.J Sparxx asleep on the same couch. In comes John Decker in a suit and tie. The movie then goes forward to set up a simple plot, where Decker is not satisfied with his sex life. He talks to a girl, then we are taken to a bedroom set, very much a standard set that I’ve seen from Wicked Pictures. PJ Sparxx is in latex now, and talks to Armstrong about getting kinky. John Decker says, no. So then she goes to the kitchen and starts to write a letter to someone she wants, of course, not John Decker. This is a kitchen set, and it looks semi-real here, so maybe it’s not just a warehouse somewhere. She seems an envelope and sends it away, and that’s that.

After some time we see Sparxx in an office, and in walks Colt Steel. She says that she wants some action, and throws herself at Steel. He obliges, and starts to undress. This is in an office, and we see PJ Sparxx full body here. She’s thin, has large breasts, is blonde, and tan. She has a great body for the 1990s porn world, and Steel is cut out of, well, steel. He looks like he should be on the cover of a romance novel. Sparxx opens up her blouse to reveal her large breasts and steel immediately goes to sucking on them, and we venture into foreplay. The music here is all bass and some jazz notes, but mostly synth and bass heavy moments of jazz. Sparxx starts things off with a blow job, before Steel gets to give her oral. She’s shaven for the most part, with a slight amount of hair on her pubic mound, and the show continues with some nice oral close ups. The sex is tame, all things considered. Sparxx has black heels on, and she’s really loud during this one, as Steel goes through the motions of protected sex while she masturbates at the same time. She has such a loud, high pitched moan that it becomes a little annoying. Steel is concentrating, not passionate, robotic, and the lighting here throws a lot of shadows into the mix. There’s minimal passion here, and a little less chemistry between the two. Sparxx is glassy eyed at the 30 minute mark, and it just seems forced at times, almost like when hiring an escort and it’s just not that grand. She bends over at one point, and they go doggy style for a minute or two before Steel has to cum and lets go on her butt. Visually this is an ok scene, but it lacks the passion that the first scene had, so it is a diminished scene. Plus, Steel is more muscle than penis, so if you’re expect a hung guy, he’s not that big. At least not in comparison to his muscles, so there’s that.

The scene ends, and we are taken back to the house where we see Sparxx in a wig just talking, and what not. There’s a little bit of attention given to the scene, with talking, and then we are taken to another set. This time it’s a living room, and there’s a studio light in the left hand corner in full view! Oh man, there’s also a gear bag left under the foyer, and you see a full display of lighting left to be seen. Now, while Anna Malle is in one area, we see PJ Sparxx making a salad, and then a door bell that keeps ringing and ringing. Anna Malle is a hot woman, by the way, she passed away due to an auto accident from what I heard. But she’s tan, has large breasts, and is quite hot. I’ve always liked her enthusiasm, and in this one, she opens the door, and in comes Hank Armstrong to kiss her and the two passionately begin. All the while Pj Sparxx is making a salad, then she walks in on the two, and just looks on, with a smirk.

Anna Malle takes her panties off with the help from Hank Armstrong, then gets fingered to start the scene. She has her signature tan lines, and mostly shaved pubic region, and the two begin against a wall. The rock music in this scene is horrible, and takes me out of the scene right away. The light is hilarious on the left, and it casts some serious shadows where it shouldn’t be. The living room has a floral couch, white walls, and Armstrong goes down to oral right away. I should note that Anna Malle has her own panties in her mouth as she moans at what Armstrong is doing, although very calculated, and somewhat robotic. She eventually gets on her knees and blows Armstrong, and it’s the best one I’ve seen in a while. Anna Malle always seemed to enjoy this sort of thing, and she’s been in documentaries saying such things. There’s no condom here, and Anna Mall goes for doggy style on a floral couch, and she doesn’t seem to be enjoying it that much. She says a few dirty things, and Armstrong does his job, but it’s pretty much a robotic sexual transaction. It is also blown out with light, and the two just don’t seem to connect like I would expect. The director probably fell asleep at one point. Towards the 45 minute mark, we see anal start, and if you look at Anna Malle’s eyes and her direction she is looking for cues from the director, and it’s awful. It’s the most robotic sex scene I’ve seen in a long time. These two have no chemistry, and it’s just purely sexual. After some anal, Armstrong cums on Malle’s butt, then goes back into her, and she talks nasty, but geez, she’s not enthused here, and it truly is nothing short of transactional, like an escort, even with the final kisses. This is perhaps one of the worst modern sex scenes I’ve seen in terms of passion or lack of it.

We move along. We see John Decker hanging out in a bedroom and Roxanne Hall is dancing. Decker watches Hall undress, and she’s a somewhat tall, skinny, all natural young woman. Decker is in his underwear and in a bedroom set. He talks about how he got fired because his wife cheated with his boss, Roxanne Hall plays an escort, and wants to help Decker relax a little. So she begins with a blow job. Roxanne Hall gets oral John Decker, in a random bedroom, with green comforters and shadows all around as the lighting is coming from various sources. The shadows here are tough. At around 55 minutes, the two do 69, which is always a cool little spot, and the two seem to go through the motions in this scene. At the 58 minute mark, we go straight for anal, and there’s no condom. If you’re a fan of anal, you’ll like this one, as at one point Hall even screams, “John”, which is the actor’s real name. As for Decker, he does adequately here, hard, and penetrating anal, with some lube, and no condom. It’s only anal here, nothing big, and eventually Hall gets a facial, and that’s it. This is a good scene, with bad music, and interesting lighting, but Decker seems to have to hold onto his erection with his hand, and eventually just cums on Hall’s face, and mouth and that’s that. It’s ok, at best.

The final scene features three women on a hammock. They have toys, it’s got an upbeat jazzy tune, and it features PJ Sparxx, Tyler Sweet, and Ruby. This has natural light, and lots of it, as they are outdoors, and it is mostly just oral and toys. Nothing big here, just two blondes and a redhead. It’s perhaps one of the more boring scenes as the sound design takes a major dip here, and you barely here the moaning. The music is put on blast here, and the women seem ok with what they are doing, and seem to moan a bit, with toys etc. It’s a lengthy threeway lesbian scene, but it’s far from “great”. The scene ends with Decker walking in on the threesome, and shaking his head.

I give “The Many Faces of PJ Sparxx” a 2 out of 5.

One great scene doesn’t make for a stellar porno, and that’s all you really get for this one if you ask me. Now, as I always say, I’m just one man with one opinion. If you’re a fan of Sparxx, then you may love this one, and of course, if you’re a fan of Stephanie Swift, you’ll love the opening sequences. She does well in it.

You can purchase “The Many Faces of PJ Sparxx” by clicking here, or streaming it at the same site.

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Cop Sucker (1998) Review

Cop Sucker (1998) Dvd Cover

Today we are going to be venturing forward or backwards to 1998. That’s the year when I discovered cable television pornography, and if you were like me, you didn’t see penetration. They had the bumping and grinding, but cleverly edited out the literal penetration, so I swore back then that one day I would see the hardcore versions of these movies, and well here I am, reviewing another classic of sorts. This time around, we are going to be looking at the Joe D’Amato directed movie, “Cop Sucker” from 1998. It was released by Moonlight Entertainment, and it stars Maria de Sanchez, Kyle Stone, Christi Lake, Dave Hardman, Nick East, Mercedes, Sean Michaels, Gina Rome, Vince Vouyer, and Kimberly Jade. I’m a big fan of Christi Lake, and wish I could have met her, even now, just to interview her. But alas, here we are judging her performances because that’s what we do with this blog. So let’s take a break to 1998, and see what “Cop Sucker” has for us.

The starting line of this movie features Christi Lake sitting at a desk writing some notes. We then go to a scene where a woman is talking to a police officer. She’s dressed in his uniform, and there’s some soft music playing. It’s Kyle Stone, and Maria De Sanchez. Now, I’m a fan of Kyle Stone because he got to have sex with Stacy Valentine in the movie “Stupid Cupid”, and it’s one of my favorite scenes with Stacy Valentine.

Stone doesn’t want to have sex right away, he says he has to go to work, but Maria de Sanchez convinces him to stay for a minute to have some illicit fun. The movie shifts from safe, to sexy within 3 minutes. Maria de Sanchez is a latin woman that resembles Selma Hayek a bit, and she takes her clothes off completely, letting Stone start to give her oral. The starting point is oral from Stone to Sanchez, and away we go with the sex. Stone isn’t hard right away, he takes a little time, but Sanchez starts giving him a blow job and he starts to get up fast. I’ve never seen Sanchez before, but she is a perfect latina, with large breasts, long black hair, a thin waist, and gets into the role with relative ease. The two go into a bedroom that looks ok, a little bland overall. Nothing special here, and there’s no condom. The music sucks here, and it’s horrendous, smooth jazz. However, Stone gets hard, and starts to go back and forth with Sanchez, as she starts to moan. She reminds me a little of Katrina Jade, and the two have a little chemistry during this one. Even though Stone has a knee bandage, he goes through the motions of sex in multiple positions, and really gives Sanchez some attention. After about 15 minutes of sex, Stone can’t hang on and pulls out to let Sanchez get a facial, and the camera slows down a little, while she takes it on her face, and that’s the end. Not a great scene at all, and definitely killed by the music.

There’s a keyboard playing, and we see Christi Lake talking about an experience from the past. Lake looks like a former boss of mine, so she’s always been hot to me. She talks about a couple of cops that came to her house in uniform, and they are Dave Hardman and Nick East. They knock on her home’s door, and she’s waiting with a red dress on and red cowboy boots. Her hair is up. She’s a tall, leggy, blonde haired woman, and if you’ve seen her before, you know that she is beautiful. I still wish I could meet her, just to interview her, but alas, I’ll digress. The two cops come inside the house and start to ask some questions.

