Wild Widow (1995) Review

Another 1990s movie? Yeah, well what can I say, I’m always watching something in the 1990s and today we are going to look into a movie that features some heavy hitters yet again. The name of the movie is, “Wild Widow”, and it stars Anna Malle, Hank Armstrong, Jeanna Fine, Steve Hatcher, Morgan Fairlane, Rick Masters, Alexandra Silk, Guy DiSilva, Raven McCall, Don Fernando, Ron Jeremy, and Santino Lee. 

 

The plot revolves around Jeanna Fine’s character, she has lost her husband and doesn’t know what to do with herself now. She has sex with her friends, her right hand man, and anyone else that is available. 

 

Scene 1. Anna Malle, Hank Armstrong  

Scene 2. Anna Malle, Jeanna Fine

Scene 3. Jeanna Fine, Steve Hatcher

Scene 4. Morgan Fairlane, Rick Masters

Scene 5. Alexandra Silk, Guy DiSilva

Scene 6. Jeanna Fine

Scene 7. Raven McCall, Don Fernando, Ron Jeremy, Santino Lee

 

Instead of going play by play, this time around I’m just going to point out that some of these scenes are boring and some are actually quite good. Anna Malle has a sense of enthusiasm that you miss in a lot of actresses. She really goes at it, and while Hank Armstrong isn’t that great, her work is not half bad. 

 

Fans of Jeanna Fine will love her work here, as she and Anna Malle make for a very good set of scenes. However, that’s where things really start to fall apart. Aside from scenes featuring Fine and Malle, you’re not going to get much. Alexandra Silk does anal, but other than that, this is a production that falls flat. 

 

I give “Wild Widow” a 2 out of 5 

Guilty As Sin (1996) Review

Guilty as Sin (1996)

It took me a long time to get back into the swing of things. I have been working a lot, and have been pursuing a doctorate degree, and just found myself focusing on reading, writing, and other areas of interest. Today, we are going to be looking at a movie from 1996. This movie came out in 1996, and it is 93 minutes long. It was directed by Jim Enright, and distributed by Klimaxxx Productions. This movie features some great actors, so I am intrigued by the initial line up. This movie is called, “Guilty as Sin”, and it stars Missy, Mickey G, TT Boy, Nadia Moore, Precious Silver, Peter North, Alex Dane, Alex Dane, Celine Devoux, Blake Mitchell, and Jonathan Morgan. At the time of this movie’s filming around January of 1996, I was only 13 years old, so I did not see it until recently. Some of my personal favorite adult stars are in this movie, and they include TT Boy, Peter North, and Jonathan Morgan. Steve Drake, that rascal is here too, and of course a line up of women that came and went, and didn’t make a big splash like some other featured women on this site. But that’s the world of adult movies, hit and miss, and hope.

You ever wonder who the custodian of records is for these movies? The opening of this movie has a slow starting point, where you hear nothing, see nothing, but get that warning that the custodian of records has all the files on all of the performers, because they are all of age, etc.

The movie starts with three women talking. A secretary comes into an office and is talking about a new client. The new client is a blonde haired woman, and she said that she heard the attorney is the best and she needs the best. She’s in the worst running suit, and it’s hilarious. The office looks like your average set, grey carpeting, a book shelf, some books, a random credential, and a piece of Thomas Kincade art in the background. A desk, and brown bookshelf, and the lighting of course is coming from two angles, so the shadows are showcasing where the lighting rigs are. I’m trying to see if there’s a boom mic in the shot, but the editor did a good job of framing this enough to not see it, but I know it’s up there, and if you’re careful, you can catch the sound bouncing through it.

The blonde tells the attorney that she needs her, and the attorney said she doesn’t need anyone if she hasn’t been arrested or taken in for questioning yet. The blonde tries to convince the lawyer, but the attorney is not having it, until the blonde tells her a little more about her story, and that she has an alibi that has stopped her from killing her man. She says she has her own money, so there’s no way she could’ve killed her husband. When she starts that, the attorney sits down and starts to listen to a story, where we get a hard cut, and into the first scene of adult material.

We cut to a backyard swimming pool. There is a single camera shot looking in on Mickey G floating on a pool bed, and Missy comes through. She walks in with a bikini, but the frame of the shot is so uneven, you can barely see her get into the frame. The director has this shot framed horribly, and the sunlight is so bright, the backyard is washed out, the colors not grand. Missy is a thin, dirty blonde, and has that California tan. Missy gets down to the pool and starts to blow Mickey G immediately, without any interlude, and a hard camera cut, straight to the close up of her blowing him directly. I’m not a fan of the framing of this scene at all. The centering is all off, and the weight is positioned in an odd manner. Mickey G. begins giving Missy oral after she blows him for a while, and the two have basic chemistry, but nothing too grand. Missy’s make up is on point, non-reflective, and her blonde hair has roots that come through as the camera focuses in and out of the closeups. Mickey G. is unkempt and is playing a macho role here. Missy has long legs, that California, blonde, slightly tan but not really too pasty skin tone. The two get out of the pool and use the flotation device to go into more positions. Fans of Missy will find this performance to be adequate, as Mickey G goes through the motions of each position, his arm behind his back because the camera is right on the two as they try to have sex. This scene is quick, and ends with a cum shot on Missy’s face, as she moans. This is not a grand scene, but it’s straight sex, no condoms, and for the outdoors, safe in terms of fantasy land.

We go back to the attorney’s office where Missy talks about what is going on with the case. They talk about how an open marriage, and that they allowed one another to love others as well. Just then, Jonathan Morgan storms in and gives Missy a warrant for arrest. Then the attorney finally says she’ll be her client. Dana, is her name, and the acting here is horrible, with the exception of Jonathan Morgan. Morgan says that the woman shot her husband with a shotgun, and she’s guilty.

We move forward to an office building where Steve Drake and our attorney start to talk. They talk about what things are had by the client. The acting here isn’t too bad, not great, but the dialogue works well. The office here is an obvious set, with bad lighting, but Drake does well here as an evil attorney.

Another hard cut and we are nearly 20 minutes into the porno, and the plot thickens. We see a press release, then we get two women sitting in bed and talking more plot. Missy’s accused of murder, Steve Drake is the evil lawyer, and things keep moving forward, with lots of dialogue. That alone elevates this movie past minor porno status, and instead gives it a full 2 stars extra just for the plot, dialogue, and storyline.

Soft cut here, and we get Missy talking to her lawyer again. The two discuss the pieces of the case. This time we are in Missy’s house, but she’s wearing the same wardrobe as before. During this scene, Missy and her attorney discusses the relationship that Missy has with Charlie. Charlie is played by Peter North, mind you. It’s here that we transition to the next sex scene, and the director throws us into the mess.

We go back outside, and Missy is sitting on a park bench while TT Boy is over her, getting blown. The music starts, and it’s saxophone heavy, with TT Boy showcasing his prowess, and Missy putting on a show for Peter North, who plays the voyeur, or the cuck, depending on how you view this type of thing. Missy and TT Boy have a lot more chemistry than Mickey G did with her, and it shows. Missy rides him in various positions, and he gets really into it towards the end, giving Miss a great deal for the somewhat short scene all things considered. Meanwhile, Peter North sits and watches, and eventually TT Boy cums on Missy’s face, and positions her a bit further from him to get the first launch, which is fine, but not grand. It’s an ok scene, better than the first, that’s for certain.

The lawyer asks Missy if Charlie (Peter North) ever had other women, and that’s when the screen fades, and we see three women enter a room, and present themselves to North. Meanwhile, Missy watches from the corner of a badly decorated set. The show here starts immediately with terrible elevator rock music, that sounds all synth heavy. Nadia Moore, and Precious Silver are the actresses, and they are both skinny, model types, with enhanced breasts, and pretty faces. Both have darker hair, and are a contrast to missy’s blonde hair. The camera goes back and forth between solo action with Missy, to Peter North immediately getting blown and moaning. The set design here sucks, alongside with the lighting, which casts bad shadows all over the scene from overhead lighting. But as far as the sex is concerned, it’s not half bad, although North seems to be in work mode, while the women just go through the motions. You can tell the lighting is coming from the fourth wall, as the shadows give away the set details. As for titillation, the women put on a clinic of how to give ladies oral, meanwhile, North does his best to keep it up. The sex is as sterile as a brothel visit. This is not North’s best work, and Nadia and Precious seem to just be willing participants in a scene where they are more interested in each other, including one woman with a hood piercing. The music is horrible though, the set has green walls, and the camera is all over the place, so good luck with this one. Oh, and how can I forget, there’s a Peter North facial onto a tongue ring, and well, he doesn’t exactly drop a big load here, so if you’re looking for the best of North, this is not the scene for you.

We get back to the house that the attorney was in with Missy. The two start to discuss how many partners one another had. The two women continue to converse, and we get a scene where the attorney is driving. I kid you not, this is a legit movie, although B-level or C-level, but there’s structure here that you do not get with a lot of movies.

The lawyer shows up to her home and walks in, only to find Jonathan Morgan to be in her bed. The two argue about why she took the case. Morgan is a detective, mind you, and the two keep talking about the case, and how one thinks the client is guilty. Morgan gets thrown out of her house, in the worst acting job in the movie thus far.

A soft fade and we go to a court room scene. This is actually done well, and there’s even some non-sex actors in this! I love those! I was in one once. Anyways, this turns into a court room drama, and we get into the best dialogue, and attempts to act. If you are one to watch full movies, rather than just fast forward to sex, you’ll be delighted by the acting job done here. Except for the fact that the attorney here is just reading aloud, not from memory. The judge as well isn’t really taking it seriously, and why would he? It’s a porno, right? A witness is called to the stand, and it’s Alex Dane.

