Daydreams Nightdreams (1997) Review

 

And we are back, today we are looking into a 1997 movie that features director Bud Lee working for VCA studios, and filming some of the top names in the 1990s. “Daydreams Nightdreams” stars a good cast overall. The cast of this adult feature includes Kylie Ireland, Asia Carrera, Randy West, Missy, Mickey G. , Alex Sanders, Shayla LaVeaux, Mia Ciccero, Steve Drake, and Jill Kelly. 

The movie starts in an office, with a good amount of set design. We are in an office and our stars are working around a law office, with nothing major going on. We just look into paralegal stuff, and random notes that suggest that we are in a law office. This plot driven movie is simple enough to start with, nothing too sexual goes on, and we are treated to the cast “acting” somewhat. The camera and lighting are good, and the set design is adequate, giving you that feeling that you’re in a larger studio than just the average gonzo picture. You can see that this is a set, and not a fully occupied office, as there are moments when you can see the grip, and others in the background. We are then proven that this is a porno as things get into the scenes.

Midway through the movie a magician shows up, and he has magical powers to give our heroine a way to go into the dream world. That’s right, from an office to a dream world scenario of magic, we get an interesting twist. If you’re one to look for storyline, there’s some here for you.  

Scene 1. Kylie Ireland, Sean Rider

A file is missing, our office worker interrupts Sean Rider and Kylie Ireland. Ireland looks a lot like Jenna Jameson in her youth, so that’s something to take into consideration. She has large enhanced breasts, blonde hair, anSd that youthful look you expect from porno actresses in the 1997 era. The music starts and we go straight into cunnilingus with Sean Rider taking the helm with Ireland. The office set here is fine, the two go through a few positions, nothing crazy, and eventually Rider finishes on Ireland’s behind. If you’re a fan of Ireland, you’ll like her work here, and Rider is a clean cut dude with a strong focus, so he gets through the scene with gusto. 

Scene 2. Asia Carrera, Randy West

The movie shifts directly into the next sex scene, so don’t worry about the plot any longer. We immediately get Randy West and Asia Carrera in another sex scene. This one focuses a lot on Asia and West oral, more than anything else. If you’re a fan of oral, then you’ll like how this goes. There’s a fast transition into the sex, and West and Asia don’t do it for very long, and West is apro as usual, no condom, straight forward sex with Asia Carrera. The two go from office wall, to office desk, to black couch and several positions. This is not a terrible scene, and Carrera really works over West good, and eventually gets the finish with a hand job, and that’s that. 

Scene 3. Missy, Mickey G.

The story takes a back seat now as we get into our next scene of sex. Missy is a nice blonde with fake breasts, and Mickey G is a veteran of the porno world. The two go straight into oral, and then fingering, before going at it on a couch. The camera cuts in close and you get a normal methodology here. Doggy into other options, with some hair pulling to boot. Mickey G is a pro here, and Missy moans a great deal as she goes through the positions, After a while we get to see a little anal action, and then the finishing touch from Mickey G after a little bit of play. There’s a hard cut to the end, and it’s obvious it wasn’t all one take, but that doesn’t matter, does it? It’s an adequate scene. 

Scene 4. Shayla LaVeaux, Randy West

The next scene features Shayla LaVeaux and Randy West. There is some lead up, but the two get right into the sex. West is always a pro, and Shayla LaVeaux moans somewhat in this quick romp. The two have little chemistry together and it is adequate, at best. THe two have sex on a desk, then a couch before a money shot is given and we are out of there. This is a weaker scene, and while Shayla LaVeaux is nice to look at, it’s just a paint by numbers scene. 

Scene 5. Asia Carrera, Alex Sanders

In the dream world now we have a cuckolding scene where Randy West has to watch his former partner Asia get it on with Alex Sanders. The two get right to it and have fast sex on a bed in the dream world. Asia keeps mocking West, and the scene goes forward with straight sex, and fast paced movements. We get a money shot onto Asia’s stomach, and the end of the scene, in dream land. It’s adequate, but you can tell that it’s robotic for the most part. 

Scene 6. Jill Kelly, Kylie Ireland, Mia Ciccero, Sean Rider

Another dreamworld option we get Sean RIder taking on three women at once, and he does an ok job with it, and the other women are there for eye candy as well. This is a condom scene, with an interesting bed layout, set, and lighting. It’s straight forward, Rider takes turn with Jill Kelly, Kylie Ireland, and Mia Ciccero. We get a money shot on Ireland’s chest, and then we move along to an all female scene. This was ok at best. 

Scene 7. Jill Kelly, Juli Ashton, Kylie Ireland, Shayla LaVeaux

A four way scene is shown next, and we get strap ons and lots of oral. If you’re a fan of lesbian sex, then you’ll like the movies momentum here. It’s a good solid scene, and the women, even though it seems like they are phoning it in at times, do a good job of providing eye candy overall and that’s what the movie is for, right? 

Scene 8. Shayla LaVeaux, Steve Drake

THe last scene is a pink lit scene with Shayla LaVeaux and Steve Drake. It’s an adequate scene, as it is just straight forward sex, with lots of intimacy up front, kissing, and petting before getting into the action. Drake wears a condom in this one, and it’s not that great, as the two are robotic in their endeavors. It’s an adequate scene, and there’s some good moments, but the rock soundtrack and lighting really take me away from the scene. 

Overall, “Daydreams Nightdreams” gets a 3 out of 5.

Guilty As Sin (1996) Review

Guilty as Sin (1996)

It took me a long time to get back into the swing of things. I have been working a lot, and have been pursuing a doctorate degree, and just found myself focusing on reading, writing, and other areas of interest. Today, we are going to be looking at a movie from 1996. This movie came out in 1996, and it is 93 minutes long. It was directed by Jim Enright, and distributed by Klimaxxx Productions. This movie features some great actors, so I am intrigued by the initial line up. This movie is called, “Guilty as Sin”, and it stars Missy, Mickey G, TT Boy, Nadia Moore, Precious Silver, Peter North, Alex Dane, Alex Dane, Celine Devoux, Blake Mitchell, and Jonathan Morgan. At the time of this movie’s filming around January of 1996, I was only 13 years old, so I did not see it until recently. Some of my personal favorite adult stars are in this movie, and they include TT Boy, Peter North, and Jonathan Morgan. Steve Drake, that rascal is here too, and of course a line up of women that came and went, and didn’t make a big splash like some other featured women on this site. But that’s the world of adult movies, hit and miss, and hope.

You ever wonder who the custodian of records is for these movies? The opening of this movie has a slow starting point, where you hear nothing, see nothing, but get that warning that the custodian of records has all the files on all of the performers, because they are all of age, etc.

The movie starts with three women talking. A secretary comes into an office and is talking about a new client. The new client is a blonde haired woman, and she said that she heard the attorney is the best and she needs the best. She’s in the worst running suit, and it’s hilarious. The office looks like your average set, grey carpeting, a book shelf, some books, a random credential, and a piece of Thomas Kincade art in the background. A desk, and brown bookshelf, and the lighting of course is coming from two angles, so the shadows are showcasing where the lighting rigs are. I’m trying to see if there’s a boom mic in the shot, but the editor did a good job of framing this enough to not see it, but I know it’s up there, and if you’re careful, you can catch the sound bouncing through it.

The blonde tells the attorney that she needs her, and the attorney said she doesn’t need anyone if she hasn’t been arrested or taken in for questioning yet. The blonde tries to convince the lawyer, but the attorney is not having it, until the blonde tells her a little more about her story, and that she has an alibi that has stopped her from killing her man. She says she has her own money, so there’s no way she could’ve killed her husband. When she starts that, the attorney sits down and starts to listen to a story, where we get a hard cut, and into the first scene of adult material.

We cut to a backyard swimming pool. There is a single camera shot looking in on Mickey G floating on a pool bed, and Missy comes through. She walks in with a bikini, but the frame of the shot is so uneven, you can barely see her get into the frame. The director has this shot framed horribly, and the sunlight is so bright, the backyard is washed out, the colors not grand. Missy is a thin, dirty blonde, and has that California tan. Missy gets down to the pool and starts to blow Mickey G immediately, without any interlude, and a hard camera cut, straight to the close up of her blowing him directly. I’m not a fan of the framing of this scene at all. The centering is all off, and the weight is positioned in an odd manner. Mickey G. begins giving Missy oral after she blows him for a while, and the two have basic chemistry, but nothing too grand. Missy’s make up is on point, non-reflective, and her blonde hair has roots that come through as the camera focuses in and out of the closeups. Mickey G. is unkempt and is playing a macho role here. Missy has long legs, that California, blonde, slightly tan but not really too pasty skin tone. The two get out of the pool and use the flotation device to go into more positions. Fans of Missy will find this performance to be adequate, as Mickey G goes through the motions of each position, his arm behind his back because the camera is right on the two as they try to have sex. This scene is quick, and ends with a cum shot on Missy’s face, as she moans. This is not a grand scene, but it’s straight sex, no condoms, and for the outdoors, safe in terms of fantasy land.

We go back to the attorney’s office where Missy talks about what is going on with the case. They talk about how an open marriage, and that they allowed one another to love others as well. Just then, Jonathan Morgan storms in and gives Missy a warrant for arrest. Then the attorney finally says she’ll be her client. Dana, is her name, and the acting here is horrible, with the exception of Jonathan Morgan. Morgan says that the woman shot her husband with a shotgun, and she’s guilty.