After Lake doesn’t want to give up any questions, she asks them to give her a strip search. Christi Lake takes off her clothes, and the two cops start to unrobe. We start with Christi Lake giving Dave Hardman a blow job while Nick East gives her oral, and she starts to get into the motions. The music here is terrible. I hate it. Soft, bad jazz plays, and the trio start to work with the motions of sex. Hardman isn’t hard at first, so you see a soft penis get into the action, then you see East get hard and go in with Lake without a condom on, and just starts to go fast on the kitchen table. The music here is louder than the sounds of the sex, and I personally thought hit was distraction. Outside of that, Christi Lake has a beautiful face, and the sex is a little more inspired than the first scene. Don’t expect double penetration here because it doesn’t happen, it’s just a straight forward sexual romp. The trio have sex, one going in and one getting blown until the two end up giving her a facial and that’s that. Lake gets her hair pulled and a nice cum shot at around the 27 minute mark, and that’s it. Not her best scene at all, and well, the music really killed it for me.

We move along to a prison. We see Sean Michaels trying to interview Mercedes. He’s in a full suit and she is in a chair, with leather on. She tells Micheals that she is not going to tell him anything unless he gives her something. So the two agree to sex, as is the norm in these movies.

Mercedes is a tall, leggy, blonde haired woman, with a stunning look to her. Michaels is an African American actor that has been a mainstay in porn for some time. Upon closer look, you may find that Mercedes looks like Donna from the 70’s show, and well, we get to the action in a few moments.

The music turns up, and it’s another soft jazz tune from the 1990s. It’s not old school jazz mind you, and it’s way louder than the sex. Mercedes gets on her knees and blows Sean Michaels, then he gets her up and goes in from behind. The contrast of light skin and dark is wonderful, and fans of interracial sex will love this scene, which is quite good. The two keep their clothes on for the most part, and Michaels even smokes a cigar during the sex, which is filmed in an abandoned jail cell. After a while, the two take off their clothes, an there’s a mattress strategically placed on the floor. The director decided to slow the footage down, increase the sound of the piano, and let you in on Michaels going deep into Mercedes. I found it boring, and not needed, but if it extended the time of thrusting, maybe it was a good idea after all. At around the 42 minute mark, Michaels cups on Mercedes’ chest and throat, and you see that she has a tongue piercing. They slow down the footage so you see a slow motion cum blast, and honestly, it’s not that good at all. Mercedes is beautiful, but the sex here is robotic, with music that is horrendous, and a set that isn’t half bad.

We go back to Christi Lake at the police headquarters, and outside is Gina Rome in a nice sun dress. She is in high heels, and she says that her cat is lost, and needs help. Vince Vouyer comes in to help, and the two talk a little.

Gina Rome is a tall brunette with girl next door milf looks. Vouyer is a mainstay of 1990s porno, and we go inside to a random house where she takes down her dress and starts to blow Vince. Gina Rome starts with a full blow job of Vince Vouyer, and he is hard nearly immediately. Again, this movie is awful with the sound, a smooth jazz track is louder than the sex, and there’s a lot of transitions through this one. The director doesn’t really focus on Rome’s face, because her teeth are all jacked up, and honestly, that threw me off. The two have sex on the counter, and there’s a reflection of the boom mic and more. Vouyer does ok here, but Rome’s teeth and overall performance lacks in passion, and the director slows down the thrusting to compensate. Eventually Vince can’t hang on, and he masturbates to a finish into Rome’s face and tongue. She’s not very attractive, especially with those teeth, I can’t unsee that. Sorry.

We are back at the office and Christi Lake is talking to the camera, saying that she remembers another sex story. This time it features Nick east and Kimberly Jade.

We are taken to a bedroom set with ok lighting. There we see Kimberly Jade, nearly nude and Nick East in uniform. She has blonde curly hair, and dark roots, and wears a black garter belt with stockings. East takes his pants down and Jade immediately starts to blow him, but he’s not hat hard. You can see the boom mic reflection in the head rest of the bed, and the lighting here is dramatically bad. Kimberly Jade has some amazing eyes, and is quite pretty compared to the other girls in this movie thus far. She blows East for quite a while, finally getting him hard. The music is louder than the sex again, and it’s awful. The music is so distracting here, and the director again slows the sex down so that you see the penetration in and out in slow motion. I didn’t like that. The two seem to have ok chemistry together, but it honestly reminds me of an escort having sex with a client, kind of rushed, kind of forced, and really nothing that passionate. The two have adequate sex, but the music is harsh, and the keyboards are so loud I had to really think twice about giving this more than a few stars rating. I do find Jade pretty, though, so for that it almost got me to attention. At the one hour and 9 minute mark, East cubs on Jade’s pelvis and that’s the end of this scene. It’s done in slow motion, and again, it’s not that good.

We are at our final scene, and this time around we see Christi Lake and Maria de Sanchez under cover, and going to a back room with Vince Vouyer. The music again sucks here, and really throws me off. You hear the sounds of the trio underneath the loud keyboard sounds of smooth jazz. Within a few minutes, though, Sanchez starts to blow Vince, and we are off to the sexual races. Christi Lake joins them too, and there’s a dual blow job given here which is quite good for the final scene. Vince has sex with Sanchez the most. They go into a couple of positions, and the finish shows Christi Lake and Sanchez getting a facial from Vince and that’s it. The movie ends abruptly and the credits role. There is slow down with the sex, and there’s a lack of passion and moaning. The music is far too loud again, and it just doesn’t fit the scene. The best part is the finale, with a dual blow job on Vince and summing on both Sanchez and Lake’s face, which must’ve been fun overall. Other than that, this really has a lackluster finish to a lackluster movie.

I give “Cop Sucker” a 2 out of 5.

Christi Lake can’t save this one, and the rest of the sex is lackluster. The director really messed up a good thing, slowing down the motions, and putting the audio way louder for the music than anything else. It messes with your head and vibe, making this a terrible movie to watch. I didn’t like it, but maybe you will, if you find it out there.

Pickup Lines 2 (1995) Review

Pickup Lines #2 (1995) DVD Cover 

We are going back in time again, but this time it’s not too far away from our previous route. This time around we are going to be moving towards a series that I’ve covered in the past, and honestly don’t really care for, and that’s something that I’ve stated many times on this blog. I am not a fan of gonzo productions, and one of the major gonzo features that kept getting released was that of the Pickup Lines series. This option from 1995 was directed by Tom Stone and distributed by Odyssey, and no doubt hit a lot of rental stores and you may have even bought it. I picked this up only because there were scenes that I had to check out with Lori Michaels and Jill Kelly. So let’s focus on this release from 1995, as it is called, “Pickup Lines 2”. The stars of this movie include Demi Fairbanks, Peter North, Jill Kelly, Vince Vouyer, Alex Dane, Nici Sterling, Wilde Oscar, Goldie Star, Kim Kitaine, Ceran Morris, Felecia, Lori Michaels, Sean Rider, Ed Powers, Taboo, and Nicole Jefferson.

If you know what a gonzo movie is, then you know what to expect from the story line of this series of releases. If you’re not familiar with that term, then you should know that this is something that doesn’t necessarily have a story to it, but rather just a bunch of random scenes that are thrown together for the purpose of making a porno release. A lot of today’s web series and more often work within the confines of gonzo, which is not my favorite genre, but I recognize is as a resource for pornographic involvement, which is something that is going to be part of the larger scope of this blog, eventually. I can’t only stick to story lines, as I’ll run out sooner than later, so here’s some more gonzo for the people that want pure sexual gratification.

This was the first introduction to Lori Michaels, which got a different credit. The music was produced by Dr. Shears, it was edited by Miles Long, and it is the second in a series of probably hundreds of gonzo pictures.

The movie starts after the credits and we see random sequences from the porno that is to come. You see a few slow motion elements and you see what you are going to be detailing with the sex, and it’s not bad. The music is calm, then you are interspliced with B-footage and you really get a feel for what is to come next.

The movie starts in a vacation destination with Demi Fairbanks and Peter North. They are simply on vacation and walking around before they get to a roof top near a beach house and then start to make out. The start here has Peter North giving oral to Demi Fairbanks, and away we go within the first 10 minutes there’s oral. Demi Fairbanks is an attractive woman with large breasts, a tan, medium length hair, a brunette and has minimal sounds to start. The two are outdoors on a balcony overlooking the beach. After some oral from North, Fairbanks gets on her knees while some soft music plays. The two are in swimsuits then nude, and the music is boring. The camera cuts in, but the visual design is interrupted by the shadows and lack of secure elements from the sun. The two go through the motions of sex, and then go into the house. There they get on the bed and start to work out some stress with several positions. The positions are standard, and Peter North doesn’t wear a condom. Demi Fairbanks barely makes any noise, and the two go at it for a good amount of time before North eventually just strokes it until he cums on her face. It’s a lackluster scene with little to no chemistry between the two. When North cums, Demi Fairbanks looks away and puts her hand up noticeably not into this at all, and really takes away from the scene.

There is a blooper here! At one point Demi Fairbanks around the 17 minute mark tries to cover her face and even tries to avoid blowing North again, and you see the director’s hand from outside of the frame come into the frame and moves her hand! They didn’t edit this out!

After the sex the two go out onto the balcony and then start to talk to Jill Kelly and Vince Vouyer, whom are their neighbors. We then fade to black and then get to the interior of the next apartment.

In the apartment Vince Vouyer and Jill Kelly are in a bath tub, nude, and Kelly starts to blow Vince for the start. Soft music starts, and we get to the next sex scene. This is early Jill Kelly, before she had breast implants, my favorite period of her career, and if you’re a fan, then you’ll know her blonde hair, and tan lines well. Vouyer doesn’t even get hard to start, his penis flops a bit which is a sign that he was using a penis pump, or isn’t into the sex scene, until Kelly really gets to work with oral. If you’re a fan of Jill Kelly, then you will like this scene as it’s in her prime for me. Vouyer and Kelly have sex in the bathroom, and there’s no condom, she’s young, and looks very “California” overall. Vouyer stays hard throughout and the two eventually et to the bedroom and get it on. It’s obvious that Vouyer loses his erection at one point and has to get it back, before he starts to hump Kelly. The two move to the bedroom and go through a few positions and it’s ok at best, nothing crazy. Over time we end up seeing Vouyer cum on Kelly’s face and that’s the end.