A hard cut takes us into the bedroom of Alex Dane and Peter North. Dane is a skinny, small breasted, brunette, and she immediately begins with a blow job on Peter North. The music here is horrendous, and the set design is actually straight of the 1980s. The flowery brown couch, the hardwood flooring, white piano, and terrible contrast of color and design makes me laugh. Dane and North have a bit of chemistry, especially Dane who really seems to get into the act of giving North a good scene. The two have sex on a brown couch with flowery patterns, and a reddish background, a thrift store find if you ask me. The sex goes through several instances, and positions, with North maintain speed, and precision eventually going through anal. It’s apparent that Dane isn’t that into it, but the scene calls for it, so it goes forward. The music is synth heavy, and it’s fake horns here, and it’s horrible. It’s louder than the sex sounds, which have Dane moaning and North just breathing heavily. After some time, North finishes on Dane’s chest, and that’s that. This is bland. Very little chemistry, and just run of the mill in terms of lighting, and camera work. It’s lazy if you ask me.

Missy shows up and sees the two after they’ve had sex, and she’s upset.

The movie goes forward with the court case, and Drake keeps pushing the witness, and we get moving forward into Drake’s office. Here we see a blonde in a red dress talking to our prosecutor. The two start kissing, and soft music starts. Celine Devoux is the actress here, and she looks like Topanga from “Boy Meets World”, with her hair done like her, thick thighs, and skin tone that draws you in. The set here again is bland, but it’s done up to look like a cheap lawyer’s office or a motel, for that matter. The lighting sucks again, and I’m wondering who green lit this thing, but it’s a porno, so I guess I shouldn’t complain. Devoux and Drake begin with foreplay, and Drake giving some breast play to start. Devoux’s chest is natural, from what I can tell, but then again, this is 1996, maybe they aren’t? I don’t know, I should know. She has cake makeup, is trimmed, and the camera goes right into the tongue and labia, so if you’re a fan of oral, or want to learn, Drake seems to put on a clinic with the foreplay and oral. Drake uses his fingers, mouth, and more to get the first initial climax, and the camera moves lower to show you different angles, and I take back my comment about Devoux’s chest not being enhanced. The sex starts, and it’s casual, nothing crazy, reverse cowgirl, couch sex, Devoux moaning, and for the most part, it’s just run of the mill. I can’t really say it’s terrible, but it’s apparent that Drake and Devoux do not match chemistry, but rather are doing the job. Devoux is a blonde haired stripper type, and if that’s your thing, enjoy. Otherwise, you’re going to get distracted by the lack of chemistry, if that’s what you’e looking for. At the 72 minute mark, there’s anal, and that’s where the scene takes a tonal shift, with the two actually seeming to love what they do, so kudos on that. A cum shot on the chest of Devoux, and that’s the end of the scene.

Drake gets a phone call, and it’s Jonathan Morgan saying that there’s another murder. This time it’s a young man, and it’s another shotgun killing.

The movie then moves forward, and we get to see what really is happening. The attorney talks to Missy, and we then go to a room where Missy is talking to someone on the phone, yelling. The phone is tapped, and we are seeing the end of this story unfold. Missy is in on an extortion plot, she throws the phone down and pulls out a gun, and grabs a leather jacket, this thing is turning into a revenge thriller!

The plot finally thickens, and I’m all in here. A detective is on her tail, and we get some thriller type music, as she pulls up to a house, under the cover of night, to see Peter North come out in a suit, and he’s not dead afterall! North says that the two can run away together. The attorney shows up, talks her out of it, and right before she shoots North, a detective shows up and that’s the end. The whole story wraps up with a detective and our attorney.

Up to this point I didn’t want to name the attorney, because I’m lazy. It’s Blake Mitchell, a short haired redhead, with large breasts. Jonathan Morgan and her begin to kiss on the set of her apartment, and begin with breast play. The oral sex on this scene is good, and Morgan sure has some initial skills with Mitchell, which I definitely appreciated, considering this movie seems to lack in the sex department at times. The camera hides behind a plant at one point, which is hilarious to me. This apartment is designed like the worst Ikea in the world, mind you. The sex begins with a condom on, mind you, the first condom I’ve seen in this whole movie. We start with doggy style, and it’s ok at best. Mitchell moans, and Morgan concentrates, but you can tell that it’s just pure concentration, and nothing more. We switch to another position, Morgan on top and going forward as fast as he can, and then leading to an end of a cum shot on Mitchell’s triple D breasts, which the camera makes look enormous with the angle they choose.

The camera fades, and we get the end, that’s it. The end sequence, and a finish line for the movie.

“Guilty As Sin” was not my favorite movie in terms of sex. But as far as a full movie, with a script, with lots of dialogue, editing, sequencing, and full plot, this is a stellar example of what can be done with a minor budget, for a sex movie. It’s a movie I could see in theaters, and enjoy enough not to finish myself off within the first scene. That’s a special kind of porno movie, isn’t it? Well, it’s something alright.

I give “Guilty As Sin” a 3 out of 5.

You can buy, stream, and download “Guilty As Sin” from 1996, and see extras, and maybe even give it a better rating by clicking here!

Coed Fever (1980) Review

Coed Fever (1980)

Today we are getting back to our time machine and we are going back to 1980. We are going to be seeing a Cabellero Home Video million copy seller, as it was a huge hit for the company in 1980. “Coed Fever” was released in 1980, and it had a lot of solo acts, and 19 overall sex scenes. It was directed by Robert McCallum, and it features some heavy hitters. Some of the names that are in this include Terri Dolan, Aaron Stuart, Serena, R.J. Reynolds, Lisa De Leeuw, Jamie Gillis, Piper Smith, Gloria Harrison, Vanessa del Rio, Michael Morrison, Ron Jeremy, Samantha Fox, John Leslie, Lysa Thatcher, Brooke West, Terri Dolan, Jon Martin, Annette Haven, Eric Stein, Don Fernando, and Paul Baressi, just to name as many as I could. There’s a lot going on here, and the movie is only 89 minutes long. This really feels like a movie that was meant to be seen in movie theaters, and it shows. It really pushes that envelope from the start, with sex being the biggest thing, at least with my copy of the film.

The movie begins with a pixie haired dirty blonde with small breasts, not shaved, and Aaron Stuart with a late 1970s hair cut and mustache. No one’s shaved here, and it gets straight into a blow job as the clothes start to come off. The film grain is here, you know this was on the silver screen. The set is a kitchen, and the two actors get into the sex, showing off no condoms, and the classic push of the 1980s. The sex has a lot of edits, a lot of cuts, and a lot of facial expressions, so you go back and forth with the close ups, and then the penis and the vagina, with lots of hair everywhere. Eventually, Stuart cums on the pub ic hair of Terri Dolan, and starts the movie off with straight forward sex. These two are not young coeds, that’s for sure.

We have a cut and we end up going to a sorority house where we see girls talking. Then we go to a frat house where some dudes start talking and that’s it. A lot of exterior shorts are shown, and we see a variety of men and women talking. This is a full movie with sets, and film grain, it’s simple. The dean calls for the women to come over, and we just get moving forward like a 1980s college flick. If you’ve seen one of those, then you know that the movie is about the guys against the evil Dean of the School. We see that the Dean is going to have a photo shoot that is going to do a story on the sorority, but they have to ditch their men. The Sorority lead talks to the girls and says that they need to date only good men.

We are sent to a date, where a man named Joey and a girl talk about doing it, and the guy is getting rejected. This is a break up date. The woman breaks up with ole Joey, and he starts throwing chairs, and gets really upset. Meanwhile we see the waiter going mad, and miming his disinterest.

The scene cuts to Serena and R.J Reynolds in a gym. Serena is a red haired girl, and she gets on her hands and knees to start sucking off Reynolds, and that’s it. There’s no sound, there’s no artistic elements, just hard light from the left, and the sounds of sucking.

The movie then shifts to another couple in a sauna, and they are talking about how they need to break up. The movie moves along and we see others break up before we are sent back to Serena and Reynolds in a very basic sex scene. It’s like watching two parents or a long time couple have sex, very little passion, not a lot of moaning, just him on top, and moving forward on gym mats. There’s romantic music, the lighting sucks, and there’s little to no “passion” here, it’s just straight forward, with a basic movement. The best part here is that Reynolds go down on Serena and she really gets into it, and that’s where she starts to moan, and we get to see a better sequence of sex.

The break ups continue, and we get more of the story. We are hearing about the future of the sorority and the frats and dating. It’s a story driven movement, and we are introduced to other characters along the way. This movie is swift, we are 22 minutes into this movie, and we haven’t seen a lot of sex just yet, but there’s a lot of story. It’s ok at best.

Moving forward, we are taken to a threesome that happens after a couple of guys go to a bar.

THis scene, from what I can gather includes Piper Smith, Gloria Harison, and Jamie Gillis. Terrible music begins, and one of the other guys starts watching, and Gillis starts to eat out one of the women, and then one of them rides him, and his face. The two girls are blondes, there’s some smooth jazz that comes through, and away we go through another sex scene, with bad lighting, and random moments of sex. There’s some good moments with a blow job, having two blonde haired women blow Gillis is good, and they seem into it completely. The movie continues with bad lighting, bad shadows, and what appears to be a swing set? After some time, there’s a facial and that’s it. This was ok at best, the women were a little more into it, but it wasn’t grand to say the least.

After the scene, we get to another part of the movie, two guys and a laundry truck. The two guys have a plot to work with and are talking about delivering some new detergent, but it’s really poison. They knock out a woman, drag her upstairs, and replace her with someone else.

