Showing posts with label jonathan morgan. Show all posts
Showing posts with label jonathan morgan. Show all posts

Monday, March 8, 2021

Cherry Pie (1994) Review


When I was a teenager I walked under a bridge in Santa Monica, California and found the remnants of a video box. That box was for the cover of today’s movie review, Cherry Pie. This is a famous movie for being an early Jenna Jameson release, and the introduction of Kylie Ireland. It’s the type of movie that collectors want to get their hands on, and people like me want to see uncensored. “Cherry Pie” stars Kim Chambers, Jonathan Morgan, Kylie Ireland, Gerry Pike, Eva Flowers, Jenna Jameson, and Nick East. 

The credits roll easily on this movie and we see the names in red. Nothing too fancy here, your standard starting point, and we are led directly into the story. This features a tale like that of Archie Comics. I kid you not, it features Betty, Veronica, and Archie as the main characters. We see Jonathan Morgan with Eva Flowers and Jenna Jameson talking. They are discussing the good old days, and Morgan jumps into a sex story. 

Scene 1. Kim Chambers, Jonathan Morgan

Kim Chambers comes through with a bustline that gets Morgan all at attention. Chambers is a busty blonde with high heels that she keeps on throughout the course of the sex here. Chambers starts with oral on Morgan and you can tell he’s a pro, but he’s not exactly well endowed. He’s adequate here, and shaved, which is something you’ll start to see in the 1990s more often. Chambers and Morgan have sex on a couch, and while it is hardcore, you don’t really get that savage sex that you expect. The two have an adequate romp of sex, before getting a money shot. You don’t get to see a lot of Kim Chambers’ breasts, but she is wearing high heels, so there’s that for ya. Her hair is straight out of the 1980s and by this time Chambers has been around a long time, so of course you expect professionalism, and it shows. 

Plot point: Archie talks with Jughead and Reggie, and they talk about the good old days of college and how the women were. This leads to sex of course, in a non-story point. 

Scene 2. Kylie Ireland, Gerry Pike

Fans of Kylie Ireland will want to see her first major introduction into porn, and that’s what you get here. Kylie Ireland is a busty woman with brown hair here, and she gets ridden quite a bit by Gerry Pike. He is well endowed and the two are shot in a red light. The scene isn’t too much to write home about, and it works well enough. Pike does good with Ireland, and the two enjoy some freedom here, although with multiple positions, and a piano soundtrack, this is not a great scene. Ireland makes it watchable though, she’s always a blast to see. 

Scene 3. Eva Flowers, Jenna Jameson

Forget the plot at this point, we don’t get much of it, as the trio of guys talks again. But that moves into Jameson and Flowers, Bettie and Veronica of this movie. The two are completely naked and start going at it together. This is a simple scene with a toy being involved, and the two working with that. If you’re a fan of lesbian sex, this will do the trick, but it’s really just clumsy. This is an adequate scene, but far from what you’d expect. 

Scene 4. Kim Chambers, Nick East

Fast forward through another plot point where the trio are just talking, and you get to see Jughead get in on some action. This time around it’s Kim Chambers again, and she gives a somewhat enthusiastic blow job before she gets on top of East and goes to work. The two have sex on a flowery looking couch, this time with full breasts showing and a good old fashioned momentum stealing sequence. The jazzy music make this interesting, and Chambers is a pro with East providing the pushing for the most part. It’s not a terrible scene, but unless you’re a big fan of Chambers, you’ll probably want to skip this one. 

Plot point: some jazzy music leads us to a discussion with Jonathan Morgan talking to Jameson and Flowers about eating a chocolate cake. I kid you not. It’s here that Bettie and Veronica want to team up with one another to show Archie what he’s missing, and that’s when the trio go to the bedroom for some fun. 

Scene 5. Eva Flowers, Jenna Jameson, Jonathan Morgan

The main event in this movie is a threesome with Jonathan Morgan, Jenna Jameson and Eva Flowers. You get Bettie and Veronica here and of course Archie. Morgan isn’t huge, but you get an early scene with Jenna doing a lot of the heavy lifting here, including blowing Morgan and riding him all the same. This is not a long scene, and the jazzy music make it kind of interesting. It’s adequate at best, and you will get off if you try hard, but the scene is somewhat limited with camera work that leaves a lot to be desired, and well, a lackluster throw of sex. It’s a threesome, but not one that you’re going to remember, unless you’re a collector and want that early Jenna Jameson scene. 

Overall “Cherry Pie” is not a great movie at all. The plot is not there, despite the interesting cover, and well, who watches for the plot anyways? Besides me and this blog. 

I give “Cherry Pie” a 1 out of 5. 

Tuesday, July 16, 2019

Guilty As Sin (1996) Review

Guilty as Sin (1996)
It took me a long time to get back into the swing of things. I have been working a lot, and have been pursuing a doctorate degree, and just found myself focusing on reading, writing, and other areas of interest. Today, we are going to be looking at a movie from 1996. This movie came out in 1996, and it is 93 minutes long. It was directed by Jim Enright, and distributed by Klimaxxx Productions. This movie features some great actors, so I am intrigued by the initial line up. This movie is called, “Guilty as Sin”, and it stars Missy, Mickey G, TT Boy, Nadia Moore, Precious Silver, Peter North, Alex Dane, Alex Dane, Celine Devoux, Blake Mitchell, and Jonathan Morgan. At the time of this movie’s filming around January of 1996, I was only 13 years old, so I did not see it until recently. Some of my personal favorite adult stars are in this movie, and they include TT Boy, Peter North, and Jonathan Morgan. Steve Drake, that rascal is here too, and of course a line up of women that came and went, and didn’t make a big splash like some other featured women on this site. But that’s the world of adult movies, hit and miss, and hope.

You ever wonder who the custodian of records is for these movies? The opening of this movie has a slow starting point, where you hear nothing, see nothing, but get that warning that the custodian of records has all the files on all of the performers, because they are all of age, etc.

The movie starts with three women talking. A secretary comes into an office and is talking about a new client. The new client is a blonde haired woman, and she said that she heard the attorney is the best and she needs the best. She’s in the worst running suit, and it’s hilarious. The office looks like your average set, grey carpeting, a book shelf, some books, a random credential, and a piece of Thomas Kincade art in the background. A desk, and brown bookshelf, and the lighting of course is coming from two angles, so the shadows are showcasing where the lighting rigs are. I’m trying to see if there’s a boom mic in the shot, but the editor did a good job of framing this enough to not see it, but I know it’s up there, and if you’re careful, you can catch the sound bouncing through it.

The blonde tells the attorney that she needs her, and the attorney said she doesn’t need anyone if she hasn’t been arrested or taken in for questioning yet. The blonde tries to convince the lawyer, but the attorney is not having it, until the blonde tells her a little more about her story, and that she has an alibi that has stopped her from killing her man. She says she has her own money, so there’s no way she could’ve killed her husband. When she starts that, the attorney sits down and starts to listen to a story, where we get a hard cut, and into the first scene of adult material.

We cut to a backyard swimming pool. There is a single camera shot looking in on Mickey G floating on a pool bed, and Missy comes through. She walks in with a bikini, but the frame of the shot is so uneven, you can barely see her get into the frame. The director has this shot framed horribly, and the sunlight is so bright, the backyard is washed out, the colors not grand. Missy is a thin, dirty blonde, and has that California tan. Missy gets down to the pool and starts to blow Mickey G immediately, without any interlude, and a hard camera cut, straight to the close up of her blowing him directly. I’m not a fan of the framing of this scene at all. The centering is all off, and the weight is positioned in an odd manner. Mickey G. begins giving Missy oral after she blows him for a while, and the two have basic chemistry, but nothing too grand. Missy’s make up is on point, non-reflective, and her blonde hair has roots that come through as the camera focuses in and out of the closeups. Mickey G. is unkempt and is playing a macho role here. Missy has long legs, that California, blonde, slightly tan but not really too pasty skin tone. The two get out of the pool and use the flotation device to go into more positions. Fans of Missy will find this performance to be adequate, as Mickey G goes through the motions of each position, his arm behind his back because the camera is right on the two as they try to have sex. This scene is quick, and ends with a cum shot on Missy’s face, as she moans. This is not a grand scene, but it’s straight sex, no condoms, and for the outdoors, safe in terms of fantasy land.