We move forward to an office building where Steve Drake and our attorney start to talk. They talk about what things are had by the client. The acting here isn’t too bad, not great, but the dialogue works well. The office here is an obvious set, with bad lighting, but Drake does well here as an evil attorney.

Another hard cut and we are nearly 20 minutes into the porno, and the plot thickens. We see a press release, then we get two women sitting in bed and talking more plot. Missy’s accused of murder, Steve Drake is the evil lawyer, and things keep moving forward, with lots of dialogue. That alone elevates this movie past minor porno status, and instead gives it a full 2 stars extra just for the plot, dialogue, and storyline.

Soft cut here, and we get Missy talking to her lawyer again. The two discuss the pieces of the case. This time we are in Missy’s house, but she’s wearing the same wardrobe as before. During this scene, Missy and her attorney discusses the relationship that Missy has with Charlie. Charlie is played by Peter North, mind you. It’s here that we transition to the next sex scene, and the director throws us into the mess.

We go back outside, and Missy is sitting on a park bench while TT Boy is over her, getting blown. The music starts, and it’s saxophone heavy, with TT Boy showcasing his prowess, and Missy putting on a show for Peter North, who plays the voyeur, or the cuck, depending on how you view this type of thing. Missy and TT Boy have a lot more chemistry than Mickey G did with her, and it shows. Missy rides him in various positions, and he gets really into it towards the end, giving Miss a great deal for the somewhat short scene all things considered. Meanwhile, Peter North sits and watches, and eventually TT Boy cums on Missy’s face, and positions her a bit further from him to get the first launch, which is fine, but not grand. It’s an ok scene, better than the first, that’s for certain.

The lawyer asks Missy if Charlie (Peter North) ever had other women, and that’s when the screen fades, and we see three women enter a room, and present themselves to North. Meanwhile, Missy watches from the corner of a badly decorated set. The show here starts immediately with terrible elevator rock music, that sounds all synth heavy. Nadia Moore, and Precious Silver are the actresses, and they are both skinny, model types, with enhanced breasts, and pretty faces. Both have darker hair, and are a contrast to missy’s blonde hair. The camera goes back and forth between solo action with Missy, to Peter North immediately getting blown and moaning. The set design here sucks, alongside with the lighting, which casts bad shadows all over the scene from overhead lighting. But as far as the sex is concerned, it’s not half bad, although North seems to be in work mode, while the women just go through the motions. You can tell the lighting is coming from the fourth wall, as the shadows give away the set details. As for titillation, the women put on a clinic of how to give ladies oral, meanwhile, North does his best to keep it up. The sex is as sterile as a brothel visit. This is not North’s best work, and Nadia and Precious seem to just be willing participants in a scene where they are more interested in each other, including one woman with a hood piercing. The music is horrible though, the set has green walls, and the camera is all over the place, so good luck with this one. Oh, and how can I forget, there’s a Peter North facial onto a tongue ring, and well, he doesn’t exactly drop a big load here, so if you’re looking for the best of North, this is not the scene for you.

We get back to the house that the attorney was in with Missy. The two start to discuss how many partners one another had. The two women continue to converse, and we get a scene where the attorney is driving. I kid you not, this is a legit movie, although B-level or C-level, but there’s structure here that you do not get with a lot of movies.

The lawyer shows up to her home and walks in, only to find Jonathan Morgan to be in her bed. The two argue about why she took the case. Morgan is a detective, mind you, and the two keep talking about the case, and how one thinks the client is guilty. Morgan gets thrown out of her house, in the worst acting job in the movie thus far.

A soft fade and we go to a court room scene. This is actually done well, and there’s even some non-sex actors in this! I love those! I was in one once. Anyways, this turns into a court room drama, and we get into the best dialogue, and attempts to act. If you are one to watch full movies, rather than just fast forward to sex, you’ll be delighted by the acting job done here. Except for the fact that the attorney here is just reading aloud, not from memory. The judge as well isn’t really taking it seriously, and why would he? It’s a porno, right? A witness is called to the stand, and it’s Alex Dane.

A hard cut takes us into the bedroom of Alex Dane and Peter North. Dane is a skinny, small breasted, brunette, and she immediately begins with a blow job on Peter North. The music here is horrendous, and the set design is actually straight of the 1980s. The flowery brown couch, the hardwood flooring, white piano, and terrible contrast of color and design makes me laugh. Dane and North have a bit of chemistry, especially Dane who really seems to get into the act of giving North a good scene. The two have sex on a brown couch with flowery patterns, and a reddish background, a thrift store find if you ask me. The sex goes through several instances, and positions, with North maintain speed, and precision eventually going through anal. It’s apparent that Dane isn’t that into it, but the scene calls for it, so it goes forward. The music is synth heavy, and it’s fake horns here, and it’s horrible. It’s louder than the sex sounds, which have Dane moaning and North just breathing heavily. After some time, North finishes on Dane’s chest, and that’s that. This is bland. Very little chemistry, and just run of the mill in terms of lighting, and camera work. It’s lazy if you ask me.

Missy shows up and sees the two after they’ve had sex, and she’s upset.

The movie goes forward with the court case, and Drake keeps pushing the witness, and we get moving forward into Drake’s office. Here we see a blonde in a red dress talking to our prosecutor. The two start kissing, and soft music starts. Celine Devoux is the actress here, and she looks like Topanga from “Boy Meets World”, with her hair done like her, thick thighs, and skin tone that draws you in. The set here again is bland, but it’s done up to look like a cheap lawyer’s office or a motel, for that matter. The lighting sucks again, and I’m wondering who green lit this thing, but it’s a porno, so I guess I shouldn’t complain. Devoux and Drake begin with foreplay, and Drake giving some breast play to start. Devoux’s chest is natural, from what I can tell, but then again, this is 1996, maybe they aren’t? I don’t know, I should know. She has cake makeup, is trimmed, and the camera goes right into the tongue and labia, so if you’re a fan of oral, or want to learn, Drake seems to put on a clinic with the foreplay and oral. Drake uses his fingers, mouth, and more to get the first initial climax, and the camera moves lower to show you different angles, and I take back my comment about Devoux’s chest not being enhanced. The sex starts, and it’s casual, nothing crazy, reverse cowgirl, couch sex, Devoux moaning, and for the most part, it’s just run of the mill. I can’t really say it’s terrible, but it’s apparent that Drake and Devoux do not match chemistry, but rather are doing the job. Devoux is a blonde haired stripper type, and if that’s your thing, enjoy. Otherwise, you’re going to get distracted by the lack of chemistry, if that’s what you’e looking for. At the 72 minute mark, there’s anal, and that’s where the scene takes a tonal shift, with the two actually seeming to love what they do, so kudos on that. A cum shot on the chest of Devoux, and that’s the end of the scene.

Drake gets a phone call, and it’s Jonathan Morgan saying that there’s another murder. This time it’s a young man, and it’s another shotgun killing.

The movie then moves forward, and we get to see what really is happening. The attorney talks to Missy, and we then go to a room where Missy is talking to someone on the phone, yelling. The phone is tapped, and we are seeing the end of this story unfold. Missy is in on an extortion plot, she throws the phone down and pulls out a gun, and grabs a leather jacket, this thing is turning into a revenge thriller!

The plot finally thickens, and I’m all in here. A detective is on her tail, and we get some thriller type music, as she pulls up to a house, under the cover of night, to see Peter North come out in a suit, and he’s not dead afterall! North says that the two can run away together. The attorney shows up, talks her out of it, and right before she shoots North, a detective shows up and that’s the end. The whole story wraps up with a detective and our attorney.

Up to this point I didn’t want to name the attorney, because I’m lazy. It’s Blake Mitchell, a short haired redhead, with large breasts. Jonathan Morgan and her begin to kiss on the set of her apartment, and begin with breast play. The oral sex on this scene is good, and Morgan sure has some initial skills with Mitchell, which I definitely appreciated, considering this movie seems to lack in the sex department at times. The camera hides behind a plant at one point, which is hilarious to me. This apartment is designed like the worst Ikea in the world, mind you. The sex begins with a condom on, mind you, the first condom I’ve seen in this whole movie. We start with doggy style, and it’s ok at best. Mitchell moans, and Morgan concentrates, but you can tell that it’s just pure concentration, and nothing more. We switch to another position, Morgan on top and going forward as fast as he can, and then leading to an end of a cum shot on Mitchell’s triple D breasts, which the camera makes look enormous with the angle they choose.

The camera fades, and we get the end, that’s it. The end sequence, and a finish line for the movie.

“Guilty As Sin” was not my favorite movie in terms of sex. But as far as a full movie, with a script, with lots of dialogue, editing, sequencing, and full plot, this is a stellar example of what can be done with a minor budget, for a sex movie. It’s a movie I could see in theaters, and enjoy enough not to finish myself off within the first scene. That’s a special kind of porno movie, isn’t it? Well, it’s something alright.

I give “Guilty As Sin” a 3 out of 5.

You can buy, stream, and download “Guilty As Sin” from 1996, and see extras, and maybe even give it a better rating by clicking here!

Interview With A Milkman (1996) Review

Interview With A Milkman Poster 

There are a few tropes that come through in the world of pornography, and one of them is that of the milkman. The delivery of items to the home when a husband is away means that someone’s going to have sex. Well, in this movie from 1996, the Milkman is the center of the production. This movie comes from director Ralph Parfait, and was distributed by Vivid. It was released in 1996, and most likely was one of the movies that was once again screened through the Hot Network or Spice Cable Television. Either way, it stars some names you know, and some that you may not know. This movie stars, Madelyn Night, Laura Palmer, Jon Dough, Kimberly Kummings, Bobby Vitale, Sindee Coxx, and Steve Drake. The movie that we are going to review today is none other than, “Interview With A Milkman” from 1996.

