Constant Craving (1993) Review

Constant Craving (1993) 

Sometimes I have to take breaks because of other things that I’m doing, so I took a slight break from reviewing porno, to work with other projects, but I’m back again. This time around, we are going all the way back to 1993. This time around we are reviewing a movie that was directed by Jim Enright, and distributed by Vidco Entertainment. The movie stars Sierra, Randy West, Melanie Moore, Tony Martino, Brittany O’Connell, Joey Silvera, Melanie Moore, and Rebecca Bardoux. The movie is called, “Constant Craving”, and it was shot on 35mm. It is a movie I don’t recall ever seeing in theaters or on the video store shelf, but hey, it’s a Caballero classic according to some. With that in mind let’s get into another x-rated classic, this time around only 86 minutes in length and starring some major names from the 1980s and early 1990s before the silicone explosion came into play, right? Or maybe not, it’s only 1993.

I liked the beginning graphics, it made it seem like a far more important movie than it really was. We start with the credits of course, and we see the outside of a random house. The music starts and it’s a 1980s type of song, similar to what you’d expect from a teenage movie, but of course, we aren’t dealing with teenagers, we are dealing with adult cinema, so the song fades and we get into the movie.

It’s two girls talking on a couch. The two women are discussing how it’s important not to smoke. One woman is a brunette and has a red dress on, and the other is a blonde with a pink dress on. The two have pumps, and they have long legs, small breasts, and are arguing about quitting smoking. The two run into the kitchen and one wants to eat. She says that she has constant cravings and then they argue about drinking next. The brunette says that she’s too embarrassed to say what she’s really craving, and of course, we know what it is, it’s sex. She’s craving sex! In comes Randy West and Tony Martino. Randy West is told to go hang out and protect Sierra from smoking, and the two start to talk. Sierra says that she’s craving something, and it’s sex, and she throws herself at West, and he is reluctant at first, but then gives in.

Sierra goes topless with her red dress, the director cuts to the kitchen where Tony Martino and Melanie Moore are talking. The two are just talking and furthering the story line at this point. Martino makes a move, and Moore resists at first, but she then obliges a little, with Martino going down on his knees to give Moore oral. The music comes through, and we get started.

Sierra and Randy West are completely naked now, and she starts with a blow job with some deal of passion. Sierra is a young woman here, she has small breasts, long legs, nice curves, long brown hair, and looks like the girl next door. Randy West is a veteran of porn in 1993, and he sure enjoys the young woman’s gusto. Sierra is partially shaved, and really gets into the sex during oral, where she moans and cuts overall. There’s no condom here, just straight forward sex with West going into Sierra straight away. The music gets louder than Sierra at one point, and it is a little distracting to her moaning. The room they are in has a terrible looking couch, some pictures on the wall, and it looks like a set to me, as it doesn’t stand out as a real home at all. The camera gets in close as the two go for it, and the scene isn’t that long at all before West cubs on Sierra’s butt, and that’s it. It’s not a long scene, but it’s adequate. Sierra’s moaning makes this scene worth it, as she’s really pretty.

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The movie switches to the kitchen. In the kitchen Tony Martino is still giving Melanie Moore oral. She’s starting to moan a little. Martino looks like an out of work 1980s pro wrestling star, complete with mullet. Melanie Moore is a tall, blonde haired woman with long legs, partially shaved pubic hair, and small breasts. Martino loses his clothes, and Moore’s dress come down while the two start to have sex on a butcher’s block. The two just have regular sex, just going through the motions, no kissing, nothing extreme, and just back and forth as you’d expect. The sex is a bit mechanical and Martino cuts on Melanie Moore, and that’s it.


We go back to the living room where Sierra and Randy West talk about quitting cigarettes with going with sex instead. There’s a bad Spike Lee joke during this movie, as Moore talks to a random lady. The two talk about how Sierra can fight her cravings. For the next 24 hours, Sierra and Moore have to figure out how to avoid giving into cravings.

We move to another dark brown couch, and a different set. Here we see Joey Silvera eating Brittany O’Connell’s butt, and then the heavy bass lines come into play. The start of this involved straight forward oral, and rimming, and the camera lets you in to see the two. This has a bit of chemistry that the other scenes didn’t have. The music sounds like it was produced and recorded by The Cure, and it’s the best part of this movie at this point. Brittany has long, curly brown hair, light skin, partially shaved pubic hair, and all natural. She has to be in her 30s in this movie, as she looks like a milf in a way, and she has small breasts. She has a lot of makeup here, and Silvera goes to work immediately with oral, as Brittany moans her way through the start of this scene. The sex doesn’t last long, as Silvera seems not to last too long with Brittany in this scene. He goes as much as he can, but he ends up cumming after Brittany gets off riding him and starts to blow him for the ending. Silvera is not that big, mind you, and lasts as long as he could, but cubs right into Brittany’s face, for the ending. The two have serious chemistry, so that was interesting to see here.

After the Silvera scene, we are taken back to the other house, and this time we see Melanie Moore and Sierra starting to makeout. They just go for it, taking off their clothes and starting to kiss, and get into lesbian sex. Sierra moans a lot here, very loudly, so that’s a plus, and this is just a scene with two women kissing and giving each other oral. Moore does most of the work here, at least at first, before Sierra gives her some oral fun, and the two just go back and forth with oral, so if you’re a fan of that, this is a good scene to watch and learn from.

We move forward into the next scene, and it has Randy West and Rebecca Bardoux hanging out on an outdoor chair. Bardoux is an older woman at this point, has 1980s style hair that is wild, and large, and is wearing a green bikini. She’s blonde, she’s got curves, and looks like she’s in hear late 1930s in this scene. She has small breasts, and Randy West wears a Los Angeles Raiders hat while the two start to get it on. Randy West starts with foreplay, pulling open the green bikini of Bardoux and starts to get into the sex right away. Randy West is usually ok at this, but in this scene, he’s mechanical, while Bardoux is moaning a little here and there, the two just going through mechanical sex. She smiles a bit at around the end of the scene, and asks for West to go harder, but West gets tired and ends up just humming on her face and that was that. I was shocked to see how awful this ender was, and well that was that. It’s not sexy, it’s formulaic, and this time around, the music sucks. Bardoux and West just don’t seem to have that much chemistry.

The end of of the movie features Sierra and Moore just talking and saying that they can get into any craving, if it involves sex, and that is the finish of the movie.

I give “Constant Craving” a 2 out of 5.

I’m not a big fan of the actors and scenes in this movie, However, that shouldn’t stop you from watching it. You can purchase and stream “Constant Craving” by clicking here.

I Love You Molly Flynn (1988) Review

I Love You Molly Flynn (1988) Poster

Today we are going to be heading back to the 1980s. We talked modern yesterday, but today, we are going to hit our time machine and visit the 1980s. This is 1988 that we are visiting, and we are going to be looking into a movie that was distributed by VTO and was directed by Fred J. Lincoln. This was a movie that was sent to movie theaters, etc. Moving along the way, we are going to be visiting the 1980s and seeing some of the stars that you can probably guess. This movie is called, “I Love You Molly Flynn”, and it features some standards from the 1980s. The stars of this movie include Angel Kelly, Billy Dee, Erica Boyer, Joey Silvera, Randy West, Sharon Kane, Tom Byron, and Trinity Loren.

This movie starts with an original theme song from the 1980s, and features a lot of colorful elements. The theme song starts and then we see the cast come through with cheesy 1980s graphics. This is definitely one of the movies that went to the movie theaters, and it shows. The production values are high here, with interesting graphics, fonts, and overall design to the start. It’s almost like the entry of a sitcom, only with spliced in hardcore sex, but it features something endearing about it as well. Once the credits roll we go into the movie’s plot.