We go back to the attorney’s office where Missy talks about what is going on with the case. They talk about how an open marriage, and that they allowed one another to love others as well. Just then, Jonathan Morgan storms in and gives Missy a warrant for arrest. Then the attorney finally says she’ll be her client. Dana, is her name, and the acting here is horrible, with the exception of Jonathan Morgan. Morgan says that the woman shot her husband with a shotgun, and she’s guilty.

We move forward to an office building where Steve Drake and our attorney start to talk. They talk about what things are had by the client. The acting here isn’t too bad, not great, but the dialogue works well. The office here is an obvious set, with bad lighting, but Drake does well here as an evil attorney.

Another hard cut and we are nearly 20 minutes into the porno, and the plot thickens. We see a press release, then we get two women sitting in bed and talking more plot. Missy’s accused of murder, Steve Drake is the evil lawyer, and things keep moving forward, with lots of dialogue. That alone elevates this movie past minor porno status, and instead gives it a full 2 stars extra just for the plot, dialogue, and storyline.

Soft cut here, and we get Missy talking to her lawyer again. The two discuss the pieces of the case. This time we are in Missy’s house, but she’s wearing the same wardrobe as before. During this scene, Missy and her attorney discusses the relationship that Missy has with Charlie. Charlie is played by Peter North, mind you. It’s here that we transition to the next sex scene, and the director throws us into the mess.

We go back outside, and Missy is sitting on a park bench while TT Boy is over her, getting blown. The music starts, and it’s saxophone heavy, with TT Boy showcasing his prowess, and Missy putting on a show for Peter North, who plays the voyeur, or the cuck, depending on how you view this type of thing. Missy and TT Boy have a lot more chemistry than Mickey G did with her, and it shows. Missy rides him in various positions, and he gets really into it towards the end, giving Miss a great deal for the somewhat short scene all things considered. Meanwhile, Peter North sits and watches, and eventually TT Boy cums on Missy’s face, and positions her a bit further from him to get the first launch, which is fine, but not grand. It’s an ok scene, better than the first, that’s for certain.

The lawyer asks Missy if Charlie (Peter North) ever had other women, and that’s when the screen fades, and we see three women enter a room, and present themselves to North. Meanwhile, Missy watches from the corner of a badly decorated set. The show here starts immediately with terrible elevator rock music, that sounds all synth heavy. Nadia Moore, and Precious Silver are the actresses, and they are both skinny, model types, with enhanced breasts, and pretty faces. Both have darker hair, and are a contrast to missy’s blonde hair. The camera goes back and forth between solo action with Missy, to Peter North immediately getting blown and moaning. The set design here sucks, alongside with the lighting, which casts bad shadows all over the scene from overhead lighting. But as far as the sex is concerned, it’s not half bad, although North seems to be in work mode, while the women just go through the motions. You can tell the lighting is coming from the fourth wall, as the shadows give away the set details. As for titillation, the women put on a clinic of how to give ladies oral, meanwhile, North does his best to keep it up. The sex is as sterile as a brothel visit. This is not North’s best work, and Nadia and Precious seem to just be willing participants in a scene where they are more interested in each other, including one woman with a hood piercing. The music is horrible though, the set has green walls, and the camera is all over the place, so good luck with this one. Oh, and how can I forget, there’s a Peter North facial onto a tongue ring, and well, he doesn’t exactly drop a big load here, so if you’re looking for the best of North, this is not the scene for you.

We get back to the house that the attorney was in with Missy. The two start to discuss how many partners one another had. The two women continue to converse, and we get a scene where the attorney is driving. I kid you not, this is a legit movie, although B-level or C-level, but there’s structure here that you do not get with a lot of movies.

The lawyer shows up to her home and walks in, only to find Jonathan Morgan to be in her bed. The two argue about why she took the case. Morgan is a detective, mind you, and the two keep talking about the case, and how one thinks the client is guilty. Morgan gets thrown out of her house, in the worst acting job in the movie thus far.

A soft fade and we go to a court room scene. This is actually done well, and there’s even some non-sex actors in this! I love those! I was in one once. Anyways, this turns into a court room drama, and we get into the best dialogue, and attempts to act. If you are one to watch full movies, rather than just fast forward to sex, you’ll be delighted by the acting job done here. Except for the fact that the attorney here is just reading aloud, not from memory. The judge as well isn’t really taking it seriously, and why would he? It’s a porno, right? A witness is called to the stand, and it’s Alex Dane.

A hard cut takes us into the bedroom of Alex Dane and Peter North. Dane is a skinny, small breasted, brunette, and she immediately begins with a blow job on Peter North. The music here is horrendous, and the set design is actually straight of the 1980s. The flowery brown couch, the hardwood flooring, white piano, and terrible contrast of color and design makes me laugh. Dane and North have a bit of chemistry, especially Dane who really seems to get into the act of giving North a good scene. The two have sex on a brown couch with flowery patterns, and a reddish background, a thrift store find if you ask me. The sex goes through several instances, and positions, with North maintain speed, and precision eventually going through anal. It’s apparent that Dane isn’t that into it, but the scene calls for it, so it goes forward. The music is synth heavy, and it’s fake horns here, and it’s horrible. It’s louder than the sex sounds, which have Dane moaning and North just breathing heavily. After some time, North finishes on Dane’s chest, and that’s that. This is bland. Very little chemistry, and just run of the mill in terms of lighting, and camera work. It’s lazy if you ask me.

Missy shows up and sees the two after they’ve had sex, and she’s upset.

The movie goes forward with the court case, and Drake keeps pushing the witness, and we get moving forward into Drake’s office. Here we see a blonde in a red dress talking to our prosecutor. The two start kissing, and soft music starts. Celine Devoux is the actress here, and she looks like Topanga from “Boy Meets World”, with her hair done like her, thick thighs, and skin tone that draws you in. The set here again is bland, but it’s done up to look like a cheap lawyer’s office or a motel, for that matter. The lighting sucks again, and I’m wondering who green lit this thing, but it’s a porno, so I guess I shouldn’t complain. Devoux and Drake begin with foreplay, and Drake giving some breast play to start. Devoux’s chest is natural, from what I can tell, but then again, this is 1996, maybe they aren’t? I don’t know, I should know. She has cake makeup, is trimmed, and the camera goes right into the tongue and labia, so if you’re a fan of oral, or want to learn, Drake seems to put on a clinic with the foreplay and oral. Drake uses his fingers, mouth, and more to get the first initial climax, and the camera moves lower to show you different angles, and I take back my comment about Devoux’s chest not being enhanced. The sex starts, and it’s casual, nothing crazy, reverse cowgirl, couch sex, Devoux moaning, and for the most part, it’s just run of the mill. I can’t really say it’s terrible, but it’s apparent that Drake and Devoux do not match chemistry, but rather are doing the job. Devoux is a blonde haired stripper type, and if that’s your thing, enjoy. Otherwise, you’re going to get distracted by the lack of chemistry, if that’s what you’e looking for. At the 72 minute mark, there’s anal, and that’s where the scene takes a tonal shift, with the two actually seeming to love what they do, so kudos on that. A cum shot on the chest of Devoux, and that’s the end of the scene.