Ron Jeremy and Michael Morrison talk about how they want to get moving forward with taking pictures and getting forward progression on the story. Vanessa del Rio is there and giving the guys a tour, and Jeremy keeps saying that he can’t contain himself. After the trio look into a random bedroom, they decide that they need to get it on. Jeremy gets down on his knees and gives del Rio oral while Morrison gets blown, and the smooth jazz comes over again. If you’re a fan of del Rio than you will like this, it’s average at best. Jeremey and Morrison work well in the doubles, but eventually Jeremy cums onto del Rio’s breasts, and Morrison goes soft, allowing this to finish off.

The Dean shows up and catches del Rio, and then chases her out. The Sorority house gets made, and they aren’t sure how to move forward. They say that people will be getting in trouble if they don’t fess up to who is responsible.

As the movie progresses we see another couple, this time it’s John Leslie naked on a bed with Samantha Fox blowing him. There’s no sound again, just the sound of the blow job. This leads straight into sex, and it’s Leslie on top, and he’s going in and out, with Fox’s legs up.

The movie continues and the Dean is mad, and he starts plotting how to move forward. We are at the 54 minute mark at this point.

Moving along we see a random dude scoping out the sorority, meanwhile, a couple of women are doing it together. There’s a simple scene with Lysa Thatcher and Tawny Pearl. A brunette and a blonde just having fun together, lesbian sex, lots of oral, fingers, and forward progress. There’s a slow moving bass line, and we see the guy come inside the room to see it all happen.

Up next there’s a sorority initiation, and we see Tawny Pearl, Lysa Thatcher, Brooke West, Smantha Fox, and Terri Dolan all getting spanked while they play with vibrators. This is a sorority initiation and it’s quite sexy.

We move forward and find out that the sorority found out who was causing the problems with the Dean. That made Annette Haven, Samantha Fox and Paul Baressi engaging in a threesome which features sex and a paddle, then a strap on dildo with some strong elements. There’s a sense of punishment in this arena, and it’s a domme sex scene that borders on violence at times. It’s not my favorite scene, but it progresses the plot, so in that arena, I guess it’s ok. It’s a threeway overall and at some point Paul Baressi cums on and rubs his penis all over the brunette, and that’s that.

Some soft music plays, and we see the movie progress to a date again. This time Brooke West and Jon Martin are talking, and they simply talk about how they want to do it. That leads to another plot point, before we end up in a soft sex scene, with West and Martin. Brooke is a brunette girl next door looking woman, and Martin is a nerd, and well, the sex is ok at best. It’s soft, it doesn’t get a lot of movement, the lighting is horrendous, and they do it on a carpet, and well, it’s just not great at all. It looks clumsy as hell.

The climax and ending of the movie features the coeds having sex at the mansion of the Dean, and the camera guy and article writer get in on the action, as the jazz music comes through and we are treated to a little disco, and a cum shot to finish things off, nothing that great, but just a finish.

At the end of the day, there’s a lot going on in this story driven movie. It’s more story than sex, that’s for sure. There are some funny moments, and it’s hilarious to see how things work through the elements, including a little gay nod at the end.

I give “Co Ed Fever” a 2 out of 5.

It was hard to review this one because the editing was so bad, but it worked for what it was. It’s like a 90s or 80s sex comedy, with hardcore in it, the sex is not passionate, you sometimes don’t see penetration because of the lighting, and it really seems like a movie that played as a double feature to a better porno, but then again, that’s what you get with the 1980s, right?

Vendetta (2017) Review

Vendetta (2017) DVD and Poster 

Today we are going modern. We are going to venture into something that I don’t do often, and that’s going forward into something newer. With that in mind, let’s venture to the year 2017, April 2017 when a 95 minute movie from Wicked Pictures came out and started to win some serious awards. This is very much a high budget production, but that doesn’t mean that it has the film grain that I love. It is filmed in HD, but it’s still very much soap opera or Netflix style camera work. It is NOT like what you would see on the big screen, even from the golden era of porn. That doesn’t make it bad, it’s just a fact that I saw from the opening sequencing. It’s on par with a Mexican soap opera at times. This movie is called "Vendetta", and it is directed by Stormy Daniels, and is released by Wicked Pictures. The stars of this movie includes Asa Akira, Kleio Valentien, Stormy Daniels, Kenzie Taylor, Lucas Frost, Brendon Miller, Marcus London, Kimber Woods, and Michael Vegas. It’s not a long movie, but it has a plot that is going to be worth checking out for some, and for others, it will be another movie that they skip to the sex scenes, because afterall this is a porno, right?

Before jumping into the viewing, I want to look at the synopsis. In this movie, Celeste, our main character is left with a rich husband that is stuck in a wheelchair. She needs to find pleasure, and he can’t give it to her. The husband gets mad, and hires a private eye, and that creates some serious problems, as the woman is actually someone much more dangerous than he ever knew, hence the name, Vendetta. Fun, right?

Let’s get into the movie, roll it!

The opening scene shows Stormy Daniels riding a horse, and it’s legit her. She can ride, and that’s really cool. Daniels is a tall blonde, and she rides this horse with care, the camera editing enjoying her movements. She’s busty here, but she’s fully covered up, as she rides through the ups and downs of riding for sport. We are introduced to Celeste and her man, and we see how terrible the acting truly is. Stormy Daniels comes down the stairs, her husband just hanging out, and that’s it. She says she is going to leave, and decides to just take off. The husband calls someone and says she’s doing it again. She jumps in a car with Asa Akira, and away we go.

We then see the women driving to an undisclosed location, and then we see them pair up and find another woman and go into a bathroom. There’s red lighting here, and a sign that says that it’s a bathroom, as it says “toilet”, in case you’re not smart enough to pick up on it. The three women are at a club or somewhere, because the bathroom is lit with a red light, red light district type of thing. We see the tall blonde in Stormy Daniels, and we see Asa Akira a beautiful Asian woman, and Kleio Valentien a tall, tattooed blonde, and the three start to kiss and giggle, and then get into sex. The trio go through some standard lesbian sex, and then bring out toys for the camera to see. The camera work and editing here is ok, but the techno beat, the red lighting, and the constant cuts hurt my head. The moaning, and the process works well, and the women are beautiful, including wearing heels, tight dresses, and more. However, there’s a lack of something, that “it” factor, although the women use toys, go through DP with them, the confines of a bathroom doesn’t lend itself well enough for this scene to really get off the ground.

After the club scene, we then see Stormy Daniels and Asa Akira talking about random things. They try to act, and it’s not terrible. The makeup job on these women is really good. The camera editing is good, the conversation is bland, and we see the women supposedly at a restaurant, but it’s not that great at all. The set design leaves something to be desired. Meanwhile, as the women leave, there’s a random voyeur taking shots of them, most likely the private eye. The husband here is the same guy from the movie “Stupid Cupid” by the way! It’s Kyle Stone!

We are in a backyard now. We see Celeste and her husband just talking and having breakfast. The two argue about whether she has been faithful or not, and that makes her storm off. He starts to dial his phone and call a detective and say that he doesn’t know what to do. He then calls his lawyer. The lawyer then turns around after talking on the phone, and we get into a new sex scene.

The lawyer here is played by Kenzie Taylor. SHe’s a tall blonde with large breasts, tattoos, and a nice makeup job. She has large fake breasts, and invites Lucas Frost to kiss her and start to get through the motions of sex. Taylor takes her top off, as Lucas pulls her skirt down and underwear, before starting to give her oral. She’s pale, has a French tip manicure, and is quite sexy here. She has a full pubic mound of hair, and Lucas begins to use his fingers and tongue to get through the intiial warming of Taylor’s vagina, including making her cum at the 21 minute mark. She moans, and he continues, and this is one hell of a start to a scene. As far as looks are concerned, Taylor looks like a high end escort, and performs with a certain magnitude that you’d expect from them. Lucas Forst is not a big guy, he doesn’t have a giant penis, and is shaved completely. We get into deep throat here, and while it’s adequate, he seems to be in mechanical mode for the most part. A condom gets put on, and the sex begins, with that robotic push at first, but after a blow job that wasn’t half bad, it’s a welcome point of interest. It almost looks like there are two condoms being put on here, but it’s something that I can’t really qualify as a truth. It just looks that way to me. Taylor moans a great deal, keeps her garters on, and her stockings, as the positions shift from the desk, moving forward. The camera stays close enough, and the movie continues to the eventual cum shot in the face, and that’s that, nothing too complex, nothing too exciting, but rather just status quo for adult cinema in the modern era. I did appreciate the set being more than a warehouse and the dialogue moving the story along, but the rest was somewhat ordinary, for lack of a better term.

We move forward with a fade to black. Stormy Daniels and Asa Akira are having lunch on a balcony overlooking the Hollywood Hills. This is a house that is supposed to be a restaurant, but it really is just a home. Stormy Daniels goes to make a call in the bathroom, and she looks in the mirror, her husband calling her to find out where she is. She returns to the lunch table, and talks to Asa Akira. The two go through some boring dialogue about how if you cheat a lot you’ll get caught. They talk about how Celeste’s husband is dealing with being in a wheel chair and that things are tough.

