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| Big Game (1997) Poster |
The opening sequence lets you in on the story. You are told about three women that are on trial, and it’s a media story. The newscaster talks about the women that are on trial and why, and then we move forward to the court room. The courtroom set is really good, and quite interesting. The set features a real courtroom with all of the bells and whistles that you’d expect. A witness is called to the stand, and within 3 minutes we get thrown into the action of sex.
Coral Sands, Sindee Coxx, and Tiffany Mynx get involved with a sex scene where all of them get involved. Sindee Coxx has a strap on, and the other women just get undressed. Two of them are blonde, and one is brunette. They are all thin, have nice curves, long legs, and large breasts. They each moan, and at times scream as they are eaten out, and use their fingers on each other. This is a hardcore lesbian sex scene and has a great deal of passion involved, including the moments where the strap on is used. Coxx doesn’t have large breasts ,I take that back. There’s a bit of anal at one point, and for the most part these women seem to be very interested in pleasing one another, not just playing up for the camera, which is a good sign. There’s a decent soundtrack to this, and the sex is adequate for the most part. This seems like a lengthy seem by the 10 minute mark, even though it’s not that long, and well, it works for the most part, but it’s not something that that is going to get many people into. I think there’s a lack of camera work at times, and while Coral Sands screams at one point, there’s still something that is intangible here, and I’m not sure what it is. It’s a decent opener, and some good overall screams and moans, with an interesting setting, that being the judges desk inside a courtroom, but other than that, I am not sold. Of course, we see an audience, including Tom Byron. Tom Byron plays Frankie The Fishing Cowboy, and it’s funny watch the interval.
After the quick comedic routine, we are taken to a random bedroom where Tom Byron has called a pretty lady. He’s in a makeup chair and asks what the woman in the bedroom is wearing, meanwhile the makeup artist is starting to rub him and then starts to blow him.
Randee Lee and Tom Byron start to enjoy themselves, while Byron is in the makeup chair. Randee Lee is a tanned skin brunette, with a curvy body. Tom Byron has dyed blonde haired in this sequence, and we see the two start with a blow job. The director sends us to the bedroom where Melissa Hill is listening in on the duo and pleasing herself while on the phone. This scene has a duality to it, that is unlike the 1980s hard cuts, as we get sent back and forth between Hill masturbating with a dildo and Tom Byron getting it on with the makeup lady.
All of this is interesting, and during the sequence we are sent to another room where Steven St. Croix is in an interrogation room or somewhere with a wire, listening into Melissa Hill’s conversation with Tom Byron.
The director goes back to Randee Lee and Tom Byron, and they are having sex now. There’s no condom here, and it’s a slow moving progressive sex scene. Lee is pretty, in that southern California style, with augmented breasts, and tan lines. The music here isn’t terrible, the set is a warehouse makeup chair and desk, and the director lets you see all of the points of insertion. Despite the good production, and music, the two don’t seem to have much chemistry together, and that really makes for a boring scene. I hate when there seems to be a lack of passion, and it shows here. Byron and Lee do their jobs, but that’s it, it just looks like a job and they keep going through the motions, and that’s it. It happens. At the 22 minute mark there is anal, of course. It’s a slow start as usual, and it goes forward a bit before concluding the entire scene. During the anal scene, I noticed that there was a dip in sound design and quality, and while the two did get into the sex a little more, it lacked that passion that you’d expect from sexual partners. You’d have to see this to understand, but it’s just robotic to me. There is a cum shot at the end where Tom Byron cums on Randee Lee, and then we see Melissa Hill finish herself with a vibrator, and that’s that.
We see Steven St. Croix listening in and figuring out what is going on, before we go to a new scene.