Drake gets a phone call, and it’s Jonathan Morgan saying that there’s another murder. This time it’s a young man, and it’s another shotgun killing.

The movie then moves forward, and we get to see what really is happening. The attorney talks to Missy, and we then go to a room where Missy is talking to someone on the phone, yelling. The phone is tapped, and we are seeing the end of this story unfold. Missy is in on an extortion plot, she throws the phone down and pulls out a gun, and grabs a leather jacket, this thing is turning into a revenge thriller!

The plot finally thickens, and I’m all in here. A detective is on her tail, and we get some thriller type music, as she pulls up to a house, under the cover of night, to see Peter North come out in a suit, and he’s not dead afterall! North says that the two can run away together. The attorney shows up, talks her out of it, and right before she shoots North, a detective shows up and that’s the end. The whole story wraps up with a detective and our attorney.

Up to this point I didn’t want to name the attorney, because I’m lazy. It’s Blake Mitchell, a short haired redhead, with large breasts. Jonathan Morgan and her begin to kiss on the set of her apartment, and begin with breast play. The oral sex on this scene is good, and Morgan sure has some initial skills with Mitchell, which I definitely appreciated, considering this movie seems to lack in the sex department at times. The camera hides behind a plant at one point, which is hilarious to me. This apartment is designed like the worst Ikea in the world, mind you. The sex begins with a condom on, mind you, the first condom I’ve seen in this whole movie. We start with doggy style, and it’s ok at best. Mitchell moans, and Morgan concentrates, but you can tell that it’s just pure concentration, and nothing more. We switch to another position, Morgan on top and going forward as fast as he can, and then leading to an end of a cum shot on Mitchell’s triple D breasts, which the camera makes look enormous with the angle they choose.

The camera fades, and we get the end, that’s it. The end sequence, and a finish line for the movie.

“Guilty As Sin” was not my favorite movie in terms of sex. But as far as a full movie, with a script, with lots of dialogue, editing, sequencing, and full plot, this is a stellar example of what can be done with a minor budget, for a sex movie. It’s a movie I could see in theaters, and enjoy enough not to finish myself off within the first scene. That’s a special kind of porno movie, isn’t it? Well, it’s something alright.

I give “Guilty As Sin” a 3 out of 5.

You can buy, stream, and download “Guilty As Sin” from 1996, and see extras, and maybe even give it a better rating by clicking here!

Wednesday, June 6, 2018

The Time Machine (1996) Review

The Time Machine (1996) Cover 
Ok, so it takes a little while to keep coming back to this, but hey, I’m here and we are going to be discussing a high budget movie for a change. This time around, let’s focus on a movie that came out in 1996. This is a movie that was directed by Jace Rocker, and was distributed by Wicked Pictures. The movie was shot on film, has a lot of props, and different actors that were great for the time. The movie stars Serenity, Jonathan Morgan, Ruby, Alex Sanders, Mitchell Grant, Tatiana, Peter north, Colt Steel, Sindee Coxx, Davia Ardell, and Tracy Love. The title of this movie, from 1996 is, “The Time Machine”.

The movie starts with Jonathan Morgan and Serenity walking around a mansion. Morgan’s grandfather have left him an interesting home, and the two start walking around the home to figure out what is going on from the past. They end up going through an old lab, and that’s where Morgan finds a letter. He reads the letter out loud as he walks around Serenity, and the two start talking about time travel according to Einstein. The two are great actors here, and I’ve always said that Morgan has been good in the movies that I’ve seen him in. The two start to look for the machine’s components and how to use it, then they uncover it. It’s not too unlike the H.G. Wells version, mind you. There’s a lot of attention o details on the set here, the sound design, the acting, the script, and the introduction. To the point that Morgan doesn’t have sex with Serenity right away. The build up of this movie features a lot of build up, and Morgan reads the letter, and discovers the machine and more. After Morgan reads that he has been given 1 million dollars in gold, Serenity perks up and, and says that there’s something that makes her quite horny about money, and so the two begin to undress.

Serenity and Jonathan Morgan start to undress, and Serenity goes for a blow job right away. Serenity has a girl next door look to her, with dirty brownish blonde hair, and perky, young breasts. Morgan looks like your average joe, a teacher even, and the two start things off with making out, before Serenity gets on her knees to give a blow job. The camera follows them nicely, and there’s a soft jazz tune that plays, with a minor bass tune. The camera blocks things as if this were made for cable, but eventually you get hardcore, because you know, that’s what I review on this site. Serenity blows Morgan until he cums, and he’s not that large, and doesn’t have a lot of semen, so if you were expecting a large cum shot, you didn’t get it here. However, Serenity’s skills does well enough to get him to cum, so if you’re a fan of just pure blow job scenes, then you’ll appreciate Serenity’s dedication. Although, Morgan doesn’t seem to get quite hard for a while, so maybe that’s why the scene gets cut short.

During the blow job, something gets kicked on, and the two end up going through time, as Morgan can’t figure out what is going on. There’s a bit of B-footage playing, and you get a mix of different b-level backgrounds as the two end up going to a wild west area. The two figure out that they are in 1882. They just sit there and argue, and discuss how they are going to get back to their own time, while Serenity gives Morgan some guff for getting them lost.

The movie progresses, and we see a wardrobe change for the two, playing up the wild west theme. The two get involved with a couple of outlaws, before running off to try and protect themselves from getting hurt. Meanwhile, we are introduced to Ruby, Alex Sanders and Mitchell Grant in a saloon that turns into a sex scene. Ruby here looks like a prostitute from the old west, while the guys wear western garb. The saloon set is good, with wooden floors, and a lot of background elements that make you get into the scenario quite well. There’s a tune that plays behind the action, and it’s not half bad, with Ruby getting naked first, and on her knees, blowing both Sanders and Grant immediately. The two waste no time getting hard, and while they aren’t huge, Ruby does a great deal of work to get them excited. There are no condoms here, and Ruby yells a great deal, cums, and is really loud at the 30 minute mark, which made it difficult for me to continue my review. The two take turns having sex with Ruby, although the scene isn’t that long. By the 30 minute mark, however, Ruby cums hard, and one of the actors cums a great deal on her pubic region, and rubs it all in, making for an interesting ending.

After this scene we are taken to a tent, and inside is Peter North wearing Native American garb, and a woman is with him. The woman is named Tatiana, and North is supposed to be a Native American here. Tatiana gets on her knees and starts to blow Peter North, with an instrumental tune in the background, and it’s very much supposed to resemble Native Americans having sex, although Peter North is circumcised, so there ya go. Tatiana is a Latin looking woman with black hair, and large breasts, with a great deal of curves. The two go through the motions of sex well enough, and North just lets her pound against him in doggy style to start things off. It’s not a great scene, but if you’re a fan of Peter North, then you’ll know his style, and it’s not always passionate, as much as it is adequate for the cameras. At the 38 minute mark, however, North really starts to push things, and gets Tatiana to scream a bit. She looks a little like Brie or Nikki Bella to be honest, so if you know who they are, then you may like the scene. Things go into anal towards the end of the scene, with a full focus on reverse doggy style, and after a few minutes, you get another classic Peter North cum blast, and if you’re a fan of those, then you’ll know what to expect as he unleashes all over Tatiana’s face and chest.

After the scene, we see Jonathan Morgan talking to Peter North, and if you’re someone that is upset with racism or cultural appropriation, then you’ll hate what you see here. It’s somewhat racial in nature, but it’s a porno as well. Morgan is funny, and he’s great at using the strict, with North doing some straight man gimmickry. Morgan is great though. He gets Serenity and then takes off the western wear, and then gets on the time machine and gets sent to the Roman Empire.