We fade to black again, and then see Stormy Daniels in a full horse riding suit with Brendon Miller. Miller is a tattooed, hard looking guy, and Stormy looks great in a riding outfit. The two start to kiss a bit, and undress, showing off Stormy’s large breasts, and full figure. She’s blonde, she’s got a large frame, and she is definitely a hot blonde. The clothes come off and Stormy gets eaten out by Brendon Miller, with slow strokes of the tongue, as there is no music playing, and you get that high definition modern porn look into what is going on. Stormy gets on top for sex, and Miller has a condom on, she moves in and out with ease, doing a lot of the work up and down, and around, the two having a bit more than mechanical sex, with some kissing to boot. The two go through various positions, and end up doing well here, with Stormy making it seem like she’s really into the sex, including anal at one point. The anal option isn’t bad, but condoms are still in play. Eventually we get a cum shot into Stormy’s mouth, and she sucks Miller offer after the fact, which is always a fun thing to watch and experience. Stormy here is looking more like Janine because of a tattoo that she has around her pubic area and waist, alongside tattoos in other areas. She definitely is an alt girl here, and the sex, while interesting at times, is formulaic with Stormy just playing the role and not truly showcasing the passion that you’d want from a real sexual experience. Sure, it works, sure Miller cums, but he’s not a big guy, and the two work well enough to make the movie work well moving forward, but it’s just lacking something, and I think it’s passion. There are moments where it is really good, don’t get me wrong, and if you’re a fan of Stormy Daniels, you’ll like how she moves her body for this scene, as there are some great points.

After we see this, we go to a bar. At this bar we see Stormy and Asa talking about how someone’s trying to kill Stormy’s character. She says, that her husband has hired someone to kill her, and so here we go, the plot thickens a bit. Asa Akira goes over to the hitman that is sitting at the corner of the bar. Akira starts talking about how she thinks he’s Michael, and said that if he was Michael she was going to have sex with him.

Outside, we see Stormy and a random dude, and unfortunately her car has broken down. She agrees to go with him to a hotel. Meanwhile on the other side of the parking lot is Asa Akira, and she is in all black, talking to the hitman, and making out on a car.

Asa Akira is an asian woman with black hair, slim, and has large breasts, she gets her breasts exposed during the make out session, then Marcus London takes his pants off as she crouches down. It’s dark, but you can see he gets hard right away, and Akira starts to suck him off, going as hard as she can as he groans a bit. Akira continues to do this as the camera gets close and then pulls away, showing off Akira’s skill here. She’s quite enthusiastic overall, and really puts on a show until London cums in her face, and ends the scene. I guess he wasn’t the hitman after all?

The scene resets and we see Celeste, played by Stormy and the real hitman get behind closed doors. There’s a slight fade to black, before we see the guy poor some Woodford Reserve or Gentleman Jack, and the two start to drink. They sip whiskey, neat, and just look to be getting ready to get a little more comfortable. A donnybrook breaks out, and the two start to fight a bit, and there’s some sexual tension, before Celeste gets the better of the dude, and she chokes him out with a painting. After some time, she gives the guy a triangle choke hold before grabbing a vase and shattering it over his head. She knocks the dude out, and leaves him alone in the room.

The scene fades to black and we are taken to another room, this time it’s daylight and there are two people making out.

Kimber Woods has small breasts, black hair, and looks to be having a lot of fun with Michael Vegas. Vegas takes her top off and then starts to use his hands to please her, before taking off her pants and giving her more pleasure. The set here looks like a trailer park, with a green couch, and a random setup. This is an odd turn, but the sex is actually better than the rest of the movie. Vegas has a condom on, and he really goes far with Kimber, including nearly making her squirt at one point. This is the best sex scene in the movie, and by the time Vegas cums, it’s definitely warranted after the work he puts in to make Kimber moan and nearly scream at some point. Kimber is a nice girl, pretty, and wears heels for this, so if you’re a fan, you’ll love the sexual chemistry that Vegas and Kimber bring out together.

After the sex, we see Stormy Daniels show up, and pay off a woman to help with killing off her husband, at least that’s what we seem to be getting here. The scene ends and we see Celeste pointing a gun in the face of her husband. This last scene goes forward with finishing off the plot, and it involves a great deal of dialogue. After some time explaining, Celeste shoots her husband and away we go, the end.

I give “Vendetta” a 3 out of 5.

While I appreciate the cinematography, and attempts at better acting, I can only say that the sex isn’t that good. Stormy Daniels can write, act, ride horses, and make a good modern porno. It’s modern, it has a story that’s somewhat compelling, and it features enough sexual gusto to make it somewhat entertaining for a pornographic movie. Daniels is beautiful, I like her voice too, but in terms of sex, I can’t really recommend this one more than 3 out of 5. There are two stand out scenes in terms of sex, and the rest is story and somewhat mechanical. However, if you’re a fan of Stormy Daniels, and you like to see her in action, then you’ll want to check this one out for sure, it’s modern and it’s high budget.

John Leslie's Night Shift Nurses (1987) Review

John Leslie's Nightshift Nurses

Today, we go back to a topic that is near and dear to my heart. We talk about porno and nurses, and the original elements that made me raise an eyebrow when I was going through puberty. There’s something about nurses and sex, even to this day, and while the uniforms are all different now, I still think fondly of them for various reasons. Today we are going back to 1987, for a movie about some hard working medical staff, and the men they help. This movie is called “Night Shift Nurses” and it’s from 1987. The movie stars Dana Dylan, Lynn Franciss, Joey Silvera, D.J. Cone, Steve Henessey, Keisha, Jose Duval, John Leslie, Siobhan Hunter, Peter North, Bionca, and Lois Ayres. Some of these names you know, and some of them will be new, as they weren’t that famous, but hey, it’s 1987, and the VHS revolution was just gaining steam in the adult video world, so you probably didn’t buy this one, you rented it. Directed by John Leslie, “Night Shift Nurses” is another one of those nurse movies your dad probably hid on betamax.

The beginning of this movie is not pornographic. It shows a janitor mopping a floor, very much like you would expect from a horror movie. The camera is low, and you see a man mopping, and that’s it. There’s nothing sensual, nothing extreme, just a man mopping the floor, and just doing his job. There’s film grain here. There’s a nod to cinematography initially, but the lack of cuts and stationary camera, reminds you that this is not Hollywood, outright. I do appreciate the lighting, shadows, and set design, as this is certainly a hallway set, not just a random warehouse, without ceilings.

The opening sequence takes a turn. The janitor looks into a crack in a door way, and sees a doctor and two nurses. They are Dana Dylan, and Lynn Franciss, and the doctor is none other than Joey Silvera. There’s nothing shaved here, Silvera has full pubic hair, and he’s rock hard to start, but he’s not a big guy, as I may have stated before. We have a contrast in women, both slim, medium sized breasts, equally as pretty, one brunette and one blonde, and they kiss, suck, and make sure that Silvera stays in the moment. Meanwhile, the janitor starts to get hard, and puts his hands down his pants, as the camera juxtaposes manual stimulation, with Silvera and the nurses getting into a threesome behind closed doors. The sex starts with Silvera getting sucked off by one nurse, while he kisses another, and that’s enough gusto to get this movie rolling into what it is, a porno. Silvera here is golden, the women do their roles well, and the sex is swift, the editing is fast, and you really end up seeing both the sex, and the solo act all in the same scene, with a mix between the two. The brunette in this one is great, she rides silvera and seems like a natural against the blonde, but both definitely do work with Silvera. Meanwhile, Steve Henessey is outside the doorway masturbating. The trio have sex in a small room, with blue walls, and odd lighting, and yet it has a sexy quality to it that you cannot deny. There is anal around the 3 minute mark, mind you, so if you’re a fan of anal, there’s a few sequences of that.

Meanwhile the janitor is watching, and a nurse comes up on him to look at what he’s doing. The camera shows a very blonde, tall woman, and she just watches the janitor, and he of course looks into the room. While in doggy, the brunette and the janitor lock eyes, and the two have a moment while Silvera continues to anal. Silvera cums on the brunette’s lower back, and the janitor cums while the nurse keeps watching, and that knocks out two scenes in one edit.

The cool thing for me about this movie is that it’s dubbed in Spanish! Score me! I love when porno comes to me dubbed. The blonde from the hallway talks to an admin and he talks about how his staff needs to be up to snuff. The nurses are all busty, have big 1980s hair. The set here looks like a legit hospital, with admin files, overhead lighting, and shadows that you’d expect, but of course, it’s a set. The head nurse said that there is going to be an inspection later today, and that no one is going to lose their job. There’s a good overall plot point here, and that’s something that you’ll definitely note as something interesting. The movie goes to another room, and it’s the janitor cleaning, meanwhile Joey Silvera shows up to talk to him. Silvera says he just operated on a woman and that she had the biggest prostate ever, and the janitor tells him that only men have that. Silvera then talks about how he’s a detective, and that he is watching for changes, and more. Silvera is so natural here, with his bushy hair and mustache, he just exudes porn acting.

After the meeting in the random room, two nurses talk in the main lobby. They talk about how new uniforms were ordered, and they were on the way. Meanwhile, we end up going back to see the janitor cleaning, and inside a closet, when the head doctor comes in and puts on a lab coat. A woman comes into the doctor’s office, and says she has a headache that won’t go away. This is the 12 minute mark mind you, and the doctor looks at a file. The woman here is mature, made up like the late 1980s sitcom women would be, and has large red hair. The doctor makes some jokes, and tries to see what’s going on with the lady. She’s not having it, though, and she seems annoyed by the doctor’s lax methods. The doctor gets a phone call and says he has to go, but will be right back. The janitor comes out of the closet, and the woman grabs him, and pulls his pants down.

For this scene we see D.J. Cone, a redhead that looks a lot like your standard 1980s sitcom mom, and Steve Henessey, she blows Henessey a little, then seems frustrated when the doctor comes back yelling. The doctor comes in and recommends that we look into getting her temperature rectally, and we see him put a thermometer in her butt. The doctor gets a phone call again and says he will be right back. This time, D.J. Cone is nude, and as the janitor comes out of the closet again, he encounters Cone naked, and once again she pulls his pants down and wants to get action. The funky music starts and Cone gets really horny here, as Henessey just gets blown.

