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| Blue Matrix (2001) Cover |
The movie opens up with Salina del Ray walking into a mansion. She then starts to pleasure herself. This is a blonde haired, enhanced woman with a tattoo on her arm. This is supposed to be sensual, and while it kind of is, it’s also a bit forced, and when you see this movie, you’ll know what I mean. She has a modelesque look, and pleasures herself on a red couch until her male partner shows up. Billy Glide shows up and he is absolutely ripped, and he starts to have sex with del Ray. You don’t see Glide putting on a condom, but he has one, and he goes to town here. It’s a very mechanical scene to start, and while it gets a little better over time, it’s very much sterile at times. The music is a jazzy number, and it’s not too bad, but it’s far from sexy for me, as Glide seems to be too concerned with mechanics than chemistry. There’s only a couple of positions here, but towards the 17 minute mark, Billy Glide really goes to town and eventually cums on del Ray’s breasts. She moans and screams at one point, but the scene ends quickly. After Billy Glide cums del Ray literally disappears. Leaving Glide alone and wondering where she went. If you’re a fan of Mighty Mighty Bosstones you may cue “Where’d You Go” about here.
The movie then transitions into what appears to be a backstage studio, where science and government meet. But that’s short lived after Glide calls in to ask a few questions. The agents then look at an experimental sex scene, with a set change, and it’s Ginger Paige and Jack Hammer. Jack Hammer has a sleeve on his arms, and I’m not sure why. Paige has skin tone stockings, meanwhile two agents watch the couple having sex.
Ginger Paige and Jack Hammer begin with fingering, and it’s not half bad. But it’s obviously forced, as you’ll find that Paige’s performance is somewhat directed. You’ll know it when you see it. Over the course of the scene, you get through some sex, with a blow job, then covered sex, and a little more passion through the second half of the scene. Not a sexy scene if you ask me, but the music isn’t half bad, and while this is functional, the set is interesting, and the idea of a top-secret government project is also interesting to me. There’s a “mechanical” and “business” focus here. Jack Hammer goes slow for a lot of it, and he really just tries to keep pace while Paige stimulates her clitoris during penetration. The two don’t seem to have much chemistry, but this is a functional scene that pushes the storyline a bit. As the agents watch on, Jack Hammer eventually starts to really pump and then cums on Paige’s stomach.
The next scene is transitioned with the stars in the sky, then a dancing girl from the beginning of the movie. A woman shows up and seems to have discovered a new universe, or a “matrix” and that leads to a scene featuring Alexandra Silk and Ian Daniels. This is very much like the movie “The Matrix” in how the motif is. While the two performers have mechanical, robotic sex, Jill Kelly shows up. Jill Kelly watches and masturbates as the two performers have safe sex with condoms. Don’t get me wrong, there’s nothing wrong with this at all, but it should be noted for those that really care. Alexandra Silk gets anal in this scene, and Daniels never takes off his glasses, because he’s in the “Matrix”, and he’s not going to let his cool guy card drop. I know Alexandra Silk is a famous actress, but she’s not that great to me, at least not in this scene. The director keeps panning to a somewhat bored Jill Kelly masturbating, but it’s an overtly simple scene, with a great set. The set and the costumes are interesting, but the majority of the scene isn’t that grand. This is very much an “artsy” type of porno scene. It didn’t really entice me at all, but I’m sure it’s a visually interesting scene for those that aren’t used to it. If you’re used to gonzo porno scenes, then you’ll hate this. However, Ian Daniels does have a nice money shot on Silk’s butt, which was cool.
Don’t want to read the rest of the review? I don’t blame you, these things get long. You could always buy Jill Kelly scenes on DVD or you could stream it by clicking here. Heck, you can see a scene for free with 15 minutes of free minutes if you stream in HD.
Up next, a simple transition gets to another experimental scene, only this time there’s a lot more industrial, alternative music to boot. This scene features Tina Tyler, Evan Stone, and Herschel Savage in a threesome. However, this is not a sexual one, or at least not in the traditional sense. This is just a scene where the two guys get hand jobs and masturbate until they are finished. It’s an odd scene, honestly. Stone and Savage cum nearly at the same time onto Tina Tyler, wow. Synchronized finishing? This is a first. Evan Stone disappears, and leaves Savage and Tyler alone, going into the “matrix”!