In Rome, we see the Time Machine land with Morgan and Serenity. They think it’s 1996, but it’s not, it’s 196, and the two start to argue again. The two put on Roman gear, and say that they want to go back to Egypt. Things go sour but one of the Roman soldiers that finds them starts to talk to Serenity long enough to get her to go back to his home, mainly a bedroom.

Serenity starts to unrobe, and is in the presence of Colt Steel, which looks cut, and has a beard. He has long hair, and looks every bit the part that you’d expect a Roman soldier to be. He’s ripped, he has a somewhat large penis, and Serenity blows him immediately. What really breaks the mood here is that Steel wears a condom, so you know that attention to the details gets thrown out the window. Aside from that, however, the set here is a candle lit area, with roman style drapes, carpeting and more. Throughout that, Serenity starts to ride starting with cowgirl, and moans a great deal to begin. This is not a passionate love making session mind you, it’s fast paced, and gets to the meat of things quickly, with Serenity really getting pounded. The Roman Soldier goes through various positions with Serenity, and it’s a sexy scene, that is fast, and eventually garners cum on the back of Serenity. This is not the best scene in the world, but if you’re a fan of Serenity, then you’ll like how it turns out, with her in multiple positions, moaning and cumming.

After this, Morgan and Serenity get back to the time machine and they go into the future. The future is where they end up as an experiment, mainly Serenity on a slab talking to an alien. Then comes in a woman played by Sindee Coxx and they start to make out. Sindee Coxx and Serenity go through a lesbian sex scene. The backdrop here is a futuristic space medical lab, and it’s a good set. Coxx is a tall, blonde haired, somewhat skinny woman, and looks very much California, if you know what I mean. Serenity and her work together well, with moaning, oral, fingers, and more. The majority of the scene is spent with oral and fingers that’s for sure, and they seem to get into it, which is always nice to see with lesbian sex scenes.

The movie then shows off Jonathan Morgan and he’s in the caveman times. He ends up talking to Davia Ardell, and Tracy Love. These are two very thin, very small women. They make a few jokes and then Morgan is asked to get on a bed for them. They rip off his clothes and then he gets hard, and the two end up having sex with him. Davia Ardell, Tracy Love, and Jonathan Morgan start to have sex, and it’s a stone age setting, with some good lighting. Love and Ardell are petite women, one with enhanced breasts, but both wearing black hair wigs. They immediately get Morgan hard and start with a dual blow job sequence. This is the most mechanical sex scene, with the women moaning in robotic tones, and Morgan just going through the motions, trying not to cum too fast. Visually, this is ok, but honestly, it’s lackluster performance makes it somewhat boring, and mechanical. Those that have had casual sex and just went through the motions will recognize this first hand, with just boredom. There’s a small cum blast, and he wants to get out of there before a dinosaur gets him.

The scene ends and Morgan wants to go back to his time. He gets back to his time machine and starts to wonder how he can get Serenity back again. At the end, Morgan goes to the future, and rescues Serenity from the aliens, and then flies away, with an explosion that leaves them back at the old mansion, and that’s the end of the movie. A sci-fi twisting porno, with some good acting, good sets, and some mediocre sex here and there. Serenity is hot at times, Morgan’s acting is great, and the effects are good for a porno.

I give “Time Machine” a 4 out of 5.


One bad scene aside, this is a well put together porno, with some good moments, including a few elements that made me want to stop reviewing and do other things, so that’s always a plus. It’s not a great one, but it has a lot going for it, all things considered, so it’s definitely a 4 out of 5 effort.

If you're inclined to purchase adult movies, make sure that you pick up "The Time Machine" on DVD or stream it HERE!

Wednesday, April 25, 2018

The Temptation of Serenity (1994) Review

The Temptation of Serenity (1994) Poster
Today we are leaving the 1980s and we are going to be visiting the 1990s. Not too far away from the last movie I reviewed, but definitely a different era. Let’s get into our time machine and visit 1994. The 1994 release by Wicked Pictures known as “The Temptation of Serenity”. This is a movie that has been made famous because Serenity does her first boy-girl scene. She previously only did lesbian sex scenes on film, but this time around, she starts to work with men, and this is the first time she does it, making it a special release from Wicked Pictures. The stars of this movie includes, Serenity, Sindee Coxx, Tera Heart, Tony Tedeschi, Emerald Estrada, Jonathan Morgan, and Steve Justice. Is this release from 1994 a good option? Will it strike your fancy? Well, let’s take a look at some of the minor and major points associated with this movie from 1994 to the modern era.

The movie opens up with the credits and a silhouette of music that sounds like we’re going to Medieval Times. It’s an interesting concept, and we find out that this movie was written by Jonathan Morgan, and was directed by Jim Enright. He also served as editor, so good for him. The credits stop, and we are taken to the main part of the movie.

There’s a woman walking down the stairs with a random dude. It’s Serenity and a random actor, and she starts to complain about how her boss is not seeing eye to eye with her. She goes through a monologue of writing here, and it’s fascinating to see her try to act. It’s like a high school play on video, and there’s no film grain, mind you. It’s well lit, an office space, the costumes are good, and it truly does look like a low budget play on film. This is obviously a set. I like it. The lighting is from overhead, and you can totally tell that this is nothing more than a façade or a warehouse of sorts. Serenity is a thin, girl next door, and she tries hard to be the “Boss” here, and she fires her assistant. When he comes back in he knocks her out, and we get to the rest of the story.

The movie continues and we see Serenity show up to a game show. Jonathan Morgan plays a great role as game show host. He does great here, and Serenity shows up in a director’s chair. There is a panel with a man named D-Man and he’s sitting next to an angel. This game show focuses on Serenity’s character and whether she will go to Heaven or Hell. The host tells her that she’s dead, and that she’s in purgatory, and there is a battle for her soul. What will occur? Who will go forward? Serenity has no choice, and the movie continues. A game show type of sequence, and it’s interesting to say the least. The actors are good here.

We are directed to a screen where we see moments from Serenity’s life. Or rather, the character she is playing. We see that she was attracted to a man that was a pushover, and that she helped him gain some confidence, However, she also hooked up with his sister, and there’s a dichotomy of good and bad that occurred. To that effect, we see a full sex scene play out.

Sindee Coxx and Serenity are making out on a green couch, in what is a well lit warehouse of a studio setting, and of course this is being shot on VHS. The quality is mired, the music kicks in, and we see the two women start to get naked. Both women are blondes, both are thin, tanned slightly, have full makeup, and are mostly shaved. They almost like twins here. This is at the 8 minute mark, mind you, so you can tell there was some build up to this. The music is a piano driven smooth jazz tune, and the sound of the moaning is turned up for the viewer’s pleasure. As far as the sex is concerned, there’s a lot of oral, lots of finger play, and the camera focuses between the two. The two women are flawless as far as I’m concerned, and the sex is fine, it’s heated, and it’s pure. They seem to work very well together, and the movement isn’t half bad. Watching two girls go at it is great, and it’s nice to see them here.

The story continues, and we see that Sindee Coxx’s brother saw them having sex, and turned him into a transsexual individual. He was so upset. We go back to the game show and we see that the devil wins round one. We then see another round, to see if Serenity was selfless during her time at work. Serenity is in an office with Tera Heart, and Tony Tedeschi. Serenity’s character tells them that she will take on the work alone, and leaves them in the office alone.

