Sluts of the Nyle 3: Cream Filled Sluts (2001) Review

Sluts of the Nyle 3 (2001) Poster

Well, after some time off, and switching computers, we have come full circle, and we are back to reviewing adult movies. For those of you that missed the reviews, you didn’t miss much, you got a review of a John Holme’s feature. Today, we are going to be going upwards to the year 2001. So we get into a new era of porno, this time around going with gonzo pornography, which I personally always hated. I still hate it. I’m not a fan of gonzo, but at times you have to review them for the most part. This movie in question that we will be talking about is that of, “Sluts of the Nyle 3: Cream Filled Sluts” and it came out in 2001. It was directed by Jewel De’Nyle and was distributed by Jill Kelly Productions.

Since this is a gonzo production, the movie flows right into what you would expect, showing off the sex, and you don’t get much else to start. The starting line is set, with the credits, then going into a bathroom where we see Jill Kelly in lingerie talking about how she wants to get started and go with Julian.

For the first scene, we watch Jill Kelly in a nice bathroom in the Hollywood Hills somewhere, next to a tub. Enter Julian, and she takes off his briefs, and starts to blow him immediately. The two were once a couple, so they have a bit of chemistry. If you’re a fan of Jill Kelly, then you’ll appreciate her skills here, as they are on full display. She sucks Julian off well with a blow job that is a little messy, alongside a track of techno music that is horrible. The angles are right in there, so you see the whole thing, and she really gets to the meat of it, so to speak. Kelly does well here, focusing on pleasing Julian, who gets hard immediately. After a bit of changeover, some more oral, and position changes, the sex begins. There’s no condom for this, so it’s straight sex, with the two going through the motions for the most part. Jill Kelly has her implants here, and she does ok with Julian, bu you can tell it’s just “work” at this point as she’s not nearly as vocal as she was when she was in “Car Wash Angels”, which is still my all time favorite from Jill Kelly’s career. The finish of this one has Jill taking a cream pie from Julian and that’s it. He cums, and keeps pushing in and out and you see the aftermath, and that’s it. The music is horrible, the bathroom set is fine, the lighting is ok, and the performance is mechanical, but if you love Jill Kelly, then you will appreciate this one, especially the blow job after he cums. It fades to black and we are taken to another scene.

Up next we see Jewel De’Nyle talking to the camera about wanting to get started. The bedroom she’s in is decorate poorly, and looks like someone’s house, or a studio. I’m going to say that it’s just a studio, because it’s so generic, and the lighting is not like a bedroom at all, it’s cast like a studio overall. There’s not much to this scene, as the music starts, and we are taken directly into the action. Jewel De’Nyle starts to blow Joel Lawrence and Mark Wood, as the trio start to go through the motions of a threesome with ease. Jewel De’Nyle has long black hair, has large breasts, and at some point the sex turns into a double penetration scene, with both guys humming in De’Nyle. It’s basic if you ask me, and it’s not that fun to watch, a little mechanical, and while De’Nyle seems to enjoy it a bit, it’s just short, and mechanical.

We move along to another scene, and this time we see Chennin Blanc and Cheyne Collins. Blanc is a blonde hair nordic looking woman, with curves, and large breasts. The dude here has a 2000’s era rock star look to him, and the two have sex on a leopard print bed. The two immediately get into oral, and while it is functional, it again looks robotic to me. The music really throws me off. The bad techno music mixed with a terrible performance from the main guy here is just awful. We get multiple positions from the two, and average sound design, and it’s just average all around. There’s no condom, there’s nothing special here, a blonde haired busty woman, with average looks has sex with some random dude. This makes me not want to have sex, to be honest. Again we get a creampie, although it’s lazy, and well, I gave up on this scene.



For the next scene we move outdoors. It’s there that we see Angelica Sin and Rich Handsome. The two get into the sex with oral first. Angelica Sin has long black hair and a girl next door look, but she dives straight into the oral. Handsome, is not such, and he just goes along with the oral for the most part. Sin has a good quality to her, and while the music sucks again, with a terrible techno beat, the sex starts off promising with some oral that Sin seems very enthused with, including deep throating. She has very large breasts, a tan body, and gets into the action swiftly. The two have sex outdoors on some lawn chairs, and eventually Handsome cums, and that’s that. There’s a bit of anal at one point, but other than that, it’s just a simple sex scene that seems to be over too quickly as the dude can’t hang on.

The final scene shows off Jewel De’Nyle and her long black hair, and Haven. Haven is a tall, small breasted, skinny blonde haired woman. She offers a contrast to De’Nyle, and they both have fun with Dale DaBone. DaBone enters the frame and immediately gets blown, and starts to work with the two women, going all in without a condom. They have sex on a light brown couch, and just goes into each woman back to back. It’s lackluster, De’Nyle’s performance is not great. I should note that the blonde here doesn’t get any sex, she plays with a toy, and watches De’Nyle and Dabone work. It ends with another creampie and we are done, that’s it. Dabone does get blown by Haven at one point, but he only has sex with the brunette, which was boring to me.

That’s the end of the movie, and another reason why I don’t like gonzo porno movies, it just abruptly ends after the sex. Oh well, such are most movies that came out in the 2000s.

I give “Sluts of the Nyle 3: Cream Filled Sluts” a 2 out of 5.

You may like it, if you’re a fan of the actors in this one, but I am not a big fan, it just seemed mechanical to me. Even though I love Jill Kelly, she couldn’t save this one for me.

Pickup Lines 2 (1995) Review

Pickup Lines #2 (1995) DVD Cover 

We are going back in time again, but this time it’s not too far away from our previous route. This time around we are going to be moving towards a series that I’ve covered in the past, and honestly don’t really care for, and that’s something that I’ve stated many times on this blog. I am not a fan of gonzo productions, and one of the major gonzo features that kept getting released was that of the Pickup Lines series. This option from 1995 was directed by Tom Stone and distributed by Odyssey, and no doubt hit a lot of rental stores and you may have even bought it. I picked this up only because there were scenes that I had to check out with Lori Michaels and Jill Kelly. So let’s focus on this release from 1995, as it is called, “Pickup Lines 2”. The stars of this movie include Demi Fairbanks, Peter North, Jill Kelly, Vince Vouyer, Alex Dane, Nici Sterling, Wilde Oscar, Goldie Star, Kim Kitaine, Ceran Morris, Felecia, Lori Michaels, Sean Rider, Ed Powers, Taboo, and Nicole Jefferson.

If you know what a gonzo movie is, then you know what to expect from the story line of this series of releases. If you’re not familiar with that term, then you should know that this is something that doesn’t necessarily have a story to it, but rather just a bunch of random scenes that are thrown together for the purpose of making a porno release. A lot of today’s web series and more often work within the confines of gonzo, which is not my favorite genre, but I recognize is as a resource for pornographic involvement, which is something that is going to be part of the larger scope of this blog, eventually. I can’t only stick to story lines, as I’ll run out sooner than later, so here’s some more gonzo for the people that want pure sexual gratification.

This was the first introduction to Lori Michaels, which got a different credit. The music was produced by Dr. Shears, it was edited by Miles Long, and it is the second in a series of probably hundreds of gonzo pictures.

The movie starts after the credits and we see random sequences from the porno that is to come. You see a few slow motion elements and you see what you are going to be detailing with the sex, and it’s not bad. The music is calm, then you are interspliced with B-footage and you really get a feel for what is to come next.

The movie starts in a vacation destination with Demi Fairbanks and Peter North. They are simply on vacation and walking around before they get to a roof top near a beach house and then start to make out. The start here has Peter North giving oral to Demi Fairbanks, and away we go within the first 10 minutes there’s oral. Demi Fairbanks is an attractive woman with large breasts, a tan, medium length hair, a brunette and has minimal sounds to start. The two are outdoors on a balcony overlooking the beach. After some oral from North, Fairbanks gets on her knees while some soft music plays. The two are in swimsuits then nude, and the music is boring. The camera cuts in, but the visual design is interrupted by the shadows and lack of secure elements from the sun. The two go through the motions of sex, and then go into the house. There they get on the bed and start to work out some stress with several positions. The positions are standard, and Peter North doesn’t wear a condom. Demi Fairbanks barely makes any noise, and the two go at it for a good amount of time before North eventually just strokes it until he cums on her face. It’s a lackluster scene with little to no chemistry between the two. When North cums, Demi Fairbanks looks away and puts her hand up noticeably not into this at all, and really takes away from the scene.

There is a blooper here! At one point Demi Fairbanks around the 17 minute mark tries to cover her face and even tries to avoid blowing North again, and you see the director’s hand from outside of the frame come into the frame and moves her hand! They didn’t edit this out!

After the sex the two go out onto the balcony and then start to talk to Jill Kelly and Vince Vouyer, whom are their neighbors. We then fade to black and then get to the interior of the next apartment.

In the apartment Vince Vouyer and Jill Kelly are in a bath tub, nude, and Kelly starts to blow Vince for the start. Soft music starts, and we get to the next sex scene. This is early Jill Kelly, before she had breast implants, my favorite period of her career, and if you’re a fan, then you’ll know her blonde hair, and tan lines well. Vouyer doesn’t even get hard to start, his penis flops a bit which is a sign that he was using a penis pump, or isn’t into the sex scene, until Kelly really gets to work with oral. If you’re a fan of Jill Kelly, then you will like this scene as it’s in her prime for me. Vouyer and Kelly have sex in the bathroom, and there’s no condom, she’s young, and looks very “California” overall. Vouyer stays hard throughout and the two eventually et to the bedroom and get it on. It’s obvious that Vouyer loses his erection at one point and has to get it back, before he starts to hump Kelly. The two move to the bedroom and go through a few positions and it’s ok at best, nothing crazy. Over time we end up seeing Vouyer cum on Kelly’s face and that’s the end.