After the scene we are taken to the streets where we see a couple of women talking. They are just talking and it appears to be Venice or the San Fernando Valley somewhere. One of the ladies invites the other and they take a drive somewhere. They drive to a house on the hills and they start to drink some wine together. This is a prelude to the sex scene that is next.

Alex Dane, Nici Sterling and Wilde Oscar all get undressed poolside at a mansion and start to really get into the sex. The women are two brunettes, one that is European with an accent, and the other that is Caucasian with a tan. They both look like they are in their late 20s or even early 30s, thin, and medium sized breasts. There is a man involved here and he is balding, and has an average sized penis. They are all outdoors, soft music starts and we get oral introduced. Both women are trimmed here, and the dude isn’t shaved completely but has some shaved. WE see the trio start to work through a threesome, and it’s not too bad. The trio move to the bedroom and they continue their sex romp, and around the midway point they end up having anal sex. The anal is interesting, as it’s with one of the ladies that has breast implants and they do it reverse cowgirl. Other than that, it is just a mediocre sex romp with one of the girls obviously confused as to what to do during the sex, and just watches, looking somewhat bored. The dude loses his erection at the 44 minute mark, and the two women try to get him back up, and it seems like a struggle until he starts pulling hard and eventually cums. This is an awkward sex scene with little to no passion, and really drives down the value of the release if you ask me.

We move from the city to the farm. That’s where we see two blondes hanging out. They are platinum blondes, and one has massive fake breasts, the others are natural, and they look very much different. They are thing, slightly pail, and have your average farmer’s red plaid with jean shorts. One of them is way older, and the other is not. The two are out by some stables and they start to kiss a bit and undress a little. After a bit a guy shows up and tells them to come through and have sex.

We see Ceran Morris, Kim Kitaine, and Goldie Star in this scene having sex. It ends up going fast, and immediately goes into doggy style, with one of the girls moaning quite loudly upon insertion, but that’s it. There’s minimal sounds here, just the sex element, with a little bit of moaning as the three start to work through oral, and doggy style sex. Again, no condom here, and honestly Morris loses his erection at one point and the camera slows down and just lets him stand there while the women have sex, and look at the director. At one point the director is in the fame, and it’s funny to see, but after some time, we see Morris get back up and then cums all over the women. This is a lackluster, terrible sex scene that is a waste of talent.

Up next we see a couple of women in the back of a boat. They are hanging out and then stop at shore while a dude watches on. The women start to kiss, and we are taken to the next sex scene.

In the next sex scene we see Felicia and Lori Michaels start to have sex, going forward with oral and fingers first. These two girls have that “girl next door” quality, and Lori Michaels looks like a milf that I know, while Felecia is young, ethnic, thin, and has long hair. She’s only done lesbian scenes with one sole exception from what I know, and Lori Michaels is premiered here for the first time. The sex is ok at best, as they go outdoors, you can see that Michaels is uncomfortable with it, and Felicia tries to go through the motions with some slight moaning overall. The two don’t have a lot of chemistry, and while it’s a serviceable scene with two attractive ladies, there’s something missing, especially from Michaels.

This scene kind of takes a dip and we see Lori Michaels start to blow Sean Rider, the driver of the boat. She blows him and then the camera switches and we go to the bedroom where we continue moving forward with the two. There’s a bit of oral from Sean Rider here and it’s not that good, but then we go back to oral with Lori Michaels giving him head. It’s soft, sensual, and she really does well with this. A condom is placed for the scene, and we start to get into the sex, which is basic, mechanical, and lackluster. Lori Michaels is an attractive woman, but it doesn’t look like she’s enjoying the sex too much, while Sean Rider just goes through the motions of in and out as you would expect. After a few position changes and random kissing, and going through the motions of casual sex, Rider takes the condom off at one point and Lori blows him for the finish. It’s not a great one it’s kind of boring.

After the hard cut we are taken to a living room where we see Vince Vouyer and Peter North jacking off and not hard at all! I kid you not, this is a real thing that is happening in this movie. The two stop pulling rope and then approach two women that are kissing, and it’s Demi Fairbanks and Jill Kelly. This is where the duo turn into a foursome, and we get some real sex, instead of just trying to pull on some play-doh for the camera. There’s some calm music that starts, and we see the guys finally get hard and start working with the women, going into them with sex, and oral. Demi Fairbanks is not interested at times, as she receives oral and Peter North has to tell her that she’s supposed to suck him off, but isn’t doing that. Meanwhile, Vince Vouyer goes forward with Jill Kelly, all of this with no condom mind you. Jill Kelly moans the most here and it’s an interesting little sequence overall, and if you’re a fan of hers, she saves the whole scene, and really has true orgasms at several points. Demi Fairbanks is there, but isn’t really there and it looks like she just goes through the motions, and well it’s a bit tired overall. Overall, the best part of this is Jill Kelly getting off, the rest is just boring to me. At one point the dudes change partners, and you see things go forward there, which is an interesting pairing with Peter North and Jill Kelly being the most attractive of options at one point, but it’s limited in scope and by the time you really get into the scene, it’s time to cum and that’s that. Perhaps one of the laziest of scenes? I don’t know. The direction, the bedroom, the lighting, and editing all work against this one, and only Jill Kelly really saves this one for me. After some mediocre sex, Peter North shoots a blast that hits both women and that’s the end. The detriment here is Demi Fairbanks performance, which is abysmal, while Jill Kelly tries to save it, it’s not enough, I can’t believe how terrible this is. I wish I knew why the performance was so bad.

Up next we see the final portion of this movie and it shows Ed Powers showing up to a random house. He is going to be doing a scene and interview as per usual, and it features two women. This time around he introduces Nicole Jefferson and Taboo. Both women are young, thin, and ethnic. Both women are African American. We start with an interview in the bedroom before Ed Powers and the women start to kiss.

Ed Powers starts to remove his clothes alongside Nicole Jefferson and Taboo. Powers doesn’t have a huge penis, mind you, and he looks like a dork, but he has bedded some amazing women, and well, props for him for doing that. This one features two attractive ladies, and the trio go through some sexual positions and well, it’s ok at best. The oral is good, but the sex is laughable, with Powers still wearing his socks, and the women letting him plow them. There’s a bit of chemistry here, and some standard moaning, but nothing too crazy, as the camera seems to stick to one or two areas overall. Powers has sex with both women, and eventually finishes on their faces, and that’s it. A terrible ending, with a lackluster scenario, with two attractive women and one fugly dude. Good for Powers, good for him.

I give “Pick Up Lines 2” a 1 out of 5.

The only saving grace to this movie is the first Jill Kelly scene. Other than that, this is a lackluster gonzo movie, with a lot of downside. The camera work is bad, the editing is rough, there’s a blooper in the movie, and the music is just awful. Overall, this is not a great movie at all, and I don’t recommend it. Unless you are looking to buy the full series as a collector, in which case, have at it. Lori Michaels is still hot, Jill Kelly is hot, but man, you have a lot of wasted space in the other scenes.

Pickup Lines 3 (1996) Review

Pickup Lines 3 (1996) Poster

We are staying in the 1990s for a gonzo production because it is next in our line up of movies to review. This time around we are going to be looking at a movie that was directed by Tom Stone, and features a lot of performers doing what you would expect from a porno. The distributer here is Odyssey, and the studio was Silverstone. The stars of this movie include Marine Cartier, Peter North, Lana Sands, Steve Drake, Demi Fairbanks, Jill Kelly, Vince Vouyer, Tony Martino, Michael J. Cox, Sean Rider, Lori Michaels, Tracy Love, and Ed Powers. While I don’t like gonzo porno movies, it’s still part of the industry, so we’ll have to review them sometime. These are established stars and we are venturing to 1996 for the movie, “Pickup Lines 3”.

The opening says that this is an Ed Powers presentation. Ed Powers is like a gate keeper for porno, and he was able to get on screen with a lot of women before they became huge stars. He’s a skinny guy with facial hair, a pony tail, and just a hairy body. This movie starts with him talking to the camera. He says that we are about to watch the third installment from the series, and he says that he will be in the bed with women. After we hear from Ed Powers we get into the credits and it shows all of the actors names that are in this movie alongside some “Myst” type of music.

The opening scene features a couple of girls on a boat, and some decent cinematography for the time. We see a guy jet skiing, and I can’t make out who it is, but he falls into the water. From there we are taken to a bathroom that is quite large. It shows Peter North showering. A woman shows up and it’s Marine Cartier, and she disrobes and joins him. Some jazzy music starts and the two stand in the shower together, and it’s not bad. Marine Cartier is a brunette with a fit body, and bikini tan line. She has a thin frame, small breasts, and a toned overall look, with a cute face.

Marin Cartier and Peter North start to make out in the shower, and we begin the sex. This is a very unique shower, and it’s very large. The two make out like they are old lovers, and it’s actually not a bad starting point. They seem to be very interested in one another, and for once, I was starting to get distracted a little. After some making out, we see Peter North giving oral to Cartier, before turning things around and getting on her knees for oral. She has a small mouth, and it shows, making North look huge because of it. The music is louder than the moaning here, but it’s still sensual. Cartier has a landing strip, and after some bathroom foreplay, the two move to the bedroom, and they start to engage in sex, with a condom. There isn’t much to this, there’s barely any switching of positions. The music is louder than the sounds of Cartier, and while North does well here, you can barely here Cartier moaning, which she is certainly doing. After some time in doggy style, Cartier catches a Peter North facial and that ends this scene. The facial is ok, and it’s actually a little boring. Not the best facial, Marin Cartier spits it all out and looks disturbed in receiving, even though she licks a little after the fact.

The music continues, but the scene ends. We are taken outdoors where Steve Drake and Lana Sands are enjoying a boat ride. The two enjoy the sun, until they stop to kiss and start the next sequence.

