City of Sin (1991) Review

City of Sin (1991) DVD Cover (from later release) 

Today we are going to be in the 1990s, and we are going to see a movie that was directed by Henri Prichard. This was a movie that came out in 1991 and had a lot of different stars in it, some that had non sex roles. The distributor here was Las Vegas Video and it had a good deal of different performers, and an interesting story line with a bit of focus on graphic design up front. The movie we will be reviewing today is called, “City of Sin” and it was released in 1991. The stars of this movie include, Raven, Tom Chapman, Debi Diamond, Jenna Wells, TT Boy, Trixie Tyler, Jeanna Fine, Jon Dough, Deidre Holland, Flame, Joey Silvera, Ona Z, and Johnny Nineteen. That’s a lot of people for a movie that is only 84 minutes long, but hey, it happens, and that’s why we are here to discuss the goings on. So sit back and see if “City of Sin” is worth checking out again for your adult cinema needs.

The opening scene shows a woman running away from a house and the graphics start to introduce who the characters are. They are typed up in a detective style formatting, and it’s quite interesting to see overall. It’s like you’re watching a detective show, and you are introduced to the people that are involved in the story, and it’s kind of neat to see. There’s obvious production value given to this movie, so that’s something worth noting.

The opening scene starts with a man going into a bordello. There’s film grain here, and it’s awesome. I love that this was filmed on 35MM or something. It’s fascinating to see. The movie goes forward and we see a man in a business suit talking about how he had a problem last time he was at the bordello. He starts to take off his clothes, and talks to a brunette haired, thin, pretty lady named Raven.

Raven is tall, thin, has brunette hair, tan, has large natural breasts, and wears a silk robe before taking it off. She starts to lick the business man, and we get some soft jazz music to start this one. Raven and Tom Chapman start to go with oral, and it’s an interesting beginning to the movie, giving you a cinema feel to the release. The camera focuses on an angled view here, so you don’t see anything too hardcore at first, and it’s blocked out nicely, kind of like a made for cable release. In fact, at one point all you see is Tom Chapman’s flaccid penis, instead of anything else, so maybe he couldn’t get it up? I don’t know.

The scene changes a bit, with a hard cut and we are taken to another room in the bordello where TT Boy, Debi Diamond, and Jenna Wells are. Debi Diamond and Jenna Wells are both older looking blonde haired women, and it shows. TT Boy is a stellar performer. We see a threesome starting to erupt. TT Boy, Debi Diamond, and Jenna Wells start to go forward with oral sex, and the movie starts to really get good in terms of the sex. There’s a bit of chemistry found here that is always a pleasure to see in these types of movies. The room is drab, well lit, and the camera focuses on the hardcore action here, more than the previous scenario. There’s a decent amount of chemistry found here, as TT Boy gets sucked off well, and it’s interesting to see a scene with so much chemistry between the performers, as it almost feels like a contest to see who can get off faster, making this scene quite good to start with.

There’s a hard cut, and we are taken back to see Raven and Tom Chapman. Finally, Chapman is hard, and he starts getting a blow job from Raven. The two get into a 69 position and things start to go forward with their room. The room is drab as well, basic, and not too complex. We see Raven pull out a condom, then we get a hard cut to the detective Joey Silvera looking on ready to bust the bordello.

We get a hard cut, and we are taken to TT Boy, Debi Diamond, and Jenna Wells still in a threesome. The blow job sequence here is perhaps one of the best ones that I’ve seen in porn thus far, and that’s saying a lot. I don’t know how TT Boy was able to stay hard, as the women here treated him like a god, licking, sucking, and just showing off at one point before getting into the sex, which doesn’t have a condom here.

There’s a hard cut, and we are back to Raven and Tom Chapman having sex. Raven is in reverse cowgirl to set things up and Chapman has a condom on. The sex is fine, nothing too crazy, with minor moaning, and movement, the two have no major chemistry in comparison to the other scene going on. As far as the sex goes here, it’s generic, and if the goal was to show what it would be like to have sex with an escort, they achieve that, since this is somewhat limited in passion. Chapman does well enough to go through the motions, and Raven is there as a counterpart, with good lighting overall, but the two just lack chemistry, and at the 21 minute mark, Raven stops the sex completely and leaves the room.

The next cut we see Trixie Tyler show up to talk to Tom Chapman. They are in the same room that Raven was in. Trixie Tyler has large augmented breasts, brunette hair, and purple lingerie. She’s got to be in her late 20s here, and she’s mostly shaved. Chapman gets started with oral, and things start to get heated.

There’s a cut and we go to TT Boy cumming on two women, then a hard cut goes and we see Chapman cumming on Trixie Tyler.

But here’s the thing, Joey Silvera and Jeanna Fine see that there’s a bust, and therefore they run out of the bordello while the detectives bust into the home, and they start to read everyone their Maranda rights. They are all getting busted and we see things developing negatively. During this bust, we see the detective talking to the boss saying that they’ve closed down everything. The boss asks them to detain Ashley Freelove, and she’s not there. The story continues and we see more characters around different homes and just talking. We see the head of the police with a vendetta, an ex con, and much more. The head of the police asks for an ex con to do him a favor and bring in Jeanna Fine’s character, and that’s it. There’s a great plot here, and it’s fascinating beyond the sex.