After the scene we are taken to the streets where we see a couple of women talking. They are just talking and it appears to be Venice or the San Fernando Valley somewhere. One of the ladies invites the other and they take a drive somewhere. They drive to a house on the hills and they start to drink some wine together. This is a prelude to the sex scene that is next.

Alex Dane, Nici Sterling and Wilde Oscar all get undressed poolside at a mansion and start to really get into the sex. The women are two brunettes, one that is European with an accent, and the other that is Caucasian with a tan. They both look like they are in their late 20s or even early 30s, thin, and medium sized breasts. There is a man involved here and he is balding, and has an average sized penis. They are all outdoors, soft music starts and we get oral introduced. Both women are trimmed here, and the dude isn’t shaved completely but has some shaved. WE see the trio start to work through a threesome, and it’s not too bad. The trio move to the bedroom and they continue their sex romp, and around the midway point they end up having anal sex. The anal is interesting, as it’s with one of the ladies that has breast implants and they do it reverse cowgirl. Other than that, it is just a mediocre sex romp with one of the girls obviously confused as to what to do during the sex, and just watches, looking somewhat bored. The dude loses his erection at the 44 minute mark, and the two women try to get him back up, and it seems like a struggle until he starts pulling hard and eventually cums. This is an awkward sex scene with little to no passion, and really drives down the value of the release if you ask me.

We move from the city to the farm. That’s where we see two blondes hanging out. They are platinum blondes, and one has massive fake breasts, the others are natural, and they look very much different. They are thing, slightly pail, and have your average farmer’s red plaid with jean shorts. One of them is way older, and the other is not. The two are out by some stables and they start to kiss a bit and undress a little. After a bit a guy shows up and tells them to come through and have sex.

We see Ceran Morris, Kim Kitaine, and Goldie Star in this scene having sex. It ends up going fast, and immediately goes into doggy style, with one of the girls moaning quite loudly upon insertion, but that’s it. There’s minimal sounds here, just the sex element, with a little bit of moaning as the three start to work through oral, and doggy style sex. Again, no condom here, and honestly Morris loses his erection at one point and the camera slows down and just lets him stand there while the women have sex, and look at the director. At one point the director is in the fame, and it’s funny to see, but after some time, we see Morris get back up and then cums all over the women. This is a lackluster, terrible sex scene that is a waste of talent.

Up next we see a couple of women in the back of a boat. They are hanging out and then stop at shore while a dude watches on. The women start to kiss, and we are taken to the next sex scene.

In the next sex scene we see Felicia and Lori Michaels start to have sex, going forward with oral and fingers first. These two girls have that “girl next door” quality, and Lori Michaels looks like a milf that I know, while Felecia is young, ethnic, thin, and has long hair. She’s only done lesbian scenes with one sole exception from what I know, and Lori Michaels is premiered here for the first time. The sex is ok at best, as they go outdoors, you can see that Michaels is uncomfortable with it, and Felicia tries to go through the motions with some slight moaning overall. The two don’t have a lot of chemistry, and while it’s a serviceable scene with two attractive ladies, there’s something missing, especially from Michaels.

This scene kind of takes a dip and we see Lori Michaels start to blow Sean Rider, the driver of the boat. She blows him and then the camera switches and we go to the bedroom where we continue moving forward with the two. There’s a bit of oral from Sean Rider here and it’s not that good, but then we go back to oral with Lori Michaels giving him head. It’s soft, sensual, and she really does well with this. A condom is placed for the scene, and we start to get into the sex, which is basic, mechanical, and lackluster. Lori Michaels is an attractive woman, but it doesn’t look like she’s enjoying the sex too much, while Sean Rider just goes through the motions of in and out as you would expect. After a few position changes and random kissing, and going through the motions of casual sex, Rider takes the condom off at one point and Lori blows him for the finish. It’s not a great one it’s kind of boring.

After the hard cut we are taken to a living room where we see Vince Vouyer and Peter North jacking off and not hard at all! I kid you not, this is a real thing that is happening in this movie. The two stop pulling rope and then approach two women that are kissing, and it’s Demi Fairbanks and Jill Kelly. This is where the duo turn into a foursome, and we get some real sex, instead of just trying to pull on some play-doh for the camera. There’s some calm music that starts, and we see the guys finally get hard and start working with the women, going into them with sex, and oral. Demi Fairbanks is not interested at times, as she receives oral and Peter North has to tell her that she’s supposed to suck him off, but isn’t doing that. Meanwhile, Vince Vouyer goes forward with Jill Kelly, all of this with no condom mind you. Jill Kelly moans the most here and it’s an interesting little sequence overall, and if you’re a fan of hers, she saves the whole scene, and really has true orgasms at several points. Demi Fairbanks is there, but isn’t really there and it looks like she just goes through the motions, and well it’s a bit tired overall. Overall, the best part of this is Jill Kelly getting off, the rest is just boring to me. At one point the dudes change partners, and you see things go forward there, which is an interesting pairing with Peter North and Jill Kelly being the most attractive of options at one point, but it’s limited in scope and by the time you really get into the scene, it’s time to cum and that’s that. Perhaps one of the laziest of scenes? I don’t know. The direction, the bedroom, the lighting, and editing all work against this one, and only Jill Kelly really saves this one for me. After some mediocre sex, Peter North shoots a blast that hits both women and that’s the end. The detriment here is Demi Fairbanks performance, which is abysmal, while Jill Kelly tries to save it, it’s not enough, I can’t believe how terrible this is. I wish I knew why the performance was so bad.

Up next we see the final portion of this movie and it shows Ed Powers showing up to a random house. He is going to be doing a scene and interview as per usual, and it features two women. This time around he introduces Nicole Jefferson and Taboo. Both women are young, thin, and ethnic. Both women are African American. We start with an interview in the bedroom before Ed Powers and the women start to kiss.

Ed Powers starts to remove his clothes alongside Nicole Jefferson and Taboo. Powers doesn’t have a huge penis, mind you, and he looks like a dork, but he has bedded some amazing women, and well, props for him for doing that. This one features two attractive ladies, and the trio go through some sexual positions and well, it’s ok at best. The oral is good, but the sex is laughable, with Powers still wearing his socks, and the women letting him plow them. There’s a bit of chemistry here, and some standard moaning, but nothing too crazy, as the camera seems to stick to one or two areas overall. Powers has sex with both women, and eventually finishes on their faces, and that’s it. A terrible ending, with a lackluster scenario, with two attractive women and one fugly dude. Good for Powers, good for him.

I give “Pick Up Lines 2” a 1 out of 5.

The only saving grace to this movie is the first Jill Kelly scene. Other than that, this is a lackluster gonzo movie, with a lot of downside. The camera work is bad, the editing is rough, there’s a blooper in the movie, and the music is just awful. Overall, this is not a great movie at all, and I don’t recommend it. Unless you are looking to buy the full series as a collector, in which case, have at it. Lori Michaels is still hot, Jill Kelly is hot, but man, you have a lot of wasted space in the other scenes.

Stardust (1996) Review

Stardust (1996) Poster 

Today we are going to the 1990s yet again. This time around, we are going to be looking at a movie that spawned a series that goes deep. I’m talking like eleven sequels at this point. That’s not a bad thing, that’s a great thing! I guess. It’s kind of like “The Devil In Miss Jones”, watering down over the course of many years. As far as erotica is concerned, we are going to be venturing to the 1990s today, specifically to 1996. In this year we are going to be looking at the movie, “Stardust”. This movie was directed by Michael Zen, and it was distributed by Vivid Video. The movie stars Alex Sanders, Jon Dough, Jill Kelly, Misty Rain, Jenteal, Missy, Bobby Vitale, Steven St. Croix, and others. There are a few non-sex role actors, but do you really care? I mean, Mike Horner is in here, which is always interesting, and Missy is in it too, but the rest, meh, right? I know, I’m not a great reviewer. But let’s go to the time machine and see what’s up with “Stardust” from 1996.

There’s something that is somewhat calming about seeing the Vivid Video, two people merging logo. It tells you that you’re watching a Vivid Video. It’s classic 1990s logo, and I love it. “You’re Watching a Vivid Feature Presentation”, classic. That’s how you know you’re in for something cool, right? The opening of this film is interesting, it roles the credits with a dancer. There’s a light in the background, and it’s a naked woman dancing, with fire sticks, but they aren’t lit yet. If you’re a fan of Cirque De Soleil, that’s kind of what you get to start, and then the sticks are ignited, I think they are called torches, my bad. There’s a unique soundtrack, a melody that is done with Peruvian flutes, and it reminds me of Southpark a bit. The credits continue to roll, and we see the shadows of nudity, a formed body, and shadows, which is a nice way to start things off, no doubt. The start of the movie begins with lettering, and it states, “From a far away galaxy…the star creatures are touched by the dreams of Earthlings”, and then we go into the actual movie.

The movie begins with a knight riding on a horse. He’s in full armor, and there’s a woman in a white dress, and full makeup. There’s a medieval times vibe to this, and the knight kneels and asks for his hand. But then we see what’s really happening, it’s a woman in front of a mirror and she says, why are you dreaming? She then starts to talk to the camera, and says how she met the wrong guy, a man named “Bubba King”, and what occurs here is the dude running into the knight with a golf cart. He then steps out looking like Boss Hog from “The Dukes of Hazard”, and he kisses the woman.

We go from that, to a movie studio, and we are introduced to a studio executive played by Mike Horner. However, in the waiting room is Jeanna Fine and Jon Dough. Mike Horner is laughing, and there’s a moose with a cigar on the wall. Jeanna Fine pulls Dough aside and talks to him on the couch in the office, and starts to rub her hands on Dough’s leg. For the record, I love Jeanna Fine, she has a smoker’s voice, short black hair, long legs, and a beautiful face. She starts to throw herself at Dough here, while Mike Horner is in near tears. Dough doesn’t really want to get with Fine, but eventually, as they keep discussing their next move, she gets on her knees and starts to blow him, and he obliges with the next sequence. Some romantic music plays, and we get to the action.

