A Little Romance (1986) Review

A Little Romance (1986) Poster

Today we go back in time to another period of the adult film world. We were stuck in the modern world, but now we are going back to the year 1986. It’s here that we stop off at a movie called “A Little Romance”. The movie was released and went to the silver screen, and of course VHS tape for those video stores that carried it. It’s a movie that is not kidding around, it goes straight into the action, within 3 minutes of the credits rolling. It’s a bit on the romantic side to begin, because of the use of smooth jazz for the most part. It’s a smooth jazzy musical selection to accompany the sex, which you guessed it, is straight forward. The film stars Rachel Ryan, Tom Byron, Kari Foxx, Ron Jeremy, Peter North, Tonya Foxx, John Simmons, and Trinity Loren. These are all famous 1980s porno actors, and you may recognize their names. With all that in mind, let’s get into the action of this 90 minute feature length porno film from 1986.

The first scene is straight forward, as Tom Byron and Rachel Ryan start to kiss, and he immediately goes down on his knees to give her oral. Rachel Ryan looks like the classic 1980s house wife, with short hair, dirty blonde highlights, and simple makeup. She has long pink finger nails, but other than that, she looks like a suburban house wife, and Tom Byron looks like a kid, he’s in his early part of the career that would make him a legend. This scene is sensually paired with some nice saxophone and piano music, as the two start to work things out in the dining room of a very nice looking house, with floor to ceiling windows overlooking a garden. The two go from oral to sex, and Byron really gets into it, while Rachel Ryan takes a bit to go forward with this scene. This is not a long scene mind you, and the sex doesn’t last more than about 10 minutes, if that. There’s no condom, no shaved areas, just natural sex, with a great deal of moaning and even a little bit of screaming. Byron looks to hold off his finale, but he can’t control himself and lets go on Ryan’s stomach. A good scene, with a nice little upside to it, but it’s short, and to the point. Not a great one, but not terrible either. The music is relaxing at least.

Next up, we are in an office, and a few women are talking, when the boss calls one of them into his office. She comes into the office, and there’s Peter North waiting. He needs help, and this blonde haired girl starts to help him out a little. It’s Tanya Foxx, and she’s an attractive blonde haired woman, and goes to town on Peter North. This is short lived, however, as the scene moves to another part of the office.

The other part of the office has Ron Jeremy sitting down and Kari Foxx writing notes. Ron asks for head, and Kari Foxx immediately sits down on her knees and starts to blow him. This is a simple blow job scene, and before you get too far into the action, the director goes back to what Peter North is doing.

So we go back to Peter North getting blown by Tanya Foxx, and it’s not a bad scene, but I always hate when the director goes between scenes, instead of sticking to one scene at a time. I guess this is because it was meant to be seen in a movie theater, more than anything else. Either way, this isn’t a bad scene, and Tanya Foxx is a decent looking 1980s blonde.

Before this scene goes too far, the director goes back to Kari Foxx and Ron Jeremy, and this time it goes further from a blow job scene into an oral scene. Kari Foxx is a brunette with big hair and the 1980s look. Jeremy is the hedgehog, and he’s a lot thinner than you will see him today. The two have some fun, unshaved and completely full of sexuality. As far as sex is concerned, Ron Jeremy is a pro, and he drills Kari Foxx well here, all hairy and all. It’s a standard Jeremy scene, nothing too complex, and it seems as though Kari likes it, but I wouldn’t know, the camera doesn’t pan away from the action, showing you penetration throughout, and mixed in with a keyboard sound that is somewhat focused on the 1980s overall. It’s a good scene if you’re a fan of Ron Jeremy, but again, it’s not great.

Midway through the Ron Jeremy sex scene, the director once again switches to Peter North and Tanya Foxx, and another jazzy tune. She’s still blowing him in his office, but you know they are going to have sex, because this can’t be the only thing that is going on, could it? The answer? Well, the answer is yes, it’s just a blow job scene.

Ron Jeremy and Kari Foxx are back, because the director goes back to the pair having sex on a chair, and that continues, with the two just going through the motions. Ron Jeremy is grand, with his one lines and momentum. If you’ve read his book, you know he had a lot of fun with these scenes. The money shot focuses on Jeremy cumming on Foxx’s pubic hair and that’s the end.

The scenes end, and we are back in the office, with nothing major happening. This then goes to a house, and you see Tom Byron and Rachel Ryan talking. The two start talking about love and sex. There’s an argument and Tom Byron leaves Ryan crying in her night gown and in bed.

The scene moves to night time. A motel where Tom Byron has gone to, and is just hanging out solo. There’s a brief element where Peter North gives Kari Foxx oral, but the scene goes back to Tom Byron in his hotel.

Tom Byron is visited by Tanya Foxx. She says that the office knows that he’s there and he’s lonely, and she starts to undress him.

However, while you have Tom Byron getting undressed, Ron Jeremy makes a move on Rachel Ryan, and immediately starts to give her oral. The director moves away from the hotel and back to the office, and this scene is a lot more sensual than the other one that Ron Jeremy had previously in the movie. Rachel Ryan is dressed for the office here, so that alone gets me a little turned on, and Jeremy goes to work fast here, and gets Ryan wet fast. I was surprised by how well the two worked here, as the chemistry that they have is more than what Ryan and Byron had in the opening sequence.

Meanwhile, the scene splits to Peter North getting blown by what I assume is Kari Foxx, this time she’s blowing him and she’s going to town. Again, I don’t like the switching back and forth between scenes, because it makes it hard to review, and it’s hard to stay focused on the action that you want to get off to, but as a movie making element, specifically for the big screen, I can see why this is done. It’s not a bad thing, it just throws me off a bit.

The scene switches and you get Tom Byron and Tanya Foxx in the motel having sex. This is a straight forward sex scene, nothing fancy about it, with standard positions, and just focused moaning and groaning.

The scene switches yet again and this time it’s Ron Jeremy and Rachel Ryan having sex, and it’s not bad. Ryan, again has more chemistry with Jeremy than she did with Tom Byron in the opening scene so it’s nice to see this develop.

Switching scenes again, you’re back to the office where Peter North and Kari Foxx are having sex, which is another contention point. This isn’t a bad thing, North goes through the motions well enough and there’s moaning and movement, with a focus on the penetration, but wait for it….

Another scene switch, and we are back in the motel room with Foxx and Byron, and you know what? All of this changing really makes this movie somewhat boring to watch. If you’re a big fan of all of these actors, then you are going to get a little bit from each of them, but you are not going to get straight forward scenes. If you’re trying to get off to just one scene, good luck, there’s so much editing that this just doesn’t work that well.

We go back to the hotel and Byron and Foxx go through some more positions before he finishes on her. But that then switches to Peter North again, and he goes to completion, cumming onto his partners leg and butt. Then we get to see the money shot that features Ron Jeremy cumming on Rachel Ryan’s pubic hair, and then reinserting back for more pumps.

Up next we are at a house where Rachel Ryan is talking to a friend of Tom Byron’s. That’s it. The two talk, but out comes Trinity Loren and she has sex with John Simmons.

The next scene features John Simmons and Trinity Loren and it’s not that great. It’s a fast scene, the fastest in the movie, and the two go at it on the ugliest couch in the world. Meanwhile a jazzy number plays. The music is better than the sex here, and the two just go through the motions of sex, and that’s it. There’s not much to this at all, and it’s actually not that attractive of a scene. Trinity Loren looks like one of the members of the Go Go’s so if you’re a fan of pop music from the 1980s, then you may get off by this scene. Otherwise, it’s not that great if you ask me. It’s fast, hard hitting, and well, just pure sex. I guess that’s what porn is about sometimes. In that case, it’s good, it works well enough, and it’s a testament to the 1980s scene, with Simmons finishing on Loren’s stomach.

Tom Byron and John Simmons talk and tells Byron’s character to go back to Rachel Ryan’s character.

The two finally make up, and the end scene is only about 10 minutes of sex, but it features Byron and Ryan once again connecting, like they did in the first scene. Just like the title suggests, this is a romantic love making scene, and it’s slow moving for the most part. There’s a bit of speed at the end, but overall, it’s a boring love making, baby making type of scene, that really doesn’t do much to entice, but rather just goes through the motions of romantic sex. If you’re a big fan of Tom Byron’s early work, and you like Rachel Ryan’s 1980s look, then perhaps this is your scene, it’s hardcore, it’s somewhat exciting, but it’s far from that raunchy style that most people want. This very much seems like the two are making a baby, rather than going all out for gratification, if you ask me. But that’s not a bad takeaway, it’s just what it is. Byron eventually cums on Ryan’s pubic hair and that’s the end of the show folks.

I give “A Little Romance” a 2 out of 5.

This is a frantic movie with the editing. It keeps going back and forth, making it a tough one to get off to. It’s not a great film at all, and it’s not that grand, but it has a few moments that inspire. The ending scene is romantic, mind you, but the overall story is nothing short of romantic. The ending is funny though, as it features Tom Byron getting punched out. Other than that, this is a slow paced, standard porno from the 1980s, with not a lot going for it, unless you’re a big fan of Ron Jeremy.

You can purchase “A Little Romance” from a variety of sources, and if you’re a fan of the cast, you’ll love this one. I don’t think it’s great.