Tera Heart and Tony Tedeschi wait for Serenity to leave, and then start making out. A Soft jazz tune comes in, and the two throw stuff off the desk, and start to really heavily pet. Tera Heart has breast implants, is tan, thin, and has long brunette hair. She kind of reminds of me of Kelly from “Saved By The Bell” a little, and she gets nude fast, while Tedeschi starts to go in for some foreplay to start this. The moaning is louder than the music, and Tera Heart is loud as Tony gives her oral and fingers her. The two change positions and Heart starts to blow Tony Tedeschi with gusto. This is a fast paced, hard blow job, and the two seem to really be getting into it, and it’s there that you see Tera Heart has some amazing looking light eyes. You’ll have a hard time not getting attracted to her as she gets up and sits on an erect Tedeschi. There’s no condom here, she’s mostly shaved, and starts to go to work on Tony while he sits on an office chair. After some back and forth you get to see the two go into anal and it works well enough. Tera Heart is loud, has black stockings on, and high heels, making it an interesting visual design element as the two have sex on a desk.

After the sex, with no money shot, mind you, you’ll find that we get back to the game show. We see that Serenity’s character ratted out her coworkers and that meant that she wasn’t all that good. That’s where we end up seeing that Serenity’s character is tied and may not go to hell but rather heaven. That’s where we are going to take a break from the action, and see the devil guy state that he needs a woman to help him win the soul. That’s where we see Jonathan Morgan in front of a makeup mirror getting ready, and he’s introduced to the devil woman, a thin, brunette, that looks a bit older, ahs extra large breasts, and dressed in all black.

Jonathan Morgan and Emerald Estrada teleport to the backstage area of the warehouse set that the movie is being made in, and we see them on a red comforter. The set is dark except for the spotlight on them and the movie goes forward with fast paced sex. Jonathan Morgan pulls down his pants and Emerald Estrada gives him a blow job, before he starts to get going too far. He gets hard immediately, and then the two move forward to sex. Estrada puts her legs nearly over her head and Morgan goes forward with focused strokes. Estrada moans a bit as he goes as fast as he can, and the music is a jazzy number that is instrumental that’s all. The scene is devilish in a way and it’s straight forward, sex, with speed as the major focal point. Morgan moves as though he only has an hour with an escort, so he just plows ahead, no major rhythm just frenetic movements forward. After a few positions, things get to a point where there’s anal. That’s around the 45 minute mark, and there’s no condom, so if you like raw anal, here you go, the scene turns into an anal sex one. This continues for a few minutes, and eventually Morgan can’t keep things in place, and he ends up cumming on her face and into her mouth, and that’s that. A devilish scene that works as a bit to move the story forward, and in an artistic way as well.

The scene ends and we see the Devil and an Angel talking to Serenity. She says that heaven is where she wants to go, and Serenity’s character is a bit scared about what will happen. Morgan goes back to the makeup chair and he is approached by an angel. The angel says that she is there to watch over him. The two teleport to another bed, in the same warehouse obviously, and the lights dim, and a spotlight is on them.

Amanda Addams and Jonathan Morgan slow things down, start to kiss on a bed that has a yellow comforter on top, and things go straight into oral. Amanda Addams is a thin, tanned, red head with large fake breasts. She’s partially shaved, and has a bit of pubic hair, but not much, and is a bit older here as well. She’s a bit more quiet than the devil woman, and the music is somewhat romantic in nature. It’s a quality starting point for a contrast of what heaven and hell may be in terms of sexual activity overall. Everything is made different here, including the blow job sequence, the sex which is a little slower, and the attention to the finer details. That’s a good artistic point for the director and the focused lighting, as well as the way the actors play the sexual element here. By the time the sex starts, you start to wonder if they are making love, as it’s tender, and not that hard. The two go through several motions, and eventually Morgan cums on Addams’ face. As far as sex is concerned, this may very well feel like a wedding night sex romp, honestly. It’s that different than the devilish sex scene that occurred before this one. It’s a nice dichotomy, honestly.

After the sex is over, we are taken back to the studio where we see another round of the game. We see the topic of love, and we see whether or not Serenity has a true love. The D-Man says that no one loves serenity, and then the Angel says that no one loves her either. Serenity’s character may end up going to hell, but she says that someone does love her, and she starts to think. Serenity’s character keeps saying that someone loves her, and she ends up waking up and on the lap of her assistant. She wakes up, and she was dreaming all along, and it’s her assistant, and he says that he loves her, and that she’s ok.

Some soft music comes in and the two start to make out. Here is the final sex scene of the movie and it starts with a delicate starting point. Some making out on an office chair, the same costumes from the beginning of the movie. Serenity and Steve Justice start to kiss like they are old friends, and lovers. They slowly undress and you get a feeling for this first time for Serenity, meaning her first time on film with a guy, and it’s fascinating to see how it’s played to be erotic, and artful at the same time. This is not frenetic sex in any way, it takes time to build forward. Serenity here looks like a college senior, with large breasts, dirty blonde hair, and dressed like she’s going to a job interview. She’s relaxed, sexy, and will most likely turn on anyone that has seen her work. She has that “girl next door” vibe to her look for this movie, and she even delicately moans to start the sex. Steve Justice finally gets a blow job in this scene and isn’t immediately hard. He’s not a big guy at all, he’s got an average sized penis, which seems to have a difficult time getting up at first glance. However, Serenity and him work things out enough for the elevator music to shift and the two to start penetration and more. There’s no condom used here, and it’s just forward process sex. The two have sex on a desk, and exchange just a couple of positions overall, nothing too fancy, and it’s actually kind of short and sterile. While the opening was great, the foreplay really made it seem good, the sex itself lacked in creativity, and chemistry. At one point you don’t even see much going on besides Steve Justice barely grinding and pushing into Serenity, obviously trying to last longer, but it’s not going to work as he eventually just finishes fast on Serenity’s backside and that’s it. Not exactly a thrilling sex scene.

He says, a guy would have to sell his soul to the devil for sex like that, and out comes the D-Man and he says, “Hey, a guy’s got a make a living”, and that’s the end.

I give “The Temptation of Serenity” a 4 out of 5.


I wanted to like this more, but the creativity shown in the movie, and the two stellar sex scenes make it an above average affair. The fact that it’s Serenity’s first boy-girl scene also factors in, but the creative lighting, the performance by Jonathan Morgan, and the attention to some finer details make this a worthwhile sex show to watch.

You can purchase “The Temptation of Serenity” by clicking here, and seeing why this is a well reviewed, kind of hot porno movie from 1994.

Wednesday, March 21, 2018

Indigo Delta (1997) Review

Indigo Delta (1997) Poster
After going modern, we are going back to 1997 for a movie that was produced by the big wigs of porn, Wicked Pictures. Wicked is a rival of Vivid and they are a large studio with a lot of money for their productions. With the release of “Indigo Delta” in 1997, the company would garner some serious attention from the AVN Awards and others. This was listed as one of the best movies of the year, and there was a lot of praise given to the actors and director for this one. This was directed by Jonathan Morgan, and of course it was distributed by Wicked Pictures. The movie stars Serenity, Tony Tedeschi, Alyssa Love, Jonathan Morgan, Melissa Hill, J.J. Michaels, Steve Hatcher, Tom Byron, Brooke, Holly Body, Katie Gold, Kay London, Kimi Gee, Liza Harper, Rick Masters, and Stephanie Swift.

The movie opens up with some soft serene music while Serenity is running through some grassy areas. She runs through in a robe and finds Tony Tedeschi is diving off a cliff into a swimming pool. After he gets out of the pool he starts to kiss Serenity and the first sex scene starts.