The opening shows Randy West talking to a blonde haired woman and he talks about well he’s dressed and how cleans up. They talk about how he’s going to meet with the president. Then a servant comes in, and interrupts them. The servant says that there’s someone to see Molly Flynn, and it’s none other than Joey Silvera. Flynn doesn’t want to see him, and is upset that he’s come back again. The two talk, and Flynn pushes Silvera away, stating that they are not like they were, and she’s not interested in his advances. That brings Randy West down to see what is going on. Silvera is introduced to Flynn’s new love, and we get moving forward with an awkward introduction, and your standard starting line for a romantic comedy. Despite Flynn not wanting Silvera to hang out, her new man invites silvera to make himself at home, and the couple leaves him downstairs while they rush upstairs.

We are sent to another scene, and it’s Flynn discussing the situation with Angel Kelly. She says that there’s an unexpected guest and that her ex is now in the house, and things are going to get complicated. She’s venting to the help, Angel Kelly is a maid for Flynn here.

We are moved to another scene, and here we see Joey Silvera and Tom Byron talking to Angel Kelly, talking about having some fun, but then Silvera is pushed aside and Tom Byron gets into things.

Tom Byron and Angel Kelly start to make out on a red couch, and the camera swipes to a blow job. Angel Kelly is an African American woman with a thin frame, short hair, and medium sized breasts. She is a beautiful woman, and Tom Byron still looks like his boyish self. There’s romantic music playing to start, and Angel is works her magic with a fast blow job and hand job combination that nearly forces Bryon to cum within a few minutes. The music continues, and the scene moves to oral for Kelly. The two move into a few positions, the most prominent being reverse cowgirl. The camera focuses on an artsy movement, and you don’t immediately see the penetration. It moves with the music, and eventually we see the two having full blown sex, as sweat starts to bead up on each participant. The music here is really good, the lighting is great, and while Tom Byron looks to be in “work mode” Kelly really gets into the process, squeezing her breasts, and moaning a great deal. After several position switches, and a good amount of time, the finale comes with Angel Kelly giving Byron a hand job, and him cumming in her hands, which is a sight to see as she really knows what she’s doing. The two kiss lightly and the scene ends.

There’s a swipe and we see Joey Silvera roaming around the house in a blue tank top. Joey Silvera knocks on the door of Molly Flynn’s bedroom, or what seems to be a bedroom. Silvera comes in and tries to kiss her, but Flynn says that she’s with someone but Silvera tells her that he misses her and the two start to kiss a little more, even though Flynn, played by Trinity Loren, does not want to get moving forward, saying that she’s with Andrew, and that he’s amazing and doesn’t want to cheat. The scene ends with Randy West refusing Trinity Loren’s advances.

We then move forward to see Joey Silvear cooking in a kitchen with Molly Flynn, aka Trinity Loren, and they just talk. They are talking about cooking, and whether they want Silvera to cook full time etc. Silvera discusses the issue of cooking, and catering, and whether they want him to stick around long term, and more. It’s an interesting conversation that happens without any sort of sexual advancements.

The movie changes scenes and now we end up looking at a random den and it’s Trinity Loren and Joey Silvera talking about old times. Silvera puts his hand on Loren’s breasts and tells her that she should relax, and then the two start to make out a little. Silvera proceeds, and Loren caves in.

Trinity Loren and Joey Silvera start to undress, kiss, and engage in sex. Trinity Loren is a young looking, blonde haired beauty, with large natural breasts. She wears stockings and a pair of silver high heels, as she begins to blow Silvera. There’s romantic music here, and the two start to have sex on a brown couch. Why is every couch in the world brown? Answer me that?! I’m just saying it’s really generic. The scene starts with some of the most romantic piano music I’ve ever heard in a porno, and the sex starts slow, with a focus on the blow job that is so simple, and yet somewhat passionate. There’s no condoms, Loren isn’t shaved, she has a full pubic mound of hair, and Silvera isn’t shaved either. The two start to have sex, and for once, the scene looks like the two have a great deal of chemistry together as they start to get into the action. At one point Silvera squeezes Loren’s breasts and she sucks on the nipples herself, while Silvera goes in and out of her slowly and then sped up. This is perhaps one of the best 1980s sex scenes that I’ve seen in a long time, as it is passionate, and definitely more than just pure sex. The two trade positions a couple of times, and it gets a little harder and faster, with Loren moaning quite a bit here. After a while the two end up on a coffee table where Silvera goes between Loren’s breasts and then cums for the finish.

After the sex, we are taken to the kitchen where Randy West encounters Erica Boyer. Erica Boyer is a curvy dirty blonde, and she has classic 1980s highlights in her hair. She’s quite lovely here, compared to another scene that I saw her in where she and a dude were playing with a penis pump and he got massive before going in with her. There’s 1980s techno music that starts, and then we flash back to another scene.

The director flashes back to the brown couch where Joey Silvera and Trinity Loren are having sex, and the two are looking into each others eyes as Silvera goes all in with her. It’s a 1980s thing for the director to cut from sex to conversation to sex, and it’s mainly to give people in the movie theater a break between strokes, so that they can’t keep it up throughout, I assume. The finish here shows Silvera cumming on Loren’s pubic mound for the finish, and the two look into each others eyes and kiss, and it’s a nice little element overall.

We are taken back to the kitchen, and it’s Erica Boyer and Randy West. She has made him something to drink, it looks like a shake, and she talks about the ingredients, as the two talk. Erica Boyer gets on top of the counter and starts to give Randy West a little bit of a look while she rubs her breasts. Randy West tries to make conversation, but Boyer keeps trying to get him to touch her and kiss her, which he keeps trying to avoid. He can’t resist too long.

Randy West and Erica Boyer take off their clothes, and get on the counter for a starting point of oral sex. Boyer receives as Randy West and his stupid looking mustache go down on her, and then things switch up and she gives him a casual blow job. It’s slow, there’s romantic music that comes in, and West keeps talking about how amazing it is to have her mouth on his penis. The blow job continues through the scene, but the director decides it’s time for one of those infamous cuts. I kid you not, right when things are starting to get good, the director decides to cut to Trinity Loren talking to Silvera.

Silvera and Loren discuss how they made a mistake. They see things differently, but the sex is over, and Loren regrets getting moving forward with the sex. Silvera is proud of what happened, and Loren eventually walks away while Silvera is sitting with a grin.

The director cuts back to the kitchen, and that’s where Randy West is going all in with Erica Boyer. There’s once again good lighting, a nice counter top, and romantic music throughout. I’ve seen Boyer in a lot of other scenes, so this one is a bit tame, she seems to enjoy it for the most part, and West works up a sweat. Boyer is screaming at the 46 minute mark, and West is in full work mode, as the two share a connection after some time that is quite fascinating. They trade several different positions before Boyer eventually gives West a hand job and has him cum in her face and mouth. As she finishes West off Loren walks in on them, and he knows he’s in trouble.

At this point I got distracted. The main reason why is because this movie was dubbed in French for the copy that I got. “Do you speak French?” No! Then I realized that the movie wasn’t in French! It’s in German! Holy crap, how is it that I understand German? I don’t know, I can’t explain it, but I know what they are saying and perhaps I’ve watched too much porno.

We are taken to a room where Silvera, Billy Dee, and Randy West are smoking cigars and talking about what they do, and how business is going. Billy Dee talks about the changes that are going on in his industry, something about exporting things. Then Billy Dee starts to talk about a conquest he had while on a work trip, and in comes Erica Boyer.

Before they get too far, the director cuts to Loren and another blonde haired woman just talking.

The director goes back to the brown couch and we see Erica Boyer blowing Joey Silvera, while Billy Dee is in doggy style going in all the way with her. Again the romantic music kicks on, and the trio have sex on the brown couch in a somewhat passionate way. Silvera and Boyer do a lot of kissing here. And it’s fascinating to see overall.

The stupid director cuts again, and we are taken to a dining room where Randy West meets Sharon Kane. Sharon Kane is a blonde haired woman with short hair, red pumps, and she commands Randy West to give her oral. Randy West says that he can’t, because he is with someone and can’t just go in. Kane tells her to shut up and start going down. Then she insults him. So he gets on one knee and starts to give oral to Sharon Kane, but the director changes the scene.

The scene changes and we are back with Erica Boyer, Billy Dee, and Joey Silvera on the stupid brown couch. This time the positions have switched and Boyer is getting plowed by Silvera.