We are greeted with the familiar Vivid Video introduction, and I love it. “You’re watching a Vivid feature presentation” is how we start things off, then we go straight into the credits. It says that this is a Paul Thomas production, and the graphics show up. We have a little ragtime tune starting, and we see a woman pouring milk all over her nude body. I’m assuming it’s Madelyn Night, but I’m not sure. If it is her, she is thin, soaked in milk, has large breasts, and is bathed in dark light. The opening isn’t so much a milk bath as much as it is a girl showering herself with a glass bottle of milk. This movie was written by Guillermo Brown, by the way. It’s an introduction that really is a throw back to the old days.

The movie goes onto show that it has film grain. I love when porno has film grain, and we see a man getting pushed through on a wheel chair. He pulls out a cigarette, and we start an interview. We see a glass of milk show up, and a random dude starts talking into a recorder. This is a nursing home, from what I can tell. The old man says that he was a good milkman in his younger days, and he starts to talk about his story. “I was the greatest milk delivery man in the world”. We then see a driver going around town delivering things door to door and we are thrown into the movie.

We see the delivery guy talking to a couple of women, and he asks if he can help with carrying a few things for the women. We then get moving forward with seeing the milk delivery guy just go through the motions as usual. The story goes through well enough, and there’s not much to this other than seeing that our Milk Delivery Man is top delivery guy, and he gets a silver medal at one point from Steve Drake. This is a high end production. You do not just get thrown into sex, you are thrown into a real story. The film grain gives a lot here, and I enjoy that aspect of it.

As the story goes, we see the delivery man enter his truck and there’s a glove filled with chocolate milk in it, and it starts to spray all over him. He then says he has to change his uniform. Meanwhile, at the offices of the milk delivery service, an angry caller wants Joey, the delivery guy to show up and deliver, and of course the secretary says he will go out there soon enough.

At around the 13 minute mark, we get the first taste that this is a porno movie. It features Madelyn Night as the secretary. Madelyn Night is a thin brunette with large breasts, tanned skin, and a trimmed pubic mound. She pulls out a vibrator and dips it in milk, and starts to masturbate for the camera. A soft jazz tune comes on, and we are taken into the fullness of her solo work. She is a beautiful woman, and the show here is a solo masturbating act. The soft jazz music and the overall production value of this scene makes it one of the more erotic scenes I’ve reviewed in a long time. You hear her moan, she drinks a little milk, and just uses her vibrator for the majority of the scene, and that’s it. It’s a good sequence with art and sex mixed in for good measure.

The camera cuts to a delivery, and it’s Joey. He comes into the home, and picks up an empty glass bottle, and then starts to look around to see if anyone is home. He creeps through the house and picks up empty milk bottles, trying to figure out if anyone is home, and trying not to make any noise. Hen then stumbles in on Jon Dough and Laura Palmer.

He sticks around to just watch what is going on.

Laura Palmer bends over, and Jon Dough starts to spank her. Laura Palmer is a blonde haired, thin, tall, small breasted woman. She has model features, and she wears high heels for the start of this part. Dough spanks her until her butt starts turning red. All the while the Milkman watches. What I like about this scene is that it starts with dry humping. It completely starts with fully clothed, dry humping, spanking, and movement that is not nudity. In fact, it’s a way to get the actors to get a little more chemistry, and I like that part. After some dry humping, Palmer gets on her knees and starts to blow Jon Dough. He gets hard right away, and she just goes in on him, while a jazzy number starts to play. The set has an all wood wall, and looks like a den at a cabin somewhere, while the couch is a light brown color. Dough wears sunglasses as Palmer blows him, and it’s a slow, casual start to their sex, after the dry humping. After the blow job, we get some oral returned, then right into doggy style with no condom. Palmer moans, and Dough seems to have an urgency about getting forward progress into the sex. Palmer’s pale skin, blonde hair, and long legs really make for a hot scenario here. After a few positions, Palmer goes reverse cowgirl, and then Dough cups on her pubic mound, which is trimmed. That ends the scene, and that’s it. The scene is quite sensual, and definitely doesn’t feel like a robotic sequence, which is a great thing. The two genuinely shared a moment in this one, including Dough slapping his penis on Palmer’s pubic area after the sex.

The delivery guy keeps going on his route, and we see him going through the motions, nothing special. It continues the larger story arc of course. He ends up getting back to his truck nd there’s Kimberly Kummings waiting for him. She says that she wants special treatment, and while he declines at first, the two go in for a kiss and we are off to the races.

Bobby Vitale is the main guy here, and Kimberly Kummings throws herself at him. Kummings is a large breasted brunette, and she looks older in this scene, compared to Palmer. She is a great contrast to the blonde in the previous scene, and the two get right to action. Kummings gets on her knees and blows Vitale immediately, giving him a sense of urgency to start. The starting point here has some great jazz music, and the two are doing it in the parking lot, on a delivery truck. She has large breasts, tanned skin, and a thin frame. For the sex, it starts in reverse cowgirl, and just goes forward with some moaning from Kummings, and robotic movements from Vitale overall. She squeezes her oversized breasts, and does a little bit of talking, amidst moaning overall. The music subsides, and the camera fixes in on the action, although this time there’s a condom in plain view. She’s trimmed, with pubic hair on her mound, and the two just go through the motions, getting robotic at the 39 minute mark. There’s anal at the 41 minute mark, and doggy style, with an eventual money shot on Kumming’s backside, for the finish, and that’s it. Vitale doesn’t deliver a huge load, but it’s enough for the sequence overall.

Something sinister occurs here. Someone is changing the regular milk for chocolate milk! Or what appears to be chocolate milk, or something that is tainted.

We see Steve Drake and Madelyn Night kissing, and then we get a cancellation. Night and Drake discuss some issues with the business, cancellations, and they start to get back to the kissing. Steve Drake is a veteran, of course, and we see Madelyn Night earlier as a single performer. This is a little more sensual, with lots of kissing to start, and just chemistry that you would get from a couples movie, not a hardcore porno.

Drake puts Night on a wooden desk and gives her oral in a well lit office space. That’s the starting point of the sex, and it gets underway at around the 49 minute mark. A nice jazz number starts up as the two go in for oral. The music gets turned up a lot, but so does the sounds of the sex. The sound design in this movie is very odd. Whomever did the levels was not accurate. Drake takes Night and starts doggy style, and there’s a notable condom as Night asks for him to do it harder and harder. The angle is interesting, as it is trying to hide the condom, but there was definitely one there. After a position change it looks like Drake doesn’t have a condom on any longer, at least at the 51 minute mark. This could be a blooper or two different scenes edited together in the same space. Either way, the sex is robotic, and formulaic. The two don’t have that much chemistry and it shows. I can confirm that there is no condom after going doggy style, and I’m not sure why that was. Drake finishes on Night’s pubic mound, but she has a look of disgust at first.

After some time we see Vitale getting yelled at back at the office. He is then back on the job, and he continues to go on his way, until Sindee Coxx asks for help.

Sindee Coxx is a blonde haired woman with big breasts, and a storied career in porn. She takes her clothes off, and gets on her knees to service Vitale. The blow job here is deliberate, slow, and steady. It’s nothing special, just straight forward, and Vitale isn’t even hard at first. The director moves the camera around so that you don’t see that action, but you can tell he’s not all the way there yet, so Coxx really has to work for this one. After a little 69, the two end up going at it on a picnic table, and Coxx is wearing nothing but a pair of knee high black boots. Vitale goes all in here, and the two are very close together for the scene, but at the 57 minute mark, you hear the director’s instructions! I kid you not! Coxx moans, and the two switch positions. I don’t see a condom in this one, and it appears to be anal at one point, and it’s not a terrible sequence at around the 59 minute mark. There’s a robotic element to this, although Coxx seems to enjoy the process a little. At one point Vitale chokes her hard, and you can see Coxx not really into it, but if you like hard pounding, there’s a sequence here for you as Vitale goes nuts at a few spots. The edits are rough here, the cuts are insane, and after the hour mark, Coxx seems to just give in to the movement. After a bit of work, Vitale cums on Coxx’s stomach and she moans a little. She’s almost completely shaved for this one.


For the final two sequences we are split screened. There is equal time spent with Madelyn Night and Sindee Coxx having sex with some chocolate milk as a momentum push, and we see Laura Palmer and Bobby Vitale having sex as well. The lighting int he Palmer and Vitale scene is blown out, with a lot of direct light, and shadows that show that this is a set. Palmer really goes in hard on her blow job this time, and it really makes up for the rest of the movie, which was a little robotic. As for Coxx and Night, the two are sensual, kissing, caressing and using their hands to go through the motions of lesbian sex. It’s not a bad sequence, mind you, and it has more passion than the other sex scenes that the two were in during this movie. After seeing them do oral, for a while, we are taken back to the den, and there’s no condom for the sex, as Palmer rides Vitale for the finish of this movie. The sex is adequate here, a little rough, but nothing crazy, with Palmer seemingly enjoying the process a bit. She reminds me of an old boss I once had, so the fantasy was real in this one. Vitale cums on her chin, and then in runs Jon Dough to discover them.

Dough runs after him. Then we are sent to the backyard of the house where Coxx and Night are. The movie runs through, and out of the blue we see Night and Vitale driving and boom, they cash into each other, and that is that. We see that Vitale’s character gets back to being the best employee, and then we are taken back to the interview.