Lust In The Fast Lane (1984) Review

Lust In The Fast Lane (1984) Poster 

Stepping back into our time machine we are going back to a controversial subject. We are going to be talking about a movie that came out in 1984. While in Japan, I was able to procure a copy of “Lust In The Fast Lane”, and after giving some time to the idea, I’ve decided to review it today. What’s the big deal about this movie? Well, it stars a lot of 1980s stars, including Traci Lords. Now, whether you want to argue with the fact that this movie was made at a certain time in Lords life, or if it’s illegal is up to you. We’ve reviewed LEGAL copies of these movies in the past, and since I purchased this in Japan, I purchased a LEGAL copy of this, and will be reviewing it as such. So let’s go back to 1984, and discuss “Lust In The Fast Lane”, which was later released and edited to not have Traci Lords in it. The stars of the original site included Ginger Lynn, Tom Byron, Crystal Breeze, Traci Lords, Eric Edwards, Peter North, Beverly Bliss, Crystal Breeze, Sheri St. Clair, Marc Wallice, and David Sanders. This was originally shown in porno movie theaters and the film grain is completely there, so you’ll note that it is made for theaters, and that includes the story, transitions, and film quality. If you are in Europe, or anywhere else where Traci Lord videos are legal to purchase, or you run into something online, then perhaps, you will want to know whether or not this movie is worth checking out for review or pleasure. The movie is directed by Adam, and it was released by Pink Visuals.

The first thing that comes through is that Tom Byron and Traci Lords are a couple. They want to go somewhere for the weekend. Byron says, let’s get into the car and just go somewhere. Lords says she doesn’t know where to go or where to stay, and well, Byron is all about going out, so the two leave their kitchen, get into a car, and venture off on the road. On the road, the car that they are in breaks down and they have to walk. They end up walking to a random house. In the house they see a random guy that is nude, and a woman in a swimsuit. The couple tell them that the nearest gas station is 15 miles away, and that they should stick around, and stay the night. Lords keeps saying that they don’t want to disturb anyone, and that’s fine. The couple have walked into a home that is very much a swingers house. Everyone is introduced, and they are instructed to just enjoy themselves, and that’s when things go forward with a little sexual encounter to start.

The camera fades and we are taken to doggy style sex and it’s Tom Byron and Ginger Lynn. There’s a deep bass guitar riff happening, and we see Byron getting it on with Lynn, meanwhile, we see a shift to see Crystal Breeze, Traci Lords and Eric Edwards having sex as well. So we see juxtaposition with both sex scenes going on at the same time. I hate how these things work, but I get it. This movie was meant for you to see it in theaters, therefore the sex is cut and edited to show two different scenarios, and they are both quite good overall, but it’s difficult to get a chub going as a result. However, it’s a steady focused sexual film with moaning, movement, sweat, and a rock instrumental. No one is shaved, no one is wearing condoms, and the set looks like some random house in the valley somewhere. There’s not much more that can be said about this, the juxtaposition sucks, going back and forth between sex partners is stupid, and I don’t like how that’s done in the 1980s. However, as far as the literal sex is concerned, it’s fun to see these starts of the past just do it, without having to complicate anything, and if you’re a fan of Traci Lords and Ginger Lynn, you’ll love this opening sex scene as things really work very well. We get two money shots and to the body, and that’s about it.

The sex stops and we see the couples sitting on an old couch. Things are just quiet, before we see the scene change. The scene changes to show Traci Lords and Ginger Lynn sitting on a bed. The lighting is a bit good, and the lens moves in to see the two women start to make out. Soft music starts to play, and it’s a very romantic start to a sexual romp between Traci Lords and Ginger Lynn. The two start to get into the sex, going with oral, scissoring, and getting close together. They move around a great deal and start to moan a bit, enjoying the process of sex, before we see a man join them. After a while of the two enjoying the process of lesbian sex, Peter North shows up, and he’s hard. The two kiss while Peter North masturbates until he cums on their faces. This is a very unique little sequence at around 23 minutes. North really goes hard here, and cums a lot on the two, it’s even done in slow motion to show off the art of the sexual element. There’s a little sexual component to this, at one point it looks as though Ginger Lynn gets doggy style but it’s not a long sex scene with North involved. Lords doesn’t get involved with the sex, other than getting oral.

We move next to a den and there’s Tom Byron and 3 women. The host says that the ladies will have a good idea as to what to do next, and that’s when they get nude. Beverly Bliss, Crystal Breeze, Shery St. Clair, and Tom Byron start to have sex here. It’s a four some that starts with Byron getting blown soft, and it appears to be a struggle for him to get hard even though he has 4 women on him. The women are all brunettes, all natural, curvy, and look a bit older. Byron looks so young here, and eventually he gets hard enough to have sex. It’s obvious that he’s not that into the women here, and while the music starts to get louder, the moaning comes through as well, and it’s interesting to see this scene. It’s a bit awkward, but eventually Byron gets into it, even though the women are over acting. Eventually, Byron gives a money shot and that’s the end.

The scene switches and we get a little interlude between Tracy Lords and Tom Byron before we are taken to another part of the house.

The next part of the house features Sheri St. Clair, David Sanders, Marc Wallice, and Peter North. Sheri St. Clair has large natural breasts, a thin frame, and way too much makeup to make her look a little younger than she is. She’s got a full bush, has long curly brunette hair, and it’s interesting to see her here. She gives the guys a blow job here, and they aren’t that hard. It’ funny to see the dudes struggling and eventually getting harder. Peter North especially is not hard, as St. Clair tries to put two penises in her mouth, and they are not that hard. It’s funny to compare size here. The rock music is good here. The men go forward with having sex, and the highlight here is a double penetration point. There’s a DP sequence while St. Clair blows another guy, and it’s not half bad. It’s rare to see DP in these movies, so it’s interesting to see this one, and there’s no condom of course. Eventually all the dudes cum and that’s the end.

We are taken to a patio where Traci Lords and Tom Byron talk, and like to stay a little longer. The two then move to the inside of the house, some romantic saxophone music plays, and we see a shift.

This time around we see Tom Byron and Traci Lords making out in a bubble bath. Lords reaches Byron and starts to blow him. He gets hard fast here, and you can tell that he’s into the process, and has chemistry with Lords. He’s done several scenes with Lords at the time of filming this movie, so it’s known that they are good together. There’s some reciprocating oral before Traci and Tom start to have sex. The sex stars, and you can see that Lords gets wet for Byron, and the two have sex on some tiles while the bubble bath starts to dissipate a little. This is a simple sex scene, doesn’t last too long and eventually gets Byron to cum on Lords’ backside and that’s it. This is a simple sex scene that doesn’t last too long, mind you, and then just ends.

After the sex, we are taken to a hallway where Tom says he needs to get going home, but the host says that there is one last activity that he should stay for, and that’s a group sex scene. Crystal Breeze, Ginger Lynn, Sheri St. Clair, Traci Lords, David Sanders, Eric Edwards, Marc Wallice, Peter North, and Tom Byron engage in an orgy to finish off this movie. I’ve seen plenty of porno movies and different stories that have come from them, and this ending sequence is not that titillating. There’s just too much going on here, and lots of camera switches with different focuses. You don’t really know who’s who here, until you start to get a few shots that pull away from the action. While this is functional, and I know that the people involved are having sex, and for the most part are enjoying the process of filming this scene, you can’t really get that focus that you need to get too excited. The camera is everywhere, doesn’t stick around with many of the couples, and just keeps going forward between everyone having sex. All of the sex ends, and we see Tom Byron say that he’s had enough sex.

After the sex ends, he gets bitten. Then smoke comes through the scene, and the men and women all say that he’s one of them now. They keep saying, “you’re one of us now”, and he’s scared, but he’s been bitten, and you find out that this has been a vampire ritual, and they all have fangs! What a twist ending! Tom Byron has been bitten and we see that he’s now a vampire too! That’s the end of this film, and wow, what a weird twist of fate.

I give “Lust In The Fast Lane” a 3 out of 5.

I would give this less of a score but that ending really got me, and it was interesting to see a porno movie with a twist ending like that. I haven’t witnessed a lot of twists and turns in porno quite like that. As for the sex, it’s ok, Traci Lords is fine in it, nothing special to remember, and the rest of the crew did ok as well. It’s kind of a short porno movie that really doesn’t pick up until the end where things really get wild. If you’re a huge fan of Lords, perhaps you’ll want to get this one, just not in the United States. Other than that, meh, I can’t say much more about this one.

Trampire (1987) Review

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Aroused (1985)

Aroused (1985) Cover

Today we are visiting the year 1985 for a movie that was ordered to be destroyed in the United States. The only way that you can get this movie is to get an edited version on DVD, have the original VHS tape from what it was released, the original movie reels from the premier of the movie in theaters, or if you bought it outside of the United States. I currently don’t know any companies that sell this, and I happened upon a copy of this at a yard sale where a guy was selling a box of porn. Lucky me, I guess? This is a movie that starts Josephine Carrington, Sheri St. Clair, Traci Lords, Tom Byron, Ali Moore, Greg Derek, Peter North, and Steve Powers. The movie is called, “Aroused” and it was released in 1985, and stars, well, you know that it stars Traci Lords. But is it any good? Well, let’s see what the movie is about.

