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| Trinity Brown (1984) Poster |
The movie starts out with a couple of cops chasing a truck, they finally get to their culprit, and they shoot him, and cuff him. This is not without a quick fight, featuring a nice trash can shot, which brought me back to ECW. It’s here that the two cops are introduced, and after the arrest, we are sent to another scene. The next scene features a couple dancing in a large home. They dance a bit and Joey Silvera says that he wants to get some action, but before we get to the sex, we see a few people in an alley setting up an illegal poker game.
The scene cuts, and we are treated to Tamara Longley blowing Joey Silvera in a bed. They are both nude, unshaved, and the lighting is quite good for the time. The music is a deep funk tune. The two have a bit of chemistry, and while Silvera is not huge, he certainly gets hard for this one. Tamara Longley is an all natural brunette, unshaved, and quite erotic through the motions with Silvera. No condoms here folks, just straight forward sex, and it’s simple. The set is a warehouse set, with a nice bed, and the sex doesn’t last too long, although it’s hardcore. It eventually ends with Silvera cumming on Longley’s chest, and she comes back to lick things up after the fact, making this a hot scene. I need to remind that this is NOT a long scene, although it is hardcore, it is only part of a larger plot.
After the sex is done, the two are found to be cheating. Silvera says that Longley’s husband is home early and that never happens. Silvera then struggles to put his clothes on and then runs out the back of the house. Meanwhile a gun is shown and boom, what appears to be Silvera getting shot, occurs.
The scene shifts, and we see John Leslie and Colleen Brennan talking together. She goes topless, and the two start to kiss. Colleen Brennan is a tall dirty blonde with big breasts, and all natural, while Leslie is a star from the 1980s and was around the time a lot of other big names were getting known. The two start to work through what should be a sex scene, but nope. A phone call stops them. They don’t have sex, mind you. The call is from the cops and they ask for Brennan’s character, the titular character to come investigate. She shows up at the mansion, and it’s not Silvera that is shot, it’s her husband, Tony. That’s right, Tony is shot dead and was found floating in the pool. This turns into a detective story, and it’s really good overall. The plot works through like a cable television movie, with sex. This is something that isn’t half bad.
The next sequence starts, and it’s finally time to see Colleen Brennan and John Leslie getting hot. Collen Brennan, as stated is a dirty blonde, or rather a blonde hair because her drapes match the curtains so to speak. The scene starts with Leslie giving her oral, and her going topless, then goes towards the bed, which is in a bedroom set. There’s soft piano music playing, and Leslie gets hard immediately, putting it into Brennan right away. This is a sensual sex scene, which is hardcore, mind you, but it lacks that porno feel, which is probably why this won an award as it features a story, sensual sex play, and hardcore showcasing. As a sex scene, this is kind of boring, slow motions, some nipple sucking, and Leslie slowly moving back and forth with his hips. This is a slow scene, but it finishes quickly, as Leslie doesn’t hold on for long, and ends up cumming in Brennan’s face. She moans and seems to get off a little, but not nearly as long as you’d expect, and the scene just kind of ends.
We next see the two cops in a bedroom just talking, when the phone rings. They call in Trinity Brown to investigate a new occurrence, and the two get out of bed and go to the scene.
Meanwhile, Joey Silvera is at a strip club, watching a blonde-haired woman dance topless. Which then switches to an apartment building. This is a sex scene that features Melanie Scott, a thin topless dancer with heels on, and Joey Silvera wearing a leather jacket. She starts to blow Joey, and he just receives oral nicely, with no music in the background, just the sounds of sucking. The interior set is a motel looking area that appears to be in Los Angeles somewhere. Nothing fancy here, and nothing too complex. There is a bit of music that comes in midway through the blow job. It’s drum driven 1980s music, and it leads to the two getting started with some sex. On a tiger print blanket, Joey and Melanie start to have sex, and this is a bit more frantic and fast forward than the other sex scenes in the movie up to this point. There’s no money shot here, it just kind of ends, although there are multiple positions. It’s not a great sex scene, but it works for the movie’s premise, I guess.
The sequence ends and Joey Silvera is found in an alley, and Leslie and Brennan show up and try to arrest Silvera. Silvera pulls a knife and says he’s innocent. The movie then switches back to detective mode, as the cops drive through the Los Angeles area. This time it’s John Leslie, solo, however. Leslie is looking for an actress and he is going to ask a few questions about what is going on. He interviews Kimberly Carson, and the two strike up some chemistry, which leads to sex.
Kimberly Carson and John Leslie go straight into sex on a movie set, with a backdrop of smooth jazz. Kimberly is a dirty blonde with full pubic hair, and Leslie once again shows his slow, methodical sensual sexual side. Carson moans a little, Leslie and her kiss a great deal, and the camera draws back to show that they are in a bathroom, not the movie set. Leslie is a slow moving sexual partner, and in this one, you can’t really see much of his penis, so I can’t tell you if he’s huge, but he seems to last a bit longer here than in the previous scene. It’s a methodically slow, boring sex scene, with a money shot that has Leslie cumming on Carson’s stomach, and that’s it. It’s not grand at all.
Up next, we see John Leslie talking to Trinity Brown in the office. He comes in and tells the detective that there’s something awry, and that Joey could be the killer. But the two argue, and then Leslie says he is going to talk to Tamara. In this sequence, mind you, Colleen Brennan looks to have red hair, but that’s just odd to me. Anyways, the scene shifts again, and we are given more of the plot.