The next scene we see Felicia putting on a towel, and a man is at the door. It’s Billy Glide and he comes into the house. Meanwhile, Sindee Coxx gets up and looks for something to wear, and then shows up. Sindee Coxx here has large breasts, blonde hair, and a great bit of makeup. Meanwhile, Felecia is a short, thin, and tanned woman with tan lines, and brunette hair. Coxx gets on her knees in front of Glide, and then an orchestral music soundtrack begins, and we see the sex start. Billy Glide, Sindee Coxx, and Felicia start with oral. Felicia for the most part sticks to giving Sindee Coxx oral, while Billy Glide and Sindee Coxx engage in something else. Coxx starts to blow Billy Glide like there’s no tomorrow, a sequence that raises the bar on the movie within a moment, and I’m impressed with it overall. Felicia rims Coxx at one point, and that’s interesting to see, and the director has his hands full trying to capture the threesome here, as they all seem to be into what is going on. Felicia pulls out a dildo, and starts to work herself into a frenzy, while Glide goes in with Coxx and just goes forward with relative ease. Felicia is on one side of a cream couch while Glide and Coxx use the other side to have sex. Glide eventually cums on Coxx’s butt and that’s it.
Coxx and Glide discuss Steven St. Croix for a moment, and we see him in a wheel chair. There’s been an accident, and he’s now being “weird”.
After that scene we are sent to Mickey G. and Stephanie Swift sweaty, in bed, and a phone call comes through.
We are sent to where a trio of women start to talk to Steven St. Croix, and he wants the women to kill someone. Stephanie Swift says that she doesn’t kill. Then he says, do you know what “Fucking” is? And then we are sent to a threesome sex scene.
The scene shows off Alyssa Love, Billy Glide, and Jay Ashley having sex. St. Croix shows the women the sex scene, and it’s spliced into the scene with an interesting focused and distressed camera lens. It’s almost like watching MTV from back in the day, while St. Croix talks about why he wants someone dead. As for the sex, it’s horrible. It’s slow, it’s mediocre, and Alyssa Love seems to just be there. Even when there’s an anal moment, it’s just a slow moving, and workable scene. At one point one of the guys doesn’t even have an erection, and is getting blown, making it an awkward sex scene. Eventually we get a money shot, and that’s that. This is perhaps one of the worst sex scenes I’ve reviewed since opening up this blog, even though there’s all the components that you’d expect from a sex scene, including Alyssa Love getting two money shots in the mouth.
We move along to a hallway where Stephanie Swift is talking to Don Fernando. She’s pretty here, young, with glasses. She tells Don Fernando that she doesn’t have the rent money, and that she can do something else if he wishes. To that avail, Stephanie Swift takes her top off and looks stoically into the camera while she gives Don Fernando a hand job. Swift asks Fernando not to touch her, but he keeps touching her breasts. The sequence is just a hand job sequence until he cums, and that’s it. He cums and that’s the rent paid. He cums on her dress, and then they look to see who’s watching and it’s Mickey G.
Mickey G. runs down to the apartment, and confronts Stephanie Swift. Swift says that Mickey G. doesn’t want to know her, and that she’s a bad girl. Soft music starts, and we see Mickey G pull out his penis, and start to stroke it. Meanwhile, Stephanie Swift is in the bathroom by herself and she starts to masturbate for the camera. The director contrasts between the two, and they are solo, in separate rooms of an apartment. This continues and doesn’t lead to anything big, and that’s it.
The scenes switch and we are taken to a brown couch. Another brown couch in a random apartment. Its here that we see Tom Byron and Melissa Hill starting to kiss and fool around. An instrumental track starts, the lighting is a little dim, and the two seem to have a lot of chemistry together. Melissa Hill has a unique face, reddish hair, small breasts, a skinny frame, long legs, long arms, and tan lines. She looks like someone I knew in high school, and she really gets into the beginning of this sequence with lots of kissing, and then oral from Tom Byron. The two progress to take off their clothes and then start to have sex. They go through multiple positions, and no condom, with Hill moaning a great deal and even screaming at one point. She seems to really enjoy this, and the two work up a real sweat in the sex that is had here. I found it to be a better sequence than any other one in this movie, and since I’m a fan of Melissa Hill, it was a real joy to see her bouncing on Tom Byron. This scene saves the rest of the movie if you ask me. After a lot of positions, some sweat, and changes there’s a cum shot to Melissa Hill’s face, and the end of a good sex scene for a change. I do put down a few points because someone was messing with the boom mic and it was in the edit, so that was dumb, but other than that, this was a great little romp of sex.