The opening of the movie features Lords in a car with whom I assume is a young Tom Byron, I can’t really tell at first glance. The scene features a guy asking Lords to get ready for a night of fun and that she should allow the people she will meet to help her become uninhibited. She is then taken to a house where a few women start to undress her and then put a collar on her. They then move her to what is for sure, Tom Byron. Tom Byron is waiting with his pants off, a leather jacket on and sunglasses on.

The women blindfold Traci Lords and ask her to blow Tom Byron. The first major scene features Traci Lords learning how to blow with Tom Byron. Meanwhile there are two women trying to show her, and another woman getting naked. Tom Byron says that she needs to practice a bit, and one of the ladies volunteers to show her how to do it. She then takes off Lords’ blindfold and shows her on Tom Byron how to blow someone properly. The opening blow job scene features Josephine Carrington, Sheri St. Clair, Traci Lords, and Tom Byron. It goes from a tutorial to all of the women tasting Byron, and then him cumming onto Lords’ mouth. The best part is after he cums Lords continues to lick and suck, creating one hell of a ending point, and definitely an interesting opener for this movie. The set is a well lit mansion, with the ladies being classic 1980s porno women, all natural, not shaved, big hair, and of course Lords with her curly hair.

The scene changes and we see Lords typing at a typewriter. Yes, a real typewriter, since this is 1985 after all. She takes a break from writing a novel or a story, and she gets a pair of binoculars out and starts to look at the neighbors. She tries to see what is going on, and it seems like they are fighting. But in reality, they are just making up, and eventually start to kiss. There’s some soft piano music playing, and Lords watches with her binoculars as the two start to make out a little.

Sex comes through next and it features Ali Moore and Greg Derek. The music changes to a pop song, and the two start to get it on. Greg Derek is a blonde haired man in his late 20s from what it appears, and Ali Moore has brown hair tight body, natural breasts, and not shaved. There’s no condoms in these 1980s movies, so it’s all straight forward sex. The pop song throws me off, the set here is an average apartment bedroom, with lackluster wallpaper, and interior design. Ali Moore gives an ok blow job, the camera moving forward into it a bit and the song really getting annoying. Moore looks like a fourth grade teacher, with a short hair cut that goes almost to her shoulders. The sex is adequate, a little bit of moaning, nothing too crazy, and just forward progress. The music shifts after the two go through 69, and it turns into a techno 1980s beat. Eventually Greg Derek cums on Moore’s pubic hair and that’s the end of the scene. A somewhat lackluster sex scene with minimal chemistry between the two.

On the other end, Traci Lords is getting aroused and she decides to touch herself a little before she calls a friend. The two start talking about how it’s hard to write a novel, and that Lords can’t complete her novel because she keeps thinking about sex. Her friend then tells her to have sex with her man and it’ll all go away.

This leads them to hanging up, and we see the next sex scene start. The next scene features Peter North and Kristara Barrington enjoying oral sex to start. Barrington has red heels and a blueish green dress on. North is young, athletic, and has serious chemistry with the brunette that is not shaved at all. The two start on a makeshift bed in front of a fire place, and it’s the most passionate the movie has gotten thus far, at around 28 minutes. Barrington is an Asian woman and moans quite a bit to start. The sex goes multiple positions, with a lot of attention paid to the insertion of Peter North, and he’s truly enjoying himself in this one. The two go at it a good amount of time, and then Peter North delivers a good money shot with a lot of cum, even getting it into Barrington’s hair. The two laugh about it, and that’s it. This was a long one take shot, with Peter North and Kristara Barrington really enjoying the sex, and a lot of moaning from Barrington. The money shot was classic North, and this scene really makes for an otherwise boring movie.

We go back to Traci Lords home and Steve Powers shows up. He says that she needs to take a break. She doesn’t think so, and kicks him out of the house. But he barges back in and is upset. He says that he can help her relax, but she refuses.

Steve Powers says that she is going to relax even if he has to force her, so we get a cut from the writing table and to a bed where the two are naked. Steve Powers and Traci Lords start with oral, and the sex scene goes well, as it is the second to last showcase. The scene is in a bedroom, and it’s lit a bit better than the previous scene, although the tape I have is in need of a remaster. Lords and Powers work well together, he seems to know what buttons to press and make Lords moan a bit. The music here is a jazzy saxophone tune, which isn’t bad, but isn’t great either. The two go into 69 and it’s not too bad, but Lords isn’t moaning as much by this point. The two go through multiple positions, including doggy style, and before long Powers is getting ready to blow. Lords moans a lot in this scene, and Powers gives a good performance, while the director chooses to move back and forth with the angles. There’s a hinge of authenticity to this scene, and it really is more than just another sex scene, which I’m sure Traci Lords’ fans are going to enjoy. The sequence ends abruptly, without a money shot.

After the sex we are back to the typewriter and Traci Lords is just typing away. After this, the camera focuses back on the mansion from the beginning of the film, and we are treated to one last orgy.

The orgy in this movie’s final sex scene features Josephine Carrington, Sheri St. Clair, Traci Lords, Steve Powers, and Tom Byron. The women take turn having sex with both Powers and Byron, and everyone involved seems to enjoy the process. There’s a lot of moaning, some decent oral sex, and all the women taking turns going at it with the men. This is a loud one, so if you have it turned up, you may wake the neighbors. Of course, Traci is quite loud, but it’s also Barrington, and St. Clair that make some noise. There are authentic orgasms here, with a focus on loud moaning, and legitimate sex with a very young Tom Byron. Byron eventually cums on Lords’ stomach and it’s one hell of an ender.

The movie ends with Steve Powers and Traci Lords repeating the same thing from the beginning of the film, and that’s it. She puts on a pair of panties, and we get the credits to roll, and that’s the end of this movie from 1985.

I give “Aroused” a 3 out of 5.

This movie wasn’t great. It had a decent plot, and it features some good camera work, ok music, and it had some interesting sex scenes. If you’re a fan of Traci Lords and can hunt this one down legally, go for it. She moans, screams, and enjoys herself throughout. Tom Byron fans will love his youth, and Peter North’s performance was definitely good. However, as a whole, the scenes were a bit short, the transfer wasn’t grand, and some of the sex was a bit boring. It’s not a great porn, but it’s a testament to the 1985 movie going experience, and therefore it should get at least a 3 out of 5.

Big Game (1997) Review

Big Game (1997) Poster

Today we go forward in time from the last review, and we see ourselves in the 1990s. We will be visiting 1997 where we pick up a movie with a higher budget than most, and a full story that would’ve been easily put in a movie theater had this been in the 1980s. This is 1997 of course, so it’s not filmed with such high resolution, but there are some artsy elements, and the movie starts with some great introductory elements. The movie that we are going to be reviewing today is none other than, “Big Game” from 1997. The movie was directed by David Stanley and was distributed by Arch Angel. It has all the elements that you’d expect from a 1990s movie, including some of the stars. The stars of this movie include, Coral Sands, Sindee Coxx, Tiffany Mynx, Randee Lee, Tom Byron, Felecia, Billy Glide, Alyssa Love, Don Fernando, Jay Ashley, Melissa Hill, and Stephanie Swift. Is “Big Game” any good? Well, let’s find out by looking into what goes on in this movie from 1997.

The opening sequence lets you in on the story. You are told about three women that are on trial, and it’s a media story. The newscaster talks about the women that are on trial and why, and then we move forward to the court room. The courtroom set is really good, and quite interesting. The set features a real courtroom with all of the bells and whistles that you’d expect. A witness is called to the stand, and within 3 minutes we get thrown into the action of sex.

Coral Sands, Sindee Coxx, and Tiffany Mynx get involved with a sex scene where all of them get involved. Sindee Coxx has a strap on, and the other women just get undressed. Two of them are blonde, and one is brunette. They are all thin, have nice curves, long legs, and large breasts. They each moan, and at times scream as they are eaten out, and use their fingers on each other. This is a hardcore lesbian sex scene and has a great deal of passion involved, including the moments where the strap on is used. Coxx doesn’t have large breasts ,I take that back. There’s a bit of anal at one point, and for the most part these women seem to be very interested in pleasing one another, not just playing up for the camera, which is a good sign. There’s a decent soundtrack to this, and the sex is adequate for the most part. This seems like a lengthy seem by the 10 minute mark, even though it’s not that long, and well, it works for the most part, but it’s not something that that is going to get many people into. I think there’s a lack of camera work at times, and while Coral Sands screams at one point, there’s still something that is intangible here, and I’m not sure what it is. It’s a decent opener, and some good overall screams and moans, with an interesting setting, that being the judges desk inside a courtroom, but other than that, I am not sold. Of course, we see an audience, including Tom Byron. Tom Byron plays Frankie The Fishing Cowboy, and it’s funny watch the interval.

After the quick comedic routine, we are taken to a random bedroom where Tom Byron has called a pretty lady. He’s in a makeup chair and asks what the woman in the bedroom is wearing, meanwhile the makeup artist is starting to rub him and then starts to blow him.