The director cuts yet again and we see Randy West giving oral to Sharon Kane. Kane reacts with a lot of moaning and vibrations, but the editing once again stops things.

We get taken back to the Erica Boyer, Billy Dee, and Joey Silvera trio of sex, for about 2 minutes and they are all in with their sexual positions, but that’s not good enough. The director cuts again.

Another cut and we are taken to Boyer in reverse cowgirl with Billy Dee and she’s orgasming wildly, and it shows. It’s a good piece of footage, and one that is much longer than the director lets you see. Meanwhile, Joey Silvera tries to get hard and masturbates, and it’s a bad little element that I noticed. The director cuts again.

Sharon Kane blows Randy West on a dining room table, the same romantic song is still playing overall. Kane is wearing red lingerie, and reminds me of an escort I once met with a Romney sticker on her SUV. West isn’t huge here, and while he’s hard, you can tell that he’s just the average sized dude, but can seem to last forever.

The director cuts, as per usual. Boyer is blowing Billy Dee and Silvera at the same time as the two get ready for the money shots. The two start to masturbate wildly in a race of who cums first, and it’s not a terrible little sequence, but I don’t know how they can synchronize this sort of thing. Eventually both cum at the same time and that’s it, and Boyer is watching and laughing and seems to enjoy the whole thing.

The director cuts again, and this time we still have that romance in the air with the music. Randy West is now having sex with Sharon Kane on the table, and the two are making out while he pushes his pelvis into her deeply. They exchange a few positions and while there’s a bit of moaning, it starts to look a lot like mechanical sex, as the director asks the couple to slow down a little, and they oblige. It’s romantic with the song, and Kane asks West to finish, and hurry up. The chemistry seems lost at the one hour and 8 minute mark, and while this is still sex, it’s just not that good. After some reverse cowgirl on a chair, West cums onto Sharon Kane’s pubic mound, and Trinity Loren walks in and sees the goings on and calls Andrew a bastard. Randy West plays Andrew, and then Joey Silvera and Billy Dee walk in as well and laugh.

The screen fades to black, and we are taken to a staircase where Randy West and Joey Silvera are talking. The two are getting a real heart to heart about the nature of love and romance. They found out a bunch about each other, and the sex that goes on. Randy West feels bad, but Joey Silvera gives him some advice about how to get Loren back.

In another scene the plan goes forward. Joey Silvera and Randy West play fight in front of Trinity Loren. The winner gets to have her. Loren watches the two and Silvera pretends to knock out West, and he goes down. Then we see that Loren loves West more than Silvera, and stays with him.

Trinity Loren and Randy West start to kiss. Loren is taken aback because he got knocked out, but he says that he’s fine, and there comes the romantic music. The music starts and we are taken to a well lit bedroom where Trinity Loren starts one hell of a blow job on Randy West. The blow job here is epic, and Trinity Loren has such a good body, and her hair is so nice with minimal makeup here. The two really get into this sequence, and it’s one of the best sex scenes in the movie. After a swipe of the camera, the two get into the sex, and it’s good, with Randy West going as hard as he can with Loren, and Loren moaning throughout. It’s a fascinating push forward, with the two actually seeming into what they are doing, throughout the short sex romp. Eventually Randy West gets between Loren’s breasts and then cums. The director shows their faces, then shows the sequence, and it eventually the cum shot appears and that’s that.

Moving right along we see that Randy West and Trinity Loren have decided to get married, and Silvera congratulates them as they leave. That’s the end of the movie, right? Nope!

Right when you think the movie is over, in comes Angel Kelly. She talks to Silvera, and they start to kiss and then get into the sex. The sex is quick, on the brown couch in the den, and the two just go through the motions. There’s no major oral here, there’s no major foreplay, it’s just straight forward sex. Silvera looks to be in work mode and for this round Angel Kelly seems to be less than enthused to start, but the two eventually pick up the steam with the backdrop of romantic music playing again. After some position changes, the two end up in close proximity with Kelly giving Silvera a hand job until he cums, and that’s the end. He cums hard, and Kelly watches it all go down, and that’s that.

I give “I Love You Molly Flynn” a 2 out of 5.

There's not much more I can say about this one. This movie is plagued with problems. The women are pretty, the sex is just boring, with the exception of a couple of scenes. The romantic music really is awful.

Trampire (1987) Review

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Savannah’s Last Stand (1993) Review

Savannah's Last Stand (1993) Alternative Cover

Today we are going to be visiting the year 1993 for a movie that features a lot of heavy hitters in the porn industry. This movie called "Savannah's Last Stand" starts with talking about how Savannah’s last scene for Vivid Video. But before getting to that, and the rest of the scenes of this loosely gonzo movie, you’ll have to go through a few scenes before getting there. The movie was released in 1993, before Savannah’s death, and the movie stars Sunset Thomas, Steve Drake, Chanel, Steve Hatcher, Heather Hunter, Randy West, Lynn LeMay, Marc Wallice, and of course Savannah. The movie is not plot heavy, it’s gonzo, which I absolutely hate, but that’s the direction that the porno world was going, and therefore that’s what we get with a lot of the 1990s movies, with a few exceptions here and there. This is also known as “Savannah’s The Stand”.

The movie begins with narration and Steve Drake opening his mail. He opens some mail and finds that his girlfriend is waiting for him with a bow and whipped cream all over herself. He goes to find her and starts to lick her up and down. Steve Drake and Sunset Thomas have an outdoor sex scene amidst greenery, in someone’s back yard. There’s music here, and it’s a rock heavy guitar sound with a looping melody and no lyrics. Sunset Thomas here is young, has red hair and isn’t enhanced yet. She has black heels on, a white pair of panties, and whip cream all over her body. Steve Drake is a long time veteran of the porn world and he slowly engages Sunset in this scene with a lot of attention on her body, oral, and movement towards sex. Drake gets into oral at around the 8 minute mark and the music shifts to smooth jazz, and it immediately throws me off. It sucks. I hate smooth jazz, and while you still hear the moans of Sunset, the music really sucks. I can’t not pay attention to that, but I’m trying my best as I review this movie. After some oral, Drake is ready to throw down a bit more. Sunset blows him a little then she gets on top of him. Sunset is not shaved, there are no condoms used for this production, the lighting is terrible, and the sex is average at best. The music switches again, and this time it’s a weird hip hop loop with jazz elements. Sunset does well here, and you can even see her abs as she pushes down on Steve Drake. Drake is slim, hairy, and gets hard fast, so he gets this role for that I’m sure. There’s nothing crazy about this sex, Sunset moans a bit, Drake goes in and out and eventually cums on her face, and that’s that. The two don’t have that much chemistry together, and while it’s serviceable, it lacks that raw energy that you’d expect. I’ve seen Steve Drake in better scenes, but this works well for the guy, lucky for him. Sunset would go on to change her look but here, she’s young and new to the business, I’m assuming.

The scene ends and we are treated to a woman doing yoga poses. She puts her legs behind her head, and some rock music starts playing. In comes Steve Hatcher to start giving her oral while she’s got her legs behind her head! Steve Hatcher and Chanel start to go forward with oral. Chanel is a tanned brunette haired woman that is extremely flexible. She’s shaved, is thin, and is surprisingly agile. Steve Hatcher is your average hippy looking dude with mid-length straight hair. In this scene, which was filmed outside, there’s a fly that keeps moving around and it’s bugging the hell out of me. The stupid fly goes everywhere and the director didn’t stop to get this away. Over the course of the scene there are several more flies that show up, and it’s just distracting. Chanel keeps her yoga pose, her legs nearly above her head while Drake sticks himself into position and goes forward with some odd facial expressions as he has sex with her. Chanel moans a little, but not nearly as much as the action speaks as Hatcher gives a good showing, but it’s just not that sexy. The music ends towards the end, and eventually Hatcher cums on Chanel, as you’d expect from porn, and that’s that. He cums on her stomach, and that’s the end of this scene. Terrible lighting, boring sex, and that’s the end.

