Ginger Lynn The Movie (1988) Review

Gnger Lynn The Movie (1988) 

You didn’t think I abandoned this blog did you? I know I took a little break, but I’m back, and my first movie on this return is a movie that is actually a bit of a compilation. It came out in 1988, and I cannot confirm that this ever played on the big screen or not. It’s a movie that compiled a lot of footage from Paradise Visuals, the company that did a lot with Traci Lords. The original cut of this movie does have Traci Lords in it, mind you, but of course you know that it’s hard to get movies with her in them. While I am able to get them when I go overseas, I cannot get them in the United States, as they were supposed to be thrown out. Anyways, in 1988, a movie came out called, “Ginger Lynn: The Movie” and it features scenes that include all Ginger Lynn. If you’re a fan of Lynn’s early work, then you’re going to love this one, because it is all about Ginger, which is always nice. Even today, Ginger Lynn looks amazing, and well, let’s consider this movie and how it all comes through.

The opening scene is from the movie, “The Young Girls” which came out in 1984. I reviewed that one, I think, and if not, well, you can seek that one out. The scene features Ginger Lynn and John Holmes. The two start in an office and talk a little before Ginger Lynn takes off her clothes and presents herself nude to John Holmes. John Holmes starts with oral on Ginger Lynn. Lynn here is young, tan, blonde, and has small breasts. She’s still new in the industry, and it shows, allowing for distinct vibes from Holme’s oral delivery. After some initial oral, Lynn gets on her hands and knees and sucks off John Holmes. If you’re not aware of who he is, you’ll find that he’s huge, and his penis here is on full display, and it’s before he lost all the weight and looked like a drug addict. This is early Holmes, and it’s fascinating on one hand, and odd in another. Lynn works well with the large size. After some solo work, masturbation, and close ups with no music, mind you, Holmes cums on her face and that’s it. Nothing major here, no sex, just a blow job and a finish.

For the second scene, we see Ginger Lynn in a bedroom pleasing herself slowly for the camera. There’s saxophone jazz music playing, and it’s an average scene, nothing spectacular. It’s a short one, but it works in a very “Playboy” soft kind of way, but it still has some hardcore elements to it, so don’t let that fool you. It’s Ginger Lynn, masturbating, that’s it.

There’s a sequence that features Harry Reems, and the two kiss at one point, but it’s tame, and nothing really to report. It’s a futuristic looking scene where the two kiss in a box, and that’s it. Reems is then seen talking to Harry Reems, and the two just talk about the scene that they were working in. Reems takes Lynn back to his apartment and the two start to make out on a bed that looks like a 1980s bedroom. The camera cuts and Lynn immediately starts to blow Reems. She’s fully naked now and the two start with 69. The sex here has no music to it, and it’s just Reems and ginger, sweating, making out, and going through several motions of sexual intercourse. It’s semi-fast at times, but mostly it has a lot of kissing and slow moving sex, with Ginger moaning here and there, and nothing too complex. There’s a money shot that they slow down, and that’s it.

The next scene features Peter North driving a car, and he’s simply going to meet with Giner Lynn at this point. He is thin, wears a suit, and is visiting Ginger at a random house.

It’s here that the camera cuts and we see Ginger Lynn and Christy Canyon making out, nude, and then starting to work with a lesbian sequence. There’s punk rock music in the background, and the set is terribly lit, with a bit too much orange lights. The bedroom is mired by late 1980s covers, and the two women are the epitome of porn from the 1980s. Christy Canyon and Ginger Lynn go through the motions of lesbian sex here, and it’s not bad, all with Peter North just watching. The film grain is terrible here, and the two women just seem to work ok together, doing what you’d expect. Oral, fingers, and scissoring for the most part.

The scene ends, and we hard cut to Ginger Lynn moaning loudly as she’s getting plowed by Tom Byron. This scene is from another movie, and it’s not half bad. This is average at best, and it’s very short, only a few minutes, and Byron cums on her back. It’s so fast that you won’t even time to get hard.

The scene gets cut, and we are taken to an orgy scene that features, Crystal Breeze, Ginger Lynn, Sheri St. Clair, David Sanders, Eric Edwards, Marc Wallice, Peter North, and Tom Byron. This scene has some music to it, and it doesn’t just focus on one girl, it focuses on all of them. If you like orgy scenes, then you may like this one. For me, it’s boring because the camera keeps shifting and the sex is just somewhat formulaic, and clumsy for the most part. The editing isn’t that good, but the music kind of neat. Ginger Lynn does put in a good performance, considering she’s not the main focal point of the whole scene, and does in fact moan a lot, but her moaning gets lost with other women in the scene.

There’s another hard cut and we go to Beverly Bliss, Crystal Breeze, Sheri St. Clair, and Tom Byron engaging in a sexual escapade. They are all nude and there’s nothing to this scene, but the girls kissing and going at it with Tom. They are all brunettes and there’s no GINGER, and the editing here is horrendous. The camera shows you more of the facial features than anything else.

The next scene is throw into good measure, and it features Christy Canyon and Ginger Lynn having sex with Jamie Gillis. This is another short scene, but it’s one that is quite good if you like Canyon and Lynn together. Gillis is a lucky man here, aging, and somewhat simple in his look, but he manages to get both women aroused and gets involved with each one, sans condom. There’s a heavy bass line here, and at some points Canyon looks into the camera, but it ends with a money shot onto Canyon and Lynn’s back. Gillis looks like a creepy uncle here too.

The scene fades to black and we see Peter North and Ginger Lynn talking by a lake. The two go forward to a deck chair and start to engage in sex. Ginger Lynn starts to blow Peter North, and out comes Christy Canyon, wanting to jump in as well. Ginger Lynn, Christy Canyon, and Peter North start to have outdoor sex, and the film grain is horrendous, the lighting is bad, and the camera has to fight shadows everywhere. This scene doesn’t last too long, mind you, and by the time North starts to get one of the actresses to moan, he cums, and that’s that.

I give “Ginger Lynn The Movie” a 2 out of 5.

Look, I love Ginger Lynn, and I’ve seen her in a lot of movies, but this is not a great one. Inf act, it’s a bad compilation that promises 9 scenes and possibly some bonuses, and it’s awful. I could see this being a video store rental, and that’s it for a quick ride. However, there’s no story here, it’s spliced from other movies, and the editing is beyond horrendous, which is why I can’t recommend this for anything else than for observation and history. Other than that, collectors are the only ones that will want this one, not the average porn consumer.

Between The Cheeks (1985) Review

Between The Cheeks (1985) Poster

Again we go back to the 1980s. I feel that no matter what I do, the 1980s keep sending me back to the decade to check out the porn that came out from that era. It’s funny, because that’s when the film grain is used most, and the artistic elements seem the best. But then again, there are also some terrible movies from back then, so let’s not get carried away with giving them praises. As far as our time machine is concerned, it’s going to 1985. We are going to 1985 to review a movie that was directed by Gregory Dark. The distributor was VCA, and the stars are some of the major players from the world of porn. The movie here is called, “Between The Cheeks”, and it was released in 1985. The stars of this movie include, Summer Rose, Aurora, Steve Powers, Marc Wallice, Tom Byron, Tony Martino, Laurie Smith, Steve Alexander, Gina Valentino, Sheri St. Clair, Ginger Lynn, and Jack Baker. This is not a long movie, but it stars some big names, and that may be why it has come time to review this one.

The movie begins with the classic Dark Brothers logo, in which they claim that they are purveyors of filth. A classic 1980s rock soundtrack begins and we start with the credits. The music has lyrics, and it’s a licensed musical number, as we are introduced to the actors in the movie, with clips of the sex that you’re going to see later on. The song is called, “Between The Cheeks”, and it has full lyrics, and it’s made for this movie! It’s an interesting little introduction, alongside the images of what’s to come. This gets a full point from me, just for the music starting point.

The movie starts with a Jack Baker talking to three people in a warehouse set. There’s a lecture about the difference between cats and women, and we have three students that are playing dumb. It’s funny to see how they try to inject characterizations into the movie. We find out that the guys here are in an asylum, and the teacher is nothing more than part of the craziness. Baker’s a good actor, and he does well here, as he did in other movies from the 1980s. The starting line is interesting, with Baker carrying the acting element more than everything else. He goes through the lecture and it sounds like he’s discussing pimping, an of course, it aint easy.