Jeanna Fine starts on her knees, fully clothed, without panties, and blows Jon Dough. Fine is partially shaved, trimmed, and neat, has red colored nails, a light tan, and has that professional woman’s look from the mid 1990s in a business suit and all. She has stockings, and the camera gets right into her work with the blow job. The moose watches the goings on, and tells the director to look at the goings on, and it’s a well lit scene. It’s obvious that this was not filmed on 35MM, as it looks like cable porn only it’s XXX so you see it all. The camera is steady, the lighting is good. Amidst the blow job sequence, Mike Horner starts to yell and stop them for a minute. After some oral, the scene shifts to sex, and Jon Dough gets into work mode. The two have sex on the couch, and while it’s not the best scene, Fine looks amazing. She moans a bit, and Dough pushes through, but honestly, it’s mechanical and lacking passion. Fine is a bit loud, but it’s theatrical, not passionate. If you’re a fan of Fine, then you’ll like watching her have sex with Dough, but if you’re not familiar with her at all, you may think that this is a bit over the top. She’s not that wet, she’s a bit demanding, and Mike Horner is in the corner watching it. She seems to be out of it towards the 15 minute mark too. Fine behaves like a 1 hour escort, waiting for the final cum shot, which arrives at the 17 minute mark, and that’s about it. Fine is in work mode, Dough at least throws in a great deal of pushing, and even sweats a little, but Fine, despite looking like a million bucks, kind of kills the boner with a lackluster, theatrical performance.

We move the story along to the “Beaver House” where we are on the hunt for Bubba King. We are taken to the inside of the strip club, and there’s a crowd of guys. One of the guys looks like Keenan Thompson! It’s just a bunch of random dudes, and the women here are in all feathers, and pink. They are going to do a performance act, much like a burlesque show. Meanwhile, Jon Dough is on the phone in another set trying to get info about Bubba King. The women start their dance, and it’s a very unique, and cool way to open up the second part of this movie. Dough is at a pay phone, remember those? After some time in the phone, he ends up meeting Bubba King and Steven St. Croix.

Jill Kelly and Misty Rain have a sexual encounter on stage for the men. It’s not hardcore, but they are dancing in pink, and it’s very sexy, while the guys watch. It ends after some time, and it doesn’t get too hardcore at all, but watching them dance is truly a nice little takeaway from the rest of the movie. But then of course, after a slight interlude with Alex Sanders and Jenteal, we are back to the women, only now they are starting to have sex with one another. The two get into oral, and it’s all in the pink getup. But what’s interesting here is that the director has chosen to go artsy with the camera work, dropping the frame rate and creating a look that reminds me of the Sega CD, and it’s not great. The two have a great deal of fun with one another, going through oral, fingering, and more. It’s a good sex scene for the most part, and it’s two women that seem into one another.

Up next, we see Jenteal hit the stage. Alex Sanders is in the audience and he starts to imagine what it would be like to have sex with her. The director fades into his dreams, and that’s the next sex scene. Alex Sanders starts to give Jenteal oral to start the sex. Jenteal is a blonde haired, small breasted, curvy woman, and is younger in this picture. Alex Sanders has long hair, and looks like he just got out of the sunset strip from the 1980s, a rocker looking dude. Jenteal has a semblance of the girl next door, until you see her assets, and you realize that she’s a pro. The two have sex in the backstage area and there’s minimal lighting. It’s straight forward sex, with Sanders going in hard at one point and making Jenteal scream and moan in pleasure. If you’re a fan of rough, hard, fast sex, with a good instrumental, there you go. This scene has that, and it’s not a sensual landscape, with Zen’s direction moving away from the action so you don’t always see penetration. You know they are really doing it, but it’s an artistic landscape of a sex scene more than pure hardcore. That can go either way for people. Sanders seeks to get his here, and he is not looking to play passionate, and that leads to the money shot at around the 49 minute mark where he cums on Jenteal’s chest.

The scene quickly ends, and we are taken back to the reality that sanders is watching her dance on stage with a bunch of other dudes.

What occurs next, is one of the oddest ways to end a movie. Missy comes out and starts talking to Bubba King played by Bobby Vitale. Missy gets on her hands and knees and starts to blow Bubba King. She’s dressed up, has a little mole on her cheek, has small breasts, dirty blonde hair, and gets under a table to blow Bubba, while Jon Dough and Steven St. Croix watch Jenteal on stage. Jenteal gets into the face of Sanders and lets him give her oral, meanwhile Dough, St. Croix and Bubba start to get blown by missy overall. She’s blowing the guys under the table, and the show is just going on, without any major work. It’s an interesting scenario, but it makes no sense to the story, as a whole. After a bit of dancing, and the guys cum, Jenteal gets off the stage and pours a beer on Bubbas face! Then Jenteal says that she’s the boss and she is upset with Bubba because he was getting blown during her performance.

Bubba King gets mad, and then we are taken to a noir scene where Mike Horner is laughing. He points a fake gun at his moose, and laughs. We are then taken to the dressing room of Jenteal and there’s a fortune teller, a drag queen that says she will meet a man from Hollywood. But then, we are taken to a preview of the next movie, and that’s the end of this one.

I give “Stardust” a 3 out of 5.

In order to see the whole movie, you have to see more than just this movie. You have to see several “Stardust” movies, in order to get the whole story. This is ok, I guess. It’s got interesting sets, interesting comedic elements, and some great introductions to a larger story, but honesty, it’s lacking in the sex department.

Out of Love (1995) Review

"Out of Love" (1995) Poster

We step back in our time machine to review another porno, this time we go to 1995. In the mid-1990s there were a lot of beautiful women showing up in porn, and it wasn’t just the girl next door types. Some of my favorite actresses of all time come from this era, and 1995 was a good year in my opinion. For this movie, we are going to be going to 1995 to review a film that was directed by Paul Norman. It was distributed by Vivid Video, and it stars some of the bigger names in porno up to this point. The movie is called, “Out of Love”. The stars of this movie include, Alex Dane, Brittany Andrews, Jill Kelly, Joey Silvera, Kirsty Waay, Nikki Tyler, Peter North, Sindee Coxx, and Tom Byron. You just can’t escape Joey Silvera and Tom Byron can you? I hope one day I can interview Tom Byron, I bet he has some stories to tell about the many movies he’s been in. Of course, Peter North and Silvera are also great ones, and my favorite actress Jill Kelly is in this one. But is the movie any good? Let’s find out as we review “Out of Love” from 1995.

We open our movie with Joey Silvera and a blonde talking about marriage. They discuss how they were not in love anymore, and there’s a flash back to a time where they were having sex. This is a quick romp, nothing spectacular. They talk about how the sex was still good, but they weren’t in love any more. Silvera’s acting is quite good here, and it’s second to none. He can actually act, while the lady with him, just isn’t that good. I’m assuming it’s Nikki Tyler. The two continue to discuss things and then the camera fades and we go to another scene.

In a bedroom that looks like a modern bedroom inside a warehouse somewhere, we see three women talking a bit. After a bit of discourse, soft romantic jazz starts playing and the trio start making out. The women here are Brittany Andrews, Nikki Tyler, and Sindee Coxx. Each one is blonde, each one has enhanced breasts, and they each have tight bodies. What follows is a threesome that features sensual oral, lots of kissing, breast play, and moaning. It doesn’t last too long, and the women keep most of their lingerie on, but they do a great deal of fingering, and oral, and things like that, making it a standard scene, with no real payoff.

The scene ends and we are back to Tyler and Silvera discussing their marriage. This then goes to a story where Jill Kelly and Joey Silvera are talking in a bedroom. Silvera and Kelly here are great together, and the acting is taken up a notch. Honestly, 1995 Jill Kelly is one of the most beautiful women to me. She has a California blonde look, nice breasts, tan lines, and blonde hair. She’s a fantasy that I could never get in my life, and this is before she had breast implants. I’d love to interview her today, but alas, that’s not going to happen.

Silvera and Jill Kelly start to make out in the bathroom of what looks to be a very terribly designed hotel. There’s some terrible instrumental music that begins to play, and the two start to get really familiar, taking off their clothing and starting to kiss a bit more overall. There’s a lot of blocking in this sex scene, and the cameras can’t really show you a lot that you’d expect from a porno. You do see Silvera giving Kelly oral, and using his hands and fingers, but you don’t see a lot of the penetration here. The two do have sex, and it’s not a bad scene if you’re a fan of Kelly, but overall, you can’t really see what’s going on. It’s almost like watching it on the Spice Network, and that kind of ruins the scene for me. Jill Kelly moans a great deal, and she looks great, even though Silvera doesn’t last that long overall. It’s not a great scene at all honestly.

We go back to the conversation that Silvera is having with Tyler and they talk about infidelity.

The scene switches to another scene, and it shows Tom Byron and Tyler hanging out. Tom Byron is in his punk rock, rocker phase with long hair, facial hair, and more. He tells Tyler to get a blanket and pillow from the closet as he and Alex Dane retreat to a bedroom in what appears to be an apartment.

The director hard cuts and we are taken to a bedroom, with simplistic design, where Tom Byron starts to give Alex Dane head. For this sex scene Alex Dane and Tom Byron start to get familiar fast, Dane immediately nude here. Alex Dane is a brunette with a thin waist, large breasts, pearl necklace, and simplistic makeup. She looks like a professional, wearing black stockings and high heels, and gets into the action with Byron quickly. After some oral on Dane, Byron gets sucked off in a hard blow job scene that gets him quite hard, fast. There’s some terrible techno playing during this one, and the two go through multiple positions of sex. It’s not great, it’s not terrible, but it seems to lack a little bit of passion until there’s a point where Byron goes for anal. When he goes into anal, Dane moans a bit more, and seems to really get into the sex, while Byron looks to be in mechanical mode. This works for what it is, but the two don’t share nearly as much chemistry as you’d expect. The framing of the sex is good, with good lighting overall, and interesting momentum towards the end, where you get a money shot from Byron onto Dane’s back.