We see an interview with the Milkman, and we hear that America has changed completely, and that the Milkman job is no longer great, and the rest of the degrading of American culture was due to the stop of milkman delivery.

I give “Interview With A Mlikman” a 3 out of 5.

Out of all the scenes, only 2 of them really spoke to me, and they were involving Laura Palmer. I’ll have to really look into more of her work, as she is definitely a shining light in this one. Other than that, it’s a serviceable movie with good film grain, a few interesting notes, but robotic, short sex scenes with a blooper thrown in for good measure.

Breeders (1996) Review

Breeders (1996) Poster

Well, here we go again, it’s time to get back into our time machine and look at the 1990s. It’s here that we are going to find out a bit more about a movie that has a lot of stars from the past, and some that you may be familiar with. This time around we are going to a larger budget movie option that was directed by Brad Armstrong, and distributed by Metro. This movie is called “Breeders”. It was released in 1996, and it has a higher budget than most. The stars of this movie include Sindee Coxx, Peter North, Dawn Burning, Kaitlyn Ashley, Alex Sanders, Sean Rider, Nadia Moore, Steve Drake, Anna Malle, Ruby, Gina LaMarca, Jon Severini, and Asia Carrera. The movie seems interesting enough, but is it any good? Well, let’s find out and see what’s up with this release from Metro.

From the start of the movie, you can tell that there was a higher budget than most. This movie starts with a very video game style introduction, with a lot of noise, and audio production to the credits. You really get a feel for the post-apocalyptic element that you’re going to be witnessing in this movie, that’s for sure.

Earth has become split into a few different factions. Those that are breeders and those that are not. The non-breeders are a band of criminals that want to kill everyone else. They are an underground group. They are criminals, and after the nuclear war killed everyone, only 12 people were left to breed. This is all talked about in the introduction which features a narrative voice. We see Peter North walking around a desolate area, which seems to me to be a spot near Inglewood.

Peter North runs into a busty blonde haired woman, and it’s none other than Sindee Coxx. Sindee Coxx gets on her knees and starts to blow Peter North. Sindee Coxx is a blonde haired, busty woman, and she has that California porno look. There’s a weird saxophone driven soundtrack that begins, and North stands amidst some dirt trees, with shadows being pushed to the side by the lighting rigs of the movie. It’s not well lit, but it’s lit enough to see what’s going on, and it’s Coxx going to town before North and her decide to have sex. The sex is adequate, the angles are ok, Peter North always looks like he’s in work mode, while Coxx seems to get wet and really get into the sex, even if it doesn’t last that long. The two work out well enough in multiple positions until North cums on Coxx’s pubic hair.

After North cums, we see some Roman Reigns looking dude come through and says, “they were here”. Then you are taken to an underground lair where a few guys are talking about how they need to kill more breeders. This is definitely a post-apocalyptic area, and it’s interesting to see, no doubt.

After the guys say they need to get more breeders, the camera takes us to prison cell. It’s here that Dawn Burning, Kaitlyn Ashley, Alex Sanders and Sean Rider are. They are kissing, moaning, and starting to take off their clothes. The two women are blonde haired, big breasted women, with your classic porno look. One is tanned, the other isn’t. There’s a pubic mound that is trimmed, and there seems to be some genuine chemistry between the couples. For this scene, the lighting is great, the set dressing looks like something out of the “Walking Dead”, and close ups are really close, giving you a very specific view of the oral, and the different positions. The women seem to get into it, and the guys are hard, making this an interesting scene. The music is good too, and the only downside is the many shadows that are in here, which counteract with the glare of my television screen as I try to review this. Other than that, it’s an artistic balanced scene that you could easily splice into “The Walking Dead” and get fanfare for. At one point there is anal, and I wonder why the purpose of breeders would garner such a thing. I thought the purpose was repopulation? Then I remembered, this is a porno. At the 24 minute mark, the director accidentally shows what appears to be Sean Rider trying to get hard, and not being able to perform, so the edit goes back to Sanders, going in with anal. It threw me off balance, and it really doesn’t do well for the scene, and as the scene progressed there’s a lot of blocking, to ensure that you don’t see his short comings in the scene.

After the sex is done, we see the breeders putting on their clothes, and they are attacked by the rebels on motorcyles, and they have guns. They are all casually shooting at the breeders, and one of them gets shot in the arm. From this point forward we get a lot more story. We are taken through the story and lots of dialogue. There’s some clever acting from Steve Drake, Asia Carrera, and others. It’s actually not bad, and if you were to splice the non-sex elements of this movie, you’d actually get a nice little science fiction piece. After some back and forth between the tribes, and Steve Drake’s character introduced we are taken to the memories of his character.

Nadia Moore and Steve Drake are stuck in his memory, and he is slowly caressing and kissing her. They are about to have sex in what appears to be a military outpost. They start slow, with oral, and then start to go forward with a few sensual moments before engaging in sex. The music here is slow, methodical, and artsy, with a focus on the scenario as an art piece, even if there is a bit of sex involved. There’s a sense of purity to the sex here, and it’s interesting to see. However, Nadia Moore doesn’t seem that interested in Drake, and while he’s a pro, the scene lacks that authentic sensuality and chemistry that I feel is necessary for a good sex scene. Remember, this is a fantasy, so it’s interesting to see how this doesn’t really fulfill that element for me. It’s artsy, it’s hardcore, but without that little extra, it’s just two people going through the motions, and it shows. There’s not much to this sex scene, there’s minimal focus on the actual sex, Drake blows his load into Moore’s face, and the music continues to be erotic and we then get a director’s slow down to show off that this is art, not just porn. It’s not a terrible scene, but it lacks that certain sensuality that you’d expect from porn. It is a cool scene to watch though.

Up next we are taken to another lair and this time, it’s Alex Sanders meeting Ruby, and Anna Malle. However, the director has slowed everything down to the point where it’s kind of a terrible scene. The sound design is good, the artsy nature of the sex is not lost on me, but it’s so slow at times that it is just like flipping through a porno and watching the images kind of shift. It’s a lackluster scene that really ends with a cum shot and that’s it. You barely see the women, and the lighting is so bad, that you can’t really tell what’s going on with some of the shadows that are in place.

After the terrible sex scene, we are taken to a mercenary with a shot gun. This is a tall redheaded woman, and she asks for one of the bad guys to take off his clothing. She points a shotgun to him, and finds out that he has water, and then takes it from him, drinking the water and letting it drip on her body. This woman is Gina LaMarca and she is an older redhead, with a lot of makeup. She immediately starts kissing the rebel, and we are taken to the next scene.

In this scene, we are treated to Gina LaMarca and Jon Severini having sex. It starts with oral on her, and then moves forward to the traditional elements. She keeps her boots on. She is a tall redhead with a shaved pubic area, but with a clear landing strip, a tan body, and large augmented breasts. Severini and her have some great chemistry together and though the director again uses slow motion to capture some of it, and the music is horrendous, the two seem to work well together here. The two have sex in multiple positions, but mainly doggy style, but it’s mired by the director’s decision to use slow motion again, and keep the sound and music at full speed. It takes you away from the action, as the lighting shifts because they are outside. It’s a bad scene, and truly a baffling decision if you ask me. The two go well together, and the sex is fine when not in slow motion, but it’s the lighting, music, and lack of chemistry that gets me towards the end of the scene, which starts off nicely, and then mellows out towards the end. It’s like watching an escort work for an hour. Eventually Severini cums and it lands in LaMarca’s face a little, and that’s it. He’s not a big guy, and she doesn’t seem that interested in the sex, yelling out at the end and barely looking sweaty at all. It’s a lackluster display if you ask me.

After they have sex, the rebels come down on motorcycles and they are shot by the two. They get on their motorcycles and run off to another outdoor post.

I don’t know why, but the next scene after this includes Gina LaMarca and Jon Severini having sex again. That’s right, there’s essentially a duplicate scene from what you just saw, only this time it’s full speed, full sex, and features a cum shot to the back of LaMarca’s body. It’s not that good, it’s fast, and the lighting is horrendous. But at least we don’t get that crappy slow motion for this one. LaMarca moans a great deal, and the camera ends the sex fast.

After the sex, we see Steve Drake and Asia Carrera running to the lair of the bad guys with guns, and they go in guns blazing. They then go in and shoot the main guy, and we come to find out that he was a breeder all along. Drake shoots him, and that’s it. All of the bad guys are killed and we are left with just Breeders.

The movie takes a lighter tone when we see Asia Carrera and Steve Drake outside some abandoned building. Asia Carrera gets on her knees and starts to blow Steve Drake. The worst thing about this is the slow motion, and the director once again goes for artsy, with a focus on music that is sold at a swap meet by some Peruvian flautists. Steve Drake and Asia Carrera have sex outdoors, and it’s not a bad scene, if it wasn’t all done in slow motion! Asia is a beautiful woman, needs no introduction, and Drake really works well with her. The two seem to have some great chemistry in this sex scene, and while the motions are good, and you really get a feel for the sex, the slow motion elements mixed with real audio sounds is a horrible way to cast this. Drake eventually cums on Asia’s pubic mound and that’s it. We get a short, slow motion sex scene that was probably much funner for the actors to do than for me to watch. I didn’t even get half a chub, which makes this an odd finish to a cool movie.

I give “Breeders” a 2 out of 5.