The movie progresses and we are taken to a backyard, again. This time we see Heather Hunter working out. She’s lifting weights and doing her normal routine when Randy West shows up. He gives her a few pick up lines and the two start to make out. Heather Hunter starts giving Randy West a blow job and the two immediately share some chemistry here. Heather Hunter is a tall, skinny, tight bodied ebony woman with long black curly hair. She’s a premier star in the porn world, and Randy West is of course a veteran of the scene as well. The two have some serious chemistry during this sequence of sex, and Heather is light enough to be carried by Randy West. This scene makes up for the rest of the sex up to this point, as the two really do share something in common here, and it’s a love for sex. No condoms, and a young Heather Hunter really works the camera and works well with West. After a few positions on a lawn chair the two cum together, which is a rarity, and West cums on her stomach. She takes some of it and puts it in her mouth, and she truly shows off her skills. Heather Hunter then asks for him to come closer and she blows him after the fact, one of the sexiest endings to a porn scene.

The scene fades to black and upon return we see Marc Wallice and Lynn LeMay engaging in oral sex on a desk. Lynn LeMay is a blonde with extremely large breasts, and Marc Wallice has long hair and a built body. The two here have a lot of chemistry together, and it shows from the minute the scene switches to what they are doing. LeMay moans a lot here and she really gets into the action. She is a blonde haired woman that looks a little older than the rest of the women in the movie, and her breasts really take on new life during this one. Wallice doesn’t seem to get quite as hard at first, and it shows. However, LeMay works on it to get him up to task, and eventually he does in fact grow to the occasion. Once Marc Wallice is hard he goes through every position you can in an office setting. This is a standard office sex romp, with a variety of positions, some soothing music, and a gold light that is overhead. LeMay doesn’t hold onto her breasts and you see them bouncing and moving a lot. Wallice goes in deep and hard and gets LeMay to cum, get wet, and nearly scream at one point. After a great deal of sex, the two work towards the cum shot where Wallice is getting blown and LeMay lets him cum on her face, and that’s it. She doesn’t stop blowing him as he cums and it’s truly a sight to see, and she nearly bites his penis at one point, which is quite an interesting thing to see. These two had some serious chemistry in this scene, and I wouldn’t be surprised if they wanted to do more off screen, as I know I would if I had that type of chemistry.

The final scene here is on the same set as before, outside in a garden area and it features Marc Wallice and Savannah. The two start to talk a bit and nothing major happens to start. Savannah shows off that she has a silver bra and skirt set, with a hat that says “bitch”. She’s smoking a cigarette and invites Marc Wallice to play a little. Savannah is a platinum blonde with nice breasts, and red lipstick. She is a pinup type of woman, and it shows.

Marc Wallice gets on his knees and starts performing oral on Savannah in this scene. The set is outdoors in the shade, and the two seem to have a decent amount of chemistry to start. Savannah has a pair of silver boots on, and she has a lot of makeup on her face to cover acne, and starts to moan a little while Wallice goes down on her. After going down on Savannah a while, the tables turn and Savannah gets on her knees and starts to blow Wallice. She does so with slow, simple strokes, and it’s really mechanical. I haven’t seen a lot of Savannah’s scenes where she really gets into the action, but as far as a marketable talent, she definitely has the look and overall sex appeal to be a huge star. Her lipstick starts to get smeared here, and Wallice is hard faster than in his previous scene. The music here is a pseudo alternative rock track, and fits the motif quite well. The camera angles suck here, the lighting has a lot of shadows and at some point you can’t even see what is going on. The music changes upon insertion and goes to a techno beat with a lot of bass and random keyboard noises. Wallice drops in on Savannah that is wet, but she doesn’t get too loud. She moans a little, and perhaps she finally gets into the course of the sex. The two only go through one major positions and Wallice eventually cums on her pubic mound and that’s it. They barely kiss here, and it’s really just a paint by numbers mechanical sex scene, a real disappointment if you ask me. The two end their sex romp with a couple of cigarettes and that’s the end of the film.

I give “Savannah’s Last Stand” a 2 out of 5.

This was not what I expected. I figured there would be more focus on Savannah. The best scene for me was the Heather Hunter scene, but other than that, this wasn’t that great. The final scene for Vivid from Savannah was mechanical, and the whole movie is just not that great. However, if you’re a collector, or you love Savanah, you might love this one. I’m not that big of a fan, mind you, but she’s interesting enough to watch again in the near future.

You can actually stream “Savannah’s Last Stand” by clicking here and watching the 15 minutes free. You can also download it, rent it, or even buy if you’re a big fan. No joke!

Stacked With Honors (1993) Review

Stacked With Honors (1993) Porn Cover

Today we are going to be going back to the year 1993 for a review of a movie that was found for this blog because of a request. There is a movie that was made for the 1990s called “Gold Diggers”. Now, I have found the scene that I wanted to check out, but I didn’t see the full movie, but I found out that the main actresses in that was Jill Kelly and Lana Sands. That’s where “Stacked With Honors” comes in. I found Lana Sands was in this movie alongside Tiffany Mynx, Randy West, Diva, Paula Price, Serenity, TT Boy, Eric Price, and others. Now, I’m not sure who “Diva” is, nor do I know some of these actors, but I do know that I wanted to see more of Lana Sands, and here we go, she is in this movie, alongside some heavy lumber. But is the movie any good? Let’s find out as we look at this porno from 1993.

The movie starts with a very low budget look. Randy West is at a desk talking about how his realities and dreams sometimes thrown together. He has a chaotic mind, and he’s writing and narrating what is going on. He calls in a secretary to proof read his work. The movie then moves forward to West looking outside and walking somewhere. He gets in his car and then drives.

At the 2 minute mark, we are shown a couple having sex. I know from other movies that this is TT Boy, but am not sure who he is having sex with. It’s not a full sex scene, it’s just bumping and grinding with fake moaning overall.

The movie moves forward to showing Lana Sands and getting introduced two a couple of blondes.

The scene changes to Randy West at a bar, he’s just getting a drink and shoots the breeze with a blonde bartender. Nothing major happens here. Randy West leaves the bar, and gets back in his car, about to drive somewhere. Meanwhile, he imagines what it would be like to have sex with the bartender. As he sits in his car, he starts imagining more of what it would be like to do the bartender, and at around 5 minutes, we are into the first sex scene.

The first sex scene features Tifffany Mynx and Randy West. There’s a bar set, and some smooth jazz that comes through. Tiffany Mynx is a tall blonde girl, with all-natural breasts, and Randy West is a legend, as you may know. The film grain on my VHS tape of this makes her hair look a little brownish, but I’m assuming it’s blonde. Mynx unrobes and heads to West and starts to blow him immediately. One thing about west, he always got hard, and while he’s not the biggest guy, he is reliable. Mynx goes down on him for a while, the smooth jazz boring me to death. She has some skills, only using her mouth, no hands, and just going through the motions. There is no money shot, the director just cuts back to Randy West in his car, and he drives back to his office.

Randy West comes back to his office and talks to his secretary, but it turns out that it’s only his imagination again. He’s in his car, and he imagines what it would be like to have sex with his secretary.

Randy West and Diva are the second sex scene, and it goes straight into reverse cowgirl while West is seated in a chair. Diva is an Asian woman that has black hair, natural breasts, and moans a lot during the scene. It’s not that great, but it’s not terrible either. There’s a heavy guitar jazz element going through, in the set of an office as the two just go through the motions of sex. Diva does a lot of the work initially, and just jumps on West hard. There’s no money shot again, West just wakes up from his day dream in his car and that’s it.

Randy West at some points in this movie looks like Sid Vicious, the pro wrestler. It made me laugh. After this scene, a tall woman shows up at an apartment and some random dude shows up and talks to TT Boy. The woman says that she has to go, and TT Boy has to study, as he’s shirtless on a couch. The dude stays behind and the two just shoot the breeze a bit.

The movie switches to a few women talking about how hard Psychology class is, and they are referring to Randy West. Randy West is a teacher, apparently, and the women talk about how he’s an interesting teacher. The women talk about how all teachers suck, and the scene switches.