Steve Drake and Lana Sands start to kiss, and Sands starts to suck on Drake’s finger to signal the start of sex. Lana Sands is a skinny Asian looking woman, with small breasts, slightly shaved pubic region, and a look like she’s from Thailand of the Philippines. Steve Drake is a mainstay in porn, and at this point has been in the business for a long time. The sex is simple, starting with fingering, oral, and the music that is just looping at this point. You can kind of hear moaning, but it’s muted by the sounds of the music, which is a bad move if you ask me. We get oral from both partners here, and the camera doesn’t shy away from the sex. There’s no condom in this one, and while the scene is adequate, it’s lacking in passion, and sound. You don’t hear Sands very much, and you see Drake hasn’t shaved at all, so he looks like your average joe. The sex is fine, but not that great, and after a few positions, Drake delivers a facial and that’s it. This is a substandard sex scene compared to the opener, that’s for sure.

We move to another scene and it’s Peter North and his girlfriend at a random house. They invite Steve Drake and Lana Sands to come in and watch a porno. The television shows a couple of women outdoors, with the sunlight directly on them, and they are simply kissing.

The next sex scene features Demi Fairbanks, Jill Kelly, and Vince Vouyer. The music again keeps going, and it’s a jazzy beat with bongos, and an island motif. Jill Kelly of course is a tanned, large breasted blonde that is a staple in 1990s porno. Demi Faribanks is a brunette with a landing strip, tanned body, curves, and large breasts. Vince Vouyer doesn’t immediately enter the scene, he waits for things to work through with the women. The women go with oral to start, while Fairbanks wears sunglasses and has wet, short hair. Vince Vouyer starts with giving the women oral, one by one, then he gets the women to blow him, and they are still outdoors. Vouyer brings a truck into the picture so they go into the back of it, and start to work through the sex. No condom here, and just straight sex with a couple of positions, a little bit of moaning, and then the money shot which lands on both Fairbanks and Kelly. This is not the best Jill Kelly scene, mind you, even though she looks great here. Both Fairbanks and Kelly look uninterested at times, and Vouyer just is in work mode, and well, good for him, that lucky devil.

Up next we are taken to a dock that looks like Marina Del Rey. There a young woman talks to a random dude about his boat and he invites her to his place. She obliges, and we are taken to a condo or apartment near Marina Del Rey.

The two start to makeout, and get to a bedroom, a set that looks like your average 1990s apartment. Frankie Layne and Tony Martino are the two actors here, and they both are tanned, and hard bodies. Frankie Layne is an older blonde, and it shows, with a thin frame, and small breasts. Tony Martino is a tanned dude with nothing that makes him special except getting it up when it matters. Layne’s rib cage shows here, she’s that thin, and while this scene isn’t terrible, the music takes you away from it all. The sex is normal to say the least, nothing too crazy, a few positions here and there, some ok lighting, but a lack of budget plagues this one. The music again drowns out the moans that you’re going to hear from Layne, and while the two have a little chemistry you can tell that Martino is in “work mode” and so the two just don’t gel that well. After a while with normal sex, there is a point where you get anal. A closeup reveals no condom, and a landing strip, with Layne taking it all in from Martino. After some anal, we go in for the money shot, and Martino lands cum on Layne’s face, and the music finally stops. The soundtrack is very annoying for this movie, and I’d rather hear the moaning to be honest.

After the scene is over we see a woman cleaning a pool. She walks over to a couple of guys waiting for her, and they start making out. This scene features Casey, Michael J. Cox, and Sean Rider. Casey is a very young girl here, with brunette hair, and an average body. The two guys are nothing special, and the lighting is miserable here. It’s an outdoor scene and it starts with a great deal of kissing. Casey looks uncomfortable, and I wouldn’t be surprised if this is one of her first porno scenes. The two guys know what they are doing, and try to go slow here, with the music coming through quietly and taking over the cinemascope of the scene. Casey gets on her knees and starts giving oral, and we still have this awful music that is just like listening to wind chimes. Casey keeps looking at the camera, you don’t hear her moan, she is just a vessel at this point. It’s this type of porno (gonzo) that turns people into meat, and well, it’s just there, this is just a sex scene. Both guys look bored, Casey is doing her thing, but the guys are bored and it’s hilarious to see. There is no passion here, there’s no double penetration, and the scene ends with the guys throwing Casey into a pool. That’s it. What a terrible sequence.

Up next we see Lori Michaels in a convertible. It’s an expensive one too. She pulls over to pick up a hitchhiker, and it’s Vince Vouyer. She asks if Vince has a big penis, and then invites him to get into the car. She then lets him drive the car, and that’s it. We go back to her place, and the two start to make out.

This next sex scene features one of my favorite actresses, Lori Michaels. Lori Michaels starts to blow Vince Vouyer and the music here takes over, again making it a crappy scene, but with Lori Michaels, I’m all in. Lori Michaels is a thin, older looking brunette, and reminds me of someone I know. She has small hands, and a small mouth, and she looks passionately at Vince Vouyer as she takes it all in. There’s a bit of passion here, and something that is missing from the rest of the scenes. The set here is a random bedroom, with a red comforter, white walls, and nothing special to it. The two get on a bed and start having sex. Vince Vouyer puts on a condom, but through the sequence he holds his penis hard, and it looks as though he’s used a penis pump and wants to maintain his erection here. I’m not sure what’s going on, and at one point it looks like Lori wants him to go in deeper. She keeps checking to see if his condom is on, which is an odd thing to see, and while she does relax a little, the sex is normal, and nothing to really write home about. The two go through multiple positions, and eventually Vouyer can’t hold it in so he slips out and cums on Lori Michael’s face, and that’s the end. She blows him at the end and lets him cum, and then just takes it all in. Lori Michaels is one of my all time favorite porno actresses, so while this scene lacks a little gusto, it’s still worth watching, at least for me, and well I liked it.

After this scene is over, we are taken back to the Peter North apartment, and we see the women getting hot. They want to have sex, and well, the women exchange partners from earlier.

On a red comforter, we see Lana Sands, Marine Cartier, Peter North, and Steve Drake start to make out for a four way sex scene. The scene starts with the men giving oral to the women, and we hear a soundtrack of techno music start. This time it’s a little more quiet than the other scenes, and we get up close and personal with the oral. The lighting here is great, and the women are hot. Lana Sands giving Peter North a blow job is a premier element of this scene, and definitely a standout amidst this one. Marine Cartier is beautiful here, and is in a nice dress, and while I’m not a big fan of Steve Drake, she makes this one look great. There are no condoms here, and the majority of the sex is taken to a backseat because the director focuses on a wider lens. There’s a lot of oral, here, and not nearly as much asex, although there’s some insertion here and there. Cartier looks bored at one point, and while her and Sands create a good chemistry, the guys seem confused as to what they are doing at times. After some back and forth, position and partner changes, we get a money shot, and that’s it. Kind of a lackluster scene. The best part is definitely the starting point where Lana Sands is blowing Peter North, and she does well throughout, blowing him at the 1 hour 58 minute mark again and showing off her skills. It looks like Drake gets the money shot here, and while it’s adequate, it’s not as good as what Peter North can do, and well, that’s fine. This scene is not great, and the music once again muted the moaning. Peter North eventually gets a turn for the money shot, but the director doesn’t seem to show him that much, and he says, “Steve, I got your wife in the eye”.

The scene ends, and we are taken to a leopard print comforter. It’s here that Tracy Love is in a small sweater, and is talking to Ed Powers. She has no underwear, and Powers talks to her, interviewing her for this. Thracy Love is a cute girl, she has chubby cheeks, big red lips, colorful eyes, dirty blonde hair, and a thin frame with medium size breasts. She’s not that hot, honestly, but she must be new here.

After the initial interview with Ed Powers, Tracy Love starts to massage Powers. Ed Powers and Tracy Love engage in a little oral before starting to get into the sex. After the oral, Ed Powers gets into doggy without a condom. He’s not a huge guy, and he’s quite hairy. Tracy Powers is cute, and takes Powers deep. This scene has her moaning louder than the music, which is always interesting to hear, and it’s not a bad scene if you like gonzo, and amateur production. This stands out, as Powers at one point sticks 3 fingers in Love’s anus then goes for anal. During anal, Love really starts to moan, and while this is a dirty sex scene, it is true to life what goes on in the many different bedrooms of America and around the world. This is kind of like the bottom run of porno mind you, not really offensive, but not sexy at all. Two people that are not sexy having sex, and probably having more fun than you are. After a great deal of anal, Powers cums, and that’s the end. Love is a bit disturbed, and doesn’t seem to be having that much fun, looking at the camera, and trying to play up the ending, and that’s it. Powers is a lucky son of a gun, that’s for sure.

The scene ends and that’s it. Tracy Love really wants to be a part of the porn world, and isn’t satisfied here. You can tell. She’s attractive at the end, but overall, she’s just another actress that I’m sure will be forgotten.

I give “Pick Up Lines 3” a 2 out of 5.

Despite my appreciation for Lori Michaels, there’s nothing that can save me from giving this a higher rating. The music was too loud, the moaning wasn’t loud enough, and there was just something lacking in the movie. I liked it enough, and the opening and ending scene really got my attention, so for that, it gets a 2 out of 5. I do like the collective actors in this one, but unless you’re collecting the Pickup Lines series, I’m not sure that you’re going to want to buy this one. Maybe stream it.

You can stream, download, and buy "Pick Up Lines 3" by clicking here, and well, help the site out.