This is a terrible movie. However, it’s interesting, it has a lot of cool elements to it, but it lacks all of the elements that make a good porno movie, good. The sex kind of sucks, but the story is cool, and the ideas are great. But the choice to make a lot of the sex slow motion and artsy really takes me out of it. Plus, the Asia Carrera scene should’ve been longer in my view. But then again, hey, I am not the director, I’m just a guy reviewing movies.

You can check out “Breeders” and see if you like it, as it is available on DVD, streaming, and other mediums. Click here to pick it up and get 15 minutes free for starting a trial. I didn’t hate it, but I also didn’t love it. Maybe you will, though.

Miss Passion (1984) Review

Miss Passion (1984) Edited Poster 

Well, it was time to leave the 1990s and get back to the 1980s for another video that features some stars from the past. This time around we are going to 1984, and we are going to be reviewing a movie that was directed by Suze Randall. The movie was distributed by Vidco Entertainment, and stars a great deal of men and women that you may know about or may not know about. The stars of this movie include, Crystal Breeze, Peter North, Lisa De Leeuw, Howard Ziehm, Rachel Ashley, Craig Roberts, Ginger Lynn, Traci Lords, Rikki Blake, Craig Roberts, Steve Drake, Susan Hart, Paul Baressi, Steve Powers and Greg Rome. All of these people are involved in this one, and if you’re a fan of any of them, you may want to seek this out. I must say, before going forward with the review, that Traci Lords was in this movie, and I was able to garner a copy from Japan when visiting. In the United States, you may not be able to find this at the retail level, although ebay, and other platforms do sell this movie from used sources. New copies are extremely rare, unless you are going overseas and they have a lot of them.

The movie opens up with the director. She is hosting a show, and this show is about who is Miss Passion. The opening is funny, and it has an interesting premise and set. The set is a bed, on a stage with lots of lighting. We are introduced to the judges and it’s interesting to see how it all works out. This is like a real game show! It gets 1 star from me just for creativity, and good acting up front. But what about the rest of the movie? Well, here we go, let’s see how this all pans out, as it is a game show, in a porno movie, from 1984.

I must note that the bed in the center of the stage is a blow up mattress. I also must note that this is game show like rules with each performer having live sex for the judges.

The first major contestants start to kiss and make out a bit. The two are Peter North and Crystal Breeze. North has a difficult time getting too hard with Breeze’s first initial blow job but eventually gets there, and then goes into sex with her. Breeze is a tall brunette with medium size breasts, and moans loudly for North. North is in work mode here, there’s a lack of passion overall. The music is a trivial jazzy piece that sounds a lot like you would expect from a 1980s game show. Breeze’s moaning gets louder as the two engage in doggy style and it’s a good sequence of pushing at one point, but it’s obvious that the bed is not that grand. They get the job done, and the director stays with the action for the most part. They go through several positions while editing show Lisa De Leeuw and Howard Ziehm having sex on a couch as the judges. The sex goes for a while and in reverse cowgirl, Breeze and North finish up with a money shot on Breeze’s pubic region for the finish. Breeze is loud, but it was obvious that North was just phoning it in for the most part. Not sure why, but Breeze just didn’t do it for him or something. They give the two a 9.99 and we are back to the host.

They introduce a new woman and this time she is a tall, thin brunette with large natural breasts. She has good makeup, and n Egyptian style outfit. Out comes Craig Roberts to have sex with her. Craig Roberts and Rachel Ashley get on the blow up mattress and start to have sex immediately after a little oral from Ashley. This is a slow moving scene, with Ashley barely moaning at times. Here large breasts are nice to look at, and her frame is nice, but the two have this slow moving sexual chemistry that is just odd considering this is supposed to be a contest and porno at the same time. The music is turned down a little, and we see the action for the most part while Ashley wears a blue skirt. There’s a few positions here and there but eventually Craig Roberts cums by yelling and masturbating onto Ashley’s pubic hair and region. That’s the end. It’s a lackluster scene with minimal noise, moaning, and chemistry. They give the performance a 9.25.

We are introduced to two new women, and this time it’s Ginger Lynn and Traci Lords. This is not a terrible sequence of events, and the judges start to go at it while watching. Traci Lords and Ginger Lynn work well together here, slowly and passionately kissing and having oral sex. The music is terrible, but the sets are nice, and the two seemingly really enjoy what they are doing, going back and forth through the sex with relative ease. There’s not much to this scene, mind you, it’s a lot of touching, and fingering, and a little oral here and there, but it’s mostly just a sensual romp.

Rikki Blake and Craig Roberts are supposedly next for the sex competition and it’s interesting to see at first. The initial oral wasn’t half bad, but over the course of the sex it started to get boring a bit, and well, it’s a bit lackluster. There’s not much in terms of sound, no music that I could hear, no moaning, and just average sex. It works, but it’s as though the two just didn’t really get into this fast paced sequence of sex. Rikki Blake is a shorter, thin blonde, and while it works for a little bit, it just gets old fast, and the sex is mediocre at best.

Next we see Steve Drake and Traci Lords, and it’s not a terrible scene. It starts with oral from Lords to Drake, and the music once again sucks, but there’s a bit of focus on a different bed set and smoke. It’s an interesting contrast to the other scenes, and Drake here is in his prime, cut, thin, and built. Lords welcomes him to dine, and shows off her flexibility before they start to engage in anything further. Lords is quite loud in this one as she always is, and it truly does look good through the short sex scene. Drake seems to enjoy the whole process going through the motions of multiple positions here.

Up next out comes Ginger Lynn. Ginger Lynn in her prime is what you’re getting here, and she’s always amazing to watch. For this scene, you get Paul Baressi and Steve Powers joining Ginger Lynn for a threesome. They immediately launch into oral, and start to work towards sex, slowly. For all intents and purposes, this is your average sex scene with three people. Lynn moans a great deal for the most part, especially during the 47 minute mark, and she really seems to be enjoying things, while one guy is behind her and the other is in her mouth. She then starts to give a dual hand job, and it’s not bad, but not great either. The guys take turns with her, but eventually this leads to something a bit more compelling. If you’re a fan of double penetration, then you’ll love the 50 minute mark when things get started in that direction. Ginger Lynn gets double penetration and she is as loud as ever. After a bit of this, there’s a cum shot and that’s it. Lynn and her partners get a 9.5 for their performance by the judges.

Up next comes Susan Hart and Greg Rome for sex. This is a mediocre scene with terrible techno music. Susan Hart is a thin, tanned, curly haired brunette. Greg Rome comes out dressed like a Roman and the two start with oral quickly. This is a lackluster, boring scene with only the set and the music to really distract you. Hart has some big breasts, and moans a bit towards the 56 minute mark, but other than that, this is a somewhat frivolous scene and will no doubt only find a few fans. It’s phoned in completely, and while I don’t hate it, it’s obvious that the two have little chemistry and that they are going through the motions. It’s workable, and out of the blew we get a cum shot, and the judges only give this a 6.7 overall. It’s not a great scene at all.

Since this is a game show, they give awards at the end. And they give everyone an award, and nothing that great. Rachel Ashley gets the award for Miss Passion, and that’s the end of the movie. Perhaps one of the oddest ones I’ve reviewed thus far.

I give “Miss Passion” a 2 out of 5.

Yes, it’s creative. Yes it features some ok performances from the actors, but honestly, it’s not that great. It gets a little boring at times. In fact, I wanted to turn it off at certain points. It’s an interesting premise, no doubt, and it works as a porno from the 1980s. I can see this being shown in theaters, honestly, but outside of that, I don’t think anyone is going to be wanting to see this unless it’s the unedited version which is extremely hard to get.

Pickup Lines 3 (1996) Review

Pickup Lines 3 (1996) Poster

We are staying in the 1990s for a gonzo production because it is next in our line up of movies to review. This time around we are going to be looking at a movie that was directed by Tom Stone, and features a lot of performers doing what you would expect from a porno. The distributer here is Odyssey, and the studio was Silverstone. The stars of this movie include Marine Cartier, Peter North, Lana Sands, Steve Drake, Demi Fairbanks, Jill Kelly, Vince Vouyer, Tony Martino, Michael J. Cox, Sean Rider, Lori Michaels, Tracy Love, and Ed Powers. While I don’t like gonzo porno movies, it’s still part of the industry, so we’ll have to review them sometime. These are established stars and we are venturing to 1996 for the movie, “Pickup Lines 3”.

The opening says that this is an Ed Powers presentation. Ed Powers is like a gate keeper for porno, and he was able to get on screen with a lot of women before they became huge stars. He’s a skinny guy with facial hair, a pony tail, and just a hairy body. This movie starts with him talking to the camera. He says that we are about to watch the third installment from the series, and he says that he will be in the bed with women. After we hear from Ed Powers we get into the credits and it shows all of the actors names that are in this movie alongside some “Myst” type of music.

The opening scene features a couple of girls on a boat, and some decent cinematography for the time. We see a guy jet skiing, and I can’t make out who it is, but he falls into the water. From there we are taken to a bathroom that is quite large. It shows Peter North showering. A woman shows up and it’s Marine Cartier, and she disrobes and joins him. Some jazzy music starts and the two stand in the shower together, and it’s not bad. Marine Cartier is a brunette with a fit body, and bikini tan line. She has a thin frame, small breasts, and a toned overall look, with a cute face.