The screen fades and we are taken to another part of what appears to be a warehouse set. Here we see Summer Rose, Aurora and Steve Powers. One woman is a tall, thin, long haired brunette with a thin face, that looks a lot like my third grade teacher. Then there’s a woman that is a total punk rocker, with short hair, and the 1980s punk aesthetic look, and she starts this scene giving the brunette oral. Steve Powers is in the background somewhere with a pair of white nikes on. Summer Rose, Aurora, and Steve Powers engage in a threesome that begins with oral. The set here is a makeshift bedroom, with lighting from above, yellow walls, and a random mattress. We are nearly 10 minutes into this one when it starts, and it begins with Powers flaccid, and getting blown, while the punk chick rims and eats the brunette. There’s a few shadows cast from the crew, which made me laugh, and there’s a continued shadow near the bottom of the bed that shows you there’s a crew in the lighting, which makes this amateur hour! There’s a focus on anal play with fingers at first, but Powers soon gets in from behind to start with doggy style on the brunette, to the tune of some Devo sounding tunes. No condoms are used of course, and doggy goes forward with anal, while the brunette moans and screams, with lighting underneath to show you the penetration. After some time, the women switch and Powers go for the punk chick while the women get into a 69 position, and we see the sex go forward with some light moaning. The music intensifies and Steve doesn’t hold on much longer before he pulls out and cums on the brunettes face, and that’s the end of the scene. The ending element is awesome, with Powers getting blown after the fact with gusto, and really looked good, a point that has always garnered me hot, including a lot more blowing for a long time after the fact. It’s so powerful that powers nearly cums twice here.

We go back to the classroom and there’s a lot of dialogue and random talking. This is like watching a late night comedy routine, and it’s really only great if you watch it. I can’t really explain it too much, it’s a bunch of guys in an asylum talking about sex, in funny voices, and being stupid. It’s funny, it’s shot on film, and I can totally see this in theaters from the 1980s.

After the guys go back and forth we are taken to the next sex scene. This sex scene features Summer Rose, Marc Wallice, and Steve Powers. This time, Summer Rose is dressed like an extra from Cats, with long curly hair. She’s tall, looks a bit older, and goes through the motions of sex fast. Powers and Wallice are there with fully pubic hair, and they just go through the motions with a terrible soundtrack. After about 25 minutes, we get the first DP of the movie. If you’re into DP, then you are going to enjoy seeing this sequence as the trio go in together for a full blown focused energy movement. It’s a bit unsexy, mechanical, and while it works, you can tell Summer Rose is just gritting her teeth and taking the sequence. It honestly doesn’t do much for me, as it doesn’t really seem like the trio are that into it, and mostly just waiting for the director to yell cut or for someone to cum. After the guy doing anal cums, Rose goes down to blowing Powers, and that’s it. No second cum shot, just one, and that’s it.

After the scene we go back to the classroom and the guys are talking about random things. Then one of them speaks up and says that he was involved in foursome once, and then we are taken to that.

Ginger Lynn, Marc Wallice, Tom Byron, and Tony Martino are in this sex scene, and it has a few guys masturbating onto what appears to be bowls of jello. There’s harpsichord music playing, and the camera shifts to Tom Byron in a red hat giving Ginger Lynn oral. Ginger Lynn is in her prime here, thin, young, and has that 1980s hair style, it’s a really interesting look for her. She’s nude on a table, where the jello was, and I can only laugh at the premise. The four some do well here, and it’s really a matter of time before two of the three go in for DP. If you’re a fan of double penetration, then you’re going to get it at around 36 minutes into this movie. Ginger Lynn seems to take it well, and actually moans and seems to concentrate on the movements. What isn’t sexy is seeing one of the guys completely flaccid as the two go for DP, and he just throws around the rope trying to get Lynn to suck it, but he’s flaccid. The camera moves away from that fast, and just shows you the penetration with some terrible clown type music. There’s no cum shots here, the screen just fades to black and we get back to the classroom.

Back at the classroom and we start to see a random talk about aliens, etc. They argue back and forth, and we are then taken to a sex scene again.

The next sex scene is in a random warehouse, with a bed that has a red comforter on it. This time, the lighting is done well, and the sex is slow moving at first. It features Laurie Smith and Steve Alexander. Laurie Smith is a tall woman, with small breasts, unshaved, and has big hair. Alexander has the Freddie Mercury vibe, and if you see this you know exactly what I mean. There’s no condoms here, and there’s no shaving, it’s full hair. Despite the good lighting, and the interesting sexual chemistry, the sex isn’t that enthusiastic for the most part, and it seems like the two are just going through the motions, which isn’t a bad thing sometimes, but the director is scatter brained about what to show, and therefore it lacks that sensuality that you’d expect. Plus, Alexander looks so much like Freddie Mercury, that you’re going to be wondering what the hell is going on here. Eventually, after some lackluster sex, Alexander cums on Smith’s backside and that’s it. Perhaps one of the weakest porn scenes I’ve ever seen in a movie.

Moving along we are back at the classroom and we see more stories being told. One of which is about an alien and that there’s secret women on Jupiter. This then sends us to a warehouse where thre’s a makeshift bathtub, and some fish on the wall.

The bath tub is on the floor and it features Gina Valentino masturbating by herself, her hair up, and just moaning. Meanwhile, we see Marc Wallice on a nearby bed just stroking himself, with nothing else. After some time the two join each other and Wallice starts to give oral, as the two end up going with a 69 position for a while. There’s some Caribbean music playing to start this, and we see things really heat up. Valentino is a tanned, tall, brunette with natural breasts, and the scene accentuates those features quite well overall. There’s a bit of sex here, but it doesn’t last long. It quickly divulges into a major blow job scene with Valentino’s hair coming undone and flowing down. Wallice gets a blow job for the finish of this scene, and the music throws me off completely. As far as chemistry is concerned, these two seem to have the most fun, and it really was a good scene to see at the end, even if it’s done with comedy music etc. The ending here is with Wallice cumming in Valentino’s mouth, and then we fade to black.

We then go back to the asylum and we see the teacher talking about a surprise. That’s when Jack Baker bring sin a woman. In comes Sheri St. Clair, and she comes in lingerie. Baker gives everyone an impromptu anatomy lesson, and well, away we go.

Sheri St. Clair starts with oral, and it’s kind of gross. The reason why is because Jack Baker isn’t hard, and that’s something that always bugs me about these 1980s porno movies. When someone isn’t hard and they insist on keeping the camera on them, it’s a bit odd. Sheri St. Clair, Jack Baker, Marc Wallice, Steve Powers, and Tony Martino are the featured players in this scene, and it’s a sexual romp that is absolutely awful overall. It’s not sexy at all, and it’s supposed to be a lesson in how to have sex for the asylum guys. At one point Baker masturbates but isn’t hard, and it’s probably one of the grosses scenes I’ve seen in porn, although he eventually gets it up and cums on St. Clair. After he’s done, the other guys come through and start to have sex with St. Clair. St. Clair is a tall brunette with black lingerie, and looks a little older. She has full pubic hair, and seems to enjoy the process of working with the guys, but it’s a mechanical scene otherwise, and just a paint by numbers sex scene. It ends abruptly, and we get the song from the beginning. That’s it, the movie ends and we get the credits rolling.

I give “Between The Cheeks” a 1 out of 5.

I should give this movie a 0 out of 5, but there are some moments that are interesting, including some nice set design and interesting music. Other than that, this is perhaps one of the worst movies I’ve ever seen in my 100 plus reviews. It’s so bad, that I don’t even know what to tell you more about this. It has an interesting cover, and if you saw it in rental stores, you probably would’ve rented it, but other than that, this is a movie that is lacking in anything sexy, and perhaps it will work in a pinch, but not for me. Not even Ginger Lynn’s DP scene can save me from this one, although she’s a lovely lady none the less.

Lust In The Fast Lane (1984) Review

Lust In The Fast Lane (1984) Poster 

Stepping back into our time machine we are going back to a controversial subject. We are going to be talking about a movie that came out in 1984. While in Japan, I was able to procure a copy of “Lust In The Fast Lane”, and after giving some time to the idea, I’ve decided to review it today. What’s the big deal about this movie? Well, it stars a lot of 1980s stars, including Traci Lords. Now, whether you want to argue with the fact that this movie was made at a certain time in Lords life, or if it’s illegal is up to you. We’ve reviewed LEGAL copies of these movies in the past, and since I purchased this in Japan, I purchased a LEGAL copy of this, and will be reviewing it as such. So let’s go back to 1984, and discuss “Lust In The Fast Lane”, which was later released and edited to not have Traci Lords in it. The stars of the original site included Ginger Lynn, Tom Byron, Crystal Breeze, Traci Lords, Eric Edwards, Peter North, Beverly Bliss, Crystal Breeze, Sheri St. Clair, Marc Wallice, and David Sanders. This was originally shown in porno movie theaters and the film grain is completely there, so you’ll note that it is made for theaters, and that includes the story, transitions, and film quality. If you are in Europe, or anywhere else where Traci Lord videos are legal to purchase, or you run into something online, then perhaps, you will want to know whether or not this movie is worth checking out for review or pleasure. The movie is directed by Adam, and it was released by Pink Visuals.