We now see Randy West reading a book, talking to his secretary when he imagines her naked. This scene ends without anything major.

Up next, we see Sahara Sands and Rebecca Bardoux role playing with TT Boy. They roleplay a bit and they are all naked, except one of the girls is wearing sneakers and socks. The women are college coed types, both blonde haired, and neither with implants. They are very much California looking women, and TT Boy of course is a legend in the porno world. He starts making out with the girls, and eventually gets hard, and starts to get action. Again, no condoms here, and TT Boy is rock hard within a few seconds of starting to get blown by each woman. TT Boy gets into it with each woman, and he gets one to scream loud as he moves faster and faster. The director let this one go forward without edits, as you see each performer sweating through this, and while he switches women at one point, he just goes through each position hard, and gets the women to orgasm. It should be noted that one is not shaved, and the other is trimmed. After getting into anal at one point, he cums and that’s the money shot, showing off what is going on.

The scene abruptly ends, and it turns out that the women were just daydreaming, and that’s it.

Moving forward, we get a lot of plot movement, with Randy West imagining his secretary naked, then the students talking about him together. They all just talk about sex and different things. It’s not that good, just bad acting.

The scene shifts to two women starting to kiss on a maroon couch. This features Paula Price and Serenity going to town with a lesbian scene. The one thing about lesbian porno scenes is that they are either forced or they are genuine. I can say that this one is genuine, with Serenity really cumming several times with Paula Price. As for their looks, Serenity is a thin brunette with breast implants and a tan line from her bathing suit. Paula Price is a blonde haired girl that looks very much like a California native. The two go through the motions of oral, fingers, and more in this intimately sexual lesbian scene.

After the lesbian scene, we are taken to Randy West’s office again after a couple of students talking.

Randy West imagines having sex with the bartender form the first scene. It features Tiffany Mynx and Randy West at the bar having sex, and it’s not half bad. West is a good performer, and Mynx moans a great deal in pleasure, and the two work out a standard scene of sex.

West snaps out of it, and starts to talk to his secretary. She’s naked again.

The director switches to the students talking again, before we get back to West and his secretary talking.

The two talk until the two start to make out a little, and Diva gets on her hands and knees and blows Randy West. This scene is in his office, and it’s just a blow job scene, and nothing more. There’s no money shot here, it just kind of ends.

West leaves his office and it shows that he’s outside day dreaming, talking about how he needs to get out more.

Randy West and Tiffany Mynx is shown again, only this time it’s another position as he has her on the bar. He gets her to moan louder and even yell at one point, as the two really enjoy having sex together in this sequence. We finally get a true money shot, with West cumming on Mynx’s pubic mound.

There’s a few moments in between the next scene but it’s fast, and it has nothing to do with the plot.

We are thrown back to the dorm rooms of a school and TT Boy shows up where Lana Sands is hanging out in a towel. She starts to kiss him and we are into the next sex scene. The music here is hilarious, throwing in a rockabilly sound but only with keyboards to make all the music work. It’s funny as a contrast to the sex that is going on. Lana Sands is an Asian woman with long black hair, natural breasts, and skinny frame. She services TT Boy with relative ease, and works through the motions of a blow job to get him hard before the sex begins. There’s a bit of oral before TT Boy pushes himself into Sands, who moans heavily upon insertion and through the motions that he throws into the scene. TT Boy really gets a good reaction with Sands, and this scene makes up for the lackluster elements in the movie. Sands even screams at one point in pleasure, and it’s an interesting sex scene between the two. The scene isn’t too long and there are only two positions before TT Boy cums on Sands’ face, and she blows him after the fact, swallowing at one point. The scene fades to black and we are thrown into another plot point.

We go back to Randy West’s office, and he talks to his secretary. She starts to take off her clothes, and this time it’s not a dream. Diva and Randy West have sex in this scene, and it’s fully realized, not just a figment of the character’s imagination. Diva takes off her clothes slowly and presents herself to Randy West, and the romantic music starts. This time around Diva is loud, commands attention from West, and he delivers with a money shot on her pubic mound, and that’s it. They go through several positions, and it’s not a bad scene, although it seems derivative of what we already saw thus far.

After this moment we go to the students talking about how some guy cheated on one of the women. They then just discuss the issue of infidelity and getting revenge. The plot then moves to seeing the women naked, back to Randy West narrating, and then to a couch where Paula Price and Eric Price are sitting.

Paula Price and Eric Price start making out, and of course they are not related. The two just start to go through the movements of sex. Paula Price looks a bit older than the rest of the cast, and Eric Price is a new guy, I haven’t really seen him in other projects yet. The two start grinding together and then the clothes start coming off for foreplay. The sex here is normal, nothing too crazy, Eric Price is cut, muscular, and almost looks like he should be in gay porn, but he works well with Paula here, and she moans a bit. The two go through revenge sex, and nothing too sensual at all, just straight up sex, as you’d expect. The music is rockabilly keyboard jazz type stuff and it’s boring. For the sake of the story, there is a tape recorder that is recording all the sounds. Eric then finishes on Paula’s chest, and that’s it.

That’s the final scene of sex, with the final plot point being revealed as a couple of women saying that they are going to raise some hell. She says that she’s going to mail Russell a tape and that’s it, the credits role and we are done.

I give “Stacked With Honors” a 1 out of 5.

This is an ill-conceived, plot heavy porno with only one great scene. Lana Sands and TT Boy steal the show with their sex scene, but other than that, I didn’t really find the rest to be that compelling. However, if you’re a fan of the actors in this movie, then you may like it. I didn’t necessarily feel it was great, but you may feel different.

Betrayed (1996) Review

Betrayed (1996) DVD Cover 

I’ve talked about the Spice Network before. If you don’t remember the Spice Network for cable television or later the Hot Network, you don’t really know how terrible cable pornography was. You see, back then, whenever you would order a 4 hour to 8 hour block of Spice Network, they would play several movies within a block of time. You could get 2 or 3 movies, sometimes 4, and it was all random and for only about 5 bucks or 8 bucks depending on your provider. I bring that up again because I first was exposed to Jenna Jameson through The Spice Network. Not only that, when you see the footage from those times, there is no penetration, and no erect penises. They are always blocked off, and you only see the bumping and grinding. Well, it’s 2018 and I have an official XXX release of “Betrayed” which stars Jenna Jameson, from 1996, and I can finally see it without the censorship that cable television in the 1990s had. So this is an exciting start to today’s review which features high production value, stars Randy West, Ruby, Sindee Cox, Vince Vouyer, Steve Drake, and Jenna Jameson.

The first thing that you’re going to notice about this movie is that it has some great overall music. The musical score is tremendous, and I was absolutely floored by the tension that was created throughout the opening. The start of the movie features a roaming camera inside a bar, with stellar editing from Greg Steel. The art director is Rod Hopkins, and the director of the movie is none other than, Greg Steel. This is a higher budget porno and it shows at times.

The movie starts with Vince Vouyer and some random dude talking. They are in an alley and one has a Frys Electronics shirt on, which is funny to me. From this point we cut to the inside of a warehouse, and there are two people having sex.

Juliette Carelton and James Bonn are in the process of foreplay, with a techno beat that starts. Juliette Carelton is a new woman to me, a tanned medium breasted young looking woman, and Bonn is a standard stud. Carelton has a smooth body, and gets really wet for what Bonn gives her first of all. The warehouse scenery isn’t half bad, but I can’t get over the techno soundtrack. It’s a nice mix of loops, as you see Carelton give an impassioned blow job to a smaller sized Bonn. The sex begins, and thet wo go at it with Carelton moaning quite a bit. She’s not shaved, so if you like all natural, you’ll like her. No condoms here, just several positions and the two going through the motions of traditional sex. The techno beat is impressive, and the two moan together as they share some chemistry at around the 7 minute mark. Within a few moments from doggy style, James Bonn loses his erection and then tries to regain it for a cum shot, and it’s funny to see Carelton try to bring him back. There’s no real money shot, just a hard edit, and that’s the end.