Serenity gets oral from Tony Tedeschi to start the sex scenes in this movie. Serenity is a blonde haired, girl next door type, but here she has large breasts, a thin frame, and a bit different makeup than the last time I saw her. There’s an artistic bend to this whole starting scene and it’s soft in the way that it is lit, outdoors, and features focused appeal that is more of an arthouse type of scene than anything else. Yes, it’s hardcore, and yes you see everything, and it’s a fascinating introduction, but it’s truly just something that is erotic in nature and not something that is extreme at any level. It’s soft, it’s sensual, and it’s a bit boring. You hear no sounds of sex, no sounds of anything really, and then after the money shot you get a screen graphic that shows you that this was all a scene from an erotic book.

The scene ends and we are sent to a book signing. A woman runs in and asks for an autograph from the author, in this case, Serenity. The woman rambles on at her, and Serenity is just signing books when Melissa Hill shows up and wants to talk to Serenity for a second. Serenity wants to get out, and takes a 5 minute break. The set here is a small book store set, and we see Melissa Hill and Serenity talking about how writing has garnered a great deal of money for Serenity. Serenity looks like Elliot from Scrubs, and Melissa Hill has a long face, tall body, skinny frame, and red hair. The two argue about the future.

The next scene shows Serenity driving into a cheap motel. This is one of those no-tell motels off of Sunset and I would know them as I saw an escort in one once. Serenity goes into the hotel room and that’s it. She goes inside and then just goes to sleep. But in her dream, she imagines some sex, as this is a porno, right? Well, Serenity is shown asleep, and we go into her dreams.

We see a young Alyssa Love and Jonathan Morgan together. They start to kiss, and Love moans a little. Alyssa Love and Jonathan Morgan start to have sex. This is a sex scene that doesn’t last long, but is an interesting one. Morgan isn’t playing up the Ed Wood thing like he did in another film I reviewed. Here is having sex with Alyssa Love. She is a blonde with medium sized breasts, and a girl next door look. She has a runway shaved, and the two don’t use condoms. She moans a great deal at several points and the two seem to have a bit of chemistry together. The scene is in a book store set, and it’s not half bad. It works on a love of levels as the two have sex on a table, on a chair, and Love is genuinely wet. After some time, Morgan goes in for anal, and enters slowly before going harder, and Love starts to moan a bit more. After a few minutes of anal, Morgan can’t hold on and cums on Alyssa Love’s face, and that’s it. The music here sucks, the lighting was ok, but the overall scene was nice, sensual, and slow. You also see Alyssa Love’s large tongue piercing, which is interesting to say the least. This film ends and it’s not half bad. After Morgan has sex, he strangles Love with her own collar.

Serenity wakes up, and is in distress. We move to Serenity walking into a prison area, and here we see a punk rock Tom Byron. Tom Byron is behind the glass that resembles Hannibal Lecter. Byron does a great performance here, and it’s awesome. Give this guy an award for the way that he acts for this one, and while Serenity works well, but it’s all Byron in this scene. He does a great job of playing a psycho, with blonde hair, and smoking a cigarette. Incredible performance from Byron, elevating this a few notches.

After Byron talks to Serenity’s character talks to Byron she calls Melissa Hill’s character. They stay on the phone for a few minutes before Hill finds a couple of guys at her home and starts making out with them.

Our next sex scene starts with J.J. Michaels, Steve Hatcher, and Melissa Hill. Melissa Hill is a tall, thin, redhead that first attracted me in another movie. In this one she’s more pale, and has a little less makeup. I noticed that J.J. Michaels is in this scene, and he was featured in a couple of documentaries and a book called “The Call of the Weird”, if you want to look that up. Hatcher is another guy that I’ve seen recently, and he was enjoying some good times with Stacy Valentine a few movies ago on this blog. After the trio start taking off their clothes, Melissa Hill goes down for a blow job on Steve Hatcher while J.J. Michaels tries to get hard. I hate when you see actors struggling to get hard on camera, but Michaels seems to make up for it as Hill starts to ride Hatcher. The trio go through a few positions, and it’s not half bad, but it’s not hardcore sex as they are doing it on a concrete staircase. There’s no DP here, and while Melissa Hill does well on her back, it appears that she’s also not into this one until the end where both men cum on her, and that’s the end. This is a workable sex scene, but it looks uncomfortable, and J.J. Michaels appears to be nervous a bit, and well it works, but it’s not that grand. It is definitely less than adequate compared to the previous sex scene. The music isn’t half bad though.

We move along and we are taken to a scene where Serenity is talking to Tom Byron again. He’s behind glass, and he’s doing the psycho role. He’s good here. He makes the movie well worth checking out, mind you. The two go through an interview and Byron talks about how he’s an artist, not a psycho, and there’s a level to this that is quite compelling.

After the interview, Serenity goes back to her motel room and goes to sleep. In her dreams, however, she goes behind the glass, and gets started with Tom Byron.

Tom Byron and Serenity start to make out in a jail cell, with Byron giving Serenity oral first. She then goes down on him for a while before he puts on a condom. Previously in this movie, there were no condoms, mind you. The sex here is somewhat good, featuring a bit of relaxed entry points and some moaning while there’s a menacing soundtrack. Byron is shaved, serenity is shaved, and it’s not a bad little scene. They go through a few positions but it’s mostly traditional in terms of sex. From doggy style to reverse cowgirl, to cowgirl, to a few other standards, and it’s nothing too extreme. After some movement here and there, Byron eventually cums on Serenity’s chest, and that’s the end. It’s a good scene, and Byron looks like a stud here. Kudos to the directors and the set designers as well as this makes Serenity looks amazing. The scene ends with Byron picking up a knife and Serenity waking up from her dream.

After the dream sequence we are taken to a large room with carpeting and couches. Here you see all of the actors engaging in small talk before they start to kiss and rub up against each other. For this scene we are getting Brooke, Holly Body, Katie Gold, Kay London, Kimi Gee, Liza Harper, Serenity, Jonathan Morgan, Rick Masters, Steve Hatcher, and Tom Byron. Not a bad list of performers at all, and while the camera cycles through to see everyone, you can see some standouts. No matter what type of woman you like, they are all here, and no matter what type of sex you like, you’re going to enjoy this one as there are no condoms, there’s free love, and it’s just a matter of going back and forth with the sex. It’s a long scene that is well lit, has a lot of moaning, a lot of sexy views and just a great overall look and feel for the movie, although not necessarily part of the larger plot, which is a writer doing research. Wait, maybe this is her research? There’s double penetration in this one so if you’re a fan of that, you’ll no doubt love to see it go down. At the one hour mark it seems to be the main focal point for the director as he closes in on double penetration, and doesn’t stay away for a while. This scene is not half bad, and it’s fun to see.

The scene ends, and we are taken to Serenity talking to her boyfriend on the phone. She claims that she doesn’t want to get married with the dude she has because he wants an elaborate thing and she doesn’t. She slams the phone on him, and then hears a knock from house keeping. The woman that comes in to clean the room is none other than Stephanie Swift, one of my crushes.

After a few minutes, Stephanie Swift and Serenity begin a scene where they start to kiss. You get a little bit of POV with Serenity giving directions to Swift, and then going forward with what will be a lesbian sex scene. This is a mediocre final scene, and it shows Stephanie Swift and Serenity engaging in some sex, but mostly Stephanie Swift using a dildo and her fingers while Serenity films. It’s a genuine sexual experience, and Swift does cum on her own. The set here is a ratty motel, the music is soft, and it’s mostly Serenity giving directions, and doing so with gusto. Swift plays to the camera and it’s not half bad to see her play with herself. Stephanie Swift is thin, has black hair, and small breasts. She looks like the girl next door and was one of my first crushes in the world of porno.