After the sex, we end up going back to the initial couple talking about their divorce some more. They discuss how jobs have changed, life has changed, and there’s a bit of depression involve. Tyler gets mad at Silvera for painting and being less stressed now than before. The two seem to start to warm up a bit. Then we are taken to another room where Joey Silvera is drawing. He has live models and they are being painted by Silvera as he watches them have sex.

There’s a bit of art to this scene, mainly Silvera just directing a couple into sexual positions so that they can be painted. Kirsty Waay and Peter North begin their scene with a blow job in what looks to be an attic. They are both nude to start. Kirsty Waay is a redhead with large breasts, and you already know Peter North. Some soft piano music starts and the blow job continues, with a bit of sensuality, and focus on the act, nothing too complex. Meanwhile, Joey Silvera is painting them doing it. The two continue to move forward with the sex, the piano music starting to get loud, and that’s when you see North has put on a condom. This condom is white as snow, and it stands out like a sore thumb in this sequence. Waay is an interesting model, but she lacks passion during the sex, meanwhile this condom is driving me nuts. I’m a fan of safe sex, and safe sex in movies, but here it just looks like a giant white dildo. It’s so unnerving, and it just seems unnatural to me. The two have sex, but it’s somewhat basic in nature, with only a few positions and mostly just blocking because they aren’t supposed to be professionals. After some changing of positions, North cums on Waay and that’s that. Nothing too complex here, and nothing really to say other than it works as a sex scene, and not much else. It’s not very passionate at all, and it’s mechanical in nearly every phase.

After the sex we are taken to a lawyer’s office where Joey Silvera and Nikki Tyler are finalizing a divorce. They fill out paperwork and there’s a lawyer there to finalize everything. That’s the end. The two end up talking about how they could just be friends. Then Nikki Tyler tells Silvera that he’s the best sex she’s ever had, and that prompts the two to go to a bedroom.

For this scene, the two are in a random house, lighting is good, but it looks like your average home. There’s heavy techno music in the background of this one, and it’s really annoying. It’s the worst music for a scene that is supposed to have a sense of passion. Silvera’s moans are louder than Tyler’s to start, and it’s funny that the audio was chosen in this manner. Nikki Tyler starts things off with a blow job that is somewhat fast, and passionate. Silvera switches positions and gives Tyler oral. Nikki Tyler is a tall blonde with very large breasts, a tan, thin waist, and trimmed pubic hair. After the oral another song plays, and this one is a bit more tolerable. The sex begins and we see that Silvera has put on a condom for this scene. It’s a clear one, so it’s not nearly as intrusive as what Peter North was wearing. This is a slow moving sex scene with Tyler asking Silvera to do things, and Silvera obliging. The two go through the motions of sex and honestly, it’s a bit like a one hour session with an escort, rushed, and lacking any sort of connection. Silvera doesn’t even last that long before he cums on Tyler’s back, and that’s it. Silvera’s a legend, don’t get me wrong, but in this scene he’s just passable, while Tyler is an amazing looking woman in contrast, and yet only gets a little bit of action. It’s a scene that works, but it’s far from complete, as you totally know that Tyler didn’t get off here.

I give “Out of Love” a 2 out of 5.

There’s a lot of problems that I found with this movie. It lacked a sense of passion, the sex was bland at times, and there was an obvious disconnect with the director and his actors. Aside from the setting, and some interesting acting from Silvera, I didn’t find what I was looking for at all. The Jill Kelly scene especially was disappointing, but overall, it’s a movie that a couple may enjoy, but it’s not a great one at all.

You can purchase and stream "Out of Love" by clicking here. I gave it a 2, but reviewers on Adult DVD Empire gave it a 4.25! So maybe I am seeing things differently. Find out for yourself. 

Pickup Lines 3 (1996) Review

Pickup Lines 3 (1996) Poster

We are staying in the 1990s for a gonzo production because it is next in our line up of movies to review. This time around we are going to be looking at a movie that was directed by Tom Stone, and features a lot of performers doing what you would expect from a porno. The distributer here is Odyssey, and the studio was Silverstone. The stars of this movie include Marine Cartier, Peter North, Lana Sands, Steve Drake, Demi Fairbanks, Jill Kelly, Vince Vouyer, Tony Martino, Michael J. Cox, Sean Rider, Lori Michaels, Tracy Love, and Ed Powers. While I don’t like gonzo porno movies, it’s still part of the industry, so we’ll have to review them sometime. These are established stars and we are venturing to 1996 for the movie, “Pickup Lines 3”.

The opening says that this is an Ed Powers presentation. Ed Powers is like a gate keeper for porno, and he was able to get on screen with a lot of women before they became huge stars. He’s a skinny guy with facial hair, a pony tail, and just a hairy body. This movie starts with him talking to the camera. He says that we are about to watch the third installment from the series, and he says that he will be in the bed with women. After we hear from Ed Powers we get into the credits and it shows all of the actors names that are in this movie alongside some “Myst” type of music.

The opening scene features a couple of girls on a boat, and some decent cinematography for the time. We see a guy jet skiing, and I can’t make out who it is, but he falls into the water. From there we are taken to a bathroom that is quite large. It shows Peter North showering. A woman shows up and it’s Marine Cartier, and she disrobes and joins him. Some jazzy music starts and the two stand in the shower together, and it’s not bad. Marine Cartier is a brunette with a fit body, and bikini tan line. She has a thin frame, small breasts, and a toned overall look, with a cute face.

Marin Cartier and Peter North start to make out in the shower, and we begin the sex. This is a very unique shower, and it’s very large. The two make out like they are old lovers, and it’s actually not a bad starting point. They seem to be very interested in one another, and for once, I was starting to get distracted a little. After some making out, we see Peter North giving oral to Cartier, before turning things around and getting on her knees for oral. She has a small mouth, and it shows, making North look huge because of it. The music is louder than the moaning here, but it’s still sensual. Cartier has a landing strip, and after some bathroom foreplay, the two move to the bedroom, and they start to engage in sex, with a condom. There isn’t much to this, there’s barely any switching of positions. The music is louder than the sounds of Cartier, and while North does well here, you can barely here Cartier moaning, which she is certainly doing. After some time in doggy style, Cartier catches a Peter North facial and that ends this scene. The facial is ok, and it’s actually a little boring. Not the best facial, Marin Cartier spits it all out and looks disturbed in receiving, even though she licks a little after the fact.

The music continues, but the scene ends. We are taken outdoors where Steve Drake and Lana Sands are enjoying a boat ride. The two enjoy the sun, until they stop to kiss and start the next sequence.

Steve Drake and Lana Sands start to kiss, and Sands starts to suck on Drake’s finger to signal the start of sex. Lana Sands is a skinny Asian looking woman, with small breasts, slightly shaved pubic region, and a look like she’s from Thailand of the Philippines. Steve Drake is a mainstay in porn, and at this point has been in the business for a long time. The sex is simple, starting with fingering, oral, and the music that is just looping at this point. You can kind of hear moaning, but it’s muted by the sounds of the music, which is a bad move if you ask me. We get oral from both partners here, and the camera doesn’t shy away from the sex. There’s no condom in this one, and while the scene is adequate, it’s lacking in passion, and sound. You don’t hear Sands very much, and you see Drake hasn’t shaved at all, so he looks like your average joe. The sex is fine, but not that great, and after a few positions, Drake delivers a facial and that’s it. This is a substandard sex scene compared to the opener, that’s for sure.

We move to another scene and it’s Peter North and his girlfriend at a random house. They invite Steve Drake and Lana Sands to come in and watch a porno. The television shows a couple of women outdoors, with the sunlight directly on them, and they are simply kissing.

The next sex scene features Demi Fairbanks, Jill Kelly, and Vince Vouyer. The music again keeps going, and it’s a jazzy beat with bongos, and an island motif. Jill Kelly of course is a tanned, large breasted blonde that is a staple in 1990s porno. Demi Faribanks is a brunette with a landing strip, tanned body, curves, and large breasts. Vince Vouyer doesn’t immediately enter the scene, he waits for things to work through with the women. The women go with oral to start, while Fairbanks wears sunglasses and has wet, short hair. Vince Vouyer starts with giving the women oral, one by one, then he gets the women to blow him, and they are still outdoors. Vouyer brings a truck into the picture so they go into the back of it, and start to work through the sex. No condom here, and just straight sex with a couple of positions, a little bit of moaning, and then the money shot which lands on both Fairbanks and Kelly. This is not the best Jill Kelly scene, mind you, even though she looks great here. Both Fairbanks and Kelly look uninterested at times, and Vouyer just is in work mode, and well, good for him, that lucky devil.

Up next we are taken to a dock that looks like Marina Del Rey. There a young woman talks to a random dude about his boat and he invites her to his place. She obliges, and we are taken to a condo or apartment near Marina Del Rey.

The two start to makeout, and get to a bedroom, a set that looks like your average 1990s apartment. Frankie Layne and Tony Martino are the two actors here, and they both are tanned, and hard bodies. Frankie Layne is an older blonde, and it shows, with a thin frame, and small breasts. Tony Martino is a tanned dude with nothing that makes him special except getting it up when it matters. Layne’s rib cage shows here, she’s that thin, and while this scene isn’t terrible, the music takes you away from it all. The sex is normal to say the least, nothing too crazy, a few positions here and there, some ok lighting, but a lack of budget plagues this one. The music again drowns out the moans that you’re going to hear from Layne, and while the two have a little chemistry you can tell that Martino is in “work mode” and so the two just don’t gel that well. After a while with normal sex, there is a point where you get anal. A closeup reveals no condom, and a landing strip, with Layne taking it all in from Martino. After some anal, we go in for the money shot, and Martino lands cum on Layne’s face, and the music finally stops. The soundtrack is very annoying for this movie, and I’d rather hear the moaning to be honest.