Vince Vouyer knocks on a door, and it’s James Bonn’s warehouse, and the two start to talk. It’s Bonn’s long lost brother. The two go back to meet a guy that looks very menacing. He looks like The Kingpin of some crime syndicate and says that he will give Jimmy and his brother a chance to prove himself with a job.
After the trio talk, we are taken to a bar. There’s Randy West making out with some beautiful women.

Nadia Moore, Tatiana, and Randy West are making out in a bar, and the two brunettes are all over him. They are tanned, skinny, and they passionately take West into the erotic zone. Mind you, this is only 13 minutes into the movie, and there’s already two sex scenes, so this is not a plot heavy movie, as much as it uses sex as transitions to further the story along. There’s a bad rock soundtrack in the background, and I couldn’t help but laugh at it. Lots of bad percussion, and guitar riffing. West seems to be stuck to a chair while the women continues to grope, kiss, and let him suck. The camera angles are pretty bad here, and there’s a lot of blocking for what most likely was the Cable Television cut. You can’t see one girl blowing west as there’s a cup in the way, a chair strategically placed, and more. IT’s funny to see this, until the director zooms into the action for a spell. Randy West does his normal moves, sweating at one point tremendously, but still keeping it hard, going with straight sex until there’s a point where he slips it in one of the women’s ass. Then there is some anal sex going on, and it’s not half bad, but it certainly doesn’t have the chemistry that you’d want from a more sensual movie. It’s good, I’m not sure which actress gets anal, but she has black nail polish, and really does well here with Randy West. After a lot of anal, West eventually gets a dual hand job from the women, and eventually he cums but doesn’t shoot out, so one of them blows him while stroking and he yells out “DAMNIT”, probably because he doesn’t shoot a load. The best part is afterward they keep playing with him, which is a great overall element and sexual thing that I like, so good for him.

The brothers show up, and they ask what Randy West was doing, and he says he was interviewing a couple of waitresses. In comes a blonde haired woman with leopard print, and she’s fairly attractive. Nothing really to report here, just bad acting, and terrible camera work. Jimmy and his brother talk to her, and Randy West talks about how he they have a job to do, and then they leave.

The director immediately sends us to another sex scene.

There’s techno music playing, and a familiar woman shows up. It’s Ruby, whom I saw work with Julian, and enjoyed. The techno is ridiculous mind you. Ruby has long red hair here, and she’s having sex with Steve Drake. Steve Drake is a famous porno actor and I’ve reviewed several films that he’s been in on this blog. Ruby looks older here, a bit “weathered” if you will, and lacks that intimacy that she once had. She’s not fully shaved, and she’s jaded in this scene at some points. The music really is distracting. The set is a random bedroom scene, nothing special. And the lighting works well here. If you’re a big fan of Steve Drake and you’re a fan of Ruby, this scene may speak to you, but honestly, it’s forced, and the two lack a certain chemistry. Ruby’s teeth also distract me a bit. Eventually Ruby stops receiving oral from Drake to get on top and starts giving him a blow job. This is the most passionate of the scene, and you can tell that Drake is in work mode, not really enjoying the process. Sure, he’s a pro, and Ruby is also a pro, but these two do not have that raging chemistry that you may expect. Then again, maybe you don’t expect anything, and you want to just see pure sex. If that’s the case, this works, and Drake doesn’t use a condom to have sex with Ruby, who has an amazing body, and is definitely hot, and gets wet around the 35 minute mark. The more you watch, the more you get into the scene as she eventually starts screaming, and it’s quite odd. I was starting to wonder if she was really screaming, or it was part of the techno music, because it was very odd to me. Maybe it was all her, I don’t know. Drake does a good job of keeping it in doggy style and getting Ruby to moan a lot. I can certainly appreciate the moaning and screaming of Ruby, and the two seem to finally connect towards the end of the scene, with Drake cumming on Ruby’s pubic hair. She screams into orgasm as Drake pulls out and lets it all spill.

Moving forward, in comes the brothers with a gun to Drake’s head. They said that they want their money, and that they’ll give the dude 24 hours. Meanwhile, Jenna Jameson picks up the phone and tells the kingpin that the dudes didn’t kill Drake. He gets mad, and tells her to do the job.

Meanwhile, Vince Vouyer goes to the back of Randy West’s bar, and there’s Sindee Coxx. The two start to make out after arguing a little.

Sindee Coxx and Vince Vouyer start to make out, and then have sex. Sindee Coxx is a tall, blonde haired woman, and she’s one of the starts that I remember most. She doesn’t have huge breasts, but she has a beautiful face, and a classic “California” look. The two start to really get into making out, while a soundtrack plays of yet another techno song. The electronic music in this movie is better than most of the sex that I’ve seen thus far. Coxx moves fast, removing Vouyer’s clothing, in a dark basement, and starts to blow him. You see her eye’s, which are beautiful, before the camera shows you exactly what she is doing with Vouyer’s penis. There’s a lot of attention paid to the eyes of Coxx and not necessarily to the extreme action at times. I like her eyes so much, and she doesn’t take her clothes off right away, making this scene a stand out for the movie. Coxx has long black boots on, and the two have sex on a brown couch. They go through multiple scenes, Coxx moans, the two sweat, and you can tell that they actually have some sort of chemistry together. The director doesn’t make this sterile. There’s no wiping the sweat, there’s just pure eroticism, making this the best scene in the movie by far. Coxx isn’t fully shaved, Vouyer stays hard throughout, and her moans go alongside with the movements. Eventually Coxx wants Vouyer to cum on her, and he obliges by finishing on her chest. Despite the techno that was drilling my cerebellum, this is one hell of a sex scene, that features a great deal of work from both, and it’s not half bad. It’s the best scene in the movie, no doubt, and Sindee Coxx delivers alongside Vince Vouyer. The music though, geez.

Moving forward, the Kingpin yells at one of his cronies. He yells at him, and then he leaves. The Kingpin is on the phone again, only after Jenna kills a dude with a knife for being a cop. Then we go to another part of a warehouse, and it’s the Kingpin. He shows up and says, “we gotta go”.

The final sex scene once again features terrible techno music. However, this time around it has Jenna Jameson and Sindee Coxx having lesbian sex. The two women are really into each other because every position they put themselves in, they moan, and the director catches sweat, cum, and more. These two get so wet, the liquid glistens in the lights of the camera. Done in a red orange hue, the two women really go all out with tongues, fingers, and the likes. I’m not sure if they are really into one another, or they just had a great moment, but the scene is all lesbian sex with two hot blondes. It’s a knockout scene for fans of Jenna Jameson and Sindee Coxx.

After they have sex, in comes Vince with a gun, and Sindee confronts him. She asks where her brother is, and has to be told that he has been killed. The worst acting ever occurs, here, and the plot continues to thicken. Turns out that Vince is a cop. The Kingpin wants everyone dead. Vince shows up at Randy West’s bar and starts shooting up the place, and that’s how the movie ends. He gets his revenge, or something, I don’t know.

I give “Betrayed” a 3 out of 5.

I can’t give this movie any more of a rating because it only has a few good scenes. No, I take it back, it only has one great scene, and the rest is quite bad. If you’re a collector and wants to have all of Jenna Jameson’s scenes, then you should buy “Betrayed”. However, if you don’t, then you’ll only really love the Ruby scene, or the Sindee Coxx scene. Other than that, this movie is plagued by annoying music, and lackluster acting, and performance sex from the rest of the cast. It’s a solid 3 if you ask me, and of course, you didn’t.

You can purchase “Betrayed” from 1996, starring Jenna Jameson by clicking here. It’s worth it for collectors, and fans of the cast, so go get it. 15 minutes free streaming too, why not indulge a little?