The first thing that comes through is that Tom Byron and Traci Lords are a couple. They want to go somewhere for the weekend. Byron says, let’s get into the car and just go somewhere. Lords says she doesn’t know where to go or where to stay, and well, Byron is all about going out, so the two leave their kitchen, get into a car, and venture off on the road. On the road, the car that they are in breaks down and they have to walk. They end up walking to a random house. In the house they see a random guy that is nude, and a woman in a swimsuit. The couple tell them that the nearest gas station is 15 miles away, and that they should stick around, and stay the night. Lords keeps saying that they don’t want to disturb anyone, and that’s fine. The couple have walked into a home that is very much a swingers house. Everyone is introduced, and they are instructed to just enjoy themselves, and that’s when things go forward with a little sexual encounter to start.

The camera fades and we are taken to doggy style sex and it’s Tom Byron and Ginger Lynn. There’s a deep bass guitar riff happening, and we see Byron getting it on with Lynn, meanwhile, we see a shift to see Crystal Breeze, Traci Lords and Eric Edwards having sex as well. So we see juxtaposition with both sex scenes going on at the same time. I hate how these things work, but I get it. This movie was meant for you to see it in theaters, therefore the sex is cut and edited to show two different scenarios, and they are both quite good overall, but it’s difficult to get a chub going as a result. However, it’s a steady focused sexual film with moaning, movement, sweat, and a rock instrumental. No one is shaved, no one is wearing condoms, and the set looks like some random house in the valley somewhere. There’s not much more that can be said about this, the juxtaposition sucks, going back and forth between sex partners is stupid, and I don’t like how that’s done in the 1980s. However, as far as the literal sex is concerned, it’s fun to see these starts of the past just do it, without having to complicate anything, and if you’re a fan of Traci Lords and Ginger Lynn, you’ll love this opening sex scene as things really work very well. We get two money shots and to the body, and that’s about it.

The sex stops and we see the couples sitting on an old couch. Things are just quiet, before we see the scene change. The scene changes to show Traci Lords and Ginger Lynn sitting on a bed. The lighting is a bit good, and the lens moves in to see the two women start to make out. Soft music starts to play, and it’s a very romantic start to a sexual romp between Traci Lords and Ginger Lynn. The two start to get into the sex, going with oral, scissoring, and getting close together. They move around a great deal and start to moan a bit, enjoying the process of sex, before we see a man join them. After a while of the two enjoying the process of lesbian sex, Peter North shows up, and he’s hard. The two kiss while Peter North masturbates until he cums on their faces. This is a very unique little sequence at around 23 minutes. North really goes hard here, and cums a lot on the two, it’s even done in slow motion to show off the art of the sexual element. There’s a little sexual component to this, at one point it looks as though Ginger Lynn gets doggy style but it’s not a long sex scene with North involved. Lords doesn’t get involved with the sex, other than getting oral.

We move next to a den and there’s Tom Byron and 3 women. The host says that the ladies will have a good idea as to what to do next, and that’s when they get nude. Beverly Bliss, Crystal Breeze, Shery St. Clair, and Tom Byron start to have sex here. It’s a four some that starts with Byron getting blown soft, and it appears to be a struggle for him to get hard even though he has 4 women on him. The women are all brunettes, all natural, curvy, and look a bit older. Byron looks so young here, and eventually he gets hard enough to have sex. It’s obvious that he’s not that into the women here, and while the music starts to get louder, the moaning comes through as well, and it’s interesting to see this scene. It’s a bit awkward, but eventually Byron gets into it, even though the women are over acting. Eventually, Byron gives a money shot and that’s the end.

The scene switches and we get a little interlude between Tracy Lords and Tom Byron before we are taken to another part of the house.

The next part of the house features Sheri St. Clair, David Sanders, Marc Wallice, and Peter North. Sheri St. Clair has large natural breasts, a thin frame, and way too much makeup to make her look a little younger than she is. She’s got a full bush, has long curly brunette hair, and it’s interesting to see her here. She gives the guys a blow job here, and they aren’t that hard. It’ funny to see the dudes struggling and eventually getting harder. Peter North especially is not hard, as St. Clair tries to put two penises in her mouth, and they are not that hard. It’s funny to compare size here. The rock music is good here. The men go forward with having sex, and the highlight here is a double penetration point. There’s a DP sequence while St. Clair blows another guy, and it’s not half bad. It’s rare to see DP in these movies, so it’s interesting to see this one, and there’s no condom of course. Eventually all the dudes cum and that’s the end.

We are taken to a patio where Traci Lords and Tom Byron talk, and like to stay a little longer. The two then move to the inside of the house, some romantic saxophone music plays, and we see a shift.

This time around we see Tom Byron and Traci Lords making out in a bubble bath. Lords reaches Byron and starts to blow him. He gets hard fast here, and you can tell that he’s into the process, and has chemistry with Lords. He’s done several scenes with Lords at the time of filming this movie, so it’s known that they are good together. There’s some reciprocating oral before Traci and Tom start to have sex. The sex stars, and you can see that Lords gets wet for Byron, and the two have sex on some tiles while the bubble bath starts to dissipate a little. This is a simple sex scene, doesn’t last too long and eventually gets Byron to cum on Lords’ backside and that’s it. This is a simple sex scene that doesn’t last too long, mind you, and then just ends.

After the sex, we are taken to a hallway where Tom says he needs to get going home, but the host says that there is one last activity that he should stay for, and that’s a group sex scene. Crystal Breeze, Ginger Lynn, Sheri St. Clair, Traci Lords, David Sanders, Eric Edwards, Marc Wallice, Peter North, and Tom Byron engage in an orgy to finish off this movie. I’ve seen plenty of porno movies and different stories that have come from them, and this ending sequence is not that titillating. There’s just too much going on here, and lots of camera switches with different focuses. You don’t really know who’s who here, until you start to get a few shots that pull away from the action. While this is functional, and I know that the people involved are having sex, and for the most part are enjoying the process of filming this scene, you can’t really get that focus that you need to get too excited. The camera is everywhere, doesn’t stick around with many of the couples, and just keeps going forward between everyone having sex. All of the sex ends, and we see Tom Byron say that he’s had enough sex.

After the sex ends, he gets bitten. Then smoke comes through the scene, and the men and women all say that he’s one of them now. They keep saying, “you’re one of us now”, and he’s scared, but he’s been bitten, and you find out that this has been a vampire ritual, and they all have fangs! What a twist ending! Tom Byron has been bitten and we see that he’s now a vampire too! That’s the end of this film, and wow, what a weird twist of fate.

I give “Lust In The Fast Lane” a 3 out of 5.

I would give this less of a score but that ending really got me, and it was interesting to see a porno movie with a twist ending like that. I haven’t witnessed a lot of twists and turns in porno quite like that. As for the sex, it’s ok, Traci Lords is fine in it, nothing special to remember, and the rest of the crew did ok as well. It’s kind of a short porno movie that really doesn’t pick up until the end where things really get wild. If you’re a huge fan of Lords, perhaps you’ll want to get this one, just not in the United States. Other than that, meh, I can’t say much more about this one.

Poonies (1985) Review

The Poonies (1985) Poster

I’m not always a fan of parody porno movies, but here and there they come into my queue for review and I have to review them. That’s exactly what is going down today, a review of a parody from 1985. So we go into our time machine, and go back to 1985 where the porno was different, and there were a lot more stories involved. In the case of this movie, we are going to be seeing a collection of stars in one place for a movie called, “Poonies”, a parody of “The Goonies”. The director here is Bruce Seven, and the distributor is Vivid Video. The stars of this movie include Amber Lynn, Peter North, Heather Wayne, Marc Wallice, Sharon Mitchell, Kevin James, Ted Wilson, Bionca, Herschel Savage, and Ami Rogers. Is this a good one to check out? Will you enjoy it? I don’t know, let’s find out when we venture back to 1985 to watch, the movie entitled, “Poonies”.

The starting point of this movie features the credits and an old Vivid Video Logo, which is awesome to see. We see Ginger Lynn walking into a farm wearing a mini-skirt, blue beret, and we hear someone singing. It’s hilarious to hear, as it’s a legit song. I don’t know who sings it, but it’s classic 1980s style music. “The Poonies are the way they are now”, wow. Anyways, the movie rolls the credits and we see clips from the interior of the ranch that people are on, and we see people walking around, and going from different locations. This was shot on film, and it shows, there’s a film grain to it, and it’s quite interesting to see overall. There’s a full list of people involved with this movie, it’s not just a random budgeted movie, this was played in theaters, and it shows from the starting line to the interior of the movie. I can imagine myself at the Pussycat Theater watching this one, and it’s a classic venture back to a different time.