After the scene is over we see a woman cleaning a pool. She walks over to a couple of guys waiting for her, and they start making out. This scene features Casey, Michael J. Cox, and Sean Rider. Casey is a very young girl here, with brunette hair, and an average body. The two guys are nothing special, and the lighting is miserable here. It’s an outdoor scene and it starts with a great deal of kissing. Casey looks uncomfortable, and I wouldn’t be surprised if this is one of her first porno scenes. The two guys know what they are doing, and try to go slow here, with the music coming through quietly and taking over the cinemascope of the scene. Casey gets on her knees and starts giving oral, and we still have this awful music that is just like listening to wind chimes. Casey keeps looking at the camera, you don’t hear her moan, she is just a vessel at this point. It’s this type of porno (gonzo) that turns people into meat, and well, it’s just there, this is just a sex scene. Both guys look bored, Casey is doing her thing, but the guys are bored and it’s hilarious to see. There is no passion here, there’s no double penetration, and the scene ends with the guys throwing Casey into a pool. That’s it. What a terrible sequence.

Up next we see Lori Michaels in a convertible. It’s an expensive one too. She pulls over to pick up a hitchhiker, and it’s Vince Vouyer. She asks if Vince has a big penis, and then invites him to get into the car. She then lets him drive the car, and that’s it. We go back to her place, and the two start to make out.

This next sex scene features one of my favorite actresses, Lori Michaels. Lori Michaels starts to blow Vince Vouyer and the music here takes over, again making it a crappy scene, but with Lori Michaels, I’m all in. Lori Michaels is a thin, older looking brunette, and reminds me of someone I know. She has small hands, and a small mouth, and she looks passionately at Vince Vouyer as she takes it all in. There’s a bit of passion here, and something that is missing from the rest of the scenes. The set here is a random bedroom, with a red comforter, white walls, and nothing special to it. The two get on a bed and start having sex. Vince Vouyer puts on a condom, but through the sequence he holds his penis hard, and it looks as though he’s used a penis pump and wants to maintain his erection here. I’m not sure what’s going on, and at one point it looks like Lori wants him to go in deeper. She keeps checking to see if his condom is on, which is an odd thing to see, and while she does relax a little, the sex is normal, and nothing to really write home about. The two go through multiple positions, and eventually Vouyer can’t hold it in so he slips out and cums on Lori Michael’s face, and that’s the end. She blows him at the end and lets him cum, and then just takes it all in. Lori Michaels is one of my all time favorite porno actresses, so while this scene lacks a little gusto, it’s still worth watching, at least for me, and well I liked it.

After this scene is over, we are taken back to the Peter North apartment, and we see the women getting hot. They want to have sex, and well, the women exchange partners from earlier.

On a red comforter, we see Lana Sands, Marine Cartier, Peter North, and Steve Drake start to make out for a four way sex scene. The scene starts with the men giving oral to the women, and we hear a soundtrack of techno music start. This time it’s a little more quiet than the other scenes, and we get up close and personal with the oral. The lighting here is great, and the women are hot. Lana Sands giving Peter North a blow job is a premier element of this scene, and definitely a standout amidst this one. Marine Cartier is beautiful here, and is in a nice dress, and while I’m not a big fan of Steve Drake, she makes this one look great. There are no condoms here, and the majority of the sex is taken to a backseat because the director focuses on a wider lens. There’s a lot of oral, here, and not nearly as much asex, although there’s some insertion here and there. Cartier looks bored at one point, and while her and Sands create a good chemistry, the guys seem confused as to what they are doing at times. After some back and forth, position and partner changes, we get a money shot, and that’s it. Kind of a lackluster scene. The best part is definitely the starting point where Lana Sands is blowing Peter North, and she does well throughout, blowing him at the 1 hour 58 minute mark again and showing off her skills. It looks like Drake gets the money shot here, and while it’s adequate, it’s not as good as what Peter North can do, and well, that’s fine. This scene is not great, and the music once again muted the moaning. Peter North eventually gets a turn for the money shot, but the director doesn’t seem to show him that much, and he says, “Steve, I got your wife in the eye”.

The scene ends, and we are taken to a leopard print comforter. It’s here that Tracy Love is in a small sweater, and is talking to Ed Powers. She has no underwear, and Powers talks to her, interviewing her for this. Thracy Love is a cute girl, she has chubby cheeks, big red lips, colorful eyes, dirty blonde hair, and a thin frame with medium size breasts. She’s not that hot, honestly, but she must be new here.

After the initial interview with Ed Powers, Tracy Love starts to massage Powers. Ed Powers and Tracy Love engage in a little oral before starting to get into the sex. After the oral, Ed Powers gets into doggy without a condom. He’s not a huge guy, and he’s quite hairy. Tracy Powers is cute, and takes Powers deep. This scene has her moaning louder than the music, which is always interesting to hear, and it’s not a bad scene if you like gonzo, and amateur production. This stands out, as Powers at one point sticks 3 fingers in Love’s anus then goes for anal. During anal, Love really starts to moan, and while this is a dirty sex scene, it is true to life what goes on in the many different bedrooms of America and around the world. This is kind of like the bottom run of porno mind you, not really offensive, but not sexy at all. Two people that are not sexy having sex, and probably having more fun than you are. After a great deal of anal, Powers cums, and that’s the end. Love is a bit disturbed, and doesn’t seem to be having that much fun, looking at the camera, and trying to play up the ending, and that’s it. Powers is a lucky son of a gun, that’s for sure.

The scene ends and that’s it. Tracy Love really wants to be a part of the porn world, and isn’t satisfied here. You can tell. She’s attractive at the end, but overall, she’s just another actress that I’m sure will be forgotten.

I give “Pick Up Lines 3” a 2 out of 5.

Despite my appreciation for Lori Michaels, there’s nothing that can save me from giving this a higher rating. The music was too loud, the moaning wasn’t loud enough, and there was just something lacking in the movie. I liked it enough, and the opening and ending scene really got my attention, so for that, it gets a 2 out of 5. I do like the collective actors in this one, but unless you’re collecting the Pickup Lines series, I’m not sure that you’re going to want to buy this one. Maybe stream it.

You can stream, download, and buy "Pick Up Lines 3" by clicking here, and well, help the site out.

Jenna’s Revenge (1997) Review

Jenna's Revenge (1997) DVD Cover and Poster

I haven’t reviewed a lot of movies that featured Jenna Jameson. I’m not sure why, but it just hasn’t happened. Yes, I have a few, but not nearly as many as you’d expect. It’s for that reason why today, I’m going to be reviewing a movie from 1997. Now, I did see this movie on cable, when I was a teenager, watching the Spice Network, when I shouldn’t have. This movie is none other than, “Jenna’s Revenge”, and it stars a lot of heavy hitters. The stars of this movie include, Brad Armstrong, Eric Price, Holly Body, Jake Steed, Jenna Jameson, Jill Kelly, Johnny Black, Mark Davis, Marc Wallice, Papillon, Ruby, Sindee Coxx, Tony Tedeschi, and Vince Vouyer. These are all stars that I have seen in the past, and some are more famous than others. Whatever the case may be, the movie is one of the classics of 1990s porno, but is it worthwhile today? Let’s review it and find out.

The movie begins with a bar scene. We are taken into a bar where Jenna Jameson shows up and starts being catty with the bartender. She goes in and asks for a drink, and she is snotty. This is prime Jenna Jameson, with long blonde hair, breast implants, and make up done right. The bartender delays in pouring drinks, and eventually gets one to our main star. In the bar, a random dude asks what she’s looking for and Jameson replies, that she’s looking for a man. There’s a man in the bar that says he’s the one she’s looking for and they go outside to talk. Jenna gets a little roughed up and she says that she needs help with her husband. She needs someone to take care of him. From there we are taken to our first sex scene.

The screen fades and you are taken to a bathroom in which Jenna Jameson is in lingerie on her knees, and she’s blowing Tony Tedeschi. There is an incredible amount of chemistry in this scene, especially from Tony, as he’s rock hard in this one, no joke, and Jenna is working him over in a way that few scenes seem to focus on. There’s an orchestral movie theme playing as the two get things moving forward, and it’s truly a sight to see. Jenna here is in her prime element, and the lighting, set design and overall cinematography lends itself well to this release. Tony Tedeschi looks like he’s going to blow his load several times, and I’m not sure how he keeps it together during some of the initial blow job sequences. Jenna just goes to work, with long passionate strokes, and deep throating at times, making this one of the better sex openers I’ve reviewed in a long time. There is no sex here, it’s just a blow job and a facial, and that’s it. Tedeschi cums on Jenna’s face and she continues to blow him after, making a mess and then sucking on afterwards, creating one hell of a sequence, and truly opening up this movie in quite a striking fashion. The scene is shot in a bathroom inside a mansion, and it’s not half bad.

The scene ends, and Jenna tries to act, and it’s not great. But she wants to get away from her husband, and wants him dead. The dude says he’s not interested. The character’s name is Ray, and he gets into a hummer, before he finally decides to say yes to helping out the poor woman. He agrees to help, and then we are shifted to another scene. This other scene features Tony Tedeschi in an office, and he is talking and then leaves. But leaves behind a random office dude, and Jill Kelly. The two are the next two to get it on.