The scene cuts and we go to the lobby, and the doctor is yelling and muttering random bs, before we go back to the sex scene. I don’t know why there are edits of this type, but

Cone has full red pubic hair, and Henessey is big, as he goes in deep on the doctor’s table. The shadows here indicate studio lights from where the camera is facing, into the action. You can tell that this is not a real hospital, but a poorly dressed set. After some pumps, the janitor cums and Cone wipes herself up and then puts the thermometer back in her anus, and that’s it. The doctor returns and he starts to talk about what they can do to help her. She gets dressed, smiles, and we move along to the next scenario.

For the next scene we are back in the locker room. We see 4 nurses, all with big 1980s hair, and Joey Silvera sitting on a blue couch. The women are just talking randomly, and saying that they are not going to go anywhere until the inspectors have come through and gone through their work.

Moving forward, we see the blonde head nurse, and a young woman asking for a young man regarding seeing a young man, named Johnson. She claims that she’s his sister, and that she is a nurse. Harry Johnson, is of course the joke here, and the lady wants to do a good deed. She said she’d wait for up to 5 hours for Harry Johnson to get out of surgery.

The scene changes and we see three nurses laughing and giggling in a hallway. They said that they should give a bath to a random guy, and that he’s a fun dude to hang with. The women come through, and we get into a room where you know it’s a set. There’s a makeshift door, a blue wall with a 2 x 4 cross beam in the background. This is a set, you can tell by the way the shots are setup, and the women come in from an outer hallway. The shadows are cast as though there are studio lights overhead and off screen, while a hard camera and director situate themselves away from the action. Immediately, one of the women takes off her white panties, and we start to move forward to what will be the next sex scene. The women approach Peter North, as he is sleeping, and they all talk about what they should do first. One of them suggests that they use their tongue to wake him up. Bionca, Lynn Franciss, and Sheena Horne are the 3 women here, and they each have small breasts, thin frames, and large 1980s hairspray hair. They are straight out of the 1980s with their style, and all are wearing the white nurses uniforms that all nurses wore back in the proverbial day. There are two blondes and two brunettes getting in on the action, and immediately get Peter North hard. The women leave North asleep, and start to make out, and then do themselves while he is asleep. North has an odd penis here, where it flops up towards him, like he was using a penis pump, and it’s not all the way hard, until he starts to rub it and bring it up straight. There’s a terrible rock soundtrack, and the camera moves in front of him stroking, classic North style. The women get naked at this point. Through the shifting of the women’s positions, we get a threesome that is somewhat slow and steady, with North not wearing a condom, and the women taking turns riding him as he wakes up from his coma. The end comes with a Peter North cum blast on two women, and that’s about it. They dubbed the moaning! That’s when I notice they dubbed the freakin moaning! This scene was fast and simple.

Joey Silvera looks like Kurt Vonnegut by the way!

After the fourway sex scene we see Joey Silvera coming through and talking about how his head hurts. He talks about how he is having a hard time dealing with certain things. He then tells the head nurse that he’s on a mission and can’t seem to find the answers. Then goes to the Johnson sister and she talks to him a little.

We then move to the locker room, or break room, so to speak. It’s where the lockers are, and we see Keisha, a busty brunette with too much makeup, and Jose Duval. Duval is a thin, older looking dude, and he immediately jumps into the scene and takes over saying he is the man that wrestles himself, nude, and starts to take his clothing off in front of Keisha. Keisha is wearing a nurses uniform, is somewhat tall, has natural breasts, and without makeup, wouldn’t look so great. The dude is older, Duval is wearing a black thong, and he starts to wrestle himself. Duval is the luckiest man in porno, because this is too funny to me. He tries to wrestle himself, before Keisha starts to rub herself. This is a low point in the movie, as you see that he wrestles himself, and he says that sometimes he loses himself. Keisha asks him if he has ever wrestled a man, and Duval said that he has never wrestled them, but he would totally wrestle her. Keisha starts to suck the old man off, and he has a hard time taking the bra off of his woman, but she continues to suck Duval in a slow, methodical manner. The old man and the woman do it doggy style, and it’s a lackluster scene with a cum shot that is not that great. Duval does not have a big penis, or anything, and the cum blast is short, before the end shows Keisha sucking him off, and then tells hi m that he is very attractive, and then we move forward. That was beyond the lowest of the low in terms of sex. Duval is hairy, skinny, and while Keisha is good here, she’s not great, and just goes through the motions.

We move along and we see a woman praying with Peter North. There’s a prayer that occurs here, with Siobhan Hunter, a tall, red haired woman that claims she is a nun in an order of certain women. She prays a little with Peter North then begins to suck him off, fully clothed, mind you, until John Leslie walks in on them. The terrible music comes in, and Leslie starts to take off her shirt. We see more of Hunter’s body, and she has long red hair, small breasts, and light skin. The music throws me off, as I try to make sense of the room, which is terribly lit this time, with a two camera model that is just bad as the editing moves through several hard cuts. During this sequences, Leslie goes from behind while Peter North gets blown while John Leslie forces Hunter to bite a condom package open, then the camera slows down for her to start having sex with North, without the condom, mind you. We then see the action, and it’s Leslie with a condom going in anal, while North goes in the other side. You get double penetration here, and the condom is so yellow, and so dark, while the sex continues, and the two men have their way with this woman. The finish shows Leslie taking off his condom, then cumming on her backside while holding the condom in the other hand, while the soft keyboard music plays, and then Leslie walks away. While Leslie goes to another bed, North is finished off, but we don’t see a a cum shot, just a hard cut as he says that the nurses are too much.

There’s a hard cut, and we see the head nurse talking to Joey Silvera as he comes through and says that she has stolen all of their uniforms. So we see the head nurse yelling at Silvera, and saying that the nun stole clothing and what not. We then see Silvera in a bath robe run away, and then ask for Linda to come through and help him. out. The movie shows Silvera talking to a nurse and just talking about adoration, and how he wants her to work with him.

We get a long shot, then into the sex, as Joey Silvera and Bionca have sex on the floor of the hospital. Continuity wise this makes little sense, and why would they have sex on the hard floor in a hospital? For goodness sakes, this has only a couple of positions, and back and forth, with Silvera trying to hang on for a short romp. Silvera is rock hard, and goes into Bionca straight way, with her legs up, and him pushing in with bad kissing. Silvera tries to kiss Bionca at the one hour mark, and it shows that she isn’t into kissing, and it throws me off a little. There is a cum shot, and a random teddy bear, yes a teddy bear in a mop bucket watching them.

After that, we end up going forward to the waiting room, where the nurses are talking to the nun. She said that she is not the inspector, and is just a nun and is waiting for her brother. She says that the women are prostitutes, and that they are nothing short of being sluts. That’s it. We then see Silvera and Bionca cuddling and that’s about it.

The last scene shows the janitor and Lois Ayres. Ayres comes into his work area and just says that he needs to be quiet and do her now. Lois Ayres is the head nurse, she’s very blonde. Ayres and Steve Henessey starts to kiss, and we get a terrible view from above. They are supposed to be in a janitor’s closet, but the makeshift walls are obviously fake, and the scene moves fast into a blow job. Lois Ayres bleach blonde hair and white pale skin allows for contrast with Steve’s dark skin. She blows him and the music intensifies, before they start to get into the sex, which isn’t too good, but hey there’s no condom here. The sex is a quicky at best, and it is heavily edited, so you only get a few pumps before Henessey cums and that’s it. It’s at this point that I think Lois Ayres is wearing a wig. The two have sex, it’s quick, and he cums and it’s not romantic at all, but then again, it doesn’t need to be. The camera barely hits penetration, and the dubbing is just so bad here, that I don’t want to see it. It slows down at the cum shot, but you don’t see it, it just slows down, and we get a hard cut.

The camera zooms in and the music starts to get louder, and we get a hard cut back to the lobby and we realize that it’s Henry Johnson not Harry Johnson, but it doesn’t matter. Silvera comes back and says he found the uniforms and then we see everyone laughing. She comes through and says that the inspection is being done by Edwin Justice, and then Duval comes through and said he’s the man that wrestles himself, and that’s it. He gets carted away, the women and the guys look at one another, and says that they all passed the inspection.

I give “Night Shift Nurses” a 2 out of 5.

This is perhaps the worse nurse themed porno movie that I’ve ever seen, and at the same time, I’m attracted to nurse movies, because I love the uniforms. It’s not a terrible movie, but it’s far from good, a 2 out of 5, as it had a good plot, but other than that, I’ll pass on a repeat viewing. But hey, why not check out "Night Shift Nurses" anyway?

What’s Butt Got To Do With It (1993) Review

WHat's Butt Got To Do With It (1993) 

Today we are going to be moving back to 1993 for a movie that was directed by Nic Cream, and has some good production value up front. The movie moves fast, and the story is simple, with production quality that is on the tip of the VHS scale. There is no film grain here, it’s comedically bad, but hey it’s 1993 and this is another movie. The movie we are going to review today is, “What’s Butt Got To Do With It”, and it stars Janet Jacme, Julian St. Jox, Ariel Daye, Tina Tyler, Lyndon Johnson, Ron Jeremy, Persia, Diana Knight, Dave Hardman, and Dick Nasty. These are not exactly all amazing names in the industry, but hey, they are in this movie from 1993, and we are going forward fast.

The movie starts with the credits, then we see a woman at a microphone about to sing. Her producer comes in and says that she’s singing wrong and that she’s stupid. He then goes off screen, and music comes through. We see things stop, and a large breasted blonde woman gets up and goes off screen. Then we see the singer and another woman talk, and the two discuss how the music world is so tough unless you give up something.

