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| Coed Fever (1980) |
The movie begins with a pixie haired dirty blonde with small breasts, not shaved, and Aaron Stuart with a late 1970s hair cut and mustache. No one’s shaved here, and it gets straight into a blow job as the clothes start to come off. The film grain is here, you know this was on the silver screen. The set is a kitchen, and the two actors get into the sex, showing off no condoms, and the classic push of the 1980s. The sex has a lot of edits, a lot of cuts, and a lot of facial expressions, so you go back and forth with the close ups, and then the penis and the vagina, with lots of hair everywhere. Eventually, Stuart cums on the pub ic hair of Terri Dolan, and starts the movie off with straight forward sex. These two are not young coeds, that’s for sure.
We have a cut and we end up going to a sorority house where we see girls talking. Then we go to a frat house where some dudes start talking and that’s it. A lot of exterior shorts are shown, and we see a variety of men and women talking. This is a full movie with sets, and film grain, it’s simple. The dean calls for the women to come over, and we just get moving forward like a 1980s college flick. If you’ve seen one of those, then you know that the movie is about the guys against the evil Dean of the School. We see that the Dean is going to have a photo shoot that is going to do a story on the sorority, but they have to ditch their men. The Sorority lead talks to the girls and says that they need to date only good men.
We are sent to a date, where a man named Joey and a girl talk about doing it, and the guy is getting rejected. This is a break up date. The woman breaks up with ole Joey, and he starts throwing chairs, and gets really upset. Meanwhile we see the waiter going mad, and miming his disinterest.
The scene cuts to Serena and R.J Reynolds in a gym. Serena is a red haired girl, and she gets on her hands and knees to start sucking off Reynolds, and that’s it. There’s no sound, there’s no artistic elements, just hard light from the left, and the sounds of sucking.
The movie then shifts to another couple in a sauna, and they are talking about how they need to break up. The movie moves along and we see others break up before we are sent back to Serena and Reynolds in a very basic sex scene. It’s like watching two parents or a long time couple have sex, very little passion, not a lot of moaning, just him on top, and moving forward on gym mats. There’s romantic music, the lighting sucks, and there’s little to no “passion” here, it’s just straight forward, with a basic movement. The best part here is that Reynolds go down on Serena and she really gets into it, and that’s where she starts to moan, and we get to see a better sequence of sex.
The break ups continue, and we get more of the story. We are hearing about the future of the sorority and the frats and dating. It’s a story driven movement, and we are introduced to other characters along the way. This movie is swift, we are 22 minutes into this movie, and we haven’t seen a lot of sex just yet, but there’s a lot of story. It’s ok at best.
Moving forward, we are taken to a threesome that happens after a couple of guys go to a bar.
THis scene, from what I can gather includes Piper Smith, Gloria Harison, and Jamie Gillis. Terrible music begins, and one of the other guys starts watching, and Gillis starts to eat out one of the women, and then one of them rides him, and his face. The two girls are blondes, there’s some smooth jazz that comes through, and away we go through another sex scene, with bad lighting, and random moments of sex. There’s some good moments with a blow job, having two blonde haired women blow Gillis is good, and they seem into it completely. The movie continues with bad lighting, bad shadows, and what appears to be a swing set? After some time, there’s a facial and that’s it. This was ok at best, the women were a little more into it, but it wasn’t grand to say the least.
After the scene, we get to another part of the movie, two guys and a laundry truck. The two guys have a plot to work with and are talking about delivering some new detergent, but it’s really poison. They knock out a woman, drag her upstairs, and replace her with someone else.
Ron Jeremy and Michael Morrison talk about how they want to get moving forward with taking pictures and getting forward progression on the story. Vanessa del Rio is there and giving the guys a tour, and Jeremy keeps saying that he can’t contain himself. After the trio look into a random bedroom, they decide that they need to get it on. Jeremy gets down on his knees and gives del Rio oral while Morrison gets blown, and the smooth jazz comes over again. If you’re a fan of del Rio than you will like this, it’s average at best. Jeremey and Morrison work well in the doubles, but eventually Jeremy cums onto del Rio’s breasts, and Morrison goes soft, allowing this to finish off.
The Dean shows up and catches del Rio, and then chases her out. The Sorority house gets made, and they aren’t sure how to move forward. They say that people will be getting in trouble if they don’t fess up to who is responsible.
As the movie progresses we see another couple, this time it’s John Leslie naked on a bed with Samantha Fox blowing him. There’s no sound again, just the sound of the blow job. This leads straight into sex, and it’s Leslie on top, and he’s going in and out, with Fox’s legs up.
The movie continues and the Dean is mad, and he starts plotting how to move forward. We are at the 54 minute mark at this point.
Moving along we see a random dude scoping out the sorority, meanwhile, a couple of women are doing it together. There’s a simple scene with Lysa Thatcher and Tawny Pearl. A brunette and a blonde just having fun together, lesbian sex, lots of oral, fingers, and forward progress. There’s a slow moving bass line, and we see the guy come inside the room to see it all happen.
Up next there’s a sorority initiation, and we see Tawny Pearl, Lysa Thatcher, Brooke West, Smantha Fox, and Terri Dolan all getting spanked while they play with vibrators. This is a sorority initiation and it’s quite sexy.
We move forward and find out that the sorority found out who was causing the problems with the Dean. That made Annette Haven, Samantha Fox and Paul Baressi engaging in a threesome which features sex and a paddle, then a strap on dildo with some strong elements. There’s a sense of punishment in this arena, and it’s a domme sex scene that borders on violence at times. It’s not my favorite scene, but it progresses the plot, so in that arena, I guess it’s ok. It’s a threeway overall and at some point Paul Baressi cums on and rubs his penis all over the brunette, and that’s that.
Some soft music plays, and we see the movie progress to a date again. This time Brooke West and Jon Martin are talking, and they simply talk about how they want to do it. That leads to another plot point, before we end up in a soft sex scene, with West and Martin. Brooke is a brunette girl next door looking woman, and Martin is a nerd, and well, the sex is ok at best. It’s soft, it doesn’t get a lot of movement, the lighting is horrendous, and they do it on a carpet, and well, it’s just not great at all. It looks clumsy as hell.
The climax and ending of the movie features the coeds having sex at the mansion of the Dean, and the camera guy and article writer get in on the action, as the jazz music comes through and we are treated to a little disco, and a cum shot to finish things off, nothing that great, but just a finish.
At the end of the day, there’s a lot going on in this story driven movie. It’s more story than sex, that’s for sure. There are some funny moments, and it’s hilarious to see how things work through the elements, including a little gay nod at the end.
I give “Co Ed Fever” a 2 out of 5.
It was hard to review this one because the editing was so bad, but it worked for what it was. It’s like a 90s or 80s sex comedy, with hardcore in it, the sex is not passionate, you sometimes don’t see penetration because of the lighting, and it really seems like a movie that played as a double feature to a better porno, but then again, that’s what you get with the 1980s, right?
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