Eric Price and Jill Kelly start out with a blow job sequence. If you’re reading this blog regularly, then you already know that I’m a big fan of Jill Kelly, and would love to meet and interview her one day. Not sure if that will ever happen. In this scene, she puts on a showcase, outdoing the chemistry that Jenna had in the first scene, and going deeper than her in the blow job. She deep throats, she sucks, she strokes, and the music makes this scene seem a lot more creative overall. Jill Kelly sports the classic swimsuit tan line, and has high heels on as Price gets to initiate oral after some time. The sex is adequate, but not that grand, with Price cumming fast, and getting some anal in for good measure. He cums so fast the scene barely gets you aroused, and then finishes on her stomach. Kelly couldn’t have been satisfied here, and the scene cuts to black before sending you back to the mansion for another part of the story.

Tony Tedeschi is seen coming home, and he’s in his full business attire. He walks into a bedroom inside his mansion and there he finds Jenna Jameson. She asks how his day was, and then she gets mad at him, and yells at him to pay attention. He then threatens to call her psychiatrist, and that ends in her yelling. Jenna goes to the phone and calls Ray. He asks for 100,000 dollars and a picture of her husband, and he’s going to take care of him. Jenna then quickly hangs up the phone, and the deal isn’t necessarily done. Tony walks into the kitchen and Jenna is in there, he asks if she’s going to go to bed soon, only to have Jenna yell again. She’s desperately wanting out of this marriage that they are in. It’s here that Jenna takes her long hair and starts cutting it, leaving strands all over the floor and crying as the orchestra plays on. Later, she goes to the designated drop off spot, and delivers the 100K in money, and our antihero Ray goes to pick it up. This was shot in Los Angeles, and it’s painfully obvious that it was. Oh the good times, I used to live there. At this point, the movie has more plot than sex, so if you were waiting for lots of sex, you’re not going to get it here, it’s just not going to happen. There’s a lot of plot and dialogue. The movie continues and we are taken back to the mansion, after a brief interaction between Ray and Jenna, where Jenna comes home to Tony, and gets a surprise. Tony says he has a surprise for her, and well, it is a gift. Tony hands Jenna a blindfold. He then leads her to the pool area of their home.

It’s at the pool where Tony starts to give Jenna oral, and then out comes Sindee Coxx. Sindee begins to take over with the oral, while the music turns into another orchestral sounding rock tune. This is very much the same kind of music you’d hear from a Cannon Films release. It’s actually kind of good, and the soundtrack should be available for download. The scene is outdoors, and then slips into the pool a bit. Coxx has long blonde hair, and is skinny, Tony gets in on the action as well, but this is mostly just oral for the starting line of the scene. Eventually the blind fold comes off, and Jenna and Coxx give into Tony. But it’s mostly just Coxx. Jenna disappears after a few moments, and leaves Tony and Coxx to do their thing. Jenna gets mad when Tony is having sex with Sindee, and runs off. After a few more strokes Tony cums on Sindee and that’s the end of this scene.

The scene shifts, and it’s Jenna driving to the bar where Ray’s at. I believe Ray is played by Brad Armstrong at this point. The color from the film turns off, and it’s black and white. This features Jenna on the bar top dancing for Brad. She goes topless and in comes the classic guitar rock, and this is quite the scene. It gets quite sexy, and right when she puts her legs around Brad’s head, reality calls and color comes back into the scene, changing the scenario back to reality. The two start to argue. Then kiss, and they start to go forward with gusto towards sex.

Jenna Jameson and Brad Armstrong start to have sex in an alley way. Jameson immediately pulls out Armstrong’s member and starts to blow him. He gets hard instantly, and she really works him over, much more passionately than she did in the opening sequence. This is not a long scene, with Armstrong putting it into Jameson while she rests on a Hummer. He goes forward through a couple of positions, always standing, and eventually cums on Jameson. There’s a melodic guitar rock tune here, and it’s straightforward, no nonsense sex. There are a few moments where it seems like this is going to turn into anal, but it doesn’t, Jameson just keeps things in one area, and there are no condoms here. Eventually Armstrong can’t keep it together and cums on her face, and that’s the end of the scene. Jameson and Armstrong have unique chemistry in this sequence, and it’s quite hot as you see her green eyes throughout the sex. Not a bad sequence, but it’s outdoors and has bad music.

Jenna Jameson comes home to her mansion and Tony is playing pool. The two argue and he slaps the crap out of her. She then runs to Ray, and says that he needs to take Tony out. The sequence then shifts to Ray driving, and a part commencing in two places. However, the scenes shift to the bar again. Inside the bar there is a three way sex scene about to happen.

Holly Boddy, Jake Steed, and Mark Wallice start to kiss and start working through some vibrations. This is a fast moving scene, with Boddy getting naked first, then blowing the two guys, on a pool table. The music is a trip hop track that isn’t all that good. The two guys seem to work well here, and while it seems like one isn’t as hard at first, he eventually gets there, and Boddy does a lot of the work while wearing heels. After several positions, the movie moves into a double penetration. The double penetration gets the guys moaning more than Boddy, but it’s a unique sequence with a trippy soundtrack. Eventually one of the guys finishes on her lower back, and then the other just isn’t on screen that much. It’s an ok sequence, with a predictable finish. This felt like filler if you ask me. Holly Boddy is a tanned woman with black hair and large breasts.

After the sex, Ray comes in and talks to the owner of the bar and gives him the lowdown on what is going to occur. That shifts to another scene, and we are at the mansion again, there’s a party going on, and it has a lot of women and men there, all dressed up. It’s a swingers party from what I can tell, and it’s interesting to see who is there, as it will no doubt lead to an orgy scene, right? You know it.

Jenna Jameson, Johnni Black, Papillon, Ruby, Mark Davis, and Vince Vouyer all start to have sex, and it goes from party to sex right away. There’s no condoms in sight, and all of the women are beautiful, and moaning at different points. The camera moves around to different people, different movements, and it’s interesting to see. It’s an orgy, and it looks like a lot of fun, if you ask me. The lighting is nice, the mansion setting is good, and the focus is all on the women, with lots of pretty tanned ladies with fake breasts, and shaved pubic hair. There’s not much that can be said about this one, there’s a lot of sex, and multiple cum shots and that’s the end.

The scene ends, and in comes Ray with a gun. Jenna asks where he was, and asks him to kill Tony. There’s a stand off! Jenna pulls out a gun and says she’s sick of Ray, and then there’s a Mexican standoff. The lights go out and someone yells, “NO”, then fades to black. We are taken to another scene. It’s Jenna digging a hole, it’s in black and white and we don’t see anything but Jenna, a body bag and a hole. The narrator eludes to the fact that she killed both of them, and that’s that. Fade to black, roll credits, Jenna wins.

I give “Jenna’s Revenge” a 4 out of 5.

I have to give credit where it is due, “Jenna’s Revenge” has everything you want in a porno. It has a lengthy story, with some sex thrown in for good measure. The start is in the movie a lot, she has sex a great deal, and gets revenge on the people she needs to get revenge on. It’s a good movie that is worth picking up if you’re a fan of Jenna Jameson, and the rest of the cast. It’s plot heavy, not sex heavy, although it doesn’t shy from hardcore, including double penetration. A good overall showing if you ask me. Not perfect, but really good overall.

You can purchase “Jenna’s Revenge” on streaming or on DVD by clicking here. If you’re a collector, you’ll definitely want to add this one to your Jenna Jameson and Jill Kelly collection, for that matter.

The Perfect Slut (2005) Review

The Perfect Slut (2005) DVD Cover 

Heading into 2005, going a bit more modern than usual on this website, we are going to discuss “The Perfect Slut”. I didn’t know anything about this movie, and so I was surprised that within 1 minute and 30 seconds Cindy Crawford was talking to the camera and playing with herself. Before getting too far into this one, the stars of this movie include Cindy Crawford, Alex Rox, Sergio, Tyler Faith, Ashton Moore, Gia Paloma, and others. This is a gonzo movie. I didn’t realize that until I started watching it, and then I looked closer at the box art. This is a Jill Kelly production, but she’s not in it. If you’ve ready anything on this blog, you know that I’m a big fan of Jill Kelly, and would love to meet and interview her. As for this particular movie, it’s her production company, but she’s not doing anything in it. This is a gonzo porno movie, and I don’t like reviewing gonzo movies, but hey, it’s too late now, I have to get started.

The opening scene features Cindy Crawford in what appears to be a bad motel, or a set somewhere in the San Fernando Valley. She starts playing with herself and then in comes Alex Rox, Sergio, and Tyce Bune. This is a fourway sexual romp, and two of the guys aren’t even hard. They struggle to get it up, while two guys are hard. Cindy Crawford, Alex Rox, Sergio, and Tyce Bune go through some good points overall. Cindy Crawford looks nothing like the super model. She’s a blonde haired, tanned, skinny porno actress, and well, she’s not half bad. If you like blonde haired women, this is going to be your scene, at least in the beginning, as she’s shaved, and she is perfectly tanned, and looks like that California blonde style. Crawford gets wet with some oral, she has a piercing down below, and a landing strip. The guys take turns with her, and she seems to genuinely get into some of the action, moaning, and nearly screaming at one point. There are multiple positions, multiple partner changes, and your classic 4 way sex romp. At one point she asks for anal, and that’s showcased at around 14 minutes into the movie. A few minutes later, there’s a double penetration, and that’s about the best part of the scene. The camera moves back and forth and shows you that this is a set, not a hotel, which is interesting to see. Overall, Crawford’s enthusiasm for this scene makes it worth checking out, as she really gets into the sex, and the guys are there to oblige her requests. The show ends with multiple money shots on her face, and that’s it.