The movie starts and we see Peter North and Amber Lynn stating that they have a meeting with the Poonies later. The two look at each other in a motel looking room, and they start to kiss. Amber Lynn kisses Peter North and starts to moan before taking out his package. Amber Lynn is a blonde haired woman with small breasts, good curves, and a slight tan. She immediately goes down on Peter North, and he’s not hard yet, but he grows as per usual. There’s a blow job sequence with romantic music, and the two switch positions to a point where Amber gets head as much as Peter does, but the director decides to change things up.

The director leaves the action to show Heather Wayne and Marc Wallice talking. Heather Wayne’s teeth are bad here, she’s a dirty blonde that looks a bit older. Marc Wallice is young, wears a cowboy hat and weird looking vest. A 1980s techno beat starts and Heather Wayne kisses Marc Wallice, and as the camera zooms out we realize that they are both nude. Wayne has dark pubic hair, the two are in the den of a badly designed condo, with terrible carpeting, next to a brick fireplace. Wallice starts with oral on Heather Wayne and she responds nicely to it. After a few minutes the two switch places and she gets on her knees to blow Wallice. It’s not a bad blow job by any means, but there’s a lot of hair here, and she works well with what she has, but Wallice isn’t huge. There’s a nice shot of Wayne bent over, which is lovely, but the director cuts.

The director hard cuts back to Peter North and Amber Lynn having sex. They are in doggy style by the time the camera switches and it’s not too bad of a scene. Lynn moans a great deal as North goes all in with a mechanical rush of blood, and romantic music as the backdrop. The two continue to have sex, and it’s not a bad scene, but it’s also not too sexy, as there’s some blocking and they are on a waterbed.

Another hard cut occurs and the director goes back to Heather Wayne and Marc Wallice having sex. I hate when directors do this, but I’m sure it’s because porno theaters didn’t want their patrons masturbating during the film, so they cut the sex scenes shorter and switch between hardcore shows, right? I don’t know. Wallice and Wayne are doing it reverse cowgirl and the camera shows off the moves. At one point Marc picks up Wayne and gives her a standup ride, which is impressive.

Right when you get impressed, we are taken to another hard cut. This cut sends us to reverse cowgirl with Amber Lynn and Peter North. After some time in the sex, things stop and North cums, although it’s not a big cum shot, and Amber Lynn finishes him off with a hand job.

Hard cut again and we are back with Marc Wallice and Heather Wayne in doggy style. After some back and forth traction here Wallice can’t hold on and cums on Wayne’s back and that’s it. He’s sweaty, they kiss, and the two smile afterwards. The camera fades and we are taken to a meeting of the Poonies up next.

So we get into a meeting of the Poonies and they discuss how their house is being taken by the bank. It’s that simple. Then they find out that the owner of the house has been kidnapped! They talk about finding an old treasure map, and then it’s shown off, etc. the story now features the Poonies trying to find their lost guy, and figure out how to save their house. A sense of adventure! The story of Poonies starts and we go ahead with more information.

We move along to another scene, after the Poonies have their meeting. It features Sharon Mitchell talking to Kevin James. Sharon ties up James, and then starts to strip in front of him. Sharon Mitchell has a thin body, short 1980s hair, a big nose, big facial features, and a round butt that’s quite good. She looks like a mom from the 1980s with a tight body, and it’s quite interesting to see. There’s a deep bass line, music starts, and Sharon Mitchell gets on her knees to blow Kevin James. The director shows a bit of the insertion to start, and the two start to have sex, but then there’s a hard cut, bugging the hell out of me.

The cut goes back to the Poonies meeting, and they all discuss a crazy lady, whom they elude is Sharon Mitchell. They are going to investigate and figure out what is going on and where their landlord is based on the map. Then we see a little strip tease with Ginger Lynn before the camera cuts back to the sex.

Back in a basement looking area we see Kevin James and Sharon Mitchell in reverse cowgirl. There’s no condoms, no one is shaved, and this is mechanical in nature. The two go through several positions, and it’s not a terrible sequence with the music, but in the middle of the sex another hard cut occurs!

With a hard cut we are taken to the den of the previous scene only this time we see Ginger Lynn, Heather Wayne, and Ted Wilson engaging in oral. The trio go through some positions of sex, and there’s a saxophone jazz tune in this one. Ginger Lynn is the star here, as she gets into the sex a lot more than Wayne at this point, and it seems as though Ted Wilson isn’t complaining at all as he goes all in with Lynn.

The director hard cuts from doggy style and we are sent back to the basement where Sharon Mitchell is having sex with Kevin James still. She moans a little and the two are working up a sweat, and it’s not too bad here. James asks his lover to give him a hand job and that’s it. The end of this scene.

After the sex, the camera cuts to the Poonies dorking around the compound. Nothing special here, no music just the actors going around some ranch.

Meanwhile, Bionca and Herschel Savage are in a room together and they start to make out for what seems like no reason. They start to make out a bit, then Bionca goes down to give savage a blow job. The two end up in a 69 position, and it gets hot fast. Bionca is a new comer to the porn world with this movie, and she’s a brunette with a thin body, small breasts, and not shaved. She has tan lines, and looks young here. Savage gets into the sex fast, and the two workout well together, moving and grinding with no condom, and it’s not a bad scene until the camera cuts!

The camera cuts and we see the Poonies with Sharon Mitchell. Mitchell has a shot gun pointed at them, and they are all busted. Sharon Mitchell asks them to start making out and get naked, which they oblige.

But then the camera cuts again and we are back with Bionca and Herschel Savage having sex in that crappy motel looking room. It’s actually pretty good sex, all things considered and the two really work as though they are trying to get off well. The camera watches you see two people really having sex, and it seems really good, every movement and the overall cumming of Bionca and moaning is great. This is the type of sex you’d want to have, and I’m enthralled. A great sequence of sex is hard to find in 1980s releases, but this works very well and the two are legitimately passionate about the sex, with Bionca riding on top and Savage going as hard as he can with her in rhythm.

There’s a hard cut and we are taken to a blow job occurring in the basement. This is where Mitchell has commanded the Poonies to get into the action together. With this sex scene we see Sharon Mitchell with Peter North, Ami Rodgers and Marc Wallice all having sex in the same room. This is a clumsy group sex scene with the director not really knowing what to point towards, so he just kind of gives you a random glance at the blow jobs that are occuring here and there. Nothing really crazy here. Both women are brunettes, but Ami Rodgers has large breasts, and they are all natural.

A swift cut from the director and we see reverse cowgirl with Savage and Bionca, and it’s back to passionate sex. If you could just splice their scene together for the sex it showcases an amazing sequence. It’s the best sex scene I’ve seen in a long time.

A hard cut again and I’m annoyed, but we are back to the four some, and it’s your traditional sex scene. One couple is doing it sideways, another is doing doggy and that’s it. This goes on for some time before both guys can’t hold on and cum on the women and that’s it. They just cum and that’s all she wrote, so to speak. They are all sweaty, they seem to have been spent in this one, and it’s not a bad scene, mind you, it’s just not great either. The camera work is clumsy, the sex is lazy, and it’s mechanical at best.

Everyone puts their clothes back on and the cowboy dude grabs a shotgun and is told it’s not loaded.

We are taken to another scene, and here we see Bionca, Ginger Lynn, and Heather Wayne making out after Ginger Lynn masturbates. The scene turns into a threeway lesbian sex scene. It’s an easy, simple scene with lots of oral, fingers, and a rockin beat. I hate using the word traditional to describe these scenes sometimes, but there’s not much to it. Two of the three women are really into this one, and the other is just going along for the most part. The director must’ve told them to just go at it. Ginger Lynn is nearly upside down with her legs up in the air at one point which is a unique visual, but other than that, this is a simple, and sometimes mundane sex scene with a lot of blocking. If you like watching women give oral, then you’ll like this one for sure.

After the sex, we see Ginger Lynn answering the phone and finding out that the crew has been kidnapped and held against their will and that she needs to come rescue them. So that’s where she goes, to see where they are at.