There’s a hard cut, and we see random women dancing around, and just shaking it. The sets here are real, the shadows point to that. They are not warehouse sets, this is someone’s apartment or house somewhere in the valley of southern California. The women dance for their producers, I’m assuming, and that’s about it. There is a lot of back and forth between the scenarios, and ultimately we end up with a Arsenio Hall looking dude, and an asian woman. Then there’s a random moment where it’s no longer the asian woman, it’s a short hair blonde. I’m not sure what the director was going for here, but eventually we see what I assume is Janet Jacme and Julian St. Jox having sex. This shifting camera angles and random moments, is just odd to me, but the sex starts and that’s ok. The two go through a few positions, both African Americans, and the lighting is terrible here. We get a couple of positions before Jox cumus, this involves anal at one point, and Janet swallows, and that’s the end of this scene.

After the scene ends, we get sent to a scene where a lady wants to be with her man in bed. He is writing, and he says, leave me alone, I’m trying to write. She tries to engage, and he’s not having it. The scene is very dark, the camera is very close, and shaky, and the lighting is horrendous here.

The camera switches and we are sent to a porn set, with hard lighting coming from the 4th wall, and shadows being cast all over. THere’s a dark green couch, and two brunettes kissing and taking off their dresses, while an African American woman starts to play with herself. This thruway features Ariel Daye, Persia, and Tina Tyler. The scene features oral, scissoring, masturbation, and lots of kissing. It’s slow moving, there’s not a lot of moaning, and it’s kind of boring if you ask me. I think these women may not be bisexual, as the performance leaves a lot to be desired.

We move to an outside scene and two women are talking. Apparently one lady is getting abused, and her man is cheating on her. She said she just needs to do one more album and things will be good. We then move to another scene.

This scene shows Ron Jeremy talking to the record producer, and he says that he wants to record an album with Spike and the Tina Turner impersonator, of sorts. Remember this is a parody of the Tina Turner story. The two argue, and then the producer tells his maid to suck on his friend, Ron Jeremy.

Lynden Johnson is a tall blonde woman with large breasts, and she takes out Ron Jeremy’s member to suck on it and that cues the music. The bass heavy music is horrible, the lighting here is again bad, but the set is a real house. This is not a warehouse set, this is someone’s house, so the lighting is a lot better, and the set dressings are also very good. Jeremy is not as fat as he is now, and he is ready for action as soon as Johnson starts to grab at his penis. Jeremy is killer with the one liners, and here is a good example of what a great performer he has been in the past, and well maybe in the present as well. He gets sucked off well by Johnson, whom I’ve never seen before in movies. “Must be from the virgin islands”, Jeremy quips, as he gets sucked off from Johnson. The sex is fine, she doesn’t moan a lot, and Jeremy spouts one liners as he has sex, and it’s not horrible, but the two lack chemistry, and it shows. Eventually he cuts on her face, and we see the end, and hard cut to a new scene.

We move to a patio party where all the industry insiders are hanging out, and then move to the inside of the house, and it’s our main character and Spike talking about leaving. She’s packing a bag, the outside is just talking, and things are going down on the inside. He says she cant leave and he owns her, and then we get a hard cut to the outside. Outside two women talk about how life is just stuck in a repeating pattern.




We then move to see Persia and Julian St. Jox talking, and while the ebony woman dances, the music kicks in and we get into a new sex scene. This time around it’s not bad, but it lacks that chemistry that you would expect from two people that actually want to have sex. This is a mechanical movement, and Persia is hot, but Julian St. Jox can’t wait to do anal, before he cums, and so you see that rush into sex, and that’s that. It’s not great, it’s not good, and well, it works. This is a warehouse setting, and the lighting sucks again, the music is lackluster, and the film grain just doesn’t work. This is duct taped together for sure.

After the scene, we get to another sequence where the main character wants to leave and she’s ready to go. But out comes two guys from the FBI and they flash their badges and say that our main character needs to come with them. She pleads her case, and she gets on her knees, and starts to get in on the blow job action. Diana Knight here gets into the sex, she blows Dave Hardman and Dick Nasty, and it’s not that good, but hey, she’s doing her job. This is done at someone’s house in a garage somewhere, and it’s lackluster, but it works in a pinch. There’s no DP here, it’s just threesome in the garage, before the film cuts out for me. Maybe there’s a resolution, but by the time I finish this thing, I’m ready for another drink and want to give up on it all.

I give “What’s Butt Got To Do With It” a 1 out of 5.

This is perhaps the worst movie I’ve reviewed thus far. Not even Ron Jeremy’s classic acting could save this picture. It’s horrendous, but hey, that’s just one man’s opinion.

Private Penthouse 3: Dangerous Things (2000) Review

Private Penthouse 3: Dangerous Things (2000) 

We are back, and this time we are venturing to the year 2000. It’s here that we are going to be discussing a movie that was released by the studio, Private. They released a movie directed by Antonio Adamo, and stars some known and unknown talent. The people that star in this movie include Silvia Saint, David Perry, Lea De Mae, Carmen Santana, Franco Roccaforte, Nacho Vidal, Christina Bella, and Katja Love. There’s an unknown male thrown into the mix as well, but overall, this movie is an amalgamation of different scenes. The movie is also referred to as “Dangerous Things” so you may see it out there under that name. If you’re a fan of Silvia Saint, then you know what to expect for a lot of this, but overall, there’s an interesting sewn together theme for this movie.

I was expecting the movie to have more of a plot, but as the 2 minute mark approached, I realized that this was a dreaded, gonzo movie. I hate gonzo pictures, but I know that it’s part of the industry as a whole, so in that regard, what do I have to lose in reviewing this? Readers? There’s not a ton of those here anyways. So here we go.

The opening scene features Sylvia Saint and David Perry in an office. They are both dressed well, and there’s great lighting here. The lighting resource is great because this is a set that is not in a warehouse, they legitimately got a set to film in, and it looks great. The camera and sound design are professional as well, with a nod to 35mm at times, making it look like a “film” not just another gonzo picture. For that, I give them credit. Sylvia Saint is a blonde, thin, red lipped star, and she has medium sized breasts, and a lovely face. Saint and Perry start to kiss, and the music kicks on, soft, and passionately, the two get to the motions of sex quickly. The two have sex in an office setting, and Saint doesn’t moan much. It’s robotic overall, and while Perry is hard throughout, Saint throws me off because she keeps looking at the camera, her bright eyes telling you that she’s at work, and well, it’s fine. After some changes in the positions, Perry cues on her face, and that’s the end of the scene. It’s not a great scene, not a lot of passion, but it’s functional, which is sometimes all you can ask for.

After the Saint scene, we end up going forward to a new locale. This new option features Lea De Mae and David Perry in a new room. The room is well lit, with lighting that is high up, and quite good overall. There’s no story here, it’s just kissing, fully clothed, another blonde and David Perry. Lea De Mae is pretty, a blonde with skinny frame, and nice face. Like Saint, only taller, but still looking good. David Perry and Lea De Mae start to kiss, and get to the sex quickly. The music prevents you from hearing the moaning. I hate that. This was a bit of sterility overall. David Perry does well here to have sex with Lea De Mae, she wears black heels, and wow, she’s pretty. Perry and De Mae have sex until Perry cums on her face, with a blow job ending, and that’s it. It’s the end.

Next up, we see an interesting point of story line with Sylvia Saint in an office answering her phone and talking. We are supposed to get a story, but the dubbing is so bad here, that I can’t really understand what she is saying here. The movie continues and we see Sylvia signing books. Saint talks about how she wants to have a vacation, and ends up at her desk, trying to write a novel. We see that she is a writer, and she talks about how hard it is to write a novel, and how badly she wants a man.

The scene cuts and we end up seeing Sylvia Saint nude at her desk. This seems like a warehouse set, and she simply starts to masturbate. If you’re a fan of solo, masturbation scenes, then you’ll like this one. Saint is shaved, has light skin, French tipped nails, and skin like milk, soft, and pretty. Sylvia Saint masturbates for the camera, and that’s all you get here.

After this scenario, Saint calls a bearded man, and talks about taking a meeting. She then is shown at an office set. You can tell it’s a set because the lighting and shadows hit from the outside not at angles. Saint looks like a doll here, dressed up, and using a giant cell phone at one point. Her bright eyes taking over the scene, and you really wonder if she’s a porno star. She has that interesting, blonde hair look that really doesn’t seem to fit the motif of porno stars. This is 2000, mind you. The scene shifts and we see Saint driving around in a jeep, and she meets up with Nacho Vidal. Nacho is just randomly in a parking lot, and we see her pick him up.

She drops off Nacho, and then goes back to an office. It’s in her office that she starts to think about masturbating again, and the camera shifts to her nude, on a couch, and pleasing herself overall. Sylvia Saint masturbates for the camera, and that’s it here, a slow moving solo scene, that is shot like a Playboy video rather than hardcore, although you see it all.

Moving along, Saint shows up at a tiki bar set, and she is drinking. She’s all dolled up, has the brightest green eyes, and has a small white dress on. She meets up with a couple and they invite her to drink and party.

The sequence immediately shifts. We see a juxtaposition of black and white scenes, and Carmen Santana with Sylvia Saint starting to disrobe. Santana is an African American woman, and Sylvia Saint is there with her, as they start to please Nacho Vidal, Franco Roccaforte, and another man. This is artsy, slow moving, you don’t hear a lot of the bumping and grinding, and the camera shifts wildly many times. The ending showcases several cum shots, but it’s very much trying too hard to be “artsy” for no reason, when the viewer may want just hardcore. The scene does start with Saint and Santana blowing their male performers, but it’s not with passion, it’s slowed down, it’s just average at best, and while there’s no condoms, it’s just not what you’d expect from a hardcore scene.