From that scene we are taken to the back of a club. It’s there that two blondes are kissing. A techno beat starts and the two start to get a bit more extreme. The two women, are Ashton Moore and Tyler Faith. As far as lesbian scenes are concerned, this is not half bad. They are both thin, tall California blondes. They go slowly, and they are sensual throughout their scene. It’s an interesting scene and one that is definitely going to attract those that like blondes. Both women are shaved, both are toned, tanned, and seem to like what is going on. The lighting is dark, the music is bothersome, but the sex is above average. What else can you ask for?

The sequence ends, and we are taken to another scenario. This one features Kurt Lockwood, a toned guy with an average penis, Cindy Crawford, and Summer Sweet. Again, we are treated to blondes. It’s two blondes working over Lockwood, and a jazzy, new school beat. Kurt looks like a surfer dude, and he looks about as smart as a box of cement. No offense, but it’s just a funny looking guy, with an average sized member. The music doesn’t fit the scene, and the set looks like the lobby of an old hotel. The women immediately start working over Lockwood, giving wet blow jobs, and kisses. No condoms are in place, and the two women start things off with reverse cowgirl, taking turns. The new wave jazz was annoying here, but the sex is fine. Two blonde haired women that you’d find on the streets of Santa Monica, near the pier. If you’re into tanned, skinny, blonde haired women, then this scene will really do it for you. As for me, it’s average. The women are shaved, they seem semi-into it, and Lockwood does good not to cum too early and he really pushes into both women. Lockwood just looks like he’s going through the motions, and the women aren’t that into him, but they are doing the job. Sure it’s sexual, but it’s far from being passionate. However, as far as eye candy is concerned, the women are hot, and the more you watch, the more they tempt you. The scene ends with a money shot, and it’s not that great. Lockwood is delayed in finishing himself off, but the women make due and suck it dry, making it the best part of the scene. Other than that, this isn’t that great.

The scene shifts, as is the standard for gonzo porno movies, and it’s Alexis Amore, Charmane Star, and Alex Sanders hanging out at a strip club. This appears to be the champagne room, and while Chris Rock said that there’s no sex in the champagne room, this trio is ignoring it. The two women have long brunette hair, and medium tanned skin. Sanders has a skinny, rocker type body, and a condom is used in this scene. The two women pounce on him, blowing him, then getting on top for a ride. Sanders takes turn with both women, one had a piercing of a diamond on her lower parts, and then after some back and forth, Sanders gives the women a money shot, although he struggles to let it out and it doesn’t seem to come through with much vigor. The women blow him after the fact, and that’s the end. I like the finish, anytime an actor cums and then gets a blow job, lucky bastard.

And now, another sex scene. This time around there’s an alternative rock tune playing in the background. This set looks a lot like a college dorm room, and it’s a boy girl scene. This scene features Gia Paloma and Christian XXX. Gia moans through the kissing portions of this, and Christian gets hard fast, so Gia jumps on for a blow job. There’s some blocking that goes on here, the same that you’d expect from old Cable television porno, and it’s funny to see. Gia goes deep here, and actually seems to have some passion for what she’s doing. That makes this scene a lot better than the previous one. The two start having sex, and that passion seems to dwindle a little. Gia does moan while in different positions, and eventually in anal, but Christian seems to be in work mode and losing his erection at one point. It also looks to be painful at one point, and the signs of a penis that has been pumped comes through. Christian eventually cums on Gia’s back and butt and the scene ends.

The final scene, we are taken to a set with good lighting and Cindy Crawford talking. She starts off by stripping, and then a group of five guys show up. She is enthusiastic about what is to come, and well, here we go, the final scene begins at around one hour and 10 minutes. This scene features Cindy Crawford, Alex Rox, Anthony Hardwood, guy, Sergio, and Tyce Bune. Crawford immediately starts to suck everyone off, and no dick is giant, or monster in size. The guys that aren’t getting blown are just masturbating, trying to get hard, and one guy cums too early. The sex begins, and it’s standard five way sex, with one guy getting into it, while the others watch, then a DP sequence occurs after some anal, and things really get going. There are no condoms used here. A few of the guys don’t even stay hard for most of the scene. The camera work is not that good here, and the guys go through the motions, including several DP moments, but honestly, it’s not that great. Crawford seems to enjoy it, but at a certain point seems to get bored with the action. She moans, the guys go through th emotions, and she asks them to go slow, but they don’t, and she just takes it. The scene eventually finishes with the guys cumming on Cindy one by one and that’s it. The movie ends and that’s the end of the production.

I give “The Perfect Slut” a 3 out of 5.

Cindy Crawford is a name that I recognize from super models. However, this is not her. This blonde haired woman has a California look to her, and in my younger years would’ve turned me on. Now in my 30s, however, she’s not that great, and the movie seems forced at times. The rest of the scenes are a bit dry, although there are a few moments of enthusiasm. Gonzo porno sucks, and I never liked it. However, there’s enough here for a 3 out of 5, so I handed it down.

Finishing Touch (1994) Review

Finishing Touch (1994) Poster 

I’m not sure why I picked “Finishing Touch” but as I look at the cast, I think it’s all because I wanted to get to see all of Jill Kelly’s scenes. She’s one of the women that I’ve grown to love, and would one day love to interview, so if you know Jill Kelly and she would want to talk to a random blogger, of course I’d be down to talk with her. Anyways, this movie comes to us from 1994, and I swear that this was on Spice Network, but I can’t really be certain. The cast of this movie is simple enough, as there aren’t that many scenes. The cast is, Jill Kelly, Cal Jammer, Lana Sands, Saki St. Jermaine, Mike Horner, Dyanna Lauren, Krista, Tianna Temptress, Rick Blaine, and Brad Armstrong. There’s not much I can tell you about this one, other than it was directed by Jim Travis, and distributed by Dreamland Entertainment. The lead in notes that Jim Travis shot, directed, and wrote this one, so word to Jim Travis! Nice.

We begin the feature with an older blondish haired woman that is typing on an archaic laptop. This is a set that is dark, with a green couch, and looks like a studio set, more than anything. This actress, whom I assume is Dyanna Lauren, starts to read a script, and imagines the scene.

The scene shifts to the imagination from the script, and we have a young Jill Kelly and Cal Jammer starting to make out. The music is a slow progressive jazz beat, with bongos and drums starting to weigh into a little jazzy number. This goes along with the slow moving process of Cal Jammer as he really tries to be sensual with a young, Jill Kelly. Kelly seems to be into it for the most part, and the two try to be as sensual as you can get in a makeshift office. Kelly isn’t shaved here, and she doesn’t have her breast implants, so if you’re a fan of natural, young Jill Kelly, then this is going to really do it for you. I can tell that this movie was meant for the Spice Network as well because there’s a focus on Jill Kelly’s eyes and movements, and a slow down of the editing where you just see Cal Jammer and Kelly’s eyes, and nothing more. Then she gets into the blow job sequence, but it’s deliberately shot where you don’t always see her mouth and Jammer’s penis. It’s fascinating to see the blocking that is done here, which is always a nod to the old cable porn days when you couldn’t see penetration or anything like that. This scene slowly moves forward into sex, and the song continues it’s slow beat. There are no condoms here, and Cal Jammer seems to have chemistry with the young Jill Kelly. In fact, this is a much more raw scene than you would normally get from Kelly’s later work. One odd note was that there was a dubbed moaning into the scene, which wasn’t Kelly’s voice at all. That was weird, but other than that, this is scene progressively gets hotter, and Jill Kelly truly becomes one of my favorite actresses. Jammer is a pro here, and just goes through the motions, but Kelly really gets into it around the 15 minute mark. If you are a fan of porn and you don’t get hard to this scene, I’m not sure what you’re doing watching it, cause Jill Kelly is awesome in this one, wearing stockings and a garter, supreme example of high quality porn, even if the lighting is a bit “orange”. There’s an odd point in the scene where the two turn on each other and rim one another, which is an interesting point. Then things go back to a different pace, and Jammer cums on Kelly’s stomach, then she gets on her knees and blows jammer. This is one hell of a sex scene folks, grade A if you ask me.

We go back to the writer at the beginning. She breaks the fourth wall and talks to the camera, telling us that she can come up with better in the script, and she once again reads, and imagines.

Moving forward, we have another fake set, and it’s supposed to be a retail store selling shoes. The woman that is in place is Saki St. Jermaine, and she’s a redhead that looks to be a bit older. Meanwhile, Mike Horner is the main man here, and Lana Sands, one of my crushes from the old porn world is in this scene too. The scene turns from a women’s shoe salesman gig to a trio of sex. This is not a long scene, but a lot of foreplay occurs. St. Jermaine doesn’t get into the sex as much, as Lana Sands gets most of it, and the camera focuses on that more than anything else. Eventually Horner cums in Sands’ face, and that’s the end of the scene. This is a fast moving scene, that isn’t that fun to watch, the editing is bad, but the jazzy tune saves it. It sucks when the music is better than the sex, but it happens. This isn’t a terrible scene mind you, it’s just not as good or as hot as the Jill Kelly scene that was up front. The ending does have that classic post-cum blow job, which isn’t bad.

We go back to the writer’s position and it’s Dyanna Lauren topless, I think. She’s the writer, and she’s talking about how she can make the scenes better and starts to imagine another sequence.

Coming up next it’s Dyanna Lauren, Krista, and Tianna Temptress doing a threeway lesbian scene. This isn’t exactly thrilling if you’re not into lesbian scenes. It’s standard, but the production team decided to have the music louder than the moans and the women, so you get a jazz beat over the moans. The scene isn’t half bad, the women are all cute, and they have a great deal of momentum with dildos, and vibrators. The women are brunettes except Dyanna Lauren, and it just flows with ease. It’s a standard scene, with good music, but it’s not that great. It’s enjoyable for a little bit, but it’s not grand, that’s all I can say about it.

The next sequences features Dyanna Lauren masturbating and that’s it. If you like solo scenes, this is a good one, as she just uses her hands and just goes to town moaning and groaning with her long finger nails, and that’s it.