Ginger Lynn finally shows up and finds Kevin James all tied up. She unties him and they start to talk, before they kiss. Ginger Lynn and Kevin James start to make out, and she gets on her knees to give oral. Ginger Lynn here has curly hair, and is in her prime, while Kevin James soaks up all of the work that Lynn gives him. He goes all in with her, no condom, and Lynn moans a bit, looks back at him, and really gets into the sex. It’s not a terrible scene, mind you, but it is not Lynn’s best. James is adequate at best, but he’s far from Lynn’s best partner and it shows through the sex scene. At the 1 hour and 11 minute mark, things speed up a little and Lynn moans a bit more, but it’s obvious that she’s not that into it, and you can tell that James is trying his best to keep his hard on, only to cum into Lynn’s mouth.

After this scene, we are taken to the ranch where the Poonies are found safe and sound. The story ties up and they get to keep their home, and end it all with a big orgy that features everyone in the cast. There’s an orgy that features Ami Rodgers, Bionca, Ginger Lynn, Heather Wayne, Sharon Mitchell, Herschel Savage, Kevin James, Marc Wallice, Peter North, and Ted Wilson. Everyone gets naked here and just goes to town. There’s no rhyme or reason for this, and we get the Poonies theme song going again. It’s a trope that is in a lot of 1980s movies that were sent to porno theaters. The orgy is a mix of sex with multiple partners, and nothing really stands out for me. There’s not a lot of sound, the music takes over, but there are several cum shots and several sex endings, so maybe that’s something to consider? Overall, not a great scene, but not a terrible one either. It’s an orgy with bad direction, lousy music, and all of the stars, so it’s functional, but it’s scatter brained as well.

I give “Poonies” a 2 out of 5.

Despite my attraction to Ginger Lynn, this is a terrible movie that has only one saving grace, being a parody of “The Goonies”, movie which is a classic. If you are a collector and must see all of the parodies or want to watch all Ginger Lynn movies, here you go, another one to add to your collection. Otherwise, you probably won’t care to see this one often. Although, Herschel Savage and Bionca do a great job in their scene, which can be deemed a classic if you ask me.

Miss Passion (1984) Review

Miss Passion (1984) Edited Poster 

Well, it was time to leave the 1990s and get back to the 1980s for another video that features some stars from the past. This time around we are going to 1984, and we are going to be reviewing a movie that was directed by Suze Randall. The movie was distributed by Vidco Entertainment, and stars a great deal of men and women that you may know about or may not know about. The stars of this movie include, Crystal Breeze, Peter North, Lisa De Leeuw, Howard Ziehm, Rachel Ashley, Craig Roberts, Ginger Lynn, Traci Lords, Rikki Blake, Craig Roberts, Steve Drake, Susan Hart, Paul Baressi, Steve Powers and Greg Rome. All of these people are involved in this one, and if you’re a fan of any of them, you may want to seek this out. I must say, before going forward with the review, that Traci Lords was in this movie, and I was able to garner a copy from Japan when visiting. In the United States, you may not be able to find this at the retail level, although ebay, and other platforms do sell this movie from used sources. New copies are extremely rare, unless you are going overseas and they have a lot of them.

The movie opens up with the director. She is hosting a show, and this show is about who is Miss Passion. The opening is funny, and it has an interesting premise and set. The set is a bed, on a stage with lots of lighting. We are introduced to the judges and it’s interesting to see how it all works out. This is like a real game show! It gets 1 star from me just for creativity, and good acting up front. But what about the rest of the movie? Well, here we go, let’s see how this all pans out, as it is a game show, in a porno movie, from 1984.

I must note that the bed in the center of the stage is a blow up mattress. I also must note that this is game show like rules with each performer having live sex for the judges.

The first major contestants start to kiss and make out a bit. The two are Peter North and Crystal Breeze. North has a difficult time getting too hard with Breeze’s first initial blow job but eventually gets there, and then goes into sex with her. Breeze is a tall brunette with medium size breasts, and moans loudly for North. North is in work mode here, there’s a lack of passion overall. The music is a trivial jazzy piece that sounds a lot like you would expect from a 1980s game show. Breeze’s moaning gets louder as the two engage in doggy style and it’s a good sequence of pushing at one point, but it’s obvious that the bed is not that grand. They get the job done, and the director stays with the action for the most part. They go through several positions while editing show Lisa De Leeuw and Howard Ziehm having sex on a couch as the judges. The sex goes for a while and in reverse cowgirl, Breeze and North finish up with a money shot on Breeze’s pubic region for the finish. Breeze is loud, but it was obvious that North was just phoning it in for the most part. Not sure why, but Breeze just didn’t do it for him or something. They give the two a 9.99 and we are back to the host.

They introduce a new woman and this time she is a tall, thin brunette with large natural breasts. She has good makeup, and n Egyptian style outfit. Out comes Craig Roberts to have sex with her. Craig Roberts and Rachel Ashley get on the blow up mattress and start to have sex immediately after a little oral from Ashley. This is a slow moving scene, with Ashley barely moaning at times. Here large breasts are nice to look at, and her frame is nice, but the two have this slow moving sexual chemistry that is just odd considering this is supposed to be a contest and porno at the same time. The music is turned down a little, and we see the action for the most part while Ashley wears a blue skirt. There’s a few positions here and there but eventually Craig Roberts cums by yelling and masturbating onto Ashley’s pubic hair and region. That’s the end. It’s a lackluster scene with minimal noise, moaning, and chemistry. They give the performance a 9.25.

We are introduced to two new women, and this time it’s Ginger Lynn and Traci Lords. This is not a terrible sequence of events, and the judges start to go at it while watching. Traci Lords and Ginger Lynn work well together here, slowly and passionately kissing and having oral sex. The music is terrible, but the sets are nice, and the two seemingly really enjoy what they are doing, going back and forth through the sex with relative ease. There’s not much to this scene, mind you, it’s a lot of touching, and fingering, and a little oral here and there, but it’s mostly just a sensual romp.

Rikki Blake and Craig Roberts are supposedly next for the sex competition and it’s interesting to see at first. The initial oral wasn’t half bad, but over the course of the sex it started to get boring a bit, and well, it’s a bit lackluster. There’s not much in terms of sound, no music that I could hear, no moaning, and just average sex. It works, but it’s as though the two just didn’t really get into this fast paced sequence of sex. Rikki Blake is a shorter, thin blonde, and while it works for a little bit, it just gets old fast, and the sex is mediocre at best.

Next we see Steve Drake and Traci Lords, and it’s not a terrible scene. It starts with oral from Lords to Drake, and the music once again sucks, but there’s a bit of focus on a different bed set and smoke. It’s an interesting contrast to the other scenes, and Drake here is in his prime, cut, thin, and built. Lords welcomes him to dine, and shows off her flexibility before they start to engage in anything further. Lords is quite loud in this one as she always is, and it truly does look good through the short sex scene. Drake seems to enjoy the whole process going through the motions of multiple positions here.

Up next out comes Ginger Lynn. Ginger Lynn in her prime is what you’re getting here, and she’s always amazing to watch. For this scene, you get Paul Baressi and Steve Powers joining Ginger Lynn for a threesome. They immediately launch into oral, and start to work towards sex, slowly. For all intents and purposes, this is your average sex scene with three people. Lynn moans a great deal for the most part, especially during the 47 minute mark, and she really seems to be enjoying things, while one guy is behind her and the other is in her mouth. She then starts to give a dual hand job, and it’s not bad, but not great either. The guys take turns with her, but eventually this leads to something a bit more compelling. If you’re a fan of double penetration, then you’ll love the 50 minute mark when things get started in that direction. Ginger Lynn gets double penetration and she is as loud as ever. After a bit of this, there’s a cum shot and that’s it. Lynn and her partners get a 9.5 for their performance by the judges.

Up next comes Susan Hart and Greg Rome for sex. This is a mediocre scene with terrible techno music. Susan Hart is a thin, tanned, curly haired brunette. Greg Rome comes out dressed like a Roman and the two start with oral quickly. This is a lackluster, boring scene with only the set and the music to really distract you. Hart has some big breasts, and moans a bit towards the 56 minute mark, but other than that, this is a somewhat frivolous scene and will no doubt only find a few fans. It’s phoned in completely, and while I don’t hate it, it’s obvious that the two have little chemistry and that they are going through the motions. It’s workable, and out of the blew we get a cum shot, and the judges only give this a 6.7 overall. It’s not a great scene at all.

Since this is a game show, they give awards at the end. And they give everyone an award, and nothing that great. Rachel Ashley gets the award for Miss Passion, and that’s the end of the movie. Perhaps one of the oddest ones I’ve reviewed thus far.

I give “Miss Passion” a 2 out of 5.

Yes, it’s creative. Yes it features some ok performances from the actors, but honestly, it’s not that great. It gets a little boring at times. In fact, I wanted to turn it off at certain points. It’s an interesting premise, no doubt, and it works as a porno from the 1980s. I can see this being shown in theaters, honestly, but outside of that, I don’t think anyone is going to be wanting to see this unless it’s the unedited version which is extremely hard to get.