This all ends, and we see Saint talking to the bearded stranger, and then we fade to her on a bed, with a purple underwear set, all alone, and thinking about the dude, and the overall options she has for her book. Remember, the plot of this movie started with Saint as a writer that was having trouble figuring out her next story, and so she’s on an adventure of sorts. She sits up in her bed, and starts to think about the bigger picture, and we get a dream sequence. Mind you, this is only 52 minutes into the movie.

Saint goes to sleep, and she dreams of a cave. The camera goes down the cavern, and there we see Chrstina Bella and Franco Roccaforte in a ritual sex position. It’s artistic, it’s simple, and it lacks passion, but it’s an interesting visual. Roccaforte starts by going into Bella bareback, the juxtaposition of skin, and costumes is great, if you’re a fan of interracial sex. Bella is thin, has small breasts, slightly shaved, has long black hair, and Roccaforte is a machine, mechanical in his pushing, and wears a mask. There’s anal at one point, and after a while, Christina Bella blows Roccaforte for the ending, and while she doesn’t do deep throat, it’s sensual enough to attract most. There’s a facial and we finish the scene, and that’s it.

After this sequence, we fade to a boat. A sail boat at sea is what’s next and we see 4 people hanging out, just looking good for the camera, before we separate. After some views, we see Sylvia Saint and Nacho Vidal kissing and getting to know one another. This starts with Saint looking at the camera, and taking off her clothes, while Nacho worships her butt to begin. Saint starts to blow Nacho, and there’s a juxtaposition where we see Lea De Mae and Franco Roccaforte on another side of the boat. This sequence is a back and forth blow job between the individuals. It’s not bad, it’s just overly dramatic, with music, and outdoor lighting that is just boring. You don’t hear it, you see things slowed down a bit, and it’s artsy, but not necessarily good. As an art house film, this works for sure. The slow motion sex stuff really throws me off, and while it’s hardcore, and the women seem to be doing their thing, the guys are robots here, and the movie lacks that “it” factor. There are some cum shots shown, and they fade into another scene.

After the scene fades, we see Sylvia Saint sitting on a couch. She is wearing a dress, has her hair slicked back, and has heels. She talks on a cell phone and the story continues to work through the motions.

We move into a scene where Nacho Vidal and Sylvia Saint have sex on a beach. Saint is fully shaved here, Nacho is shaved, and he just goes into Saint slowly, and the camera pans, shows the “art” of the film, and tries very hard to create an interesting focal point. Several positions change here, and Saint looks at the camera while Nacho gets to work, at one point just pushing through and trying not to cum, before he eventually can’t hold on. The scene ends with Saint masturbating and blowing Nacho, to finish. The lightning here is great since its outdoor, Saint doesn’t swallow, however, her eyes are so compelling that you don’t even realize that she’s blowing Nacho at one point. The director decided to slow down and speed up the scene, and that sucked, I couldn’t stand that, but hey I’m not the director.

After all of this goes down, we end up seeing a club scene. This is a set of course, and here we see Katja Love, David Perry, and Leslie Taylor all working into the sex. We start with blow jobs on every guy, with one dude barely getting hard, then we go immediately forward to the sex on a dance floor. This is an interesting sex romp, as we see musicians playing int he background. This is a sterile sex scene again, and while Katja Love, and Leslie Taylor are pretty, thin, and have long hair, the dudes seem uninterested at several points. Isabella, Lea De Mae, Sandra Kay, Alberto Rey, Franco Roccaforte, and Nick Lang join in at the end, and this is all done without condoms, with a focus on the music, and changeover overall. The musicians in the background look board, and it’s funny to see them get mixed up in this, not knowing what they signed up for. After some time, we see the men and women finish, with cum shots here and there, and a finish with the bearded guy smoking, while Sylvia Saint wakes up from her dream.

That’s the end. After all of that, we see Sylvia Saint having some quick memories before the movie ends without much of a bang. The ending shows a random dude playing piano, artsy, and weird, and that’s it. He looks at the camera and smiles a little, Saint wakes up from a nightmare, and that’s that. The end.

I give “Dangerous Things” a 2 out of 5.

Sure, you could technically get off to this movie, but the artsy elements make you wish this was a better film. The grain at the start shifts, to a low quality element towards the last scenes, and the story makes no sense. I guess I expected more from a Sylvia Saint movie, but at the end of the day, it’s hardcore, it’s artsy, and well, it works ok enough.

Sweet Stuff (1991) Review

Sweet Stuff (1991) Box Cover

Today we are going back to 1991. This was a few ways back to something we don’t often review, a movie that stars a dead porn star. Oh, we do review those movies often. Well, here we are, this time we are focusing on the movie that was distributed by Venus 99. The movie is called “Sweet Stuff” and it was directed by Rex Cabo, he was listed as Hy Lancewood. The movie stars a few notable faces, including some that are synonymous with porno by this point and beyond. The movie stars, Cathy Collins, Jake Steed, Kylie Channel, Kym Wilde, Leanna Foxx, Ron Jeremy, Savannah, Tom Chapman, and TT Boy. I’m a fan of a few of these people, but the main focal point of the marketing, and the movie itself is going to be focused on Savannah, even if she’s not in a lot of the movie. Whatever the case may be, we are going to dive into “Sweet Stuff” from 1991.

The movie opens with someone getting oral, but I can’t really tell who they are. The credits roll on top of the sequence, and we begin the slow process of introducing everyone from the stars to the directors, music, and more. This is a simple, slow, and easy to follow through starting point. From there, we end up looking at Ron Jeremy talking to Kylie Channel. They have their clothes off already, and we know that the movie is going to be moving forward with sex, right? Of course!

Ron Jeremy isn’t nearly as fat as he is now, and he is talking to Kylie Channel here. They are talking about random things, nothing in particular, no major script. Jeremy is great with improve, and he’s got some shorts on while Channel is looking at him. She has light skin, long black curly hair, and is wearing a tight black dress. Jeremy is the Hedgehog, and is full hedgehog here, and the moves fast. He starts kissing Channel, feeling her up, and away we go, it’s time for the music, and it comes in. The set is a warehouse, couch setting, and it’s mechanical to start. Jeremy watches Channel dance a little, and you can see the shadows from the studio lights shining through. The sex begins, and we see some movement from both sides, including a steady blow job sequence, and Jeremy’s facial expressions leading the way. Channel moans a little, they switch through oral, and into straight sex, and it’s not bad, but not great either. Jeremy holds on for the most part, and Channel does a great deal of the work. After doggy style, it appears that Jeremy gets winded, and cuts on Channels’ butt and back and that’s the end of the sequence.

We move to the next scene, and it’s not story driven. It’s Savannah sitting on a couch, and Tom Chapman. Savannah is not shaved, but she smiles at some points through this, and Chapman is not a large guy. To say that the sex is boring is an understatement. The two go through the motions, but it’s lackluster on all levels, and it’s sad to see such an icon going through the pay check mode of porn. I guess that’s the breaks, right? The lighting is good, the warehouse den setting is good, but overall, it’s a lackluster scene with the beautiful Savannah looking good as usual, and chapman trying his best not to cum too fast. Nothing too fast here, slow moving, a few positions, Savannah wears a pair of white boots, and we get to the finish line with a cum shot on her pubic mound, and that’s it. She’s not into this at all. I’m not sure why so many are so hung up on her.

We move along, and we see Kym Wilde, a brunette with large breasts sucking off Jake Steed. He’s got a large one, and Wilde seems eager to get things started, and that’s where we see a moment of clarity for this movie. The rest of the scenes are mediocre at best, but this one, starts to work well as Wilde gets forward moving for a blow job. Now, the setting is an average bedroom, lighting from the flood lights of studios, and a bed that is an obvious set, not a real home. It’s 1991 afterall, right? For such a large guy, Steed has boring sex, and Wilde doesn’t moan a lot, though the two have a slight bit of chemistry together. After some sideway sex, Steed can’t hold on, and he cuts onto Wilde’s pubic region, which is not shaved completely. The lights dim, and we are rushed to the next scene. This had promise at first, but like many first time porno stars, the load is blown too early. Wilde looks good, but in this scene, she’s wasted for the camera. I liked the attempt at 69 at one point though, always fun.

The scenes switch up and we see a random warehouse set with a couple of couches. Here we see Cathy Colllins and Kym Wilde standing and arguing about who gets to be with TT Boy. They pull down his pants and start to get to work to get him hard. TT Boy is not hard at all for the first few moments, and it is a bit odd to see. However, Kym Wilde really gets to work here, with a stellar blow job to get him up and at attention. Cathy Collins is a thin haired, red haired woman, and of course we’ve seen Wilde in this movie already. This thruway is one of the best parts of the movie, so if you’re looking for an exciting run down, this is going to be the scene to scout out. The sex is strong, TT Boy goes within both women, no condom, and just does his thing, on a white couch. THere’s a lot of moaning, and a lot of terrible rock music in the background. The way the camera works and the lighting here just screams warehouse set, but that doesn’t matter that much, as the three really do a lot to make this scene work. Honestly, they have a lot of chemistry, and it’s a great sequence of sex. Eventually, TT boy cuts on Collins’ back, and that’s it. This was a performance of epic proportions if you ask me, TT Boy delivers again.