Moving forward, you get a scene where I believe Vivian Valentine starts to explain the Matrix of sex. Meanwhile, a bunch of government agents, for lack of a better word watch and she eventually gets on a black leather couch and starts masturbating for them. They are all typing data, and she starts to please herself. Valentine is new to me, she has a natural, teacher look, with brown hair, and just enough pubic hair to be sexy, as she keeps her heels on and continues to move forward. Dave Hardman shows up and the two have sex on the couch. A condom is put on and she goes with reverse cowgirl, one of my favorite positions, in case anyone cares to know. This isn’t half bad. There’s anal at one point and Valentine screams at a few points, mostly she likes this, and Hardman actually seems to be a good actor, as he seems to really be enjoying this one. The two have some good chemistry overall, and it’s fascinating.
Up next, you’re going to find a good lesbian scene with Taylor St. Claire and Salina del Ray. These two go through the traditional elements of heterosexual directors filming lesbian porn. Lots of oral, a dildo here, and the set piece from the other scenes. It’s not a bad scene mind you, and the two seems to have a good overall chemistry to what is going on. A lot of moaning, a lot of close ups, and just women on women. Taylor St. Claire and Salina del Ray are opposite types of women, one is blonde and one is brunette, one is bigger and the other smaller, and just a hot scene. Not half bad, honestly. There are a few weird moments like slapping the clitoris, but that’s just something I don’t know a lot about I guess. Other than that, the two seem to be loving the stimulation here. You could probably learn a few things, mind you. There’s a “scissoring” element at one point, and that’s always funny to see since they featured it in “South Park”, and well, it’s here, so there ya go guys, a little irreverent note.
After the lesbian scene the movie transitions to our government agents having sex. They are European looking, model types. The guy is ripped, and the woman is sexy as hell, blonde, and blue eyes. The actors names are Chennin Blanc and Cheyne Collins. These two have some serious chemistry, and make up for the rest of the scenes. From the oral elements to the actual sex on a massage table, the two really go through a great deal of positions, amidst a jazzy soundtrack. The set is good, and the two really seem to enjoy the process of making this scene. It’s always nice to see real chemistry between two actors in porn. The condom comes on, and on comes the sex. There’s a few moments where it seems mechanical, but then things start to improve as you see the muscles condense, and orgasm number one show up. Another anal scene here, a quick transition, and this gets hotter for those that love seeing anal scenes.
The final scene shows off Jill Kelly in a nice costume, with a corset. She finds Alec Metro and the two actually have a great deal of chemistry. There’s a lot of moaning and a lot of saliva here. Evan Stone shows up too, and Jill Kelly takes both of them on in this scene that features a lot of oral, a lot of saliva, and Jill Kelly doing her best performance since I first saw her in “Car Wash Angels”. I haven’t seen that many scenes with her, mind you, but from what I’ve seen, I enjoy her work. Evan Stone and Alec Metro are given the best blow job that Jill Kelly could give, both at the same time, as she goes back and forth holding onto each one, which is grand, making this movie a real treat. Condom comes on, and Kelly goes into riding cowgirl to start. The film cuts at one point, and it looks as though Metro loses his erection, while Stone gets blown. The director keeps this in the film mind you, but he bounces back and then goes back to work. My favorite part of all of this is where Alec kisses Jill Kelly on the mouth, in a break of character into a more sensual moment. I love that stuff. The bouncy disco tune and the set pieces make this an interesting scene, and Jill Kelly seems to have a lot of fun while Metro goes to work with her. Stone gets blown throughout the majority of the scene. No DP here, just both guys finishing on Jill Kelly’s breasts. She has such lovely eyes and hair, I’m enthralled still. This is a good ending scene, if you’re a fan of Jill Kelly than that’s the sole reason to watch this.
I give “Blue Matrix” a 4 out of 5.
The ending sequence makes this movie. Jill Kelly is one of the most beautiful women to me, and this is definitely a showcase for her, in the end. The rest of the movie has some good moments, and while the story is convoluted, there’s a bit of money paid to the production and the director of photography works well here. I liked it a lot, especially that ending scene with Jill Kelly.
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