The scene sort of ends, and we see a man come through and he watches the video of Swift and Serenity having sex. Serenity then comes in with a knife and takes him out! She also kills Swift, and it’s all on tape. The scene ends and we see Serenity at a book signing again, and she’s got a longer line this time. We then see Tom Byron talking and discussing killing etc. The movie ends with Serenity and Melissa Hill discussing the popularity of the new book that has been written, and how raw it is.

I give “Indigo Delta” a 4 out of 5.


While Tom Byron makes this one a great movie to see, his scenes steal the show for everything else. That includes the sex mind you. The sex is good, but it’s Tom Byron and Serenity that are the real great ones here, the rest is just filler. Aside from their performance, I wouldn’t recommend this one. However, it did win some awards and for that it may be worth buying and seeing.

If you're a fan of award winning adult movies, then you should check out Indigo Delta by clicking here. You can stream, buy the DVD, download, and more, with 15 minutes free by checking it out now!

Wednesday, March 7, 2018

Priceless (1995) Review

Priceless (1995) Poster 
Today we head the year 1995 for a movie that was no doubt featured on the Spice Network. This movie has a “who’s who” of mid 1990s porno actors, and it is an interesting premise if you’re into film noir. Although, this is not in black and white. I know, I just contradicted myself, and it happens. This movie was distributed by Wicked Pictures, and was directed by Jim Enright. It is called, “Priceless” and it was released in 1995 as a 99 minute feature. The stars of this movie include, Holly Body, Jenna Jameson, Jonathan Morgan, Krista Maze, Misty Rain, Peter North, Roxanne Hall, Sophia Ferrari, Steven St. Croix, and Tony Tedeschi. There are only six scenes here, and it’s very much a plot driven movie. If you’re a fan of any of these actors, then you probably have this movie on your radar, and if not, you most likely want to know how Jenna Jameson did with Peter North. If you read her book, you’ll note that she stated that Peter North ripped her open with his penis, and it was one of the hottest and toughest ones to work with because of size. That’s what she wrote in her autobiography, so here we go, going into a movie where the two worked together.

We start with a narration from Peter North. We see him driving in Los Angeles in a red convertible. He’s a private detective, and he talks about how his business has been quite tough to work with. He states that he doesn’t have a lot of money, and that his office was a crappy place in Hollywood. There’s a bit of film grain on this one, and at times you can see the camera in the opening elements, but overall, you get a good sense of production. It’s about as good as a soap opera. When Peter North’s character arrives at his office in Hollywood, he walks in and there waiting for him is a woman in leopard print workout gear. HE takes his coat off and doesn’t say a word, because this is going to turn into sex, no doubt.

Holly Body and Peter North start to make out at his desk inside a standard office set. Holly Body has medium length hair and is tanned, with large enhanced breasts. She is a good looking California woman with a tan, and a tight body. She isn’t that tall, and complements Peter North quite well overall. He doesn’t get hard right away, but Body starts to get on her knees, disrobes North and starts to blow him within 3 minutes of the movie starting. There’s a smooth jazz soundtrack underneath the sounds of North and Body’s movements. After Body gives North oral for a while, he goes to take her clothing off, and reveals that she has black heels on to make her look taller. They get on his desk and he starts to move down her body. At the 6 minute mark it sounds like someone farts, and Body breaks character, which is a funny blooper to see. She’s not completely shaved, trimmed, and has just a landing strip that’s been manicured a bit. North goes in for oral, and the music intensifies as you hear the two moan a bit as they go through the preliminary motions of sex. North enters Boddy slowly, and it’s apparent that she’s either not wet, or she’s really tight and he’s very large. Either way, he starts slowly and then carries on faster at the desk. After some time there, they move to a brown couch and Body’s extra large breasts hang out as she rides on top of North. She’s not that loud, and North moans a bit more than she does. There’s no condoms here, and the music is quite compelling, looping like a video game as the two have sex in a damp office. This is a slow moving sex scene, mind you, neither one sweating it, and just going through the motions of sex. It gave me half a chub at one point, but that’s because Holly Body is quite gorgeous. The two go through a few positions before Peter North delivers a world famous money shot all over Body’s breasts. It’s a quality load and honestly the best part of this sex scene. Body and North just didn’t seem to have a lot of chemistry is all, but it’s a workable scene none the less.

The scene ends and the two start to put their clothes on. Holly Body reminds me of Tiffany Amber Theisen. It turns out that she’s an escort. Jenna Jameson shows up at the office and begins to talk to Peter North about how she needs some help with an investigation. Jenna is a horrible actress, of course. North is a far better actor here, and that’s a testament to the length of time he’s been in the business. Jenna of course is young, tight, and thin. She comes in with a bright green business suit on, with a mini skirt that lets her legs show off. She comes in and asks for North to investigate that she is innocent of killing her boss. She says she has no money, and that if she’s found innocent she will pay him. North then agrees to take the gig, and the two start to talk about the bigger plot. This is a fully plot driven movie, mind you. The two talk and the director shows up two women talking on a couch, and then we hear that they were all part of a larger story in which they were going to get a promotion alongside Jameson’s character, and that some wanted it more than others.

The scene shifts and we see Misty Rain, Roxanne Hall, and Tony Tedeschi engaged in oral sex. Tony is wearing sunglasses while the two women double up on his penis. Roxanne Hall and Misty Rain are both brunettes and they both have a great deal of make up on. The cameras goes in deep on what they are doing, and it almost looks surreal, like it’s too close, but the women seem to really like what they are doing, and Tony is not complaining of course. I’m surprised he didn’t blow his load during this sequence, as I’d probably have been through the roof a few times. Hall and Rain both are starts in their own rights, with firm bodies, tanned, dark eyes, luscious lips, completely shaved, and really loud throughout. They moan a great deal as they take turns getting action from Tony. Tony Tedeschi is an allstar, getting hadr quickly, and entering both women at separate times while even dishing out oral on one at one point as well. This is a sequence of three people that seem to actually like what they are doing, and the chemistry seems real as the three engage in sex. The moaning reaches a bit orchestral points at around 30 minutes, and one has to wonder if they aren’t just playing it up, but hey, it’s porno right? After some back and forth, going between women and normal sex, the camera fades a bit and we go to the money shot where Tony delivers a load onto the chest of one of the women and that’s the end of this scene. A good sequence, with the camera very close to the action all the time, and not really straying away from it, which is a bit odd considering. You could barely see the set.

We go back to Jenna Jameson and Peter North talking and getting the story forward. We see Tony in glasses and a gun appears, and boom, Tony’s dead. Peter North and Jenna discuss more about the case and it seems like Jameson is going to be going to jail. But North accepts the case and we start to get back into the action.

Peter North drives to a random apartment in Hollywood. He drives a red convertible, and narrates the next step. The apartment complex is your standard Hollywood location, nothing crazy, just an apartment complex with screen doors, long staircases, and doors that face the outside world. We go from the exterior to the interior and it looks like a showroom floor for a furniture shop. Peter North goes in with a trench coat and starts to grill what I assume is Misty Rain. She then talks about how she had sex with Jenna Jameson, and we cut to their lesbian sex that occurred one day. (Remember this is a murder mystery)

The scene shifts and we are shown candlelight on a set with a green and beige couch. It’s striped, and the women here wear lingerie. The two women are Misty Rain and Jenna Jameson kissing and rubbing up against each other for lesbian sex. The lighting is great here, and the sequence isn’t half bad. The two have stellar chemistry together and great technique. One thing that men can learn from these lesbian scenes sometimes is how to perform oral. It’s not fast and to the point, it’s slow, it teases, and moves a great deal around the body of the woman. Jenna shakes, contracts, moans, and even screams at one point. If you’re a fan of hers you’ll love the back and forth that she has with Misty Rain as the two really get into the role here, and the camera is just there to capture it all. It’s definitely one of the better non-toy lesbian sex scenes that I’ve seen in a long time. Of course, I take that notion back because at the 43 minute mark or so there’s a double headed dildo introduced and the two share it, which is quite the visual. The music is a smooth jazz loop, and the lighting is great altogether, making this scene quite enjoyable for the stars and the audience alike. This goes on for a while, and then we fade back to the interview with North and Rain.