Randee Lee and Tom Byron start to enjoy themselves, while Byron is in the makeup chair. Randee Lee is a tanned skin brunette, with a curvy body. Tom Byron has dyed blonde haired in this sequence, and we see the two start with a blow job. The director sends us to the bedroom where Melissa Hill is listening in on the duo and pleasing herself while on the phone. This scene has a duality to it, that is unlike the 1980s hard cuts, as we get sent back and forth between Hill masturbating with a dildo and Tom Byron getting it on with the makeup lady.

All of this is interesting, and during the sequence we are sent to another room where Steven St. Croix is in an interrogation room or somewhere with a wire, listening into Melissa Hill’s conversation with Tom Byron.

The director goes back to Randee Lee and Tom Byron, and they are having sex now. There’s no condom here, and it’s a slow moving progressive sex scene. Lee is pretty, in that southern California style, with augmented breasts, and tan lines. The music here isn’t terrible, the set is a warehouse makeup chair and desk, and the director lets you see all of the points of insertion. Despite the good production, and music, the two don’t seem to have much chemistry together, and that really makes for a boring scene. I hate when there seems to be a lack of passion, and it shows here. Byron and Lee do their jobs, but that’s it, it just looks like a job and they keep going through the motions, and that’s it. It happens. At the 22 minute mark there is anal, of course. It’s a slow start as usual, and it goes forward a bit before concluding the entire scene. During the anal scene, I noticed that there was a dip in sound design and quality, and while the two did get into the sex a little more, it lacked that passion that you’d expect from sexual partners. You’d have to see this to understand, but it’s just robotic to me. There is a cum shot at the end where Tom Byron cums on Randee Lee, and then we see Melissa Hill finish herself with a vibrator, and that’s that.

We see Steven St. Croix listening in and figuring out what is going on, before we go to a new scene.

The next scene we see Felicia putting on a towel, and a man is at the door. It’s Billy Glide and he comes into the house. Meanwhile, Sindee Coxx gets up and looks for something to wear, and then shows up. Sindee Coxx here has large breasts, blonde hair, and a great bit of makeup. Meanwhile, Felecia is a short, thin, and tanned woman with tan lines, and brunette hair. Coxx gets on her knees in front of Glide, and then an orchestral music soundtrack begins, and we see the sex start. Billy Glide, Sindee Coxx, and Felicia start with oral. Felicia for the most part sticks to giving Sindee Coxx oral, while Billy Glide and Sindee Coxx engage in something else. Coxx starts to blow Billy Glide like there’s no tomorrow, a sequence that raises the bar on the movie within a moment, and I’m impressed with it overall. Felicia rims Coxx at one point, and that’s interesting to see, and the director has his hands full trying to capture the threesome here, as they all seem to be into what is going on. Felicia pulls out a dildo, and starts to work herself into a frenzy, while Glide goes in with Coxx and just goes forward with relative ease. Felicia is on one side of a cream couch while Glide and Coxx use the other side to have sex. Glide eventually cums on Coxx’s butt and that’s it.

Coxx and Glide discuss Steven St. Croix for a moment, and we see him in a wheel chair. There’s been an accident, and he’s now being “weird”.

After that scene we are sent to Mickey G. and Stephanie Swift sweaty, in bed, and a phone call comes through.

We are sent to where a trio of women start to talk to Steven St. Croix, and he wants the women to kill someone. Stephanie Swift says that she doesn’t kill. Then he says, do you know what “Fucking” is? And then we are sent to a threesome sex scene.

The scene shows off Alyssa Love, Billy Glide, and Jay Ashley having sex. St. Croix shows the women the sex scene, and it’s spliced into the scene with an interesting focused and distressed camera lens. It’s almost like watching MTV from back in the day, while St. Croix talks about why he wants someone dead. As for the sex, it’s horrible. It’s slow, it’s mediocre, and Alyssa Love seems to just be there. Even when there’s an anal moment, it’s just a slow moving, and workable scene. At one point one of the guys doesn’t even have an erection, and is getting blown, making it an awkward sex scene. Eventually we get a money shot, and that’s that. This is perhaps one of the worst sex scenes I’ve reviewed since opening up this blog, even though there’s all the components that you’d expect from a sex scene, including Alyssa Love getting two money shots in the mouth.

We move along to a hallway where Stephanie Swift is talking to Don Fernando. She’s pretty here, young, with glasses. She tells Don Fernando that she doesn’t have the rent money, and that she can do something else if he wishes. To that avail, Stephanie Swift takes her top off and looks stoically into the camera while she gives Don Fernando a hand job. Swift asks Fernando not to touch her, but he keeps touching her breasts. The sequence is just a hand job sequence until he cums, and that’s it. He cums and that’s the rent paid. He cums on her dress, and then they look to see who’s watching and it’s Mickey G.

Mickey G. runs down to the apartment, and confronts Stephanie Swift. Swift says that Mickey G. doesn’t want to know her, and that she’s a bad girl. Soft music starts, and we see Mickey G pull out his penis, and start to stroke it. Meanwhile, Stephanie Swift is in the bathroom by herself and she starts to masturbate for the camera. The director contrasts between the two, and they are solo, in separate rooms of an apartment. This continues and doesn’t lead to anything big, and that’s it.

The scenes switch and we are taken to a brown couch. Another brown couch in a random apartment. Its here that we see Tom Byron and Melissa Hill starting to kiss and fool around. An instrumental track starts, the lighting is a little dim, and the two seem to have a lot of chemistry together. Melissa Hill has a unique face, reddish hair, small breasts, a skinny frame, long legs, long arms, and tan lines. She looks like someone I knew in high school, and she really gets into the beginning of this sequence with lots of kissing, and then oral from Tom Byron. The two progress to take off their clothes and then start to have sex. They go through multiple positions, and no condom, with Hill moaning a great deal and even screaming at one point. She seems to really enjoy this, and the two work up a real sweat in the sex that is had here. I found it to be a better sequence than any other one in this movie, and since I’m a fan of Melissa Hill, it was a real joy to see her bouncing on Tom Byron. This scene saves the rest of the movie if you ask me. After a lot of positions, some sweat, and changes there’s a cum shot to Melissa Hill’s face, and the end of a good sex scene for a change. I do put down a few points because someone was messing with the boom mic and it was in the edit, so that was dumb, but other than that, this was a great little romp of sex.

After the sex there are a few non sex scenes and we see the women from before in masks put a bomb onto Tom Byron! That’s right, they strap a bomb on him in an attempt to kill him. We don’t see the bomb go off or anything, so that’s something. But we do see the women in jail, so obviously they got caught. We are returned to the court room, and that’s when Stephanie Swift is on the stand. A tape is played, and we are taken to the bedroom of Mickey G. and Stephanie Swift. This set is nice, darkly lit, with candles, and silk sheets. The two are romantic with one another, naked in bed and just kissing lightly.

Stephanie Swift and Mickey G. go forward with a simple start, kissing, and then masturbating facing one another, and then out of the blue, Stephanie Swift sticks her foot into Mickey G’s butt. I kid you not, this is a first for me in these narrative style porn movies. Her food, almost to the ankle goes into Mickey G’s butt hole, and she moves it around while he masturbates. This lasts a few minutes before Swift jumps on and starts to blow him in a casual, and steady blow job, changing the fetishes to normal, I guess. The two then start to have sex, but the camera doesn’t show you a lot of the insertion, and then we get a money shot. It’s a scene that is quite interesting, as it is a bit tame, and then we see that Stephanie Swift was dreaming all along!

We see Mickey G. hearing the radio in a new room where Melissa Hill is and he finds out that someone is going to testify against him, and he gets upset. Melissa Hill tries to comfort him, and we are taken to another scene after this.

The next sequence shows Felicia and Sindee Coxx having jailroom sex together. The set here is a jail house looking cell, and the two are naked, and just start to have sex with a lot of oral, and a lot of moaning. Felicia screams at one point, her tan lines are so pronounced here, and Coxx does well to get her to cum several times. If you’re a fan of legitimate sexual experiences between porno stars, then here you go, one of the better sequences. It doesn’t last that long, mind you, but it works well enough to further the story and to titillate.

After the jail house sequence we are taken back to a bedroom where Melissa Hill and Mickey G are in the throws of passion. This is a fast scene, the two work very quickly to get into the sex, with Melissa Hill blowing Mickey G to start, and then letting him penetrate her, and go through multiple positions. She doesn’t even take off all of her clothes, just enough to see her breasts, stockings, and penetration. The two have sex against a marble wall, and the lighting is a bit dim, while you look into their pushing and moaning. At the 2 hour and 10 minute mark there’s a slow motion cum shot and that ends the movie for the most part.

After Mickey G cums, they look over and see Steven St. Croix in a wheel chair and Stephanie Swift standing in the hallway. The two look on in, and then go outside. Stephanie Swift walks around to where Steven St. Croix is, and puts her hands on his shoulder. The two share an intimate moment of reflection. Swift then sits on St. Croix and the two just hug. The wheelchair is pushed into the waters of a pool, and that’s it. Piano music plays and the two just sink, and the camera watches them go below the waters, and they kiss. They kiss hard, and they float a bit up, as the music moves forward. It’s a miracle Steven St. Croix legs start working again! The two kiss and the music continues, and that’s the end.