Leslie shows up at the mansion that you saw early in the scene. Tamara Longley is in a black bikini, and Leslie starts to talk about how he was once a stud. She then starts to walk away, leaving Leslie alone, while she jumps into a hot tub. She invites Leslie to join her, so he takes off all of his clothes, as a 1980s pop song starts. Leslie gets hard fast, and Tamara immediately goes for it, blowing him before he can step into the hot tub fully. He’s not a big guy, he’s got a full mound of pubic hair, and Tamara shows more enthusiasm here than in the previous scene she was in. However, the director cuts the scene, and you are sent back to the public areas, instead of finishing this sex sequence.
Trinity Brown, aka Colleen Brennan shows up at a random office to talk to Jamie Gillis. She goes topless, and the two start kissing, but the camera shifts.
The scene goes back to Tamara and John Leslie having sex now. Again, this is a slow moving sex scene, and John Leslie must’ve been all about just sensuality not just raw sex. That’s not a bad thing mind you, as Tamara here really responds to his movements, and the two get through a very sexy scene. It’s sexy, but not raw and animalistic like you would expect from porno. There’s a mirror on this set as they move away from the hot tub, and the two have sex in front of it, while Tamara kisses the mirror and gets railed by Leslie.
The director cuts, and you are taken to see Jamie Gillis and Colleen Brennan in an oral position. Gillis is giving Brennan oral and she’s responding a lot better than in her previous scene. But it’s short lived because the director sends you back to the pool house.
At the pool house it’s Tamara and Leslie in doggy style, and that lasts for a couple of minutes before the director sends you back to the office. I hate when this occurs, but it works here.
Back at the office, Colleen Brennan blows Jamie Gillis and his penis is a lot bigger than the other guys in this movie. I can’t be assured if he pumps or not, but it is wider for sure. Colleen Brennan starts giving him a good blow job overall, but the director switches views again.
Back at the pool house it’s Leslie getting blown until he cums on Tamara’s face, and that’s the end of their sex scene.
The camera switches again, and this time you see the point of insertion between Jamie Gillis and Colleen Brennan. He goes in deep in doggy style at first, and she responds with moaning out right. He’s a different type of performer than Leslie, and it shows. While the music is sensual, soft keyboard jazz, the movement here is far different with Colleen Brennan getting far more into the sex than before. She even nearly screams at the 58 minute mark, and Gillis pounds away a lot harder overall. This is a good one, as Gillis pulls her hair and the two have a great deal of focus in going forward with their sex, including lots of tongue, kissing, and momentum. The two here are far more into it than the other scenes, and it appears that Gillis actually cums inside Brennan for the finish.
The sex ends and we are sent back to the mansion. It’s there that Tamara and Leslie start talking about the murder of her husband. That moves back to Brennan back to talking with different people. The cops then question Kimberly Carson on the set of a movie. The two play the good cop bad cop routine, and they start discussing what is going on with the case. Then you get more of the story, focusing on the fact that a baby was going to get killed, and that they need to know what is up.
The two detectives go to a house, and they knock on the door. They walk in guns up, as the door is open. The two detectives start walking through, snooping, and then there’s action. The action isn’t necessarily shown, at least not hardcore. You get John Leslie looking around and out of the blue an explosion occurs, and he goes down. He is told to not move, and 911 is called. The movie then goes back to the detective’s office at the police center. We find out that Leslie will be in the hospital for a week.
Trinity Brown then goes to find out where Joey Silvera is, and gets an address and phone number. She then goes around and looks into picking up a whore, and talks to her about Joey Silvera. She then gets all dressed up, teases her hair, and then goes to the strip club he frequents and starts to hit on him. She asks, “would you like to fuck me?”, and Silvera says he’s not screwing any cop. She then says that she’ll let him have some if he can give her some info. Silvera caves in, and the two get out of the strip club and go to his apartment, where the sex starts.
The sex between Colleen Brennan and Joey Silvera is a little harder and rougher than the previous sex romps in the movie. She asks Joey to rip her panties off and he does, then the two go to work in a sex scene that has a lot of chemistry, with Silvera getting extremely hard and going hard with Brennan. This is a scene that has a lot of action, with a bass line heavy funk sound. The two work well together and it nearly got me thinking, as it was a good change of pace. Multiple positions, no condoms, and a money shot that features Colleen Brennan getting cum in her breasts, as this one goes through a fast moving sex romp. It’s hot, and it works very well with Silvera holding on for dear life at one point trying to hold onto cumming eventually he can’t hold it in and cums on her breasts.
The sex ends and Trinity asks more questions. She then ends up going to the mansion from the start of the film, and that’s when we find out who’s really behind the death of Tamara’s husband, as Trinity Brown walks in on Kimberly Carson and Tamara Longley in a lesbian sex escapade. This is a soft oral scene, and it doesn’t go very far, it’s limited, and the plot thickens, and ends.
That’s the end of the movie, not a long scene, just the revelation that it was the two women that shot our main victim. The scene changes, and Trinity Brown and her partner talk about the end. That’s all, the movie ends with a detective yarn all sewn up. This was an AVN winning movie, mind you, and it truly looks good overall.
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| Trinity Brown (1984) Back of DVD Cover |
I give “Trinity Brown” a 3 out of 5.
“Trinity Brown” may have won awards back in the 1980s, but it definitely doesn’t hold up well as a prono movie. Now, I get it, it has historical value, and it does fill that niche of couples types of movies because the plot is heavier here than other movies. However, there are only 2 major sex scenes that are really good, the rest are somewhat boring. Overall, this is a good movie to have in the collection, but it’s not going to satisfy a lot of audiences. If you like classic erotica, this is a great one to see for historical value, and to get off a little, but don’t expect marathon sex scenes, because that’s not what you get here.
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