The Ginger Effect (1985) Review

The Ginger Effect (1985) Poster 

Another trip to the 1980s will take us to an interesting focused release from Vivid Video. That’s correct, the big boys of porn from the 1990s, and possibly today, released this studio film directed by Bruce Seven. Bruce Seven directs a great deal of individuals into a 12 scene movie that features Ginger Lynn. Ginger Lynn, if Traci Lords didn’t have that scandal, would have been the number one performer from the 1980s if you ask me. That’s my own opinion of course, but hey, what do I know? “The Ginger Effect” came out in 1985 and it featured a limited cast, but some big names. The stars of this movie include Cara Lott, Francois, Ginger Lynn, Jerry Butler, Kristara Barrington, Peter North, Terry Lynn, and Tom Byron. As we look into reviewing this, let’s take a trip down to 1985, as I was just a little kid, and see what the porno world was producing with this starring picture of Ginger Lynn fame.

The movie starts with the credits, and you see an electro-magnetic sphere with some ominous music underneath. It’s a really cool starting point, and I dig the gothic music sound. The electric element is cool too, giving a sense of “Frankenstein” to the picture. The music improves as the credits roll, and I for one am glad, this is a stellar starting point. It’s a licensed song, because there’s lyrics and vocals that are almost like The Cure, and it’s quite cool. The movie is winning me over from the starting point that’s for sure. It’s cool to see that this is the first scene of Terry Lynn, so if you haven’t heard of them it’s because this is their first scene and I’m not sure how many more they did. Produced by Brent Seven, Michael Cates doing cinematography, and released by Vivid, this thing has a lot of people working on it, and I’m already impressed with the starting line. You can totally tell that this movie was filmed for the big screen, not for just home video. It has film grain, and it has narration.

The opening sequence features a séance. They talk about the spirit of a young woman mourning. It’s like a haunted mansion type of scene, but you don’t see anything, you just hear it. It’s a cool séance, and you’ll find that it’s all audio overall. You hear two people say that they need to get to a cabin, and then the screen goes black. We hear Ginger Lynn saying that there’s a lot of spirits flying into the scene, and then we see here. She’s a psychic, and there’s a set that you have seen from psychic readings. It’s interesting to hear the showcase.

At the 10 minute mark we finally get to that cabin we heard about. Jerry Butler and Cara Lott begin with oral sex, and we are introduced to the fact that this is in fact a porno. Cara Lott has short, puffed blonde hair, and Jerry Butler is a somewhat hairy dude with light brown hair. Lott is skinny, looks a bit older, and is not completely shaved. The two make out with a sensual jazzy tune over the top of their movements. The set looks like an old motel, possibly a cabin as you’d expect. The sex doesn’t last that long and only takes a few positions before Butler has to cum, and he finishes and lets Lotto suck him off as he continues to cum, and she seems to enjoy it. It’s not a bad finish.

The scene switches to a couple of guys talking in a hallway saying that there’s all sorts of spirits after them and they should run. They decide it’s best to get out of there, and we are then taken to another part of the house, or cabin, the direction isn’t quite clear on that.

Up next we see a scene where Ginger Lynn is in full leather dominatrix suit, and she has a couple of guys tied up. She lowers herself to a pot of warm water and then splashes it on her so that she’s dripping. She then pulls on a chain and one of the guys comes to her and starts to please her. Tom Byron, Peter North, and Ginger Lynn have an odd sexual scene where the two guys pretend they are dogs. This sex scene is odd, it’s just oral and kissing, and that’s it. The focus is on oral throughout the scene, and there is no insertion for the most part. It’s just oral and oral, and at one point Tom Byron isn’t even hard at all. This is a very odd and sensual scene that isn’t that great to watch.

We move to another section of the cabin, and there’s Francois in an accent telling a story about how he took a bullet. He is telling this story to Terry Lynn and Kristara Barrington, and they are just listening. Then out of the blue one of them jumps on his lap and starts to make out with him. The saxophone music starts to play with a nice piano underneath, and we are going forward with the sex. Kristara Barrington, Terry Lynn, and Francois start to make out, and go into oral sex. One lady is a very Asian looking actress with black hair, small hands and not shaved. The other is a taller blonde with lingerie, and looks like a standard California girl, with large breasts. As far as a threeway sex scene is concerned, this isn’t half bad. Francois takes turn with the ladies, the ladies give each other oral, and it all goes down with ease, however, midway through the scene, the director does something I personally hate.

I hate when directors from the 1980s switch the scene from one section to the next. In the middle of that threeway, we are sent to Ginger Lynn blowing Peter North and Tom Byron having sex with her in that threesome from earlier. That’s right, one second we are seeing Francois getting blown, and having sex, to this scene, and it’s a transition that just hard cuts. After several positions around a white couch, we eventually see Lynn get a load from Peter North on her back, and that signals the finish of this scene.

There’s a hard edit and we are back to seeing Francois with Kristara Barrington and Terry Lynn. The sex here is adequate, not that great, a bit mechanical, but the women make it worthwhile, moaning and going through a lot of the motions with great gusto. Francois works up a sweat going in and out of both ladies, but the sex is just somewhat boring to me. It’s not a bad threeway though.

Moving to the next scene we see Cara Lott talking about how she’s from the wild west. Ginger Lynn shows up to talk to her a little and the two start making out. Cara Lott and Ginger Lynn have lesbian sex, and it’s a fascinating focused energy between the two. They both are very into this and responsive to the moves that one another give. It’s interesting to see the amount of passion in this scene, especially from both women that are very much in tune with how to please one another. If you’re a fan of lesbian sex scenes, this is a great one, and it really shows the power of two women that love what they are doing. Ginger Lynn and Lott make up for a lackluster rest of the performances that’s for sure, including strapping on a dildo at one point and going for it full steam ahead. A great scene if you ask me.

After the two women have sex we are taken outside for a sex romp. That’s where Kristara Barrington and Peter North are hanging out. They are just talking for the most part and nothing is really happening. They talk about the spirit, and the bigger picture etc. But then the camera cuts and we are taken to a scene where Ginger Lynn and Jerry Butler is in a hot tub.

Ginger Lynn and Jerry Butler start to make out in a hot tub, and they laugh a little before they start to get into the sex. They don’t waste anytime getting into the sex, and they start going at it just outside of the tub, and it’s not half bad. Of all of the sex scenes, this is the one that seems to have the most passion and chemistry. Jerry Butler and Ginger Lynn totally have chemistry together and it’s interesting to see them go at it. The director fades to black after a few positions, and we don’t see the ending because we follow another person.

Terry Lynn takes some time to herself in the next scene, without finishing the Ginger Lynn scene, and she brings out a vibrator and goes to town with herself. It’s a focused sexual masturbation scene on a brown couch, and it’s not half bad. If you like solo work, then you’ll appreciate this scene with a pretty blonde haired woman with fishnets on. There’s not much else to say about this, it’s a hot masturbation scene, and that’s about it. In the middle of this, we get a hard camera cut, again.

The camera cuts and we are back to the hot tub where Jerry Butler and Ginger Lynn are in another position having sex. This time it’s doggy style, and it goes for a few minutes before Lynn gets on her knees and starts to suck off Butler until he cums. The finish occurs here, and the camera goes back to the solo act.

Terry Lynn is now on the floor with two dildos and going to town with them. Again, if you’re a fan of solo work, then you’ll appreciate Terry Lynn using the toys on herself and really working up a sweat to get herself off. This is juxtaposed with the finish of the Lynn scene, mind you, so it’s like two scenes in one.

The director takes us back to the séance table and we see all of the actors talking again. The spirits are alive and well, and that leads them to do bad things as they all get channeled in, and we are rushed into the final sequence.

The cameras shifts and we are taken to another large room and here we have the whole cast in an orgy scene. This is an odd one because it has all of the actors with “Indian” style garb, and feathers, etc. This would offend most, but hey it’s porno so who cares right? This is a full blown orgy scene and it features everyone with several different camera angles, several points of moaning, different music here and there, and a constant flow until everyone cums. It’s not half bad, and if you like group sex, this will give you a glimpse into what it’s like to be in a swingers club. I have no complaints here, other than the music takes over more than the sex at one point. You really get a feel for the excitement throughout, though, as it is a good sexual romp with a nice touch of pure sex. People switch, it goes through the motions of what you’d expect, and then it finishes within all of the actors on a couch talking about how great the night was and how amazing the spirits were. If this was scene today, people would get offended, I’m sure.