I give “Big Game” a 3 out of 5.

There’s really only a few scenes in this whole movie that really got me excited. Melissa Hill is a goddess in this one, and the rest, well it works for the most part, but if you’re not a fan of the women or the men involved you may not like it. I didn’t think it was that great, even though it had a long plot that had a lot of non-sex scenes in it. I’m sure that there will be fans that like it, but I can’t give it more than 3 out of 5.

You can purchase “Big Game” and see what you think about it, as it features a great deal of stars, some sex, and plot that you don’t always get with these types of movies. You can click HERE to stream it, download it, or buy it on DVD for a discount.

Video Tramp (1984) Review

Video Tramp (19984) Cover 

We go back into our time machine again and this time around we are going to be looking at a movie that was released into theaters and onto VHS and Beta Max from 1984. Going back in time to the 1980s is always fun, at least for me, as you get a glimpse of porno from the past. In this movie, "Video Tramp" we are taken back to the times when video stores were still around and it's one of my favorite time frames, as I love video stores. It's here that you're going to find the stars align for a Jack Genero directed film. The stars of this movie include Jessica Wylde, Tom Byron, Marc Wallice, Andrea Brittain, and of course Christy Canyon. So with that all in mind, let's get to the movie, in which we are taken to a video store.

At the video store, we see Christy Canyon as a video store clerk that recommends videos to different patrons. In the store at the opening of the movie is Tom Byron. He wants a movie for himself and his girlfriend, and picks up a John C. Holmes feature, as it is recommended by Canyon. The box is shown on the screen, and then we are taken to a bedroom where Byron is hanging out with this girlfriend. Within 3 minutes, the sex begins, and we are off to the races in this porno movie from 1984.

We are taken to a wooden clad bedroom. We see Tom Byron and Jessica Wylde in bed, and they start to kiss. Jessica Wylde is a brunette, and has a "hippy" look to her, as she's young, has medium sized natural breasts, full pubic hair, and extremely long hair. She is very feminine and looks amazing next to Tom Byron in this one. Byron of course looks young, because he is, and the two start with oral, as an acoustic song loops. The oral is good, with Byron going first, then Wylde giving Byron a blow job. It's here that we see Byron as "Dirk Diggler", if you ask me. and while the lighting, and the scene is straightforward, the music really is annoying. The sex starts with reverse cowgirl, and it's somewhat vanilla in nature. It's just straight forward, with a little moaning, and Byron going through his usual positions and speed framework that he has in his 20s. The set is not well lit, and Wylde is pretty, natural, and seems to be enjoying herself as the camera moves around a little bit. The music absolutely makes this scene suck, though, ugh, I'd rather not have music to be honest.Thetwo continue through different positions, and it's not a terrible scene. By the 13th minute, the music stops, and it is quite sexy, for a while, but Wylde seems to not be into it even though she moans a bit. Byron pulls out and cums onto Wylde's butt, and that's it.

We move along and we see Marc Wallice talking to Tom Byron. Wallice has lost his job and he is a but crestfallen, but tells Byron that a girl is coming and it's going to be better. That's when Christy Canyon approaches and the two guys convince her to come back to an apartment and have sex. The apartment has the same wooden walls as the other scene, only this time the trio go to a brown couch to start and have sex. Those that haven't seen Christy Canyon should know she has large breasts, long brown hair, is not shaved, and is an icon in porno. Tom Byron and Mar Wallice take turns giving oral to Christy, while a smooth jazz piece places, and she blows the two of them. The performance here is good, with Christy really getting into her role, and the guys just letting it flow with the movements that Christy gives them overall. The two take turns having sex with Christy, there's no double penetration, just doggy style, reverse doggy, and meanwhile she sucks off a guy. That's it. It's a modest scene, with simple progressions, and fans of Canyon's large breasts will delight. The music sucks, the lighting is ok, and the sex is formulaic, but Canyon steals the show with her unique body, and mannerisms. After some position changes, we finally get a money shot, and it shows Wallice cumming on Canyon's breasts, while Byron never really finishes.

We go back to the video store, and a recommendation is made.

The movie moves towards Jessica Wylde, and we see her watching a porno. She watches in the same bedroom from the first scene, and she just plays with her self for the camera while watching an old porno movie, and that's it.

The movie shifts gear again. This time giving us a new vision, with Andrea Brittian and Jessica Wylde. You've already seen Jessica Wylde, but here comes Andrea Brittain. She's a pretty looking woman, with short blonde hair, very much in the 1980s style, small breasts, light skinned pubic hair, and a calm demeanor. Wylde and Brittain start to kiss, and then go into oral, as the terrible music once again starts and loops. As far as lesbian sex scenes are concerned, this is one of the worst I've seen.

After the two women engage in sex, we are taken back to the video store. Christy Canyon and Marc Wallice lock up the store, and the two start to talk about selling more adult videos. Canyon asks Wallice to follow her, and the two end up in a backroom of the video store. It's there that the two start to talk. Christy Canyon has a blue dress on, and starts to ask Wallice to get physical, and the two start to make out a little. The music starts, and it's awful yet again. Whomever picked this music is terrible! I can't believe how awful the music is. The lighting is ok, there's a lot of shadow here, but the lighting is nicely placed, and the camera zooms in nicely through it. It's not a multiple camera thing, it's one main film camera, and the lighting leaves a bit to be desired, as the shadows are insane for this scene. The sex starts to work well enough, and it's not bad. Canyon does her thing, and Wallice is a sad sack at a few moments. He doesn't get hard at first, and then he tries to get himself hard for the sex, and eventually gets stiff enough. Canyon goes with reverse cowgirl to start, and it's good as the director decides to pull back the camera so you can see what is going on. The two continue to have sex in a backroom, and eventually Wallice finishes on the pubic hair of Canyon and that's it. It's an ok scene at best.

We go back to the video store, and this time it's Jessica Wylde talking to Christy Canyon. She wants a special video for her and her man. But Canyon tells her about the back room. The two decide to go back there, and start to make out, and then Canyon goes down on Wylde for a while. The lighting is better for this scene, and the camera stays in tight with what appears to be a fisheye lens at one point. If you like lesbian scenes, this is a good one, compared to the others in this movie. The set is ok, the floor is fine, the shadows are bad again, but the sex is adequate, and isn't too flashy, and naturally moves forward. The camera work is fine too, but the music once again horrible. As the scene continues, Tom Byron shows up, and starts to make out with Canyon as she sits on Wylde's face. Byron takes off his clothes, and starts have sex with Wylde, while Canyon guides the two, and that's it. Canyon rims Byron at one point, which is an interesting finish. Byron stays in one position mostly, and the sex is fine, Wylde seems to like the happenings, and eventually Byron cums on Wylde's butt, while Canyon plays with him a little, and that's that. The end of this movie.

I give "Video Tramp" a 2 out of 5.

Unles you're a big fan of Christy Canyon, I wouldn't recommend this movie. However, Christy Canyon fans, you'll love that she is in 3 scenes, and does get naked and has sex a lot, which is the point, right?

Indigo Delta (1997) Review

Indigo Delta (1997) Poster

After going modern, we are going back to 1997 for a movie that was produced by the big wigs of porn, Wicked Pictures. Wicked is a rival of Vivid and they are a large studio with a lot of money for their productions. With the release of “Indigo Delta” in 1997, the company would garner some serious attention from the AVN Awards and others. This was listed as one of the best movies of the year, and there was a lot of praise given to the actors and director for this one. This was directed by Jonathan Morgan, and of course it was distributed by Wicked Pictures. The movie stars Serenity, Tony Tedeschi, Alyssa Love, Jonathan Morgan, Melissa Hill, J.J. Michaels, Steve Hatcher, Tom Byron, Brooke, Holly Body, Katie Gold, Kay London, Kimi Gee, Liza Harper, Rick Masters, and Stephanie Swift.

The movie opens up with some soft serene music while Serenity is running through some grassy areas. She runs through in a robe and finds Tony Tedeschi is diving off a cliff into a swimming pool. After he gets out of the pool he starts to kiss Serenity and the first sex scene starts.

Serenity gets oral from Tony Tedeschi to start the sex scenes in this movie. Serenity is a blonde haired, girl next door type, but here she has large breasts, a thin frame, and a bit different makeup than the last time I saw her. There’s an artistic bend to this whole starting scene and it’s soft in the way that it is lit, outdoors, and features focused appeal that is more of an arthouse type of scene than anything else. Yes, it’s hardcore, and yes you see everything, and it’s a fascinating introduction, but it’s truly just something that is erotic in nature and not something that is extreme at any level. It’s soft, it’s sensual, and it’s a bit boring. You hear no sounds of sex, no sounds of anything really, and then after the money shot you get a screen graphic that shows you that this was all a scene from an erotic book.

The scene ends and we are sent to a book signing. A woman runs in and asks for an autograph from the author, in this case, Serenity. The woman rambles on at her, and Serenity is just signing books when Melissa Hill shows up and wants to talk to Serenity for a second. Serenity wants to get out, and takes a 5 minute break. The set here is a small book store set, and we see Melissa Hill and Serenity talking about how writing has garnered a great deal of money for Serenity. Serenity looks like Elliot from Scrubs, and Melissa Hill has a long face, tall body, skinny frame, and red hair. The two argue about the future.