Beverly Hills Cox (1986) Review

Beverly Hills Cox (1986) Poster 

Today we are going back to 1986 and we are going to look into a parody film that stars Ginger Lynn. That’s right, the famous porno actress, Ginger Lynn, one of my first crushes, and one of the super stars of adult film, stars in this movie, which was shot for the big screen. You can tell throughout the movie that this was meant to be seen in theaters, not just on home video, as the film grain throughout is very much something that you would see in a grind house theater. In my area it was the Pussycat Theater that would play these movies, so in 1986, it was definitely a movie that you’d see there. The stars of this film include, Sheri St. Clair, Tantala Ray, Nick Random, Bridgette Monet, Ginger Lynn, Randy West, Sharon Mitchell, Tess Ferre, Francois, Jerry Butler, Shone Tayler, and Jamie Gillis. The plot is simple enough, it’s about a private detective played by Ginger Lynn as she uncovers several different cases. She narrates a great deal of the movie, and it starts with her walking the streets, and then going into a sex dungeon, where she catches a perp. The movie in question and review for today is none other than the parody of “Beverly Hill Cop”. This movie from 1986 is called “Beverly Hill Cox”, and while it is a parody, it doesn’t resemble the Hollywood version at all.

While this was meant to be for the big screen, it doesn’t shy away from the sex component, it’s very much an adult movie as within 3 minutes you get penetration, and you are reminded that this is all about sex. I could only imagine this on the big screen. The opening sex scene features Sheri St. Clair, Tantala Ray, and Nick Random. The trio have sex for a few minutes, and then Random cums on a woman’s butt, and that’s it. Meanwhile, Ginger Lynn watches, and then snaps a photo of what is going on. She says, “Smile for your wife”, and then runs off.

The story moves along for a story line. The story is that Suzy Cox is on the case, and that’s about it. The movie has some non-sex roles, mostly about what is going on in the world of private detective work. Ginger Lynn, isn’t the greatest actress, but she works well overall. The rest of the cast that is in non-sex roles aren’t half bad either. This is actually a “movie” I cannot stress that enough. The editing is crisp, and it really feels like more than just a porno, which I absolutely love. You can actually watch this fully, without just fast forwarding to the sex. It had a little comedy, it had a lot of sex, and some good acting, even for 1986!

Moving forward, we see a stake out, and it features Sharon Mitchell listening in on Bridgette Monet and Ginger Lynn getting affectionate. They start to kiss, and get out of their clothes, only to start a lesbian scene. It’s subtle, and sensual, like you’re watching softcore porno, which isn’t awful, but it’s far from what you’d expect from Lynn and the 1980s, as other scenes are more hardcore in nature. It’s a nice sensual, romantic, lesbian scene, that’s for sure.

This starts turning on Sharon Mitchell, remember, it’s a stake out. She gets turned on so much that she starts to grope Randy West, in the back seat of a car, and then they start to go at it. West and Mitchell have real chemistry here, and it’s really Mitchell that really pushes the scene, and the sexuality of the whole thing. West is just a by standard, and while he’s definitely into it, it’s Sharon Mitchell’s performance that takes the cake here, she’s really into it on all fronts, and creates such a good atmosphere of sex, that you start to get turned on. The director keeps going back to the lesbian scene, though, cutting back and forth, which I hate. I always hate when directors go from one scene to the next, in the middle of their sex scenes. The lesbian scene is romantic, soft, subtle, and well timed, meanwhile the car sex is fast, hard, and passionate. The sex doesn’t last too long, and eventually Randy West cums on Mitchell’s pubic hair. The two have serious chemistry, here, and it’s definitely not a long scene, but it works very well for what it is.

The movie moves forward to another scene, featuring a salesman trying to sell a woman on a dress. She goes to a dressing room, and the camera follows, naturally. The salesman yells out to another guy who is showing clothing to a customer, and it’s there that you see another sex scene, although somewhat robotic compared to what was just shown on the screen. Tess Ferre and Francois have sex in a dressing room. This is slow and methodical, without much passion at all. They go through the motions, and the most interesting thing is that Tess Ferre’s hair has sparkly stuff in it, so that’s kind of neat. Other than that, this is a scene that is somewhat boring and relatively easy to watch. Francois evetnaully cums, and that’s that. It’s a boring sex scene in a dressing room at a department store. Meanwhile, Ginger Lynn listens in another stall.

Ginger Lynn moves to another scene, going to a mechanic this time to get help with her car. She then becomes attracted to him, and the two start making out. There’s a lot of art given to this scene, with a lot of play with lighting, and music. The 1980s synth rock is not bad, but the sex scene is slow, and very “artsy” in a way. Lynn is juxtaposed with a Ferrari, and the mechanic keeps his shoes on, while Lynn gets into the action. This is not a great scene, as the two are mechanical (no pun intended) in nature. Eventually the mechanic cums on Lynn’s back, and that’s it. This is a short sex scene, and not that fun to watch. Lynn does ok, but Jerry Butler isn’t exactly grand, as he goes through the motions without any real passion. This was an “artsy” scene, that’s all I can say about that. Jerry Butler and Ginger Lynn do the deed, but meh, it’s not exciting.

The next scene features a phone call with a person detective agency and her women. She yells at the girls and says to not get in the way, and to keep an eye on their client. That transitions to another driving sequence, featuring Lynn, in Beverly Hills and finding different people. If you’re into story lines, then this is something that you’ll like. Because the story continues to be about the case, in which Cox is working, and she continues to use it properly. Next up, maids are at a party chopping things, and Ginger Lynn crashes the party in a black haired wig. She then moves around the party, and finds the client and shows up to a hot tub, where she grabs Sharon Mitchell and throws her in the tub! Shone Taylor then puts the moves on Sharon and the two start to go at it in a hot tub.

Sharon Mitchell and Shone Taylor go through to a blow job. Meanwhile, the camera cuts to Cox roaming around the mansion. While Mitchell continues to blow Taylor, her partner calls, and she tells her that Cox is roaming around. The camera cuts between the sex, and what Cox is doing, which is terrible, but hey, that’s just me. The movie shows off a lot of the sex, but also shows the story line developing towards the end. This must be because the movie was supposed to be for the big screen, otherwise what’s the point of transitioning so much? Mitchell’s performance here is great, once again showing off how much she seems to enjoy the process of movie making and sex. If you haven’t seen her work, maybe this is a good starting point. This scene really is a matter of a blow job, that’s about it.

With the end of the hot tub scene, the director moves the movie to Ginger Lynn, she’s investigating a room where Jamie Gillis finds her. The two talk about what’s going on in the night. They sit down and have champagne, and you know what’s going to happen next, right? The harpsichord music begins, and the two start kissing on the bed, and slowly start to work through what will be the last sex scene. Jamie Gillis and Ginger Lynn go through a passionate love scene, which is hardcore in nature, no doubt, but it’s not “hardcore” in that it’s rough or anything. It’s like watching two people make love, which isn’t a bad thing, but it’s definitely odd to see in porno. Ginger Lynn seems to genuinely enjoy this scene, and Gillis actually goes beyond work mode, the two becoming symbiotic. This is a passionate, arousing sexual scene, that you can tell throughout the motions, and of course the music. The passionate music plays, Lynn cums a few times, and the two kiss, embrace, and seem to really enjoy this sequence of sex. This is not clean cut, new school sex, mind you, there’s a lot of pubic hair, there’s a lot of sexual positions, and the money shot is not a major factor.

The story line continues, and we find out that Gillis’s character is known as the “Boner Bandit”, and he’s the mark that Cox was looking for. Gillis confesses to Cox, and that’s the end. The movie fades into the credits, and that’s where it all ends. I can see how this could be part of a double feature, because it’s only 1 hour and 20 minutes long, and the sex, honestly, isn’t that long at all. It’s good at times, but there are several ones that aren’t grand. As the movie continues, you get to see the twist ending, which I won’t spoil, but that’s it. The credits roll, and you get some close up shots of the production and a few little blooper elements, and that’s the end of the movie. Not much else to say about this one.

I give “Beverly Hills Cox” a 4 out of 5.

Why such a high rating? Well, it’s really Sharon Mitchell and Ginger Lynn that sold me. Sharon Mitchell and Randy West have some real chemistry, the acting isn’t half bad, and Lynn’s final scene is hot and passionate. It’s not heavy, it’s just sexy, and that’s something that is grand about porno sometimes. It can entice, without going overboard.