Marin Cartier and Peter North start to make out in the shower, and we begin the sex. This is a very unique shower, and it’s very large. The two make out like they are old lovers, and it’s actually not a bad starting point. They seem to be very interested in one another, and for once, I was starting to get distracted a little. After some making out, we see Peter North giving oral to Cartier, before turning things around and getting on her knees for oral. She has a small mouth, and it shows, making North look huge because of it. The music is louder than the moaning here, but it’s still sensual. Cartier has a landing strip, and after some bathroom foreplay, the two move to the bedroom, and they start to engage in sex, with a condom. There isn’t much to this, there’s barely any switching of positions. The music is louder than the sounds of Cartier, and while North does well here, you can barely here Cartier moaning, which she is certainly doing. After some time in doggy style, Cartier catches a Peter North facial and that ends this scene. The facial is ok, and it’s actually a little boring. Not the best facial, Marin Cartier spits it all out and looks disturbed in receiving, even though she licks a little after the fact.

The music continues, but the scene ends. We are taken outdoors where Steve Drake and Lana Sands are enjoying a boat ride. The two enjoy the sun, until they stop to kiss and start the next sequence.

Steve Drake and Lana Sands start to kiss, and Sands starts to suck on Drake’s finger to signal the start of sex. Lana Sands is a skinny Asian looking woman, with small breasts, slightly shaved pubic region, and a look like she’s from Thailand of the Philippines. Steve Drake is a mainstay in porn, and at this point has been in the business for a long time. The sex is simple, starting with fingering, oral, and the music that is just looping at this point. You can kind of hear moaning, but it’s muted by the sounds of the music, which is a bad move if you ask me. We get oral from both partners here, and the camera doesn’t shy away from the sex. There’s no condom in this one, and while the scene is adequate, it’s lacking in passion, and sound. You don’t hear Sands very much, and you see Drake hasn’t shaved at all, so he looks like your average joe. The sex is fine, but not that great, and after a few positions, Drake delivers a facial and that’s it. This is a substandard sex scene compared to the opener, that’s for sure.

We move to another scene and it’s Peter North and his girlfriend at a random house. They invite Steve Drake and Lana Sands to come in and watch a porno. The television shows a couple of women outdoors, with the sunlight directly on them, and they are simply kissing.

The next sex scene features Demi Fairbanks, Jill Kelly, and Vince Vouyer. The music again keeps going, and it’s a jazzy beat with bongos, and an island motif. Jill Kelly of course is a tanned, large breasted blonde that is a staple in 1990s porno. Demi Faribanks is a brunette with a landing strip, tanned body, curves, and large breasts. Vince Vouyer doesn’t immediately enter the scene, he waits for things to work through with the women. The women go with oral to start, while Fairbanks wears sunglasses and has wet, short hair. Vince Vouyer starts with giving the women oral, one by one, then he gets the women to blow him, and they are still outdoors. Vouyer brings a truck into the picture so they go into the back of it, and start to work through the sex. No condom here, and just straight sex with a couple of positions, a little bit of moaning, and then the money shot which lands on both Fairbanks and Kelly. This is not the best Jill Kelly scene, mind you, even though she looks great here. Both Fairbanks and Kelly look uninterested at times, and Vouyer just is in work mode, and well, good for him, that lucky devil.

Up next we are taken to a dock that looks like Marina Del Rey. There a young woman talks to a random dude about his boat and he invites her to his place. She obliges, and we are taken to a condo or apartment near Marina Del Rey.

The two start to makeout, and get to a bedroom, a set that looks like your average 1990s apartment. Frankie Layne and Tony Martino are the two actors here, and they both are tanned, and hard bodies. Frankie Layne is an older blonde, and it shows, with a thin frame, and small breasts. Tony Martino is a tanned dude with nothing that makes him special except getting it up when it matters. Layne’s rib cage shows here, she’s that thin, and while this scene isn’t terrible, the music takes you away from it all. The sex is normal to say the least, nothing too crazy, a few positions here and there, some ok lighting, but a lack of budget plagues this one. The music again drowns out the moans that you’re going to hear from Layne, and while the two have a little chemistry you can tell that Martino is in “work mode” and so the two just don’t gel that well. After a while with normal sex, there is a point where you get anal. A closeup reveals no condom, and a landing strip, with Layne taking it all in from Martino. After some anal, we go in for the money shot, and Martino lands cum on Layne’s face, and the music finally stops. The soundtrack is very annoying for this movie, and I’d rather hear the moaning to be honest.

After the scene is over we see a woman cleaning a pool. She walks over to a couple of guys waiting for her, and they start making out. This scene features Casey, Michael J. Cox, and Sean Rider. Casey is a very young girl here, with brunette hair, and an average body. The two guys are nothing special, and the lighting is miserable here. It’s an outdoor scene and it starts with a great deal of kissing. Casey looks uncomfortable, and I wouldn’t be surprised if this is one of her first porno scenes. The two guys know what they are doing, and try to go slow here, with the music coming through quietly and taking over the cinemascope of the scene. Casey gets on her knees and starts giving oral, and we still have this awful music that is just like listening to wind chimes. Casey keeps looking at the camera, you don’t hear her moan, she is just a vessel at this point. It’s this type of porno (gonzo) that turns people into meat, and well, it’s just there, this is just a sex scene. Both guys look bored, Casey is doing her thing, but the guys are bored and it’s hilarious to see. There is no passion here, there’s no double penetration, and the scene ends with the guys throwing Casey into a pool. That’s it. What a terrible sequence.

Up next we see Lori Michaels in a convertible. It’s an expensive one too. She pulls over to pick up a hitchhiker, and it’s Vince Vouyer. She asks if Vince has a big penis, and then invites him to get into the car. She then lets him drive the car, and that’s it. We go back to her place, and the two start to make out.

This next sex scene features one of my favorite actresses, Lori Michaels. Lori Michaels starts to blow Vince Vouyer and the music here takes over, again making it a crappy scene, but with Lori Michaels, I’m all in. Lori Michaels is a thin, older looking brunette, and reminds me of someone I know. She has small hands, and a small mouth, and she looks passionately at Vince Vouyer as she takes it all in. There’s a bit of passion here, and something that is missing from the rest of the scenes. The set here is a random bedroom, with a red comforter, white walls, and nothing special to it. The two get on a bed and start having sex. Vince Vouyer puts on a condom, but through the sequence he holds his penis hard, and it looks as though he’s used a penis pump and wants to maintain his erection here. I’m not sure what’s going on, and at one point it looks like Lori wants him to go in deeper. She keeps checking to see if his condom is on, which is an odd thing to see, and while she does relax a little, the sex is normal, and nothing to really write home about. The two go through multiple positions, and eventually Vouyer can’t hold it in so he slips out and cums on Lori Michael’s face, and that’s the end. She blows him at the end and lets him cum, and then just takes it all in. Lori Michaels is one of my all time favorite porno actresses, so while this scene lacks a little gusto, it’s still worth watching, at least for me, and well I liked it.

After this scene is over, we are taken back to the Peter North apartment, and we see the women getting hot. They want to have sex, and well, the women exchange partners from earlier.

On a red comforter, we see Lana Sands, Marine Cartier, Peter North, and Steve Drake start to make out for a four way sex scene. The scene starts with the men giving oral to the women, and we hear a soundtrack of techno music start. This time it’s a little more quiet than the other scenes, and we get up close and personal with the oral. The lighting here is great, and the women are hot. Lana Sands giving Peter North a blow job is a premier element of this scene, and definitely a standout amidst this one. Marine Cartier is beautiful here, and is in a nice dress, and while I’m not a big fan of Steve Drake, she makes this one look great. There are no condoms here, and the majority of the sex is taken to a backseat because the director focuses on a wider lens. There’s a lot of oral, here, and not nearly as much asex, although there’s some insertion here and there. Cartier looks bored at one point, and while her and Sands create a good chemistry, the guys seem confused as to what they are doing at times. After some back and forth, position and partner changes, we get a money shot, and that’s it. Kind of a lackluster scene. The best part is definitely the starting point where Lana Sands is blowing Peter North, and she does well throughout, blowing him at the 1 hour 58 minute mark again and showing off her skills. It looks like Drake gets the money shot here, and while it’s adequate, it’s not as good as what Peter North can do, and well, that’s fine. This scene is not great, and the music once again muted the moaning. Peter North eventually gets a turn for the money shot, but the director doesn’t seem to show him that much, and he says, “Steve, I got your wife in the eye”.

The scene ends, and we are taken to a leopard print comforter. It’s here that Tracy Love is in a small sweater, and is talking to Ed Powers. She has no underwear, and Powers talks to her, interviewing her for this. Thracy Love is a cute girl, she has chubby cheeks, big red lips, colorful eyes, dirty blonde hair, and a thin frame with medium size breasts. She’s not that hot, honestly, but she must be new here.

After the initial interview with Ed Powers, Tracy Love starts to massage Powers. Ed Powers and Tracy Love engage in a little oral before starting to get into the sex. After the oral, Ed Powers gets into doggy without a condom. He’s not a huge guy, and he’s quite hairy. Tracy Powers is cute, and takes Powers deep. This scene has her moaning louder than the music, which is always interesting to hear, and it’s not a bad scene if you like gonzo, and amateur production. This stands out, as Powers at one point sticks 3 fingers in Love’s anus then goes for anal. During anal, Love really starts to moan, and while this is a dirty sex scene, it is true to life what goes on in the many different bedrooms of America and around the world. This is kind of like the bottom run of porno mind you, not really offensive, but not sexy at all. Two people that are not sexy having sex, and probably having more fun than you are. After a great deal of anal, Powers cums, and that’s the end. Love is a bit disturbed, and doesn’t seem to be having that much fun, looking at the camera, and trying to play up the ending, and that’s it. Powers is a lucky son of a gun, that’s for sure.