After the meeting we go with Jenna Jameson and Peter North to the Psychic Eye business. It’s in Hollywood and the two are in broad daylight. They simply park and go into the psychic’s place of work and we go inside to see what’s going on. Jenna Jameson doesn’t want to go through with the fortune reading, and she ends up having to deal with it. Peter North cajoles her to do it, and she obliges.

We go into the psychic’s area and we end up seeing a film noir element. Jenna Jameson and Peter North are in jail, with a black and white showcase. This is the best part of the movie, and the two act really well. I’m shocked at how well this scene was shot, and the jail set. Jenna Jameson, acts very well here, and I am surprised. I loved it. The throwback to cinema noir is fascinating. After reading Jameson’s palm, the psychic states that North didn’t save Jameson in a past life. The two leave the Psychic’s office and North narrates some more, pushing the rest of the movie’s plot a bit. What’s funny is that at the 52 minute mark, we see a man looking at them, and he’s smoking, and doesn’t even realize that it’s Peter North and Jenna Jameson in front of him. Funny how that works.

The scene moves back to Peter North, and he narrates. He talks about the past, and shows that a murder occurred in the past and the woman looks exactly like Jenna Jameson. It turns out that the psychic was right! Such a cool tie in. I should’ve grabbed some popcorn at this point because the plot was thickening, and the sex was secondary to the plot of this movie. If you’re really into plot based movies, then hell, this is going to work well for you because it’s not all about the sex, and there’s a lot of plot and narration that you have to get through to finish this one.

Peter North returns to the psychic. The psychic says that North has to wait so that he can finish reading someone’s fortune. He talks to Jonathan Morgan. Jonathan Morgan is funny character actor in porn. The psychic tells him that he may not live to enjoy the money that he has garnered. The psychic says that he’s going to meet a dark haired woman and they are going to get it on. Then comes in a heavy bass line, and a jazzy beat, because we are going to get some sex. Meanwhile, Peter North is in the waiting room, but hey, who cares, right?

Sophia Ferrari plays the psychic here. I forgot to mention that earlier. Anyways, she disrobes in front of Jonathan Morgan and the two are destined to have sex on the psychic’s table. Jonathan Morgan and Sophia Ferrari start with oral, and she moans with delight as he goes in for oral. Sophia Ferrari is a latino woman, has a bit of trimmed pubic hair, black hair, an accent, and breast implants. She’s loud, and really moves with Jonathan’s movements here. After she gives him a bit of oral, and really gets wet, we see things progress to sex. It should be noted that at the 58 minute mark, Morgan isn’t all the way hard, as though he came already, but he stays in the scene anyway. This is a weird director’s decision, but we’ll go with it I guess. The scene keeps switching between the sex and Peter North in the waiting room. After some time, Ferrari and Morgan start to have sex on the table of the psychic, and they go through a few positions. It’s standard sex, with just a few moans here and there rather than the loud starting line. They seem to lack real chemistry, and Ferrari is just going through the motions of sexual intercourse. Morgan of course is a good guy here, so he delivers, but overall this scene lacks a bit of chemistry. At a certain point there’s anal, and that lasts a bit, with Morgan really diving into the role. The anal aspect is interesting to look at, but eventually he finishes on Ferrari’s tongue and she licks it up, and that’s the end. She spits it out on herself, and that’s it. The scene ends and we go back to the front where Peter North is waiting.

In the psychic’s office we go back to the past. We again see a noir scene with Jenna Jameson and Peter North and the two discuss a different case. A time when Jameson’s husband was cheating on her. North narrates and he discusses the case at the time. We go back and forth to North and the psychic and it’s fascinating to see. This plot driven movie goes into the cinema noir, hard boiled detective case. He describes a case of love at first sight, and how the two ended up in a car making out. This is where we see Jenna Jameson and Peter North making out in a cinema noir style focused scene. They stop themselves before they have sex, and while North narrates, we get more of the story from the 1940s.

While in the psychic’s office we once again go to the past, after a transition to the present where North proclaims his love for Jenna’s character. In the past, we hear a saxophone play and some keys and drums before Jenna walks into a room and sees her husband cheating on her.

In a throwback to cinema noir, we see a complete black and white scene featuring Krista Maze and Steven St. Croix having sex. Krista Maze is a thin, natural breasted, brunette, and St. Croix is a mainstay in porn from the 1990s. Krista Maze reminds me of the girls that used to frequent Santa Monica malls when I was a teenager. Jenna’s character watches this all go on as the saxophone goes wild, and it’s an interesting music choice to the sex. The sex starts slowly, with oral between both performers. This is a very sensual and slow moving starting line. No condoms used here, and St. Croix’s signature speed picks up at around the one hour and 15 minute mark. The two have good chemistry, having sex on a table in a restaurant. There’s authentic sounds of sex, and beads of sweat forming on the two as they go through the motions of different positions. On a bar stool, after some time, St. Croix goes in hard and you really see Krista Maze cum, right before St. Croix pulls out and cums on her pubic region, which is nearly all shaved. It’s a scene that is quite good, and the two have great chemistry.

We then get more narration from Peter North. We hear more of the story and he visits the apartment from earlier with Misty Rain. He uncovers the case! He points at Roxanne Hall, and then goes through the motions of his best “Columbo” routine, asking just one more question. He acts very well here while the women aren’t that great, just standing there and receiving the information. After this we transition to another scene.

Here we find Peter North and Jenna Jameson at an alley behind a night club. The same one where the original murder occurred from the 1940s. North talks to Jameson’s character about the bigger issue, and then he tells her about how he figured out the case and much more. The two talk on the hood of his car, and she reaches in and kisses north.

Peter North and Jenna Jameson start to make out on the hood of a car in an alley with bright lights and an interesting motif. These two have a little chemistry together, and it’s certainly a good overall sex scene. If you’re a fan of Jameson, then you’ll know that it takes her a little while to start cumming and getting really into the sex. In this one, she doesn’t get all in until the two get on the floor for doggy in which Jameson starts to really scream. North’s cardio helps him here because he does a majority of the work and doesn’t even break a sweat. After a lengthy session Jameson pushes her breasts together and he cums on her. The two kiss, as he cums a load on her and the film fades to black, and we see the credits role. There’s not much to be said about this one, it’s a good ending scene, and the two seem to get into the sex towards the end, while at the beginning it’s a bit mechanical overall. It’s an interesting little romantic, plot driven gem with some interesting photography, noir elements, and Jameson’s acting in the jail cell makes it worth it. The photos from this shoot are incredible, mind you, and it’s fascinating to see how beautiful Jameson can be in the still shots when she’s not engaged in sex.

I give “Priceless” a 5 out of 5.


After mulling it over, I have to say that this is the perfect type of porno movie for my personal tastes. It’s plot driven, attention is given to that aspect, and the sex is better than most. The opening scene alone is quite good, but there’s an enhancement of talent that goes through the film, until we get to that ending scene where Jameson and North really do well together. While the sex isn’t super long at times, it still has enough function to make this worth checking out.

You can purchase “Priceless” or stream it by clicking here and seeing what a 5 out of 5 star porno movie is all about. I don’t give many 5 out of 5 ratings, but this one did a lot of great things to make it worth checking out.

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