If you were upset that you didn’t get much action with Saki St. Jermaine, then you will love the next scene, as it features her, and Rick Blaine. But viewer beware. Rick Blaine is an everyman, he’s hairy, he doesn’t have a big penis, and well, is a bit gross looking. Not like Ron Jeremy gross, but think suburban dad from the 1980s kind of gross. St. Jermaine is a bit nasty here, and I don’t know what to make of this scene other than it’s a perfect illustration of how raunchy porn is supposed to be. Mid-way through the scene, Blaine doesn’t even have it up that much and Jermaine has to really work it to get up. This is kind of a gross scene, but it’s porn, so it’s bound to happen. The two get it on and Jermaine screams a bit, but the two are more amateur than anything else, so if you like amateur sex, then this is going to first nicely for you. It’s raw, it’s animalistic, it’s kind of enticing after a while. Blaine cums on Jermaine’s butt and that’s the end. For historical reference, the scene works, but it’s far from hot if you ask me.

We go back to the writer, and it’s Dyanna Lauren as she talks to the camera. She says that she’s done writing and now she wants to go do Brad Armstrong, and that’s where the movie takes us. We see Dyanna Lauren in crotchless panties, and black pumps. She’s topless, and the music is a piano medley that is sensual in tone, as you see the artsy side of porn production. Brad Armstrong shows up and Dyanna Lauren says she wants to do him, and well that makes it all better. Brad gets onto a bed, and she services him outright, with a sensual focus, that blends well with the music. Armstrong is one lucky dude, and he’s a staple in a lot of porno movies. Dyanna Lauren is quite sexy in this final scene, and the two seem to have some genuine chemistry in working together, although it takes a bit to get going. It’s not a long scene, mind you, but it works for what it is, and after about 2 positions, Armstrong finishes on her face, and that’s the end of the show folks. The ending scene is a bit more sensual than anything, and well, it’s a vehicle for Dyanna.

The movie ends with Dyanna Lauren talks to the camera again, and she’s a terrible actress. But hey that’s the end of the movie. The movie is only an hour and 24 minutes long, mind you, and it really isn’t that grand. The camera zooms in, and it’s the end, a movie that really isn’t great but hey, Jim Travis does ok with what he has.

I give “Finishing Touch” a 3 out of 5.

The only reason you’d want to see this movie, in my opinion is for Jill Kelly. A young Jill Kelly is featured in the first sex scene, and it’s quite a doozy, so if you’re into her, that’s the reason to get this movie. Otherwise, it’s a serviceable title for fans of Dyanna Lauren, and that’s about it.

You can purchase “Finishing Touch” by clicking here, or finding it somewhere else. I got my copy on VHS tape, and well, it has been worn and weathered by this point.

The Deviant Doctor (1998) Review

The Deviant Doctor (1998) Poster

“The Deviant Doctor” came out in 1998. It was a movie that I didn’t ever see on the Spice Network, but that doesn’t mean that it wasn’t part of their line up at the time. The premise of this movie is simple enough, it’s about a psychiatrist or sex therapist, that is having a hard time keeping things professional. She talks about how since the start of her career, she’s been having fantasies with patients, or rather, she masturbates to their stories, after they leave, etc. This leads to some splicing of what is to come, and you start to see that this porno is going to be a quick romp, as it’s only about an hour or so long. It was obviously released on VHS and was done cheaply, as the sets are somewhat simple, but hey, that’s porn for you. The stars of this movie include Kim Kitaine, Nick East, Nikki Sinn, John Decker, Sid Deuce, Alex Sanders, Channone, Brick Majors, Jill Kelly, and Patricia Kennedy. It starts with a sexual twist, considering the name, and as you may already guess, it’s a plot driven movie that seems to hold loosely to it, and ventures into gonzo at times. But is it any good? Let’s find out, because that’s what I do here on this site.

The opening scene features our therapist talking about sex therapy and how she has been going about it in an unorthodox style. The calming piano music enters you into the realm of this world, in an office where the majority of the movie. Once the movie starts, it involves a little couch time with adult film stars, and that’s where we see the opening sequence. Kim Kitaine and Nick East open up the movie, and it’s funny because there’s a bass guitar line that is almost a parody of porn music. Kim Kitaine is a young looking, blonde hair girl with shaved pubes, and long finger nails. Nick East here has long curly hair, and is a veteran of the porno industry, just not in this scene. Kim is supposed to be a young lady here, but even with makeup, she looks a lot older. The scene is narrated by Kim throughout. Nick does well here, pushing through the otherwise somewhat boring sex scene. He is in work mode for the most part, and Kim moans a bit. Overall, this scene is a good one, but it takes time to build to the climax, and eventually Kim blows Nick after he cums, or tries to cum on her face, and that’s the end. Not a great scene, not a bad scene, but mostly what you’d expect from the 1990s, including a funny bass line with bad jazz guitar work as well.

Up next we see the doctor talking about a guy that was blind. This scene turns into a story narrated by John Decker. John Decker talks about a meeting with Nikki Sinn’s character, I am using the porno actors names, but I don’t know their character names in this movie, so you’ll have to just keep along that way. The blind dude talks about how this woman wanted to sleep with him, and so he got turned on, so he went forward. Nikki Sinn and John Decker have sex in an open office area, and it’s not half bad. Nikki Sinn is a tall brunette, and Decker is a slim long haired dude. The two go through the motions of sex, narrated by Decker, which is a bit off putting, considering, but this was a sensual scene overall. This is a very slow moving, highly erotic scene, as Nikki Sinn channels Traci Lords in her moaning and screaming and movements at time. John Decker just goes through mechanical sex, pretending he’s blind overall. Sinn keeps a pair of long boots on and her garter and nylons, making this a somewhat intriguing scene. The smooth jazz sucks, though, but the rest of it is not half bad. After some regular sex, there is a point of anal, and the rest of the scene was anal sex, and after a few pushes Decker cums on her face, and that’s the end of this scene. I could’ve done without the narration, and the terrible smooth jazz music. It’s an ok scene, but not a grand one.

The next scene features Sid Deuce coming in for some couch time. She discusses how she is a dominatrix, and recently had sex with Alex Sanders. Sid Deuce is one of the stars that I remember most from the Spice Network, and now looking back, she reminds me a lot of the blonde haired woman from “Absolutely Fabulous”. She looks older here, and has a lot of make up on. However, her blonde hair, slim body, and knack for sex is probably why she’s a mainstay in the world of porn for so long. At least in the 1990s, where I heard her name a lot. Alex Sanders has long curly hair, and he seems to enjoy going through the motions with Sid Deuce for the most part. The two have sex on a chair, and she does a lot of the work for it. Eventually she gets off and he cums in her mouth, to a nice jazzy video game tune. That’s the end of this scene, and honestly, it wasn’t terrible. If you’re a fan of Sid Deuce than you’ll love watching her here, as it’s not half bad, but it’s also not a great one. I was a bit distracted by the constant flash of the photographer at the end, possibly taking shots for magazines and the back of the cover of the VHS tape.

Up next we get two people I don’t know much about, and a shower scene. The sex therapist talks about how the couple can’t seem to find the time to have sex because one likes to go with masturbation in the shower more than the other. This scene features Channone and Brick Majors. Two performers I don’t really remember all that well. It’s not a bad scene mind you, it starts with Channone masturbating and nearly squirting. She is a brunette that has her pubes unshaved, with tan lines from a bikini, and she just goes at it with herself in a shower. If you like female masturbation scenes, this isn’t half bad. I’m not a big fan, but this works well, as it is sensual with the tied piano music to it. It’s got an artistic feel to it, that’s for sure. Eventually Brick Majors shows up and the two have sex in a hot tub, which is empty. It’s actually not that good, and kind of mechanical. After just a few minutes, Majors cums and that’s the end. This may be the weakest scene in the movie. It doesn’t help that there’s a smooth jazz, guitar riff playing throughout, which tries to be romantic. There is a close up of the sex at one point and you can see Majors is wearing a condom, which the other guys aren’t doing in their scenes, and it ends with a money shot, and that’s the end. A boring scene overall.

The doctor comes back and she’s masturbating, and narrating how she sometimes has to get help with finishing. So she asks her secretary to come in, and that role is played by Jill Kelly. A young Jill Kelly and Patricia Kennedy have sex on a couch in the doctor’s office. Oh, the doctor is played by Patricia Kennedy, mind you, so this is an interesting little scene. As far as lesbian scenes are concerned, this was mechanical, but ramped up with a strap on, and a few close ups that didn’t seem to get in focus. It’s not a terrible scene, mind you, and I still think Jill Kelly is hot, but it’s a bit tame and somewhat mechanical. When you watch it, you’ll see what I mean, as there’s just not that much momentum carrying this sequence forward. There’s a rock jazz fusion tune that plays throughout, and well, that is a bit off putting as well. This is a workable scene in a bind, but honestly, it’s mostly Patricia Kennedy getting off, and a lot of the camera work doesn’t show off what is going on down stairs, so it seems like it was made for cable or the Spice Network. Even when Kennedy finally climaxes, the camera only focuses on her face and legs, with an over the shoulder camera angle, and nothing more. It’s actually not a great scene, and definitely lackluster to a finish.

That’s the end of this one, a boring lesbian scene to close out a somewhat boring movie. It’s not that great, but hey, that’s mid 1990s porno for you.

I give “The Deviant Doctor” a 2 out of 5.

There’s not a lot going for this movie unless you’re a Jill Kelly super fan, or you really like female masturbation scenes. Other than that, this is a somewhat boring romp that is only about 64 minutes long. It was a Lowrider Film, and well, it’s not a favorite of mine, but there may be fans out there that love this one. I didn’t.

You can purchase “The Deviant Doctor” by clicking here, or finding it somewhere on VHS and maybe Dvd.