The next scene shows Serenity driving into a cheap motel. This is one of those no-tell motels off of Sunset and I would know them as I saw an escort in one once. Serenity goes into the hotel room and that’s it. She goes inside and then just goes to sleep. But in her dream, she imagines some sex, as this is a porno, right? Well, Serenity is shown asleep, and we go into her dreams.

We see a young Alyssa Love and Jonathan Morgan together. They start to kiss, and Love moans a little. Alyssa Love and Jonathan Morgan start to have sex. This is a sex scene that doesn’t last long, but is an interesting one. Morgan isn’t playing up the Ed Wood thing like he did in another film I reviewed. Here is having sex with Alyssa Love. She is a blonde with medium sized breasts, and a girl next door look. She has a runway shaved, and the two don’t use condoms. She moans a great deal at several points and the two seem to have a bit of chemistry together. The scene is in a book store set, and it’s not half bad. It works on a love of levels as the two have sex on a table, on a chair, and Love is genuinely wet. After some time, Morgan goes in for anal, and enters slowly before going harder, and Love starts to moan a bit more. After a few minutes of anal, Morgan can’t hold on and cums on Alyssa Love’s face, and that’s it. The music here sucks, the lighting was ok, but the overall scene was nice, sensual, and slow. You also see Alyssa Love’s large tongue piercing, which is interesting to say the least. This film ends and it’s not half bad. After Morgan has sex, he strangles Love with her own collar.

Serenity wakes up, and is in distress. We move to Serenity walking into a prison area, and here we see a punk rock Tom Byron. Tom Byron is behind the glass that resembles Hannibal Lecter. Byron does a great performance here, and it’s awesome. Give this guy an award for the way that he acts for this one, and while Serenity works well, but it’s all Byron in this scene. He does a great job of playing a psycho, with blonde hair, and smoking a cigarette. Incredible performance from Byron, elevating this a few notches.

After Byron talks to Serenity’s character talks to Byron she calls Melissa Hill’s character. They stay on the phone for a few minutes before Hill finds a couple of guys at her home and starts making out with them.

Our next sex scene starts with J.J. Michaels, Steve Hatcher, and Melissa Hill. Melissa Hill is a tall, thin, redhead that first attracted me in another movie. In this one she’s more pale, and has a little less makeup. I noticed that J.J. Michaels is in this scene, and he was featured in a couple of documentaries and a book called “The Call of the Weird”, if you want to look that up. Hatcher is another guy that I’ve seen recently, and he was enjoying some good times with Stacy Valentine a few movies ago on this blog. After the trio start taking off their clothes, Melissa Hill goes down for a blow job on Steve Hatcher while J.J. Michaels tries to get hard. I hate when you see actors struggling to get hard on camera, but Michaels seems to make up for it as Hill starts to ride Hatcher. The trio go through a few positions, and it’s not half bad, but it’s not hardcore sex as they are doing it on a concrete staircase. There’s no DP here, and while Melissa Hill does well on her back, it appears that she’s also not into this one until the end where both men cum on her, and that’s the end. This is a workable sex scene, but it looks uncomfortable, and J.J. Michaels appears to be nervous a bit, and well it works, but it’s not that grand. It is definitely less than adequate compared to the previous sex scene. The music isn’t half bad though.

We move along and we are taken to a scene where Serenity is talking to Tom Byron again. He’s behind glass, and he’s doing the psycho role. He’s good here. He makes the movie well worth checking out, mind you. The two go through an interview and Byron talks about how he’s an artist, not a psycho, and there’s a level to this that is quite compelling.

After the interview, Serenity goes back to her motel room and goes to sleep. In her dreams, however, she goes behind the glass, and gets started with Tom Byron.

Tom Byron and Serenity start to make out in a jail cell, with Byron giving Serenity oral first. She then goes down on him for a while before he puts on a condom. Previously in this movie, there were no condoms, mind you. The sex here is somewhat good, featuring a bit of relaxed entry points and some moaning while there’s a menacing soundtrack. Byron is shaved, serenity is shaved, and it’s not a bad little scene. They go through a few positions but it’s mostly traditional in terms of sex. From doggy style to reverse cowgirl, to cowgirl, to a few other standards, and it’s nothing too extreme. After some movement here and there, Byron eventually cums on Serenity’s chest, and that’s the end. It’s a good scene, and Byron looks like a stud here. Kudos to the directors and the set designers as well as this makes Serenity looks amazing. The scene ends with Byron picking up a knife and Serenity waking up from her dream.

After the dream sequence we are taken to a large room with carpeting and couches. Here you see all of the actors engaging in small talk before they start to kiss and rub up against each other. For this scene we are getting Brooke, Holly Body, Katie Gold, Kay London, Kimi Gee, Liza Harper, Serenity, Jonathan Morgan, Rick Masters, Steve Hatcher, and Tom Byron. Not a bad list of performers at all, and while the camera cycles through to see everyone, you can see some standouts. No matter what type of woman you like, they are all here, and no matter what type of sex you like, you’re going to enjoy this one as there are no condoms, there’s free love, and it’s just a matter of going back and forth with the sex. It’s a long scene that is well lit, has a lot of moaning, a lot of sexy views and just a great overall look and feel for the movie, although not necessarily part of the larger plot, which is a writer doing research. Wait, maybe this is her research? There’s double penetration in this one so if you’re a fan of that, you’ll no doubt love to see it go down. At the one hour mark it seems to be the main focal point for the director as he closes in on double penetration, and doesn’t stay away for a while. This scene is not half bad, and it’s fun to see.

The scene ends, and we are taken to Serenity talking to her boyfriend on the phone. She claims that she doesn’t want to get married with the dude she has because he wants an elaborate thing and she doesn’t. She slams the phone on him, and then hears a knock from house keeping. The woman that comes in to clean the room is none other than Stephanie Swift, one of my crushes.

After a few minutes, Stephanie Swift and Serenity begin a scene where they start to kiss. You get a little bit of POV with Serenity giving directions to Swift, and then going forward with what will be a lesbian sex scene. This is a mediocre final scene, and it shows Stephanie Swift and Serenity engaging in some sex, but mostly Stephanie Swift using a dildo and her fingers while Serenity films. It’s a genuine sexual experience, and Swift does cum on her own. The set here is a ratty motel, the music is soft, and it’s mostly Serenity giving directions, and doing so with gusto. Swift plays to the camera and it’s not half bad to see her play with herself. Stephanie Swift is thin, has black hair, and small breasts. She looks like the girl next door and was one of my first crushes in the world of porno.

The scene sort of ends, and we see a man come through and he watches the video of Swift and Serenity having sex. Serenity then comes in with a knife and takes him out! She also kills Swift, and it’s all on tape. The scene ends and we see Serenity at a book signing again, and she’s got a longer line this time. We then see Tom Byron talking and discussing killing etc. The movie ends with Serenity and Melissa Hill discussing the popularity of the new book that has been written, and how raw it is.

I give “Indigo Delta” a 4 out of 5.

While Tom Byron makes this one a great movie to see, his scenes steal the show for everything else. That includes the sex mind you. The sex is good, but it’s Tom Byron and Serenity that are the real great ones here, the rest is just filler. Aside from their performance, I wouldn’t recommend this one. However, it did win some awards and for that it may be worth buying and seeing.

If you're a fan of award winning adult movies, then you should check out Indigo Delta by clicking here. You can stream, buy the DVD, download, and more, with 15 minutes free by checking it out now!

My Sinful Life (1983) Review

My Sinful Life (1983) Poster

Stepping out of our time machine we showed up to 1983. This is a cool year for many reasons, especially since our editor was boring in 1983, and well, he’s an idiot. Today we are going to be visiting the time frame to see a movie called “My Sinful Life”. This is a movie that was directed by Carlos Tobalina, and it was distributed by Caballero Home Video. The movie stars Danielle, Rita Ricardo, Don Fernando, Tom Byron, D.J. Cone, Brooke Fields, Helga Sven, and Nick Niter. Most of these stars are not seen in other movies, with the exception of Tom Byron. Of all of the stars that I’ve reviewed on a regular basis, Tom Byron is in a ton of movies, and hell, I’d love an opportunity to interview him extensively. In fact, I hope he writes a book detailing so many stories in this business, because wow, he’s the man. I’d love to shake the guy’s hand. Anyways, let’s go to 1983 and look at the adult film, “My Sinful Life”. I was lucky to get a remastered HD edition of this, and it truly is shot on FILM and looks amazing, for those that find it in HD and remastered. I’m desperately impressed.

We open up with a couple of blondes talking about staying at a nice house. It’s nothing too complicated, and the dialogue is laughable at best. Of course, we don’t watch these movies for the acting. The dialogue works well, and it’s about a young woman that wants to get a degree in college. Then the blonde reveals something crazy, that she’s been sleeping with her folks! The ultimate taboo! I kid you not!