I give “The Ginger Effect” a 2 out of 5.

The camera angles, editing, and overall focus sucked. The director’s call for this is interesting, and I can only assume that there’s a lot of hard edits because it was meant for a movie theater? There’s film grain here and it looks like this was focused for the silver screen. Ginger Lynn looks great, the rest of the cast is good, but there’s a lack of sensuality at certain points, including some mechanical sex at some points. Watching Tom Byron try to get hard at one point is also not fun to see, and well, this wasn’t great, but as far as collector’s series are concerned, and much more, this can be a good set to watch. Complete your collection, or just step away.

Beverly Hills Cox (1986) Review

Beverly Hills Cox (1986) Poster 

Today we are going back to 1986 and we are going to look into a parody film that stars Ginger Lynn. That’s right, the famous porno actress, Ginger Lynn, one of my first crushes, and one of the super stars of adult film, stars in this movie, which was shot for the big screen. You can tell throughout the movie that this was meant to be seen in theaters, not just on home video, as the film grain throughout is very much something that you would see in a grind house theater. In my area it was the Pussycat Theater that would play these movies, so in 1986, it was definitely a movie that you’d see there. The stars of this film include, Sheri St. Clair, Tantala Ray, Nick Random, Bridgette Monet, Ginger Lynn, Randy West, Sharon Mitchell, Tess Ferre, Francois, Jerry Butler, Shone Tayler, and Jamie Gillis. The plot is simple enough, it’s about a private detective played by Ginger Lynn as she uncovers several different cases. She narrates a great deal of the movie, and it starts with her walking the streets, and then going into a sex dungeon, where she catches a perp. The movie in question and review for today is none other than the parody of “Beverly Hill Cop”. This movie from 1986 is called “Beverly Hill Cox”, and while it is a parody, it doesn’t resemble the Hollywood version at all.

While this was meant to be for the big screen, it doesn’t shy away from the sex component, it’s very much an adult movie as within 3 minutes you get penetration, and you are reminded that this is all about sex. I could only imagine this on the big screen. The opening sex scene features Sheri St. Clair, Tantala Ray, and Nick Random. The trio have sex for a few minutes, and then Random cums on a woman’s butt, and that’s it. Meanwhile, Ginger Lynn watches, and then snaps a photo of what is going on. She says, “Smile for your wife”, and then runs off.

The story moves along for a story line. The story is that Suzy Cox is on the case, and that’s about it. The movie has some non-sex roles, mostly about what is going on in the world of private detective work. Ginger Lynn, isn’t the greatest actress, but she works well overall. The rest of the cast that is in non-sex roles aren’t half bad either. This is actually a “movie” I cannot stress that enough. The editing is crisp, and it really feels like more than just a porno, which I absolutely love. You can actually watch this fully, without just fast forwarding to the sex. It had a little comedy, it had a lot of sex, and some good acting, even for 1986!

Moving forward, we see a stake out, and it features Sharon Mitchell listening in on Bridgette Monet and Ginger Lynn getting affectionate. They start to kiss, and get out of their clothes, only to start a lesbian scene. It’s subtle, and sensual, like you’re watching softcore porno, which isn’t awful, but it’s far from what you’d expect from Lynn and the 1980s, as other scenes are more hardcore in nature. It’s a nice sensual, romantic, lesbian scene, that’s for sure.

This starts turning on Sharon Mitchell, remember, it’s a stake out. She gets turned on so much that she starts to grope Randy West, in the back seat of a car, and then they start to go at it. West and Mitchell have real chemistry here, and it’s really Mitchell that really pushes the scene, and the sexuality of the whole thing. West is just a by standard, and while he’s definitely into it, it’s Sharon Mitchell’s performance that takes the cake here, she’s really into it on all fronts, and creates such a good atmosphere of sex, that you start to get turned on. The director keeps going back to the lesbian scene, though, cutting back and forth, which I hate. I always hate when directors go from one scene to the next, in the middle of their sex scenes. The lesbian scene is romantic, soft, subtle, and well timed, meanwhile the car sex is fast, hard, and passionate. The sex doesn’t last too long, and eventually Randy West cums on Mitchell’s pubic hair. The two have serious chemistry, here, and it’s definitely not a long scene, but it works very well for what it is.

The movie moves forward to another scene, featuring a salesman trying to sell a woman on a dress. She goes to a dressing room, and the camera follows, naturally. The salesman yells out to another guy who is showing clothing to a customer, and it’s there that you see another sex scene, although somewhat robotic compared to what was just shown on the screen. Tess Ferre and Francois have sex in a dressing room. This is slow and methodical, without much passion at all. They go through the motions, and the most interesting thing is that Tess Ferre’s hair has sparkly stuff in it, so that’s kind of neat. Other than that, this is a scene that is somewhat boring and relatively easy to watch. Francois evetnaully cums, and that’s that. It’s a boring sex scene in a dressing room at a department store. Meanwhile, Ginger Lynn listens in another stall.

Ginger Lynn moves to another scene, going to a mechanic this time to get help with her car. She then becomes attracted to him, and the two start making out. There’s a lot of art given to this scene, with a lot of play with lighting, and music. The 1980s synth rock is not bad, but the sex scene is slow, and very “artsy” in a way. Lynn is juxtaposed with a Ferrari, and the mechanic keeps his shoes on, while Lynn gets into the action. This is not a great scene, as the two are mechanical (no pun intended) in nature. Eventually the mechanic cums on Lynn’s back, and that’s it. This is a short sex scene, and not that fun to watch. Lynn does ok, but Jerry Butler isn’t exactly grand, as he goes through the motions without any real passion. This was an “artsy” scene, that’s all I can say about that. Jerry Butler and Ginger Lynn do the deed, but meh, it’s not exciting.

The next scene features a phone call with a person detective agency and her women. She yells at the girls and says to not get in the way, and to keep an eye on their client. That transitions to another driving sequence, featuring Lynn, in Beverly Hills and finding different people. If you’re into story lines, then this is something that you’ll like. Because the story continues to be about the case, in which Cox is working, and she continues to use it properly. Next up, maids are at a party chopping things, and Ginger Lynn crashes the party in a black haired wig. She then moves around the party, and finds the client and shows up to a hot tub, where she grabs Sharon Mitchell and throws her in the tub! Shone Taylor then puts the moves on Sharon and the two start to go at it in a hot tub.

Sharon Mitchell and Shone Taylor go through to a blow job. Meanwhile, the camera cuts to Cox roaming around the mansion. While Mitchell continues to blow Taylor, her partner calls, and she tells her that Cox is roaming around. The camera cuts between the sex, and what Cox is doing, which is terrible, but hey, that’s just me. The movie shows off a lot of the sex, but also shows the story line developing towards the end. This must be because the movie was supposed to be for the big screen, otherwise what’s the point of transitioning so much? Mitchell’s performance here is great, once again showing off how much she seems to enjoy the process of movie making and sex. If you haven’t seen her work, maybe this is a good starting point. This scene really is a matter of a blow job, that’s about it.

With the end of the hot tub scene, the director moves the movie to Ginger Lynn, she’s investigating a room where Jamie Gillis finds her. The two talk about what’s going on in the night. They sit down and have champagne, and you know what’s going to happen next, right? The harpsichord music begins, and the two start kissing on the bed, and slowly start to work through what will be the last sex scene. Jamie Gillis and Ginger Lynn go through a passionate love scene, which is hardcore in nature, no doubt, but it’s not “hardcore” in that it’s rough or anything. It’s like watching two people make love, which isn’t a bad thing, but it’s definitely odd to see in porno. Ginger Lynn seems to genuinely enjoy this scene, and Gillis actually goes beyond work mode, the two becoming symbiotic. This is a passionate, arousing sexual scene, that you can tell throughout the motions, and of course the music. The passionate music plays, Lynn cums a few times, and the two kiss, embrace, and seem to really enjoy this sequence of sex. This is not clean cut, new school sex, mind you, there’s a lot of pubic hair, there’s a lot of sexual positions, and the money shot is not a major factor.

The story line continues, and we find out that Gillis’s character is known as the “Boner Bandit”, and he’s the mark that Cox was looking for. Gillis confesses to Cox, and that’s the end. The movie fades into the credits, and that’s where it all ends. I can see how this could be part of a double feature, because it’s only 1 hour and 20 minutes long, and the sex, honestly, isn’t that long at all. It’s good at times, but there are several ones that aren’t grand. As the movie continues, you get to see the twist ending, which I won’t spoil, but that’s it. The credits roll, and you get some close up shots of the production and a few little blooper elements, and that’s the end of the movie. Not much else to say about this one.

I give “Beverly Hills Cox” a 4 out of 5.