A Little Piece of My Heart (1997)

A Little Piece of My Heart (1997) Poster

Today we go back to the year 1997 for a little bit of a surprise. Well, not to me, but to you. Here we go into a scene that features many talents, from Metro Studios comes the movie called “A Little Piece of My Heart”. This is a movie that stars Stacy Valentine, Shay Sweet, Tom Byron, Alyssa Love, Davia Ardell, Ron Jeremy, Julian, and Vince Vouyer. I’m a fan of Stacy Valentine, and never got to interview her, but would love to talk to her about some of the work that she’s done. Maybe one day. This is a movie that was heavy in rotation on the Spice Network Cable Channel in the late 1990s, which is why I wanted to go back and see the hardcore version. This movie is written and directed by Jace Rocker, and it is a starring role for Stacy Valentine. The movie isn’t shot on film grain or anything. It’s above the gonzo level, but it’s definitely plot driven.

We start a movie in 1969 in Texas. We see Tom Byron and Shay Sweet watching television and on it is a documentary about Vietnam. Byron plays a redneck, and he is upset about the big issue. Shay Sweet tries to calm him down, with some of the worst acting. Byron has some acting chops, but Shay Sweet doesn’t seem to have much in the acting department. Byron says that he is going to get some medals to show off to Sweet and that may turn her on. So he comes out with a few boxes and shows them off. He then pulls a blue box and talks about how he got shot in the penis. He then opens the box and there it is, a penis in a box! Sweet starts to talk a bit, and Byron asks for her to put her hands on it, and well, you could very well know what’s going to happen next.

Shay Sweet and Tom Byron start to make out, and undress before getting into their sex scene. Shay Sweet is a blonde haired, midwestern looking girl, and Tom Byron is a legend in the business, but here he has short hair and an earring instead of his long curly hair from other movies from the same decade. Shay Sweet is an interesting blonde with a shaved pubic region, no condoms are used, and she reminds me of a Texas escort that came through Culver City in 2011. I believe it was the same person, but hey, what do I know? The two have sex in a trailer, and the whole sex scene is on a brown couch. After a few positions, oral, and sex, Byron asks to stick it in her butt, and she obliges. He goes in for anal very slowly, then goes through the sequence until he finally can’t keep going and cums all over Shay Sweet’s chest. She has A cup breasts, and a girl next door look to her, and Byron just cums, and that’s the end of their sex scene. The couch is horrendous looking, and the music track doesn’t back the year, but hey, it’s a standard opener in many ways.

The scene shifts and we see an old beat up VW Bug come to the trailer park. It’s there that Stacy Valentine comes in and finds him and Shay Sweet getting their clothes on. Valentine has a southern accent and she gets very mad at the two, and she’s far better of an actress than Sweet. Stacy Valentine comes out of a bedroom with a suitcase and says that she’s leaving Byron. She says that she’s never been with another man, and that she’s tired of him, so she’s leaving! This was a fun scene, and both Byron and Valentine steal the show. She is on her way to California, and that’s that. We see Valentine on the side of the road with her thumbs out, and a classic Ford Mustang pulls over. It’s a hippy looking dude and he has no problem taking her along for the ride. This is a full hippy dude, and the acting isn’t half bad. The two start a conversation and then make a plan to go to San Francisco, but first, they want to get high and listen to some “tunes”. We get to the hippy’s house, and it’s totally decorated from the 1960s, and it’s hilarious to see the thought that went into the set.

Stacy Valentine and Steve Hatcher start kissing on an old looking couch, and that leads to sex. Stacy Valentine is an iconic, curvy blonde, and this movie was shot after she had breast augmentation. Steve Hatcher is dressed like a hippy, and the two don’t break character through this sex scene. Valentine’s breasts get exposed right away and the two start a very sensual romp, with a bit of 1960s guitar rock. The ambience is good, and the sex starts slow. Hatcher gets hard fast, and the two have some great chemistry in this one, with Valentine showing off her breasts and skills throughout this one. Hatcher must’ve been in love because he had one hell of a hard on to start this scene, which is a rarity amidst porn movies that I’ve been reviewing. I don’t blame him, I’d have given my left foot to get some action from Stacy. The two work through oral and then get to 69 at one point, and this is all done the couch of this psychedelic apartment set. After some time, Stacy goes for reverse cowgirl, legs wide open for the camera, and there’s no condoms used. She’s partially shaved, and Hatcher doesn’t lose his facial hair or hippy vibe throughout. The music works well here, it’s like Hendrix type stuff, but not as good obviously. The sex is adequate, Valentine moans a bit, and then Hatcher eventually cums on her face and she blows him a little after the fact. That’s my favorite part of these movies, honestly, as it’s a personal tick of my own.

The movie continues and it shows Stacy Valentine calling her sister to tell her that she’s starting a new life. Steve Hatcher tells her to see a guy about making movies. Then we go through the motions of seeing what Tom Byron aka Billy Bob is up to. He is visited by Valentine’s sister, and Byron gives her a few pick up lines. She then succumbs to his guile, and she starts to blow him.

Alyssa Love and Tom Byron have sex on a makeshift bed outside, and it starts with a simple blow job. There’s some instrumental rock going on for this one, and Alyssa Love is a brunette with a blonde streak in her hair. She’s partially shaved, and she looks like the girl next door type, with an all natural, young body. Byron goes in with her slowly, not going too hard or fast for the opening of the sex. Eventually they go into standing doggy and he starts to go a little faster, but at the same time doesn’t go deep, allowing for the camera to catch the insertion. There’s not a lot to this sex scene, and the two don’t have a lot of chemistry. It just feels very mechanical, and even the moaning is a little bit off. Yes, it works, Byron gets it up, Love goes through the motions, but it’s obvious that the two are just phoning it in for the most part. Eventually, Byron needs to cum and gets up on the bed and drops a load onto Alyssa Love. He cums on her tongue, and Love just receives it, and that’s that. After he finishes, she blows him a little more, and that is a saving grace to the scene.

The scene ends, and we are back to just kissing and talking. Then Love snitches on Stacy and where she’s staying.

We go forward to see Stacy Valentine in an office with Ron Jeremy. He says that he wants to work with Stacy, and that’s where Davia Ardell comes in. The two will start to have sex in this scene.

Stacy Valentine and Davia Ardell have lesbian sex in an office. This is supposed to be the casting couch, and it shows off both blondes that have very large augmented breasts go at it. The two are very similar in the way that they look, size, shape, and pubic hair. There’s a lot of oral on this one, moaning, and quivering, using fingers, and a process of lesbian sex that you’d expect from heterosexual directors. They seem to enjoy the process throughout, and you get to see Ron Jeremy watching a little. The set here is a casting couch set, with Jeremy using an older style camera to capture the footage, which the director pans to from time to time. Overall, however, it’s Valentine doing a lot of the action, giving you a lesson in how to give a woman oral pleasure. This is just the women having sex, and that’s it, the end comes through and we go back to the apartment from before.

In the apartment the hippies just talk about how the future. Things are somewhat normal, the hippy house is dark, and Hatcher is playing a bass guitar. Stacy is given an offer to stay but she decides to go to a movie set where she’s going to be in a science fiction movie.

On the movie set we see Davia Ardell talking to the director, and he’s playing an Ed Wood of sorts. There’s another guy that is in frame that is looking like Bela Lugosi. It’s funny to see. This is a scene that features an Ed Wood looking scenario. This is a hilarious send up to Ed Wood, and I had a good laugh at how it was playing out.

The next scene features Davia Ardell and Jonathan Morgan having sex. It starts with a blow job, and then moves into full blown sex, with Jonathan Morgan pretending to be Ed Wood, which is funny to say the least. Davia Ardell has the body so similar to Stacy Valentine’s that I almost thought it was her. She’s got different hair and hands, but the rest seems similar, and this scene showcased enough of that. Davia Ardell goes in for a blow job, and the two commence with having sex on set of a movie. The scene is adequate, with Ardell moaning a lot and Morgan going at it from behind, using his knees to and torso to dive into the Ardell’s waiting pelvis. The two go through a few positions, but since they are outdoors, there’s not a lot to it. There’s no condom use here, and the music is a psychedelic push that isn’t half bad, it’s just instrumentals that loop after a while with some nice guitar work. Morgan stays up for the challenge and does nearly all the work wearing sunglasses, as Ardell receives every push forward. After a great deal of pumping, Morgan cums on Davia Ardell’s face, and that’s the end. This isn’t a huge money shot at all, but it is functional, for the sequence.

There’s a quick cut to Billy Bob driving a truck and he says he’s coming to save Stacy. Then we go back to the scene of the movie being filmed, and it features Julian and Vince Vouyer in grass skirts calling for Congo, the ape. This is supposed to be a monster flick like King Kong, but it is beyond hilarious to see how it works out. When the frame starts it shows that the director is “Dead Wood”, which is a nice tribute. The two guys run into a hut and take out Stacy Valentine to sacrifice to the big ape, and you get a King Kong looking sequence which isn’t terrible, but it’s definitely low budget and just hilarious to see. They put in a midget stunt double and Congo picks her up and takes her away from the scene, and that’s it. After a few moments we see Stacy Valentine come out and the scene ends.

Meanwhile at the psychedelic pad of Steve Hatcher we see the hippy couple surrounded in smoke. Billy Bob shows up and is shocked to see what is going on. Bob asks where Stacy is, and eventually they give her information and Billy Bob runs out ending the scene.

Moving right along Ed Wood’s parody says that the movie is a wrap. The two guys then ask Stacy to come with them so that they can show her a few moves. They then go into a hut where there’s a bed in place, and they start to work through a few kinks.

Stacy Valentine immediately starts blowing Julian, and Vince Vouyer. Vouyer isn’t hard immediately, but Julian gets it up first, and that’s what Stacy really focuses on to start. However, within a few minutes of tugging along, Vince gets up too. It’s always awkward to see male stars tugging and not hard ready to go, but this one worksout well enough because within a few minutes Vince Vouyer sticks it into Stacy without a condom, and just pushes through with gusto. There are a few position changes before long, and the guys switch up. Vouyer lays down while Julian goes in from behind, and the two exchange positions, and partner up to go through various holes. At one point I almost caught a boom mic around the 1 hour and 12 minute mark and that’s funny to me. This is a standard sex scene at times, with Stacy moaning, psychedelic music coming through, and the hut set looking like a Tikki Bar. Fans of Stacy Valentine will love her double teamed here, especially with two facials here. First Vince drops a load on her face, then Julian follows up. I was expecting a double penetration spot, but that didn’t happen. When the guys cum, she gives them one last blow, which is always sexy, and that’s the end of this sex scene. It’s not very long, mind you, but it works out well enough, with Stacy seeming to enjoy herself in this one overall.