We move along and see Joey Silvera and Jeanna Fine walking into the woods somewhere looking for a hide out. They eventually reach a house, and they just settle in. I must note that this is a young Jeanna Fine, with longer hair, smaller breasts, and different from her latter releases. There’s a cut, and we see a memory found from Fine, where she’s talking to Jon Dough. Dough plays a music box, and the two are on a brown couch talking. She isn’t wearing any makeup, and has a green bra and panties set. The two begin to kiss and we are taken to the next sex scene.

Jeanna Fine and Jon Dough start to make out on a brown couch, within the new hideout that we just saw. There’s a large black cat painting, and there’s some good lighting here, and the two juxtapositioned with the light, as things start to heat up. This is a slow moving sex scene, and it features minimal make up, minimalism throughout the set, and the camera work. The sex is slow, almost as though they are trying to say that the two are making love, and it works well. Dough uses a condom here, and the two go through a couple of positions. IT’s a workable sex scene, with a little bit of chemistry, but there’s something missing, and I don’t know what it is. This doesn’t seem like it’s from 1991 as you see the back and forth motion of the sex, you start to think that you’re in the 1970s, as the sound design is really bad, with a terrible soundtrack. Jeanna Fine with no makeup, and going through the motions is odd too, especially at the 43 minute mark when Dough is going to cum, and well, it’s just as mechanical as things can get if you ask me. The two barely break a sweat for this scene, and Fine sounds like she’s been smoking for 30 years. She does have a sexy body, though, but that’s about it, a lackluster scene if you ask me.

We are taken back to the current timeline, and we see Jeanna Fine light up a cigarette and just reminisce a little.

The next sequence shows Jon Dough and Deidre Holland in a random home. There’s a blue couch and the two start to talk about different things before she asks him to stay the night. Deidre Holland is a blonde-haired woman with medium sized natural breasts, and is not shaved at all. She starts to blow Dough, and the scene gets kicked off. The music here is a jazz version of “Black Magic Woman” which is just an odd choice, and the two start to have sex on a couch. As far as the sex is concerned, it’s adequate, nothing of consequence, and nothing too exciting. Dough and Holland seem to have little chemistry, but are able to get through the scene with the same kind of gusto you would for your average romp, without getting too excited. There are some nice shots of the two together, kissing, but it just lacks that certain element that you got with the opening sequence earlier. There’s no condom here, and eventually after some time, Dough cums on the backside of Holland, and that’s it. Fade to black, and we go to another section of the movie.

We see Jon Dough show up to the house, and meets with Joey Silvera. Then we see him talking to Jeanna Fine. The two start talking about the past, and start to hug and kiss, as they reminisce about old times. The story continues, and we get more backdrop into the past, and the current state of things, with the police, and their professions, etc. After some time we are taken back to the bordello, and we see a few things going down.

There’s a sex scene that features a redheaded woman named Flame, and Joey Silvera. Flame is short, pasty white, has short hair, and of course you know Silvera. The two start to make out on a random couch in a bordello, and we see the two starting to have sex. Meanwhile we see a phone call take place, and find out that Dough doesn’t want to give up the girl. Meanwhile, we are back to the white couch and Silvera goes straight for the sex, and it’s a fast moving scene, without any passion, just raw sex, with a terrible soundtrack. After a few minutes of doggy style, Silvera cums and that’s the end of the sequence, nothing too crazy.

The movie divulges into a plot driven thing, and we are taken to the random blue couch we saw earlier in the movie. This time around we see Diedre Holland and Jeanna Fine talking together. They are simply together talking and that leads to the two kissing. The two start to kiss, and then start to get deeper into the throws of passion, until they start to have sex. The sex is fine, fingers, tongues, oral, and lots of moaning from Holland, more than Fine. Fine gives a lot here, and doesn’t seem to get the same in return, although the two get into several positions and just seem to enjoy the process, albeit a short one.

The scene ends, and we are taken to a random living room where our main villain talks to Ona Z. This is an older brunette, that has a beautiful face. The villain is played by a guy named Johnny Nineteen. The two start to argue, and that brings about a lot of passion and actually good acting. The acting here is superb for the scene, and as a stand alone entry point, it’s solid. Nineteen is a District Attorney and wants to get the bordello women into jail. The two discuss things and then turns into sex. Ona Z and Johnny Nineteen have sex on the random blue couch. It’s a slow moving sex scene, with little to no real passion. In fact, it’s slow, and doesn’t last that long, with Nineteen cumming way early and that’s it. It’s laughable how little he lasts here, and the camera barely shows anything other than the motions of a cable sex scene.

The movie ends and we see that the District Attorney was part of a larger corruption scandal, and then we see Jon Dough and Fine in a park just making out, because they are back together. That’s the end of that, and the movie credits start to roll.