The first major sex scene starts with a shower scene. Well, it’s a bath and It features our blonde, a brunette, and a silver haired man. The actors here include Danielle, Rita Ricardo, and Don Fernando. The water runs as the couple start to masturbate and kiss the blonde, and she’s a bit younger than the couple. A soft song plays, and they seem to have a bit of fun. It’s a traditional bathroom looking set, mind you, and our blonde-haired woman has small breasts, a tight body, and is not shaved. The shower scene doesn’t really last long, and then we are back to the conversation.

The conversation keeps going forward about how this young lady is getting action with her relatives, and then they go back to a bedroom where things get started again.

For this second sex scene, a minor interaction with soft music, we see Rita Ricardo and Danielle. Rita Ricardo is a brunette, Hispanic looking lady, and she gives head to the blonde young woman for this scene. The music is terrible, but the HD remastering makes the visuals great, and you can barely see the film grain here. It’s truly a movie that was shown in theaters, that’s for sure. After some oral Don Fernando shows up and starts to get into the action. He gets hard and then goes right into the blonde, while the brunette watches and massages a little. He doesn’t get super hard at first, but it grows, and then he starts to push into the blonde. If you’re a fan of no condoms, and no shaving at all, then you’ll like this sequence as no one is shaved, and there’s a minimal amount of music and noise. But right when we get to the sex, we end up back to the conversation. Then back to the sex. It’s a slow moving scene, with very limited camera changes and angle changes, but with good shadows, blocking, and a bedroom set that looks a bit like an old motel. As the conversation continues, in comes Tom Byron. Tom Byron and Rita Ricardo start to get down with some oral to start. This is all spliced into the conversation, and it is just a simplified sexual romp. Byron is young here, and he’s shaved, as he gets into 69 with Ricardo. After some exchanging of partners, the foursome all get into the action and have sex, and it finishes with Byron cumming on Ricardo’s backside, in slow motion which is an interesting shot of the action. In fact, it’s one of the most unique finishes that I’ve seen in porn movies in a long time, and was impressed with how it all worked out. Slow motion finish, nice. The music is turned down for some of the action, and there’s a bit of moaning, but not too much. As far as hardcore is concerned, this is a visually striking sex scene, although there’s very little chemistry between the performers. I take that back, there’s a money shot with Don Fernando as well, and he’s not as well endowed as Tom Byron, or at least it doesn’t look that way because he has a full pubic hair bush.

The opening sequence of sex isn’t too bad, mind you. It’s ok. We find out that Danielle here is adopted and that it’s not incest that is going on with them and her family. It’s interesting. We then move forward to the conversation about registering for college, and that’s about it. We see a shot of the city, which I can’t tell where it is, but am assuming it’s Los Angeles, or San Francisco, not sure. Then we just see a couple of ladies walking around. The movie is a bit odd, going from high sexual tension, to hardcore, to just B-footage.

After the walking around we see Danielle talking to a redheaded lady that she’s staying with and that’s it. We then move forward to talking between a new Danielle talking to her friend that she met at school. She then discusses how she makes money, and talks about how she’s a prostitute. That’s right, she’s an escort and she sells it. We then get a cut to the brothel. This is a classic throwback to an old sex parlor, and the two discuss women and brothels. The dialogue is simple, and we hear a discussion about the past.

At the 34 minute mark, we are taken to the brothel where our blonde haired star and her new friend are having sex with a patron at the brothel. This set has cheap wallpaper, and it’s obviously bad. The scene shows off the skills of each woman, starting with a blow job that is quite passionate from our curly haired friend. The new woman here is Brooke Fields, and she has very curly hair, a tight young body, and medium size breasts. I’m not sure who the guy is, but he’s one lucky guy as he gets blown and then gives oral to another while in the same bed at the brothel. He’s getting a 2 for 1 special here. We see the sex starting to get good, but we end up getting a cut scene to where Tom Byron is caught with his pants down.

The sex in the brothel gets cut, and we see Tom Byron starting to get blown by D.J. Cone. D.J. Cone is a redheaded milf looking woman, and of course Byron looks very young. This doesn’t get too far into the sex before we get a cut scene and are back at the brothel. There’s light music when things start to get heated there.

I hate when the director cuts in the middle of a sex scene to go to another sex scene, but that’s exactly what is going on here. We see a mix of things, and then we get a close up of what’s going on at the house with Cone and Byron. So interspliced with the brothel, we get a single sex scene, and it’s back and forth. The brothel sex is a bit tame, quiet, and slow, then the director goes to the house and we see Byron pushing into Cone and she moans a bit loudly, before we are then sent back to the brothel for the money shot ending. The client cums on the girls faces, and looks like he could be Jeff Goldblums brother, then we are sent back to the house where Cone and Byron are doing it doggy style. Cone moans a bit, and she has a knockout body. She has a garter and nylons, and it’s a high quality sexual romp until in comes Danielle and Brooke Fields!

After the sex is over, we go back to B-footage of the two girls walking around, then going to the brothel and talking. We see the brothel women talking to the hostess, and that’s it. We just see them talking about how tired they are and more.

After about 55 minutes of randomness, we get thrown into an orgy at the same room we saw the other action in at the brothel. Here we see Brooke Fields, D.J. Cone, Danielle, Helga Sven, Nick Niter, Tom Byron and a guy that I can’t name. They all look different, and they are all going to get into the action, and it’s fast paced. Within a few minutes a funky bassline starts and we start to get into the sex. AT first, the loudest woman is Hegla Sven. Sven is an older woman here, with blonde hair, and a moan that shows off that she’s really getting into the sex. This doesn’t last long, the orgy kind of ends and we are back to b-roll.

After the quick B-roll we end up seeing Helga Sven, an older looking dude, and Danielle back in the frame at the brothel. They all start kissing and lead the way to a threeway sex scene. The guy here doesn’t have a name, but he’s older, is balding, has grey hair everywhere, and the music gets turned up way loud when he enters Danielle. There’s some moaning here, but overall, it’s a bit tame. IT’s visually ok, but overall, you can see that there’s some musical dubbing going on.

After the sex, we are taken back to the brothel where we find out that Danielle’s mom and dad are the brothel owners and one of the patrons. We then get taken to B-roll and we hear a song about loving siblings, and it’s gross. The city in question is San Francisco, and the lyrics to the song are insane, and the movie ends.

I give “My Sinful Life” a 2 out of 5.

It was interesting to see the updated feature. This is shot in 35MM and looks amazing. Aside from that, it’s still a porno, and while the story sucks, the sex isn’t that grand. There’s only a few bright spots in the sex, and it doesn’t last nearly as long as you’d expect. It’s just awful. I can’t give this more of a rating, but as far as a golden era feature, I think it works. It’s an interesting history piece, and popcorn porno film that isn’t too hardcore, but still shows off insertion and cum shots. It’s fascinating, but not that sexy.

Here’s the cool thing about “My Sinful Life”, you can purchase this remastered DVD as a double feature with Las Vegas Girls, by clicking here!

A Little Piece of My Heart (1997)

A Little Piece of My Heart (1997) Poster

Today we go back to the year 1997 for a little bit of a surprise. Well, not to me, but to you. Here we go into a scene that features many talents, from Metro Studios comes the movie called “A Little Piece of My Heart”. This is a movie that stars Stacy Valentine, Shay Sweet, Tom Byron, Alyssa Love, Davia Ardell, Ron Jeremy, Julian, and Vince Vouyer. I’m a fan of Stacy Valentine, and never got to interview her, but would love to talk to her about some of the work that she’s done. Maybe one day. This is a movie that was heavy in rotation on the Spice Network Cable Channel in the late 1990s, which is why I wanted to go back and see the hardcore version. This movie is written and directed by Jace Rocker, and it is a starring role for Stacy Valentine. The movie isn’t shot on film grain or anything. It’s above the gonzo level, but it’s definitely plot driven.

We start a movie in 1969 in Texas. We see Tom Byron and Shay Sweet watching television and on it is a documentary about Vietnam. Byron plays a redneck, and he is upset about the big issue. Shay Sweet tries to calm him down, with some of the worst acting. Byron has some acting chops, but Shay Sweet doesn’t seem to have much in the acting department. Byron says that he is going to get some medals to show off to Sweet and that may turn her on. So he comes out with a few boxes and shows them off. He then pulls a blue box and talks about how he got shot in the penis. He then opens the box and there it is, a penis in a box! Sweet starts to talk a bit, and Byron asks for her to put her hands on it, and well, you could very well know what’s going to happen next.

Shay Sweet and Tom Byron start to make out, and undress before getting into their sex scene. Shay Sweet is a blonde haired, midwestern looking girl, and Tom Byron is a legend in the business, but here he has short hair and an earring instead of his long curly hair from other movies from the same decade. Shay Sweet is an interesting blonde with a shaved pubic region, no condoms are used, and she reminds me of a Texas escort that came through Culver City in 2011. I believe it was the same person, but hey, what do I know? The two have sex in a trailer, and the whole sex scene is on a brown couch. After a few positions, oral, and sex, Byron asks to stick it in her butt, and she obliges. He goes in for anal very slowly, then goes through the sequence until he finally can’t keep going and cums all over Shay Sweet’s chest. She has A cup breasts, and a girl next door look to her, and Byron just cums, and that’s the end of their sex scene. The couch is horrendous looking, and the music track doesn’t back the year, but hey, it’s a standard opener in many ways.