After the sex is over, Billy Bob shows up and tries to steal Stacy Valentine. However, as he tries to take her away, Steve Hatcher the hippy shows up and knocks out Billy Bob. The two kiss and get into the Mustang and Stacy says, “This time I’m going to give you a little piece of my heart”, and that’s the end of the showcase.

I give “A Little Piece of My Heart” a 3 out of 5.

Overall, Stacy Valentine is one of my favorite starlets from the mid-1990s. In this movie, she does a lot. Don’t get me wrong, her acting is good, she has a magnetism to her role, but the overall sex, and plotting is a bit off, and kind of boring. Without her pushing things forward, and more fascinating sex, it’s just another release. I will admit, there are a couple of good sex scenes, but that doesn’t get it past the 3 out of 5.

You can buy “A Little Piece of My Heart” on DVD or streaming for as little as $3.99 by clicking here.

As Sweet As They Come (1998) Review

As Sweet As They Come (1998) Poster/DVD Cover

When I first discovered adult entertainment, one of the starlets that I personally loved was Raylene. To this day, I think she’s a very unique person, and love her interviews. I would love an opportunity to interview her for this blog, and shoot the proverbial breeze about what is going on for her today and in the past. For this review, we are going to visit 1998 for a F.J. Lincoln directed release on Vivid Video, and it is called “As Sweet As They Come”. It is a movie that is starring Raylene, and features many other actors from the late 1990s adult video world. The stars of this release include, Kristina St. James, Randy Spears, Nick East, Peris Belau, Vince Vouyer, Inari Vachs, Teri Starr, and is about 74 minutes long. There’s a focus on sensuality up front, but you know it has more production value because it’s a Vivid Video release with a contract girl.

The opening scene, including credits starts with Randy Spears and Kristina St. James making out in front of a fireplace inside what looks like a condominium. It’s not a random warehouse set, it’s simply a condo looking area with a fireplace going. Kristina St. James asks to be blindfolded, and Randy Spears slowly brings her to getting locked up with handcuffs as well. Kristina St. James at this points looks a little older, has breast implants, is blonde, and is a bit larger than many of the other models at the time. That’s only to say that she’s built like a pin up model, where as Randy Spears plays that older man role well. The two start slowly, and then increase the passion slowly, as and eventually move from the carpet to a bed. The standard sex scene begins, with smooth jazz as the background. Spears is not a giant, he doesn’t have a big penis or anything, but more so an average one that lasts a bit longer than most. The starting blow job, however, doesn’t yield good results at first as Spears is not hard, and it seems like he needs help, before he eventually gets things up. St. James keeps her lingerie and hose on while she is blindfolded, and the music cuts in and out at times. Spears for the most part stays hard and goes through a few of the positions you’d expect, alternating speeds, and staying hard throughout. At one point going as hard as humanly possible, with St. James moaning and nearly screaming. There’s no condoms here, so it’s all raw. St. James gets really wet here, and Spears seems to do well with her overall. Throughout the scene the camera cuts to Raylene in a bubble bath pleasuring herself. Spears eventually finishes and gives a money shot on St. James face, still blindfolded, mind you, and that’s the end of the sex.

The sex scene ends and the camera goes to Raylene in a tub and she pleasures herself a little, but only for a few seconds as we move to the next scene.

We move forward and Raylene is studying at a kitchen table when Randy Spears shows up. Raylene says she has quiet sex, and Spears tells her that she’s going to be alone all weekend. The two discuss that Raylene isn’t having a great time with her lover, and the two start to discuss sex advice.

The movie, and I use the term loosely this time, shifts to Raylene and Nick East studying. Raylene starts to give Nick East a blow job, and it’s slow, the lighting is dim, and you can barely see what’s going on, but it’s passable. Mid blow job, however, the camera goes to Randy Spears, Kristina St. James, and Peris Bleau at a swingers club where he’s getting a blow job. But in true directorial fashion, the director cuts back to the house and Raylene is dancing for Nick East, in front of a fireplace. Raylene gets mad and East says he’ll never understand women.

The scene shifts again, and this time we see Inari Vachs, Terri Starr, and Vince Vouyer on a couch at the swingers club. This is just sex with Inari and Terri taking turns blowing and having sex with Vince. Vince is just a hard penis here, no sort of acting, just straight forward sex. The highlight is seeing the women actually wet, and cumming at various stages, including one point where there’s anal sex. Vouyer for his part actually gets into this one, and is hard throughout, with the women really moaning and enjoying it. The camera goes around various points, but mostly sticks to the penetration elements. One woman uses a glass dildo as well, and the set is a warehouse with smooth jazz playing underneath it all. Anal fans will love this one as it is mostly anal, towards the end of the scene. Vouyer eventually can’t hold it any longer and cums on one of the lovely lady’s vagina, and that’s the end of this scene.

Raylene is in the kitchen, and Randy Spears shows up. Raylene is topless, and Spears says he would totally have made love to her, but Kristina St. James shows up and the two don’t go any further.

The scenes move again and this time we see Nick East in front of the fireplace, and Kristina St. James comes through and asks if he wants to talk about the issues he’s having. He declines and in comes Raylene in a school girl outfit, and the two start to make out a little.

Raylene and Nick East start to kiss, and this leads to sex. This occurs in the condo setting as the first scene did, with low lighting, a fireplace going, and sensual movements. There’s smooth jazz playing again, but you see everything this time around with a bit better visualization. There’s a good amount of kissing at first, and eventually a blow job, oral, and Nick East going through the motions of sex. What makes this scene interesting is not so much the sex, which is adequate, but that the story line continues where Raylene is silent for the most part. This goes back to the conversation that she had with Randy Spears, talking about how the sex wasn’t that great. So the two have sex, she’s nearly quiet, and around the 43 minute mark you do not get any music. This is an interesting play on the story arc that is found within porn, and something that most people probably didn’t pick up on. Bravo to the director and talent here having sex as quietly as they can, to further that aspect of the script, even though Raylene’s body shows that she was tensing up, sweating, and having a great deal of fun with East. This alone makes this movie a bit better than most. If you like slow, basic eroticism, this scene will definitely get you going, especially when you start to notice what’s really going on and Raylene not acting, but rather enjoying the process a bit more than usual. She lets out one moan, and then gets on top of East, before he eventually cums in her face, and that’s the end.

The scene ends, and we are taken to a hill top where Raylene is just working out. Randy Spears is watching her, and you get a look at Raylene’s young body, a far cry from her milf body that she has now. Still as beautiful if you ask me, but different in many respects. The two start to talk, and then the scene shifts to just working out. Spears and Raylene non-sexually working out. Meanwhile, Kristina St. James and Nick East are at another part of the house discussing what is wrong with Raylene and Nick. The camera cuts back and Randy Spears makes a pass at Raylene, and the two start making out with the sunset in their backdrop.

The scene moves to Spears and Kristina St. James talking in bed, and Spears gets up to get a snack. He runs into Raylene and puts his hand down her panties, and says she’ll get at her later, but first a snack. Then Raylene and Nick east start talking and end up just studying. The scene shifts and Kristina St. James starts giving Nick East a lesson in seduction.

Kristina St. James and Nick East round out the next scene, the two starting to kiss, and James telling East to taste her, which leads to smooth jazz playing and of course, sex. The music is stellar here, while the sex is average at the start. St. James does give a good blow job, and she is wearing white lingerie and heels. She gets into the action around the one hour mark, and the two start to have sex, going doggy style first, well, standing doggy, which isn’t half bad. Nick East isn’t huge, but he sure is hard, and Kristina guides him into her several times, as she moans and plays with herself through the motions that he brings through with his hips. The ending features St. James blowing East until he cums on her, the blonde swallowing a load then sucking more, and letting East know that he did a good job. St. James is a true milf at this point with long blonde hair, and a seductive smile.

The final scene features Raylene in the bath tub when Randy Spears comes inside. She stands up, but Randy Spears says that she can stay in the water, and the two start to kiss. This is a sensual sex scene, and it starts with romantic jazz music. This end scene is only about 8 minutes long, but it has the sensuality that you would expect from the story line in this movie. I found that the story line is specific, and there’s a sensuality to the sex here. It’s a good overall sex scene, with Raylene opening up, moaning, smiling, and Randy Spears having fun with her, making this an interesting sequence of sex, with passion and more, which I liked, although it wasn’t very long.

I give “As Sweet As They Come” a 3 out of 5.

Over the course of the movie, this one only has about two good scenes. Randy Spears is the best actor in this movie, and Raylene does great too. St. James wasn’t bad, but the whole movie just isn’t that great. It’s a standard porno from the late 1990s, and if you’re not a big fan of Raylene, then you won’t like this, but if you’re a fan of plot, Raylene, and Randy Spears, then you’ll love this one. It’s adequate, not too long, and decent on a few levels, just not perfect.

You can purchase “As Sweet As They Come” including a DVD, streaming VOD, and much more by clicking here. Raylene fans will love the few scenes she is in, as she does well.

Jenna’s Revenge (1997) Review

Jenna's Revenge (1997) DVD Cover and Poster

I haven’t reviewed a lot of movies that featured Jenna Jameson. I’m not sure why, but it just hasn’t happened. Yes, I have a few, but not nearly as many as you’d expect. It’s for that reason why today, I’m going to be reviewing a movie from 1997. Now, I did see this movie on cable, when I was a teenager, watching the Spice Network, when I shouldn’t have. This movie is none other than, “Jenna’s Revenge”, and it stars a lot of heavy hitters. The stars of this movie include, Brad Armstrong, Eric Price, Holly Body, Jake Steed, Jenna Jameson, Jill Kelly, Johnny Black, Mark Davis, Marc Wallice, Papillon, Ruby, Sindee Coxx, Tony Tedeschi, and Vince Vouyer. These are all stars that I have seen in the past, and some are more famous than others. Whatever the case may be, the movie is one of the classics of 1990s porno, but is it worthwhile today? Let’s review it and find out.