After the sex there are a few non sex scenes and we see the women from before in masks put a bomb onto Tom Byron! That’s right, they strap a bomb on him in an attempt to kill him. We don’t see the bomb go off or anything, so that’s something. But we do see the women in jail, so obviously they got caught. We are returned to the court room, and that’s when Stephanie Swift is on the stand. A tape is played, and we are taken to the bedroom of Mickey G. and Stephanie Swift. This set is nice, darkly lit, with candles, and silk sheets. The two are romantic with one another, naked in bed and just kissing lightly.
Stephanie Swift and Mickey G. go forward with a simple start, kissing, and then masturbating facing one another, and then out of the blue, Stephanie Swift sticks her foot into Mickey G’s butt. I kid you not, this is a first for me in these narrative style porn movies. Her food, almost to the ankle goes into Mickey G’s butt hole, and she moves it around while he masturbates. This lasts a few minutes before Swift jumps on and starts to blow him in a casual, and steady blow job, changing the fetishes to normal, I guess. The two then start to have sex, but the camera doesn’t show you a lot of the insertion, and then we get a money shot. It’s a scene that is quite interesting, as it is a bit tame, and then we see that Stephanie Swift was dreaming all along!
We see Mickey G. hearing the radio in a new room where Melissa Hill is and he finds out that someone is going to testify against him, and he gets upset. Melissa Hill tries to comfort him, and we are taken to another scene after this.
The next sequence shows Felicia and Sindee Coxx having jailroom sex together. The set here is a jail house looking cell, and the two are naked, and just start to have sex with a lot of oral, and a lot of moaning. Felicia screams at one point, her tan lines are so pronounced here, and Coxx does well to get her to cum several times. If you’re a fan of legitimate sexual experiences between porno stars, then here you go, one of the better sequences. It doesn’t last that long, mind you, but it works well enough to further the story and to titillate.
After the jail house sequence we are taken back to a bedroom where Melissa Hill and Mickey G are in the throws of passion. This is a fast scene, the two work very quickly to get into the sex, with Melissa Hill blowing Mickey G to start, and then letting him penetrate her, and go through multiple positions. She doesn’t even take off all of her clothes, just enough to see her breasts, stockings, and penetration. The two have sex against a marble wall, and the lighting is a bit dim, while you look into their pushing and moaning. At the 2 hour and 10 minute mark there’s a slow motion cum shot and that ends the movie for the most part.
After Mickey G cums, they look over and see Steven St. Croix in a wheel chair and Stephanie Swift standing in the hallway. The two look on in, and then go outside. Stephanie Swift walks around to where Steven St. Croix is, and puts her hands on his shoulder. The two share an intimate moment of reflection. Swift then sits on St. Croix and the two just hug. The wheelchair is pushed into the waters of a pool, and that’s it. Piano music plays and the two just sink, and the camera watches them go below the waters, and they kiss. They kiss hard, and they float a bit up, as the music moves forward. It’s a miracle Steven St. Croix legs start working again! The two kiss and the music continues, and that’s the end.
I give “Big Game” a 3 out of 5.
There’s really only a few scenes in this whole movie that really got me excited. Melissa Hill is a goddess in this one, and the rest, well it works for the most part, but if you’re not a fan of the women or the men involved you may not like it. I didn’t think it was that great, even though it had a long plot that had a lot of non-sex scenes in it. I’m sure that there will be fans that like it, but I can’t give it more than 3 out of 5.
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