The scene shifts and we see an old beat up VW Bug come to the trailer park. It’s there that Stacy Valentine comes in and finds him and Shay Sweet getting their clothes on. Valentine has a southern accent and she gets very mad at the two, and she’s far better of an actress than Sweet. Stacy Valentine comes out of a bedroom with a suitcase and says that she’s leaving Byron. She says that she’s never been with another man, and that she’s tired of him, so she’s leaving! This was a fun scene, and both Byron and Valentine steal the show. She is on her way to California, and that’s that. We see Valentine on the side of the road with her thumbs out, and a classic Ford Mustang pulls over. It’s a hippy looking dude and he has no problem taking her along for the ride. This is a full hippy dude, and the acting isn’t half bad. The two start a conversation and then make a plan to go to San Francisco, but first, they want to get high and listen to some “tunes”. We get to the hippy’s house, and it’s totally decorated from the 1960s, and it’s hilarious to see the thought that went into the set.

Stacy Valentine and Steve Hatcher start kissing on an old looking couch, and that leads to sex. Stacy Valentine is an iconic, curvy blonde, and this movie was shot after she had breast augmentation. Steve Hatcher is dressed like a hippy, and the two don’t break character through this sex scene. Valentine’s breasts get exposed right away and the two start a very sensual romp, with a bit of 1960s guitar rock. The ambience is good, and the sex starts slow. Hatcher gets hard fast, and the two have some great chemistry in this one, with Valentine showing off her breasts and skills throughout this one. Hatcher must’ve been in love because he had one hell of a hard on to start this scene, which is a rarity amidst porn movies that I’ve been reviewing. I don’t blame him, I’d have given my left foot to get some action from Stacy. The two work through oral and then get to 69 at one point, and this is all done the couch of this psychedelic apartment set. After some time, Stacy goes for reverse cowgirl, legs wide open for the camera, and there’s no condoms used. She’s partially shaved, and Hatcher doesn’t lose his facial hair or hippy vibe throughout. The music works well here, it’s like Hendrix type stuff, but not as good obviously. The sex is adequate, Valentine moans a bit, and then Hatcher eventually cums on her face and she blows him a little after the fact. That’s my favorite part of these movies, honestly, as it’s a personal tick of my own.

The movie continues and it shows Stacy Valentine calling her sister to tell her that she’s starting a new life. Steve Hatcher tells her to see a guy about making movies. Then we go through the motions of seeing what Tom Byron aka Billy Bob is up to. He is visited by Valentine’s sister, and Byron gives her a few pick up lines. She then succumbs to his guile, and she starts to blow him.

Alyssa Love and Tom Byron have sex on a makeshift bed outside, and it starts with a simple blow job. There’s some instrumental rock going on for this one, and Alyssa Love is a brunette with a blonde streak in her hair. She’s partially shaved, and she looks like the girl next door type, with an all natural, young body. Byron goes in with her slowly, not going too hard or fast for the opening of the sex. Eventually they go into standing doggy and he starts to go a little faster, but at the same time doesn’t go deep, allowing for the camera to catch the insertion. There’s not a lot to this sex scene, and the two don’t have a lot of chemistry. It just feels very mechanical, and even the moaning is a little bit off. Yes, it works, Byron gets it up, Love goes through the motions, but it’s obvious that the two are just phoning it in for the most part. Eventually, Byron needs to cum and gets up on the bed and drops a load onto Alyssa Love. He cums on her tongue, and Love just receives it, and that’s that. After he finishes, she blows him a little more, and that is a saving grace to the scene.

The scene ends, and we are back to just kissing and talking. Then Love snitches on Stacy and where she’s staying.

We go forward to see Stacy Valentine in an office with Ron Jeremy. He says that he wants to work with Stacy, and that’s where Davia Ardell comes in. The two will start to have sex in this scene.

Stacy Valentine and Davia Ardell have lesbian sex in an office. This is supposed to be the casting couch, and it shows off both blondes that have very large augmented breasts go at it. The two are very similar in the way that they look, size, shape, and pubic hair. There’s a lot of oral on this one, moaning, and quivering, using fingers, and a process of lesbian sex that you’d expect from heterosexual directors. They seem to enjoy the process throughout, and you get to see Ron Jeremy watching a little. The set here is a casting couch set, with Jeremy using an older style camera to capture the footage, which the director pans to from time to time. Overall, however, it’s Valentine doing a lot of the action, giving you a lesson in how to give a woman oral pleasure. This is just the women having sex, and that’s it, the end comes through and we go back to the apartment from before.

In the apartment the hippies just talk about how the future. Things are somewhat normal, the hippy house is dark, and Hatcher is playing a bass guitar. Stacy is given an offer to stay but she decides to go to a movie set where she’s going to be in a science fiction movie.

On the movie set we see Davia Ardell talking to the director, and he’s playing an Ed Wood of sorts. There’s another guy that is in frame that is looking like Bela Lugosi. It’s funny to see. This is a scene that features an Ed Wood looking scenario. This is a hilarious send up to Ed Wood, and I had a good laugh at how it was playing out.

The next scene features Davia Ardell and Jonathan Morgan having sex. It starts with a blow job, and then moves into full blown sex, with Jonathan Morgan pretending to be Ed Wood, which is funny to say the least. Davia Ardell has the body so similar to Stacy Valentine’s that I almost thought it was her. She’s got different hair and hands, but the rest seems similar, and this scene showcased enough of that. Davia Ardell goes in for a blow job, and the two commence with having sex on set of a movie. The scene is adequate, with Ardell moaning a lot and Morgan going at it from behind, using his knees to and torso to dive into the Ardell’s waiting pelvis. The two go through a few positions, but since they are outdoors, there’s not a lot to it. There’s no condom use here, and the music is a psychedelic push that isn’t half bad, it’s just instrumentals that loop after a while with some nice guitar work. Morgan stays up for the challenge and does nearly all the work wearing sunglasses, as Ardell receives every push forward. After a great deal of pumping, Morgan cums on Davia Ardell’s face, and that’s the end. This isn’t a huge money shot at all, but it is functional, for the sequence.

There’s a quick cut to Billy Bob driving a truck and he says he’s coming to save Stacy. Then we go back to the scene of the movie being filmed, and it features Julian and Vince Vouyer in grass skirts calling for Congo, the ape. This is supposed to be a monster flick like King Kong, but it is beyond hilarious to see how it works out. When the frame starts it shows that the director is “Dead Wood”, which is a nice tribute. The two guys run into a hut and take out Stacy Valentine to sacrifice to the big ape, and you get a King Kong looking sequence which isn’t terrible, but it’s definitely low budget and just hilarious to see. They put in a midget stunt double and Congo picks her up and takes her away from the scene, and that’s it. After a few moments we see Stacy Valentine come out and the scene ends.

Meanwhile at the psychedelic pad of Steve Hatcher we see the hippy couple surrounded in smoke. Billy Bob shows up and is shocked to see what is going on. Bob asks where Stacy is, and eventually they give her information and Billy Bob runs out ending the scene.

Moving right along Ed Wood’s parody says that the movie is a wrap. The two guys then ask Stacy to come with them so that they can show her a few moves. They then go into a hut where there’s a bed in place, and they start to work through a few kinks.

Stacy Valentine immediately starts blowing Julian, and Vince Vouyer. Vouyer isn’t hard immediately, but Julian gets it up first, and that’s what Stacy really focuses on to start. However, within a few minutes of tugging along, Vince gets up too. It’s always awkward to see male stars tugging and not hard ready to go, but this one worksout well enough because within a few minutes Vince Vouyer sticks it into Stacy without a condom, and just pushes through with gusto. There are a few position changes before long, and the guys switch up. Vouyer lays down while Julian goes in from behind, and the two exchange positions, and partner up to go through various holes. At one point I almost caught a boom mic around the 1 hour and 12 minute mark and that’s funny to me. This is a standard sex scene at times, with Stacy moaning, psychedelic music coming through, and the hut set looking like a Tikki Bar. Fans of Stacy Valentine will love her double teamed here, especially with two facials here. First Vince drops a load on her face, then Julian follows up. I was expecting a double penetration spot, but that didn’t happen. When the guys cum, she gives them one last blow, which is always sexy, and that’s the end of this sex scene. It’s not very long, mind you, but it works out well enough, with Stacy seeming to enjoy herself in this one overall.

After the sex is over, Billy Bob shows up and tries to steal Stacy Valentine. However, as he tries to take her away, Steve Hatcher the hippy shows up and knocks out Billy Bob. The two kiss and get into the Mustang and Stacy says, “This time I’m going to give you a little piece of my heart”, and that’s the end of the showcase.

I give “A Little Piece of My Heart” a 3 out of 5.

Overall, Stacy Valentine is one of my favorite starlets from the mid-1990s. In this movie, she does a lot. Don’t get me wrong, her acting is good, she has a magnetism to her role, but the overall sex, and plotting is a bit off, and kind of boring. Without her pushing things forward, and more fascinating sex, it’s just another release. I will admit, there are a couple of good sex scenes, but that doesn’t get it past the 3 out of 5.

You can buy “A Little Piece of My Heart” on DVD or streaming for as little as $3.99 by clicking here.