The movie begins with a bar scene. We are taken into a bar where Jenna Jameson shows up and starts being catty with the bartender. She goes in and asks for a drink, and she is snotty. This is prime Jenna Jameson, with long blonde hair, breast implants, and make up done right. The bartender delays in pouring drinks, and eventually gets one to our main star. In the bar, a random dude asks what she’s looking for and Jameson replies, that she’s looking for a man. There’s a man in the bar that says he’s the one she’s looking for and they go outside to talk. Jenna gets a little roughed up and she says that she needs help with her husband. She needs someone to take care of him. From there we are taken to our first sex scene.

The screen fades and you are taken to a bathroom in which Jenna Jameson is in lingerie on her knees, and she’s blowing Tony Tedeschi. There is an incredible amount of chemistry in this scene, especially from Tony, as he’s rock hard in this one, no joke, and Jenna is working him over in a way that few scenes seem to focus on. There’s an orchestral movie theme playing as the two get things moving forward, and it’s truly a sight to see. Jenna here is in her prime element, and the lighting, set design and overall cinematography lends itself well to this release. Tony Tedeschi looks like he’s going to blow his load several times, and I’m not sure how he keeps it together during some of the initial blow job sequences. Jenna just goes to work, with long passionate strokes, and deep throating at times, making this one of the better sex openers I’ve reviewed in a long time. There is no sex here, it’s just a blow job and a facial, and that’s it. Tedeschi cums on Jenna’s face and she continues to blow him after, making a mess and then sucking on afterwards, creating one hell of a sequence, and truly opening up this movie in quite a striking fashion. The scene is shot in a bathroom inside a mansion, and it’s not half bad.

The scene ends, and Jenna tries to act, and it’s not great. But she wants to get away from her husband, and wants him dead. The dude says he’s not interested. The character’s name is Ray, and he gets into a hummer, before he finally decides to say yes to helping out the poor woman. He agrees to help, and then we are shifted to another scene. This other scene features Tony Tedeschi in an office, and he is talking and then leaves. But leaves behind a random office dude, and Jill Kelly. The two are the next two to get it on.

Eric Price and Jill Kelly start out with a blow job sequence. If you’re reading this blog regularly, then you already know that I’m a big fan of Jill Kelly, and would love to meet and interview her one day. Not sure if that will ever happen. In this scene, she puts on a showcase, outdoing the chemistry that Jenna had in the first scene, and going deeper than her in the blow job. She deep throats, she sucks, she strokes, and the music makes this scene seem a lot more creative overall. Jill Kelly sports the classic swimsuit tan line, and has high heels on as Price gets to initiate oral after some time. The sex is adequate, but not that grand, with Price cumming fast, and getting some anal in for good measure. He cums so fast the scene barely gets you aroused, and then finishes on her stomach. Kelly couldn’t have been satisfied here, and the scene cuts to black before sending you back to the mansion for another part of the story.

Tony Tedeschi is seen coming home, and he’s in his full business attire. He walks into a bedroom inside his mansion and there he finds Jenna Jameson. She asks how his day was, and then she gets mad at him, and yells at him to pay attention. He then threatens to call her psychiatrist, and that ends in her yelling. Jenna goes to the phone and calls Ray. He asks for 100,000 dollars and a picture of her husband, and he’s going to take care of him. Jenna then quickly hangs up the phone, and the deal isn’t necessarily done. Tony walks into the kitchen and Jenna is in there, he asks if she’s going to go to bed soon, only to have Jenna yell again. She’s desperately wanting out of this marriage that they are in. It’s here that Jenna takes her long hair and starts cutting it, leaving strands all over the floor and crying as the orchestra plays on. Later, she goes to the designated drop off spot, and delivers the 100K in money, and our antihero Ray goes to pick it up. This was shot in Los Angeles, and it’s painfully obvious that it was. Oh the good times, I used to live there. At this point, the movie has more plot than sex, so if you were waiting for lots of sex, you’re not going to get it here, it’s just not going to happen. There’s a lot of plot and dialogue. The movie continues and we are taken back to the mansion, after a brief interaction between Ray and Jenna, where Jenna comes home to Tony, and gets a surprise. Tony says he has a surprise for her, and well, it is a gift. Tony hands Jenna a blindfold. He then leads her to the pool area of their home.

It’s at the pool where Tony starts to give Jenna oral, and then out comes Sindee Coxx. Sindee begins to take over with the oral, while the music turns into another orchestral sounding rock tune. This is very much the same kind of music you’d hear from a Cannon Films release. It’s actually kind of good, and the soundtrack should be available for download. The scene is outdoors, and then slips into the pool a bit. Coxx has long blonde hair, and is skinny, Tony gets in on the action as well, but this is mostly just oral for the starting line of the scene. Eventually the blind fold comes off, and Jenna and Coxx give into Tony. But it’s mostly just Coxx. Jenna disappears after a few moments, and leaves Tony and Coxx to do their thing. Jenna gets mad when Tony is having sex with Sindee, and runs off. After a few more strokes Tony cums on Sindee and that’s the end of this scene.

The scene shifts, and it’s Jenna driving to the bar where Ray’s at. I believe Ray is played by Brad Armstrong at this point. The color from the film turns off, and it’s black and white. This features Jenna on the bar top dancing for Brad. She goes topless and in comes the classic guitar rock, and this is quite the scene. It gets quite sexy, and right when she puts her legs around Brad’s head, reality calls and color comes back into the scene, changing the scenario back to reality. The two start to argue. Then kiss, and they start to go forward with gusto towards sex.

Jenna Jameson and Brad Armstrong start to have sex in an alley way. Jameson immediately pulls out Armstrong’s member and starts to blow him. He gets hard instantly, and she really works him over, much more passionately than she did in the opening sequence. This is not a long scene, with Armstrong putting it into Jameson while she rests on a Hummer. He goes forward through a couple of positions, always standing, and eventually cums on Jameson. There’s a melodic guitar rock tune here, and it’s straightforward, no nonsense sex. There are a few moments where it seems like this is going to turn into anal, but it doesn’t, Jameson just keeps things in one area, and there are no condoms here. Eventually Armstrong can’t keep it together and cums on her face, and that’s the end of the scene. Jameson and Armstrong have unique chemistry in this sequence, and it’s quite hot as you see her green eyes throughout the sex. Not a bad sequence, but it’s outdoors and has bad music.

Jenna Jameson comes home to her mansion and Tony is playing pool. The two argue and he slaps the crap out of her. She then runs to Ray, and says that he needs to take Tony out. The sequence then shifts to Ray driving, and a part commencing in two places. However, the scenes shift to the bar again. Inside the bar there is a three way sex scene about to happen.

Holly Boddy, Jake Steed, and Mark Wallice start to kiss and start working through some vibrations. This is a fast moving scene, with Boddy getting naked first, then blowing the two guys, on a pool table. The music is a trip hop track that isn’t all that good. The two guys seem to work well here, and while it seems like one isn’t as hard at first, he eventually gets there, and Boddy does a lot of the work while wearing heels. After several positions, the movie moves into a double penetration. The double penetration gets the guys moaning more than Boddy, but it’s a unique sequence with a trippy soundtrack. Eventually one of the guys finishes on her lower back, and then the other just isn’t on screen that much. It’s an ok sequence, with a predictable finish. This felt like filler if you ask me. Holly Boddy is a tanned woman with black hair and large breasts.

After the sex, Ray comes in and talks to the owner of the bar and gives him the lowdown on what is going to occur. That shifts to another scene, and we are at the mansion again, there’s a party going on, and it has a lot of women and men there, all dressed up. It’s a swingers party from what I can tell, and it’s interesting to see who is there, as it will no doubt lead to an orgy scene, right? You know it.

Jenna Jameson, Johnni Black, Papillon, Ruby, Mark Davis, and Vince Vouyer all start to have sex, and it goes from party to sex right away. There’s no condoms in sight, and all of the women are beautiful, and moaning at different points. The camera moves around to different people, different movements, and it’s interesting to see. It’s an orgy, and it looks like a lot of fun, if you ask me. The lighting is nice, the mansion setting is good, and the focus is all on the women, with lots of pretty tanned ladies with fake breasts, and shaved pubic hair. There’s not much that can be said about this one, there’s a lot of sex, and multiple cum shots and that’s the end.

The scene ends, and in comes Ray with a gun. Jenna asks where he was, and asks him to kill Tony. There’s a stand off! Jenna pulls out a gun and says she’s sick of Ray, and then there’s a Mexican standoff. The lights go out and someone yells, “NO”, then fades to black. We are taken to another scene. It’s Jenna digging a hole, it’s in black and white and we don’t see anything but Jenna, a body bag and a hole. The narrator eludes to the fact that she killed both of them, and that’s that. Fade to black, roll credits, Jenna wins.

I give “Jenna’s Revenge” a 4 out of 5.

I have to give credit where it is due, “Jenna’s Revenge” has everything you want in a porno. It has a lengthy story, with some sex thrown in for good measure. The start is in the movie a lot, she has sex a great deal, and gets revenge on the people she needs to get revenge on. It’s a good movie that is worth picking up if you’re a fan of Jenna Jameson, and the rest of the cast. It’s plot heavy, not sex heavy, although it doesn’t shy from hardcore, including double penetration. A good overall showing if you ask me. Not perfect, but really good overall.

You can purchase “Jenna’s Revenge” on streaming or on DVD by clicking here. If you’re a collector, you’ll definitely want to add this one to your Jenna Jameson and Jill Kelly collection, for that matter.