The scene ends and that’s it. Tracy Love really wants to be a part of the porn world, and isn’t satisfied here. You can tell. She’s attractive at the end, but overall, she’s just another actress that I’m sure will be forgotten.

I give “Pick Up Lines 3” a 2 out of 5.

Despite my appreciation for Lori Michaels, there’s nothing that can save me from giving this a higher rating. The music was too loud, the moaning wasn’t loud enough, and there was just something lacking in the movie. I liked it enough, and the opening and ending scene really got my attention, so for that, it gets a 2 out of 5. I do like the collective actors in this one, but unless you’re collecting the Pickup Lines series, I’m not sure that you’re going to want to buy this one. Maybe stream it.

You can stream, download, and buy "Pick Up Lines 3" by clicking here, and well, help the site out.

Savannah’s Last Stand (1993) Review

Savannah's Last Stand (1993) Alternative Cover

Today we are going to be visiting the year 1993 for a movie that features a lot of heavy hitters in the porn industry. This movie called "Savannah's Last Stand" starts with talking about how Savannah’s last scene for Vivid Video. But before getting to that, and the rest of the scenes of this loosely gonzo movie, you’ll have to go through a few scenes before getting there. The movie was released in 1993, before Savannah’s death, and the movie stars Sunset Thomas, Steve Drake, Chanel, Steve Hatcher, Heather Hunter, Randy West, Lynn LeMay, Marc Wallice, and of course Savannah. The movie is not plot heavy, it’s gonzo, which I absolutely hate, but that’s the direction that the porno world was going, and therefore that’s what we get with a lot of the 1990s movies, with a few exceptions here and there. This is also known as “Savannah’s The Stand”.

The movie begins with narration and Steve Drake opening his mail. He opens some mail and finds that his girlfriend is waiting for him with a bow and whipped cream all over herself. He goes to find her and starts to lick her up and down. Steve Drake and Sunset Thomas have an outdoor sex scene amidst greenery, in someone’s back yard. There’s music here, and it’s a rock heavy guitar sound with a looping melody and no lyrics. Sunset Thomas here is young, has red hair and isn’t enhanced yet. She has black heels on, a white pair of panties, and whip cream all over her body. Steve Drake is a long time veteran of the porn world and he slowly engages Sunset in this scene with a lot of attention on her body, oral, and movement towards sex. Drake gets into oral at around the 8 minute mark and the music shifts to smooth jazz, and it immediately throws me off. It sucks. I hate smooth jazz, and while you still hear the moans of Sunset, the music really sucks. I can’t not pay attention to that, but I’m trying my best as I review this movie. After some oral, Drake is ready to throw down a bit more. Sunset blows him a little then she gets on top of him. Sunset is not shaved, there are no condoms used for this production, the lighting is terrible, and the sex is average at best. The music switches again, and this time it’s a weird hip hop loop with jazz elements. Sunset does well here, and you can even see her abs as she pushes down on Steve Drake. Drake is slim, hairy, and gets hard fast, so he gets this role for that I’m sure. There’s nothing crazy about this sex, Sunset moans a bit, Drake goes in and out and eventually cums on her face, and that’s that. The two don’t have that much chemistry together, and while it’s serviceable, it lacks that raw energy that you’d expect. I’ve seen Steve Drake in better scenes, but this works well for the guy, lucky for him. Sunset would go on to change her look but here, she’s young and new to the business, I’m assuming.

The scene ends and we are treated to a woman doing yoga poses. She puts her legs behind her head, and some rock music starts playing. In comes Steve Hatcher to start giving her oral while she’s got her legs behind her head! Steve Hatcher and Chanel start to go forward with oral. Chanel is a tanned brunette haired woman that is extremely flexible. She’s shaved, is thin, and is surprisingly agile. Steve Hatcher is your average hippy looking dude with mid-length straight hair. In this scene, which was filmed outside, there’s a fly that keeps moving around and it’s bugging the hell out of me. The stupid fly goes everywhere and the director didn’t stop to get this away. Over the course of the scene there are several more flies that show up, and it’s just distracting. Chanel keeps her yoga pose, her legs nearly above her head while Drake sticks himself into position and goes forward with some odd facial expressions as he has sex with her. Chanel moans a little, but not nearly as much as the action speaks as Hatcher gives a good showing, but it’s just not that sexy. The music ends towards the end, and eventually Hatcher cums on Chanel, as you’d expect from porn, and that’s that. He cums on her stomach, and that’s the end of this scene. Terrible lighting, boring sex, and that’s the end.

The movie progresses and we are taken to a backyard, again. This time we see Heather Hunter working out. She’s lifting weights and doing her normal routine when Randy West shows up. He gives her a few pick up lines and the two start to make out. Heather Hunter starts giving Randy West a blow job and the two immediately share some chemistry here. Heather Hunter is a tall, skinny, tight bodied ebony woman with long black curly hair. She’s a premier star in the porn world, and Randy West is of course a veteran of the scene as well. The two have some serious chemistry during this sequence of sex, and Heather is light enough to be carried by Randy West. This scene makes up for the rest of the sex up to this point, as the two really do share something in common here, and it’s a love for sex. No condoms, and a young Heather Hunter really works the camera and works well with West. After a few positions on a lawn chair the two cum together, which is a rarity, and West cums on her stomach. She takes some of it and puts it in her mouth, and she truly shows off her skills. Heather Hunter then asks for him to come closer and she blows him after the fact, one of the sexiest endings to a porn scene.

The scene fades to black and upon return we see Marc Wallice and Lynn LeMay engaging in oral sex on a desk. Lynn LeMay is a blonde with extremely large breasts, and Marc Wallice has long hair and a built body. The two here have a lot of chemistry together, and it shows from the minute the scene switches to what they are doing. LeMay moans a lot here and she really gets into the action. She is a blonde haired woman that looks a little older than the rest of the women in the movie, and her breasts really take on new life during this one. Wallice doesn’t seem to get quite as hard at first, and it shows. However, LeMay works on it to get him up to task, and eventually he does in fact grow to the occasion. Once Marc Wallice is hard he goes through every position you can in an office setting. This is a standard office sex romp, with a variety of positions, some soothing music, and a gold light that is overhead. LeMay doesn’t hold onto her breasts and you see them bouncing and moving a lot. Wallice goes in deep and hard and gets LeMay to cum, get wet, and nearly scream at one point. After a great deal of sex, the two work towards the cum shot where Wallice is getting blown and LeMay lets him cum on her face, and that’s it. She doesn’t stop blowing him as he cums and it’s truly a sight to see, and she nearly bites his penis at one point, which is quite an interesting thing to see. These two had some serious chemistry in this scene, and I wouldn’t be surprised if they wanted to do more off screen, as I know I would if I had that type of chemistry.

The final scene here is on the same set as before, outside in a garden area and it features Marc Wallice and Savannah. The two start to talk a bit and nothing major happens to start. Savannah shows off that she has a silver bra and skirt set, with a hat that says “bitch”. She’s smoking a cigarette and invites Marc Wallice to play a little. Savannah is a platinum blonde with nice breasts, and red lipstick. She is a pinup type of woman, and it shows.

Marc Wallice gets on his knees and starts performing oral on Savannah in this scene. The set is outdoors in the shade, and the two seem to have a decent amount of chemistry to start. Savannah has a pair of silver boots on, and she has a lot of makeup on her face to cover acne, and starts to moan a little while Wallice goes down on her. After going down on Savannah a while, the tables turn and Savannah gets on her knees and starts to blow Wallice. She does so with slow, simple strokes, and it’s really mechanical. I haven’t seen a lot of Savannah’s scenes where she really gets into the action, but as far as a marketable talent, she definitely has the look and overall sex appeal to be a huge star. Her lipstick starts to get smeared here, and Wallice is hard faster than in his previous scene. The music here is a pseudo alternative rock track, and fits the motif quite well. The camera angles suck here, the lighting has a lot of shadows and at some point you can’t even see what is going on. The music changes upon insertion and goes to a techno beat with a lot of bass and random keyboard noises. Wallice drops in on Savannah that is wet, but she doesn’t get too loud. She moans a little, and perhaps she finally gets into the course of the sex. The two only go through one major positions and Wallice eventually cums on her pubic mound and that’s it. They barely kiss here, and it’s really just a paint by numbers mechanical sex scene, a real disappointment if you ask me. The two end their sex romp with a couple of cigarettes and that’s the end of the film.

I give “Savannah’s Last Stand” a 2 out of 5.

This was not what I expected. I figured there would be more focus on Savannah. The best scene for me was the Heather Hunter scene, but other than that, this wasn’t that great. The final scene for Vivid from Savannah was mechanical, and the whole movie is just not that great. However, if you’re a collector, or you love Savanah, you might love this one. I’m not that big of a fan, mind you, but she’s interesting enough to watch again in the near future.

You can actually stream “Savannah’s Last Stand” by clicking here and watching the 15 minutes free. You can also download it, rent it, or even buy if you’re a big fan. No joke!

Betrayed (1996) Review

Betrayed (1996) DVD Cover 

I’ve talked about the Spice Network before. If you don’t remember the Spice Network for cable television or later the Hot Network, you don’t really know how terrible cable pornography was. You see, back then, whenever you would order a 4 hour to 8 hour block of Spice Network, they would play several movies within a block of time. You could get 2 or 3 movies, sometimes 4, and it was all random and for only about 5 bucks or 8 bucks depending on your provider. I bring that up again because I first was exposed to Jenna Jameson through The Spice Network. Not only that, when you see the footage from those times, there is no penetration, and no erect penises. They are always blocked off, and you only see the bumping and grinding. Well, it’s 2018 and I have an official XXX release of “Betrayed” which stars Jenna Jameson, from 1996, and I can finally see it without the censorship that cable television in the 1990s had. So this is an exciting start to today’s review which features high production value, stars Randy West, Ruby, Sindee Cox, Vince Vouyer, Steve Drake, and Jenna Jameson.