The final scene is Kym Wilde and Leanna Foxxx in a lesbian scene. There’s some soft piano jazz music, and nothing too crazy here. I didn’t hate it, but I didn’t like it that much either. Foxx has very large breasts, black hair, and moans a great deal. The novelty jazz music threw me off, and honestly, I couldn’t imagine watching this further, but alas, I went forward cause it’s my job. There’s a 1980s music point, where dildos come out, and then we see the two women get into it with vibrators, and well that’s that. The movie ends there. The music is stellar though.

I give “Sweet Stuff” a 2 out of 5.

The best part of this movie is definitely TT Boy’s epic performance. He steals the show going through two women, and making sure each one had a lot of attention. That impressive option is definitely a great push forward. Other than that, Savannah fans will like her boy girl scene, but It wasn’t for me. This movie was basically a gonzo flick.

The Many Faces of PJ Sparxx (1995) Review

The Many Faces of PJ Sparxx (1995) DVD Cover

Today we are going back to the 1990s. This time around we are going to be looking at a movie from Wicked Pictures and directed by Fred Lincoln. I have no doubt that this was one of the many movies that I saw on the Spice Network, when I was a teenager. The movie is from 1995, and it features a cast of performers you may know very well. The cast includes, Stephanie Swift, Vince Vouyer, PJ Sparxx, Colt Steel, Anna Malle, Hank Armstrong, Roxanne Hall, John Decker, Tyler Sweet, and Ruby. These are main players in the world of adult cinema at the time, and if you are familiar with 1990s porno, then you know these people already. This movie was released in 1995, and was distributed by Wicked Pictures, and the production value shows that from the starting line, only to get moving forward to a movie that has 5 scenes. So let’s go to the 1990s and see how this all plays out, in the movie, “The Many Faces of PJ Sparxx”.

The movie starts with a party scene, and in this scene we see Vince Vouyer dancing a bit. He is a stripper, and at the 5 minute mark, we realize that this is a porno, because he takes his underwear down, and Stephanie Swift is there to service him.

Stephanie Swift begins the scene with a blow job on Vince Vouyer, and her technique is grand. The brunette star has changed in recent years, as she’s now an advocate against sex abuse, and porn, but here she is performing at her prime with Vouyer in a toned, shaven state. The music is a classical mix of new wave jazz, and bass sounds. The set is a warehouse somewhere in porn valley, and honestly, it’s like any other den or living room scene, with a light colored couch, made of leather, and lighting that hides the boom mic here and there. The lighting is fine, the overall sequence is good, and if you’re a fan of Swift, you’ll love the length of her blow job for this sex starting point. A condom gets put on, and we see Swift start with cowgirl, facing Vouyer directly on the couch, and bouncing slowly until she starts to moan. There’s a good editing quality here, as the camera moves through various angles, all with a nice shadow of lighting from the perspective of where the director and cameras are. The two go through different positions, but eventually Vouyer can’t hold on, takes off the condom, and cums on Swift’s face. It goes up her nose at one point, and she stays in the scene, eyes closed, and that’s it. She blows him upside down at one point, and that makes this a stellar opener, even if the keyboard and guitar work takes me out of the show.

The movie moves forward, and we see P.J Sparxx asleep on the same couch. In comes John Decker in a suit and tie. The movie then goes forward to set up a simple plot, where Decker is not satisfied with his sex life. He talks to a girl, then we are taken to a bedroom set, very much a standard set that I’ve seen from Wicked Pictures. PJ Sparxx is in latex now, and talks to Armstrong about getting kinky. John Decker says, no. So then she goes to the kitchen and starts to write a letter to someone she wants, of course, not John Decker. This is a kitchen set, and it looks semi-real here, so maybe it’s not just a warehouse somewhere. She seems an envelope and sends it away, and that’s that.

After some time we see Sparxx in an office, and in walks Colt Steel. She says that she wants some action, and throws herself at Steel. He obliges, and starts to undress. This is in an office, and we see PJ Sparxx full body here. She’s thin, has large breasts, is blonde, and tan. She has a great body for the 1990s porn world, and Steel is cut out of, well, steel. He looks like he should be on the cover of a romance novel. Sparxx opens up her blouse to reveal her large breasts and steel immediately goes to sucking on them, and we venture into foreplay. The music here is all bass and some jazz notes, but mostly synth and bass heavy moments of jazz. Sparxx starts things off with a blow job, before Steel gets to give her oral. She’s shaven for the most part, with a slight amount of hair on her pubic mound, and the show continues with some nice oral close ups. The sex is tame, all things considered. Sparxx has black heels on, and she’s really loud during this one, as Steel goes through the motions of protected sex while she masturbates at the same time. She has such a loud, high pitched moan that it becomes a little annoying. Steel is concentrating, not passionate, robotic, and the lighting here throws a lot of shadows into the mix. There’s minimal passion here, and a little less chemistry between the two. Sparxx is glassy eyed at the 30 minute mark, and it just seems forced at times, almost like when hiring an escort and it’s just not that grand. She bends over at one point, and they go doggy style for a minute or two before Steel has to cum and lets go on her butt. Visually this is an ok scene, but it lacks the passion that the first scene had, so it is a diminished scene. Plus, Steel is more muscle than penis, so if you’re expect a hung guy, he’s not that big. At least not in comparison to his muscles, so there’s that.

The scene ends, and we are taken back to the house where we see Sparxx in a wig just talking, and what not. There’s a little bit of attention given to the scene, with talking, and then we are taken to another set. This time it’s a living room, and there’s a studio light in the left hand corner in full view! Oh man, there’s also a gear bag left under the foyer, and you see a full display of lighting left to be seen. Now, while Anna Malle is in one area, we see PJ Sparxx making a salad, and then a door bell that keeps ringing and ringing. Anna Malle is a hot woman, by the way, she passed away due to an auto accident from what I heard. But she’s tan, has large breasts, and is quite hot. I’ve always liked her enthusiasm, and in this one, she opens the door, and in comes Hank Armstrong to kiss her and the two passionately begin. All the while Pj Sparxx is making a salad, then she walks in on the two, and just looks on, with a smirk.

Anna Malle takes her panties off with the help from Hank Armstrong, then gets fingered to start the scene. She has her signature tan lines, and mostly shaved pubic region, and the two begin against a wall. The rock music in this scene is horrible, and takes me out of the scene right away. The light is hilarious on the left, and it casts some serious shadows where it shouldn’t be. The living room has a floral couch, white walls, and Armstrong goes down to oral right away. I should note that Anna Malle has her own panties in her mouth as she moans at what Armstrong is doing, although very calculated, and somewhat robotic. She eventually gets on her knees and blows Armstrong, and it’s the best one I’ve seen in a while. Anna Malle always seemed to enjoy this sort of thing, and she’s been in documentaries saying such things. There’s no condom here, and Anna Mall goes for doggy style on a floral couch, and she doesn’t seem to be enjoying it that much. She says a few dirty things, and Armstrong does his job, but it’s pretty much a robotic sexual transaction. It is also blown out with light, and the two just don’t seem to connect like I would expect. The director probably fell asleep at one point. Towards the 45 minute mark, we see anal start, and if you look at Anna Malle’s eyes and her direction she is looking for cues from the director, and it’s awful. It’s the most robotic sex scene I’ve seen in a long time. These two have no chemistry, and it’s just purely sexual. After some anal, Armstrong cums on Malle’s butt, then goes back into her, and she talks nasty, but geez, she’s not enthused here, and it truly is nothing short of transactional, like an escort, even with the final kisses. This is perhaps one of the worst modern sex scenes I’ve seen in terms of passion or lack of it.

We move along. We see John Decker hanging out in a bedroom and Roxanne Hall is dancing. Decker watches Hall undress, and she’s a somewhat tall, skinny, all natural young woman. Decker is in his underwear and in a bedroom set. He talks about how he got fired because his wife cheated with his boss, Roxanne Hall plays an escort, and wants to help Decker relax a little. So she begins with a blow job. Roxanne Hall gets oral John Decker, in a random bedroom, with green comforters and shadows all around as the lighting is coming from various sources. The shadows here are tough. At around 55 minutes, the two do 69, which is always a cool little spot, and the two seem to go through the motions in this scene. At the 58 minute mark, we go straight for anal, and there’s no condom. If you’re a fan of anal, you’ll like this one, as at one point Hall even screams, “John”, which is the actor’s real name. As for Decker, he does adequately here, hard, and penetrating anal, with some lube, and no condom. It’s only anal here, nothing big, and eventually Hall gets a facial, and that’s it. This is a good scene, with bad music, and interesting lighting, but Decker seems to have to hold onto his erection with his hand, and eventually just cums on Hall’s face, and mouth and that’s that. It’s ok, at best.

The final scene features three women on a hammock. They have toys, it’s got an upbeat jazzy tune, and it features PJ Sparxx, Tyler Sweet, and Ruby. This has natural light, and lots of it, as they are outdoors, and it is mostly just oral and toys. Nothing big here, just two blondes and a redhead. It’s perhaps one of the more boring scenes as the sound design takes a major dip here, and you barely here the moaning. The music is put on blast here, and the women seem ok with what they are doing, and seem to moan a bit, with toys etc. It’s a lengthy threeway lesbian scene, but it’s far from “great”. The scene ends with Decker walking in on the threesome, and shaking his head.

I give “The Many Faces of PJ Sparxx” a 2 out of 5.

One great scene doesn’t make for a stellar porno, and that’s all you really get for this one if you ask me. Now, as I always say, I’m just one man with one opinion. If you’re a fan of Sparxx, then you may love this one, and of course, if you’re a fan of Stephanie Swift, you’ll love the opening sequences. She does well in it.

You can purchase “The Many Faces of PJ Sparxx” by clicking here, or streaming it at the same site.

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