Betrayed (1996) Review

Betrayed (1996) DVD Cover 

I’ve talked about the Spice Network before. If you don’t remember the Spice Network for cable television or later the Hot Network, you don’t really know how terrible cable pornography was. You see, back then, whenever you would order a 4 hour to 8 hour block of Spice Network, they would play several movies within a block of time. You could get 2 or 3 movies, sometimes 4, and it was all random and for only about 5 bucks or 8 bucks depending on your provider. I bring that up again because I first was exposed to Jenna Jameson through The Spice Network. Not only that, when you see the footage from those times, there is no penetration, and no erect penises. They are always blocked off, and you only see the bumping and grinding. Well, it’s 2018 and I have an official XXX release of “Betrayed” which stars Jenna Jameson, from 1996, and I can finally see it without the censorship that cable television in the 1990s had. So this is an exciting start to today’s review which features high production value, stars Randy West, Ruby, Sindee Cox, Vince Vouyer, Steve Drake, and Jenna Jameson.

The first thing that you’re going to notice about this movie is that it has some great overall music. The musical score is tremendous, and I was absolutely floored by the tension that was created throughout the opening. The start of the movie features a roaming camera inside a bar, with stellar editing from Greg Steel. The art director is Rod Hopkins, and the director of the movie is none other than, Greg Steel. This is a higher budget porno and it shows at times.

The movie starts with Vince Vouyer and some random dude talking. They are in an alley and one has a Frys Electronics shirt on, which is funny to me. From this point we cut to the inside of a warehouse, and there are two people having sex.

Juliette Carelton and James Bonn are in the process of foreplay, with a techno beat that starts. Juliette Carelton is a new woman to me, a tanned medium breasted young looking woman, and Bonn is a standard stud. Carelton has a smooth body, and gets really wet for what Bonn gives her first of all. The warehouse scenery isn’t half bad, but I can’t get over the techno soundtrack. It’s a nice mix of loops, as you see Carelton give an impassioned blow job to a smaller sized Bonn. The sex begins, and thet wo go at it with Carelton moaning quite a bit. She’s not shaved, so if you like all natural, you’ll like her. No condoms here, just several positions and the two going through the motions of traditional sex. The techno beat is impressive, and the two moan together as they share some chemistry at around the 7 minute mark. Within a few moments from doggy style, James Bonn loses his erection and then tries to regain it for a cum shot, and it’s funny to see Carelton try to bring him back. There’s no real money shot, just a hard edit, and that’s the end.

Vince Vouyer knocks on a door, and it’s James Bonn’s warehouse, and the two start to talk. It’s Bonn’s long lost brother. The two go back to meet a guy that looks very menacing. He looks like The Kingpin of some crime syndicate and says that he will give Jimmy and his brother a chance to prove himself with a job.
After the trio talk, we are taken to a bar. There’s Randy West making out with some beautiful women.

Nadia Moore, Tatiana, and Randy West are making out in a bar, and the two brunettes are all over him. They are tanned, skinny, and they passionately take West into the erotic zone. Mind you, this is only 13 minutes into the movie, and there’s already two sex scenes, so this is not a plot heavy movie, as much as it uses sex as transitions to further the story along. There’s a bad rock soundtrack in the background, and I couldn’t help but laugh at it. Lots of bad percussion, and guitar riffing. West seems to be stuck to a chair while the women continues to grope, kiss, and let him suck. The camera angles are pretty bad here, and there’s a lot of blocking for what most likely was the Cable Television cut. You can’t see one girl blowing west as there’s a cup in the way, a chair strategically placed, and more. IT’s funny to see this, until the director zooms into the action for a spell. Randy West does his normal moves, sweating at one point tremendously, but still keeping it hard, going with straight sex until there’s a point where he slips it in one of the women’s ass. Then there is some anal sex going on, and it’s not half bad, but it certainly doesn’t have the chemistry that you’d want from a more sensual movie. It’s good, I’m not sure which actress gets anal, but she has black nail polish, and really does well here with Randy West. After a lot of anal, West eventually gets a dual hand job from the women, and eventually he cums but doesn’t shoot out, so one of them blows him while stroking and he yells out “DAMNIT”, probably because he doesn’t shoot a load. The best part is afterward they keep playing with him, which is a great overall element and sexual thing that I like, so good for him.

The brothers show up, and they ask what Randy West was doing, and he says he was interviewing a couple of waitresses. In comes a blonde haired woman with leopard print, and she’s fairly attractive. Nothing really to report here, just bad acting, and terrible camera work. Jimmy and his brother talk to her, and Randy West talks about how he they have a job to do, and then they leave.

The director immediately sends us to another sex scene.

There’s techno music playing, and a familiar woman shows up. It’s Ruby, whom I saw work with Julian, and enjoyed. The techno is ridiculous mind you. Ruby has long red hair here, and she’s having sex with Steve Drake. Steve Drake is a famous porno actor and I’ve reviewed several films that he’s been in on this blog. Ruby looks older here, a bit “weathered” if you will, and lacks that intimacy that she once had. She’s not fully shaved, and she’s jaded in this scene at some points. The music really is distracting. The set is a random bedroom scene, nothing special. And the lighting works well here. If you’re a big fan of Steve Drake and you’re a fan of Ruby, this scene may speak to you, but honestly, it’s forced, and the two lack a certain chemistry. Ruby’s teeth also distract me a bit. Eventually Ruby stops receiving oral from Drake to get on top and starts giving him a blow job. This is the most passionate of the scene, and you can tell that Drake is in work mode, not really enjoying the process. Sure, he’s a pro, and Ruby is also a pro, but these two do not have that raging chemistry that you may expect. Then again, maybe you don’t expect anything, and you want to just see pure sex. If that’s the case, this works, and Drake doesn’t use a condom to have sex with Ruby, who has an amazing body, and is definitely hot, and gets wet around the 35 minute mark. The more you watch, the more you get into the scene as she eventually starts screaming, and it’s quite odd. I was starting to wonder if she was really screaming, or it was part of the techno music, because it was very odd to me. Maybe it was all her, I don’t know. Drake does a good job of keeping it in doggy style and getting Ruby to moan a lot. I can certainly appreciate the moaning and screaming of Ruby, and the two seem to finally connect towards the end of the scene, with Drake cumming on Ruby’s pubic hair. She screams into orgasm as Drake pulls out and lets it all spill.

Moving forward, in comes the brothers with a gun to Drake’s head. They said that they want their money, and that they’ll give the dude 24 hours. Meanwhile, Jenna Jameson picks up the phone and tells the kingpin that the dudes didn’t kill Drake. He gets mad, and tells her to do the job.

Meanwhile, Vince Vouyer goes to the back of Randy West’s bar, and there’s Sindee Coxx. The two start to make out after arguing a little.

Sindee Coxx and Vince Vouyer start to make out, and then have sex. Sindee Coxx is a tall, blonde haired woman, and she’s one of the starts that I remember most. She doesn’t have huge breasts, but she has a beautiful face, and a classic “California” look. The two start to really get into making out, while a soundtrack plays of yet another techno song. The electronic music in this movie is better than most of the sex that I’ve seen thus far. Coxx moves fast, removing Vouyer’s clothing, in a dark basement, and starts to blow him. You see her eye’s, which are beautiful, before the camera shows you exactly what she is doing with Vouyer’s penis. There’s a lot of attention paid to the eyes of Coxx and not necessarily to the extreme action at times. I like her eyes so much, and she doesn’t take her clothes off right away, making this scene a stand out for the movie. Coxx has long black boots on, and the two have sex on a brown couch. They go through multiple scenes, Coxx moans, the two sweat, and you can tell that they actually have some sort of chemistry together. The director doesn’t make this sterile. There’s no wiping the sweat, there’s just pure eroticism, making this the best scene in the movie by far. Coxx isn’t fully shaved, Vouyer stays hard throughout, and her moans go alongside with the movements. Eventually Coxx wants Vouyer to cum on her, and he obliges by finishing on her chest. Despite the techno that was drilling my cerebellum, this is one hell of a sex scene, that features a great deal of work from both, and it’s not half bad. It’s the best scene in the movie, no doubt, and Sindee Coxx delivers alongside Vince Vouyer. The music though, geez.

Moving forward, the Kingpin yells at one of his cronies. He yells at him, and then he leaves. The Kingpin is on the phone again, only after Jenna kills a dude with a knife for being a cop. Then we go to another part of a warehouse, and it’s the Kingpin. He shows up and says, “we gotta go”.

The final sex scene once again features terrible techno music. However, this time around it has Jenna Jameson and Sindee Coxx having lesbian sex. The two women are really into each other because every position they put themselves in, they moan, and the director catches sweat, cum, and more. These two get so wet, the liquid glistens in the lights of the camera. Done in a red orange hue, the two women really go all out with tongues, fingers, and the likes. I’m not sure if they are really into one another, or they just had a great moment, but the scene is all lesbian sex with two hot blondes. It’s a knockout scene for fans of Jenna Jameson and Sindee Coxx.

After they have sex, in comes Vince with a gun, and Sindee confronts him. She asks where her brother is, and has to be told that he has been killed. The worst acting ever occurs, here, and the plot continues to thicken. Turns out that Vince is a cop. The Kingpin wants everyone dead. Vince shows up at Randy West’s bar and starts shooting up the place, and that’s how the movie ends. He gets his revenge, or something, I don’t know.

I give “Betrayed” a 3 out of 5.

I can’t give this movie any more of a rating because it only has a few good scenes. No, I take it back, it only has one great scene, and the rest is quite bad. If you’re a collector and wants to have all of Jenna Jameson’s scenes, then you should buy “Betrayed”. However, if you don’t, then you’ll only really love the Ruby scene, or the Sindee Coxx scene. Other than that, this movie is plagued by annoying music, and lackluster acting, and performance sex from the rest of the cast. It’s a solid 3 if you ask me, and of course, you didn’t.

You can purchase “Betrayed” from 1996, starring Jenna Jameson by clicking here. It’s worth it for collectors, and fans of the cast, so go get it. 15 minutes free streaming too, why not indulge a little?