Why such a high rating? Well, it’s really Sharon Mitchell and Ginger Lynn that sold me. Sharon Mitchell and Randy West have some real chemistry, the acting isn’t half bad, and Lynn’s final scene is hot and passionate. It’s not heavy, it’s just sexy, and that’s something that is grand about porno sometimes. It can entice, without going overboard.

You can purchase “Beverly Hill Cox” at a variety of locations, I got a VHS copy for review. 

New Wave Hookers (1985) Review

New Wave Hookers (1985) Re-Release Edition Cover

Well, now here’s a very popular movie that you may already have seen, or haven’t seen, I don’t know what the person reading this will think. However, if you are going to consider the most famous of adult movies, and you do not consider “New Wave Hookers” as one of them, then you’re truly missing out on something grand. This is one of the most controversial movies ever put to hardcore cinema, and the way it is shot, I can truly say that this was meant to be seen in movie theaters. You truly needed to be sitting in a red cloth cushioned seat, and your feet stuck to the ground with bubble gum, soda stains, and cum from the previous patron of the theater that you’re in. This is a movie that changed the industry in some ways, and it brought to light Ginger Lynn and Traci Lords once again. It’s a film, that has been written about by a lot of people, and has been released not once, but twice overall. In fact, you are going to wonder why you don’t have this in your collection, and honestly, I thought about that myself when I first saw this. This spawned a lot of sequels, all of which I will be reviewing, but to start things off, we are going back to 1985 to see what is going on with the original edit of “New Wave Hookers”, because that’s the one everyone wants, and that’s the one I picked up while I was in Europe. You cannot buy the original edit in the United States, but the only major thing that is different is that Traci Lords is NOT in the edited version. She plays the devil, and boy, oh boy, you’re going to love it if you’re a fan. If not, then you are not going to miss much, as the editing is quite good overall. For this review, I’m going to be talking about the original version first, then the edited version second, which isn’t too far and away different.

The story of “New Wave Hookers” is one of great fantasy. Two friends are watching porn and fall asleep. In their dreams, they dream of being pimps and having women as part of their service, and they are all attracted to New Wave Music, becoming aroused and wanting to get some. That is the premise of the movie, and the music was done by The Plugz and The Sockets. The soundtrack to this porno movie is epic in my opinion, and it’s something that is just grand. When this movie came out it premiered in Los Angeles, and it was in front of the world-famous Pussycat Theater, a theater that I got to visit a few times before it was turned into an arthouse cinema place. Of course, I’m talking about the one that was in Santa Monica, but is now just playing art and smaller indie films, if it’s even still there.

New Wave Hookers (1985) Tracy/Traci Lords Edition Poster

The cast of this movie will no doubt bring about a lot of memories for people, and includes Brooke Fields, Desiree Lane, Gina Carrera, Ginger Lynn, Greg Rome, Jack Baker, Jamie Gillis, Kimberly Carson, Kristara Barrington, Peter North, Rick Cassidy, Steve Powers, Steve Drake, and of course Tom “Freakin” Byron. Oh, one last thing, the original edit had Traci Lords playing the devil, and masturbating in red lingerie. This was edited out completely for the re-release in 1986 after the supreme court ruling on her film work. The fifth scene is also removed which featured Traci Lords and Rick Cassidy. The updated version is only 75 minutes long, but the original had a little longer of a run time.

The movie takes some time to set up. It’s not a fast movie at all. In fact, you’re going to find that it’s a little slow, and why not? This was meant to be seen in a movie theater. It feels that way throughout the movie, and I love that about some of the movies I’ve been reviewing thus far. I write that line, but honestly, within 12 minutes, there’s a sex scene, so maybe I’m just romanticizing the movie’s pacing. The first major scene is an odd one, as 3 guys are involve, but only one of them is having sex at first, before a Debbie Harry looking woman gives one guy a blow job while another does doggy, and another masturbates to it all. This is a punk rock, anarchy scene with New Wave Music, and truly speaks to the era, it’s fascinating to say the least. Although, it’s not very “sexy”.

In another scene, we get a young, and I say young looking Peter North pounding away. But after seeing a few movies where he’s a star, it’s interesting to see that he’s not that into it at times. In this movie he’s ok, he’s doing his thing, but he doesn’t seem to be that into it, or perhaps the chemistry is not really there. He seems to literally be “working”, which always throws me off a little. Don’t get me wrong, he is performing, and there is a sensuality to his work in this movie, but it’s obvious that he’s concentrating, and really in “work” mode, more than having fun. At least that’s what I get from this movie, and some of his other work, and perhaps that’s why he is in so many movies, because he is a professional, which is fine.

If you’re a fan of Ginger Lynn, then you’ll love her makeup and her performance here. She enters into the frame after some time and goes fully into her scene with double penetration. The DP element in this is sexy, and raw, and Ginger looks to be absolutely having fun, while the two guys seem to be enjoying the process as well. The editing and lighting here is good, with visuals that let you see everything, although there is a few funny shots of balls hanging around. Ginger has a way of making the scene look sexy, and not “raunchy” and it’s a true fantasy that I loved from this film. She has something grand in this scene where she’s wearing yellow heels, and I’m just impressed, and a little turned on.

New Wave Hookers (1985) Tracy/Traci Lords Edition Poster

The next scene is somewhat forgettable, featuring a new comer to the porn arena for me, I didn’t recognize her, but the two main characters get to share her in their pimp office. I kid you not, it’s a pimp office. It’s not a bad scene, but I had the feeling that the movie really was trying to have some filler because after this one, on the original edit, you’d get the scene that would be deleted, and that is featuring Traci Lords and Rick Cassidy. Don’t get me wrong, the foursome that occurs before that features some good overall sex, but it just isn’t as good, but it still features some punk, ethos. If you’ve seen the movie, you know what I mean, as there’s a “punk” element of editing to the movie, and eventual money shot across a lot of hair. This is not a joke. Although, in a weird sequence, the three guys wipe the cum all over the woman’s face, and she seems to have loved it. I don’t know, it’s a performance, right? I guess so.

For those that have the original edit of this video, you either bought it when it was first released, saw it in theaters and pirated it, or you bought it in Europe, Japan, or other countries. It is not available in the United States, at least not at retail. Maybe at auction? Traci Lords has another porn scene, and if you’re a fan of hers, then you will most likely enjoy this one. She is dressed as the devil, and Rick Cassidy takes time to rim quite a bit, alongside other oral elements. This is a scene that really is a textbook on how to treat a lover if you ask me, which you didn’t. Give her pleasure, forget yourself, and she’ll return. Lords does turn things around, with long black boots, amidst fog, a white bed, and her trademark hair and screams. This is not a marathon scene mind you, and the transitions are changed, so you see missionary to other positions, to doggy style without the in between. Rick goes all the way in here, and just continues until he’s 100% done and the money shot is on Lords’ back and that’s it. This is not a long scene, mind you, but when it is cut, it definitely has a missing element. The edited version is still good, but it definitely is missing this scene after the fact, and you’ll only know if you saw the original like I did.

New Wave Hookers (1985) Re-Release Edition Back Cover

The end sequences that come after the hour mark has some artistic merit. The guys run into another room, and as they go there, there’s a merry-go-round of 3 women spinning, with red, and black. They are dressed in torn up shirts, and heels, and the guys come in and enjoy the ending of this movie which is nothing sort of a sexual spin. It’s an artistic way of having an orgy, no doubt, but the lighting and dare I say, the amount of pubic hair may turn you off. This ends and our two heroes get up from their slumber, only to move forward to one last escapade, in the real world. This time featuring Ginger Lynn, and it’s not half bad. The film ends with one guy going outside and driving around, eventually meeting the girl of his dreams, a hooker, and that’s it.

“New Wave Hookers” is one of those classic movies that collectors have in their homes. It was originally on the big screen, and it featured Traci Lords. After her movies were thrown out, Ginger Lynn became the cover girl, and you know what? Lords isn’t that missed if you ask me. Lynn has one hell of a scene, and her makeup and heels are on point, as well as the way she moves, and makes things look so alluring. This is a movie that features some great new wave music, and some hot scenes, although the premise is in fact funny. It’s a serviceable porn movie, no doubt, and one that you may want to pick up.

I give “New Wave Hookers” a 3 out of 5 for the original, and a 3 out of 5 for the edited version.

You can buy “New Wave Hookers” in a lot of venues like here, and it’s not a terrible movie to watch. I’ve seen far worse. It’s got a nice plot, has some great music, and Ginger Lynn makes it worth your time.

Did you see “New Wave Hookers”? Let me know in the comments below.

Those Young Girls (1984) Review

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