The first thing that you’re going to notice about this movie is that it has some great overall music. The musical score is tremendous, and I was absolutely floored by the tension that was created throughout the opening. The start of the movie features a roaming camera inside a bar, with stellar editing from Greg Steel. The art director is Rod Hopkins, and the director of the movie is none other than, Greg Steel. This is a higher budget porno and it shows at times.

The movie starts with Vince Vouyer and some random dude talking. They are in an alley and one has a Frys Electronics shirt on, which is funny to me. From this point we cut to the inside of a warehouse, and there are two people having sex.

Juliette Carelton and James Bonn are in the process of foreplay, with a techno beat that starts. Juliette Carelton is a new woman to me, a tanned medium breasted young looking woman, and Bonn is a standard stud. Carelton has a smooth body, and gets really wet for what Bonn gives her first of all. The warehouse scenery isn’t half bad, but I can’t get over the techno soundtrack. It’s a nice mix of loops, as you see Carelton give an impassioned blow job to a smaller sized Bonn. The sex begins, and thet wo go at it with Carelton moaning quite a bit. She’s not shaved, so if you like all natural, you’ll like her. No condoms here, just several positions and the two going through the motions of traditional sex. The techno beat is impressive, and the two moan together as they share some chemistry at around the 7 minute mark. Within a few moments from doggy style, James Bonn loses his erection and then tries to regain it for a cum shot, and it’s funny to see Carelton try to bring him back. There’s no real money shot, just a hard edit, and that’s the end.

Vince Vouyer knocks on a door, and it’s James Bonn’s warehouse, and the two start to talk. It’s Bonn’s long lost brother. The two go back to meet a guy that looks very menacing. He looks like The Kingpin of some crime syndicate and says that he will give Jimmy and his brother a chance to prove himself with a job.
After the trio talk, we are taken to a bar. There’s Randy West making out with some beautiful women.

Nadia Moore, Tatiana, and Randy West are making out in a bar, and the two brunettes are all over him. They are tanned, skinny, and they passionately take West into the erotic zone. Mind you, this is only 13 minutes into the movie, and there’s already two sex scenes, so this is not a plot heavy movie, as much as it uses sex as transitions to further the story along. There’s a bad rock soundtrack in the background, and I couldn’t help but laugh at it. Lots of bad percussion, and guitar riffing. West seems to be stuck to a chair while the women continues to grope, kiss, and let him suck. The camera angles are pretty bad here, and there’s a lot of blocking for what most likely was the Cable Television cut. You can’t see one girl blowing west as there’s a cup in the way, a chair strategically placed, and more. IT’s funny to see this, until the director zooms into the action for a spell. Randy West does his normal moves, sweating at one point tremendously, but still keeping it hard, going with straight sex until there’s a point where he slips it in one of the women’s ass. Then there is some anal sex going on, and it’s not half bad, but it certainly doesn’t have the chemistry that you’d want from a more sensual movie. It’s good, I’m not sure which actress gets anal, but she has black nail polish, and really does well here with Randy West. After a lot of anal, West eventually gets a dual hand job from the women, and eventually he cums but doesn’t shoot out, so one of them blows him while stroking and he yells out “DAMNIT”, probably because he doesn’t shoot a load. The best part is afterward they keep playing with him, which is a great overall element and sexual thing that I like, so good for him.

The brothers show up, and they ask what Randy West was doing, and he says he was interviewing a couple of waitresses. In comes a blonde haired woman with leopard print, and she’s fairly attractive. Nothing really to report here, just bad acting, and terrible camera work. Jimmy and his brother talk to her, and Randy West talks about how he they have a job to do, and then they leave.

The director immediately sends us to another sex scene.

There’s techno music playing, and a familiar woman shows up. It’s Ruby, whom I saw work with Julian, and enjoyed. The techno is ridiculous mind you. Ruby has long red hair here, and she’s having sex with Steve Drake. Steve Drake is a famous porno actor and I’ve reviewed several films that he’s been in on this blog. Ruby looks older here, a bit “weathered” if you will, and lacks that intimacy that she once had. She’s not fully shaved, and she’s jaded in this scene at some points. The music really is distracting. The set is a random bedroom scene, nothing special. And the lighting works well here. If you’re a big fan of Steve Drake and you’re a fan of Ruby, this scene may speak to you, but honestly, it’s forced, and the two lack a certain chemistry. Ruby’s teeth also distract me a bit. Eventually Ruby stops receiving oral from Drake to get on top and starts giving him a blow job. This is the most passionate of the scene, and you can tell that Drake is in work mode, not really enjoying the process. Sure, he’s a pro, and Ruby is also a pro, but these two do not have that raging chemistry that you may expect. Then again, maybe you don’t expect anything, and you want to just see pure sex. If that’s the case, this works, and Drake doesn’t use a condom to have sex with Ruby, who has an amazing body, and is definitely hot, and gets wet around the 35 minute mark. The more you watch, the more you get into the scene as she eventually starts screaming, and it’s quite odd. I was starting to wonder if she was really screaming, or it was part of the techno music, because it was very odd to me. Maybe it was all her, I don’t know. Drake does a good job of keeping it in doggy style and getting Ruby to moan a lot. I can certainly appreciate the moaning and screaming of Ruby, and the two seem to finally connect towards the end of the scene, with Drake cumming on Ruby’s pubic hair. She screams into orgasm as Drake pulls out and lets it all spill.

Moving forward, in comes the brothers with a gun to Drake’s head. They said that they want their money, and that they’ll give the dude 24 hours. Meanwhile, Jenna Jameson picks up the phone and tells the kingpin that the dudes didn’t kill Drake. He gets mad, and tells her to do the job.

Meanwhile, Vince Vouyer goes to the back of Randy West’s bar, and there’s Sindee Coxx. The two start to make out after arguing a little.

Sindee Coxx and Vince Vouyer start to make out, and then have sex. Sindee Coxx is a tall, blonde haired woman, and she’s one of the starts that I remember most. She doesn’t have huge breasts, but she has a beautiful face, and a classic “California” look. The two start to really get into making out, while a soundtrack plays of yet another techno song. The electronic music in this movie is better than most of the sex that I’ve seen thus far. Coxx moves fast, removing Vouyer’s clothing, in a dark basement, and starts to blow him. You see her eye’s, which are beautiful, before the camera shows you exactly what she is doing with Vouyer’s penis. There’s a lot of attention paid to the eyes of Coxx and not necessarily to the extreme action at times. I like her eyes so much, and she doesn’t take her clothes off right away, making this scene a stand out for the movie. Coxx has long black boots on, and the two have sex on a brown couch. They go through multiple scenes, Coxx moans, the two sweat, and you can tell that they actually have some sort of chemistry together. The director doesn’t make this sterile. There’s no wiping the sweat, there’s just pure eroticism, making this the best scene in the movie by far. Coxx isn’t fully shaved, Vouyer stays hard throughout, and her moans go alongside with the movements. Eventually Coxx wants Vouyer to cum on her, and he obliges by finishing on her chest. Despite the techno that was drilling my cerebellum, this is one hell of a sex scene, that features a great deal of work from both, and it’s not half bad. It’s the best scene in the movie, no doubt, and Sindee Coxx delivers alongside Vince Vouyer. The music though, geez.

Moving forward, the Kingpin yells at one of his cronies. He yells at him, and then he leaves. The Kingpin is on the phone again, only after Jenna kills a dude with a knife for being a cop. Then we go to another part of a warehouse, and it’s the Kingpin. He shows up and says, “we gotta go”.

The final sex scene once again features terrible techno music. However, this time around it has Jenna Jameson and Sindee Coxx having lesbian sex. The two women are really into each other because every position they put themselves in, they moan, and the director catches sweat, cum, and more. These two get so wet, the liquid glistens in the lights of the camera. Done in a red orange hue, the two women really go all out with tongues, fingers, and the likes. I’m not sure if they are really into one another, or they just had a great moment, but the scene is all lesbian sex with two hot blondes. It’s a knockout scene for fans of Jenna Jameson and Sindee Coxx.

After they have sex, in comes Vince with a gun, and Sindee confronts him. She asks where her brother is, and has to be told that he has been killed. The worst acting ever occurs, here, and the plot continues to thicken. Turns out that Vince is a cop. The Kingpin wants everyone dead. Vince shows up at Randy West’s bar and starts shooting up the place, and that’s how the movie ends. He gets his revenge, or something, I don’t know.

I give “Betrayed” a 3 out of 5.

I can’t give this movie any more of a rating because it only has a few good scenes. No, I take it back, it only has one great scene, and the rest is quite bad. If you’re a collector and wants to have all of Jenna Jameson’s scenes, then you should buy “Betrayed”. However, if you don’t, then you’ll only really love the Ruby scene, or the Sindee Coxx scene. Other than that, this movie is plagued by annoying music, and lackluster acting, and performance sex from the rest of the cast. It’s a solid 3 if you ask me, and of course, you didn’t.

You can purchase “Betrayed” from 1996, starring Jenna Jameson by clicking here. It’s worth it for collectors, and fans of the cast, so go get it. 15 minutes free streaming too, why not indulge a little?