You can purchase “Beverly Hill Cox” at a variety of locations, I got a VHS copy for review. 

Forever (1990) Review

Forever (1990) DVD Cover 

Let’s venture back to the year 1990. That’s right, we are going back to 1990, and see a movie that was meant to go straight to VHS as the production quality is not that grand. I have no idea how I came across this one, but point is that I got it, and it’s not half bad. The movie has a simple premise, a couple are waiting for marriage but can’t wait, so they start to just go for it. While there’s a story, this gets right into the action within 2 minutes of the opening credits, and away we go! I never saw this one, so I went into this fresh, and well, I was pleasantly surprised initially. Let’s discuss “Forever” from 1990, a classic porno featuring Randy West, Tom Byron, Savannah, Stephanie Page, Cal Jammer, Joey Silvera, Heather Hart, an Trixey Tyler. These are familiar faces, with a few new women, overall. The turn of the 90s really shows in the wardrobe, and well the production, which I will get to as we move forward.

The first thing that you’re going to notice is how pretty Stephanie Page is. I think she is very pretty, and this is the first time I’ve seen her in porno. She is coupled with Randy West, and he has the curliest mop of hair. He’s still in his relative prime, if you ask me, as he puts on a show with Page. The two really have a lot of chemistry, and Page gets really wet, and starts to moan like crazy with West’s oral performance. This is perhaps one of the hottest scenes that I’ve personally reviewed in a long time. The music is distracting though, as it is a 1980s pop rock and jazz fusion that just doesn’t seem to fit the scene if you ask me. Page’s short brown hair, and large breasts are intriguing here, and West truly gives more than a mechanical performance here. There’s no condom in sight, and everyone’s shaved, marking the 1990s era scene. The scene goes about 8 or so minutes, and then West cums on Page’s pubic region. That’s it. The two starts dialogue that states that they are going to be married forever, which prompts the title of the movie to come through. And away we go with the credits, and another 1980s infused jazz track.

The movie goes forward with couples counseling. Randy West and Stephanie Page are in a therapist’s office and they just talk at first. This forwards the plot. The acting isn’t half bad, mind you, but it certainly brings forward the plot for those that like to have a little plot with their porno. I liked this aspect of the movie. It gives a little bit of weight to the overall story. Page tells the therapist that she has these wild fantasies, and that she watches others in them. This leads to a sex scene with a super veteran, Tom Byron! He has his long hair, and doesn’t have a beard yet, going for the 1990s rocker look that would transition into full blown grunge artist look by the mid 1990s.

Tom Byron and Savannah have sex in this scene, and if you have never seen a Savannah sex scene, well here’s your first look. If you don’t know about Savannah’s story, and the tragedy that befell her, you may want to read a bit into it. It’s really tragic. This scene isn’t half bad, with the exception of the terrible music that is given way too much fidelity over the moaning and the actual sex. There’s a bit of artistic liberty with the visuals, which you’ll have to see to really understand, with contrasts, colors, and transitions. Byron here works well with Savannah, but there seems to be a bit of a mechanical push towards the center of the scene. Yes, this looks ok on paper, but in practice, you’ll notice that the two don’t necessarily have a lot of chemistry, making it a little bit of a boring scene compared to the opener. Savannah has a unique, pretty look, and her blonde hair and style really attracted a lot of people to the early 1990s porn scene, I’m sure. I’m not sure what the big deal with Savannah was, her performance and Tom Byron’s work here is somewhat “normal” and nothing too crazy. He cums on her chest, and that’s about it. This just seemed routine in some ways, and while it is functional, it’s not nearly as hot as you’d expect, especially after that initial opening that had a lot of chemistry between the performers.

Up next, Randy West is on the therapist couch and he says that Page has been cheating on him and even had a threesome at the house. That leads to the next sex scene, and it’s a fourway, and features Tom Byron, Cal Jammer, and Stephanie Page, on a couch.

This next scene is just a standard foursome, with Page servicing everyone, and moments where some of the guys aren’t even hard. It’s kind of awkward, now that I think of it. The music isn’t half bad here, though. Tom Byron leaves a basketball jersey on, and he is the first to cum, cumming on Page’s butt, but then the scene transitions, and he gets blown next, while the other guys have a turn with Page. The music actually works here, it almost sounds like something that you’d here from the 16-bit era of video games, believe it or not. I swear it was like listening to the soundtrack of Toe Jam and Earl. This scene is workable, as page seems to enjoy the process, while the guys are just auxiliary pieces to her overall look. I couldn’t help but notice that at some points though, the men weren’t hard, jacking playdough, but eventually there were money shots, one of which was on her face. Not a bad scene, but it’s a quick one, etc.

Back to the therapist couch, Page talks about how Randy West cheating. It’s a threesome, and it gets into the action quick.

Heather Hart, Trixie Tyler, and Randy West are on a bed, and things heat up quite quickly. This isn’t a terrible scene, and once again the music saves the day. It’s a jazzy, 16-bit era type of musical number that makes me laugh and smile at the same time. The sex here is rudimentary, with Randy West throwing down another good performance as he’s known for being adequate without being a huge guy. He does well here, and the women give each other oral. They seem to all be enjoying it, but it’s not the best scene in the world, mind you. It’s adequate, It’s just over the mechanical line, as there’s some chemistry, but then there are moments where it just seems to be “average” at best. West does well here, and it sure seems that the women try to get into it, but really aren’t that “bisexual” and it shows. Randy West eventually finishes on one of the ladies pubic hair, and that’s it. This was interesting in that West goes with a brunette and blonde, which was great. Not a bad scene, but not a great one either. It’s “functional” scene at best.

Back to the therapist couch, West discusses what’s going on in the home, and he discusses what is going on and how he found out that his wife was cheating. He even discusses that the pool was emptied, and he jumped in and nearly broke his face off. Hilarious little scene, if you ask me. This moves the plot along, and we’re about 40 minutes into the movie, which isn’t terrible, which allows the movie to fly off.

Moving the plot along we see Randy West and Stephanie Page talking. The two talk and eventually it leads to a scene with Savannah and Page having sex. The two have a toy, and they just go through your normal expectations of early 1990s lesbian sex scenes. It’s not bad, and the music this time around is quite good again. It’s an instrumental track that has a jazzy feel, with a nice touch of electric drums. I was more distracted by the music than the actual sex here, which is not a good sign. Page seems to dig this scene, and Savannah does well too, so if you like their looks, you’ll love to see them perform oral, moan, and squirm with delight. Page is an intriguing woman, and at this point it’s hard not to fall for her a little.

After this scene, we get one more, and it features Trixie Tyler and Joey Silvera. Yes, the legendary Silvera! He’s got the mustache, and a lean body here, and he’s not half bad. Trixie here is a blonde cute girl, but looks as though she’s been around the scene for some time. Silvera isn’t pot bellied yet, and he does well here, putting on his normal showcase of moves, and sounds. The two have a bit of chemistry, mind you, so the sex isn’t sterile, and the two seem to genuinely work well in this capacity. Trixie is not completely shaved, and Joey still has some pubic hair. Trixie’s pearl necklace and garter belt add to the scene, and the rest is just a traditional sex scene, with another jazzy tune. The two go through multiple positions eventually ending with Trixie blowing Silvera and that’s it. The end of the sex, and it’s not half bad. Trixie still has that “1980s” hair spray look to her, which is a bit of a turn on for those of us that grew up in the 1980s. But doesn’t exactly have killer looks, but good technique.

That’s the last of the sex scenes. The movie ends with West and Page on the therapist’s couch, discussing their marriage. They then hug it out, and that’s the end.

I give “Forever” a 3 out of 5.

There are some good points of this movie, and Stephanie Page really rocks her performance. Silvera’s ender is good, and Randy West throws in a good performance too. The music isn’t terrible, and the movie goes through some alright moments, but it’s far from perfect, as you’d expect.

You can purchase “Forever” from various sources, and go back to the year 1990 to see this porno flick with a few good scenes, and only about 1 hour and 8 minutes of run time.

Did you see “Forever”? If so, drop me a comment below.