I give “City of Sin” a 3 out of 5

The movie started out very well, as the TT Boy scene really took things to a good spot, but over the course of the movie, the quality dwindled, and we started to get boring elements and mechanical sex. I didn’t like that, and well it really dragged down the purpose of the movie, right? Well, other than that, the movie does have a great story line, and one that makes this appear to be a classic from the 1980s where you would only see it in movie theaters. It’s shot on film grain, and it’s really good overall, but alas, the sex drags it down.

Pickup Lines 2 (1995) Review

Pickup Lines #2 (1995) DVD Cover 

We are going back in time again, but this time it’s not too far away from our previous route. This time around we are going to be moving towards a series that I’ve covered in the past, and honestly don’t really care for, and that’s something that I’ve stated many times on this blog. I am not a fan of gonzo productions, and one of the major gonzo features that kept getting released was that of the Pickup Lines series. This option from 1995 was directed by Tom Stone and distributed by Odyssey, and no doubt hit a lot of rental stores and you may have even bought it. I picked this up only because there were scenes that I had to check out with Lori Michaels and Jill Kelly. So let’s focus on this release from 1995, as it is called, “Pickup Lines 2”. The stars of this movie include Demi Fairbanks, Peter North, Jill Kelly, Vince Vouyer, Alex Dane, Nici Sterling, Wilde Oscar, Goldie Star, Kim Kitaine, Ceran Morris, Felecia, Lori Michaels, Sean Rider, Ed Powers, Taboo, and Nicole Jefferson.

If you know what a gonzo movie is, then you know what to expect from the story line of this series of releases. If you’re not familiar with that term, then you should know that this is something that doesn’t necessarily have a story to it, but rather just a bunch of random scenes that are thrown together for the purpose of making a porno release. A lot of today’s web series and more often work within the confines of gonzo, which is not my favorite genre, but I recognize is as a resource for pornographic involvement, which is something that is going to be part of the larger scope of this blog, eventually. I can’t only stick to story lines, as I’ll run out sooner than later, so here’s some more gonzo for the people that want pure sexual gratification.

This was the first introduction to Lori Michaels, which got a different credit. The music was produced by Dr. Shears, it was edited by Miles Long, and it is the second in a series of probably hundreds of gonzo pictures.

The movie starts after the credits and we see random sequences from the porno that is to come. You see a few slow motion elements and you see what you are going to be detailing with the sex, and it’s not bad. The music is calm, then you are interspliced with B-footage and you really get a feel for what is to come next.

The movie starts in a vacation destination with Demi Fairbanks and Peter North. They are simply on vacation and walking around before they get to a roof top near a beach house and then start to make out. The start here has Peter North giving oral to Demi Fairbanks, and away we go within the first 10 minutes there’s oral. Demi Fairbanks is an attractive woman with large breasts, a tan, medium length hair, a brunette and has minimal sounds to start. The two are outdoors on a balcony overlooking the beach. After some oral from North, Fairbanks gets on her knees while some soft music plays. The two are in swimsuits then nude, and the music is boring. The camera cuts in, but the visual design is interrupted by the shadows and lack of secure elements from the sun. The two go through the motions of sex, and then go into the house. There they get on the bed and start to work out some stress with several positions. The positions are standard, and Peter North doesn’t wear a condom. Demi Fairbanks barely makes any noise, and the two go at it for a good amount of time before North eventually just strokes it until he cums on her face. It’s a lackluster scene with little to no chemistry between the two. When North cums, Demi Fairbanks looks away and puts her hand up noticeably not into this at all, and really takes away from the scene.

There is a blooper here! At one point Demi Fairbanks around the 17 minute mark tries to cover her face and even tries to avoid blowing North again, and you see the director’s hand from outside of the frame come into the frame and moves her hand! They didn’t edit this out!

After the sex the two go out onto the balcony and then start to talk to Jill Kelly and Vince Vouyer, whom are their neighbors. We then fade to black and then get to the interior of the next apartment.

In the apartment Vince Vouyer and Jill Kelly are in a bath tub, nude, and Kelly starts to blow Vince for the start. Soft music starts, and we get to the next sex scene. This is early Jill Kelly, before she had breast implants, my favorite period of her career, and if you’re a fan, then you’ll know her blonde hair, and tan lines well. Vouyer doesn’t even get hard to start, his penis flops a bit which is a sign that he was using a penis pump, or isn’t into the sex scene, until Kelly really gets to work with oral. If you’re a fan of Jill Kelly, then you will like this scene as it’s in her prime for me. Vouyer and Kelly have sex in the bathroom, and there’s no condom, she’s young, and looks very “California” overall. Vouyer stays hard throughout and the two eventually et to the bedroom and get it on. It’s obvious that Vouyer loses his erection at one point and has to get it back, before he starts to hump Kelly. The two move to the bedroom and go through a few positions and it’s ok at best, nothing crazy. Over time we end up seeing Vouyer cum on Kelly’s face and that’s the end.

After the scene we are taken to the streets where we see a couple of women talking. They are just talking and it appears to be Venice or the San Fernando Valley somewhere. One of the ladies invites the other and they take a drive somewhere. They drive to a house on the hills and they start to drink some wine together. This is a prelude to the sex scene that is next.

Alex Dane, Nici Sterling and Wilde Oscar all get undressed poolside at a mansion and start to really get into the sex. The women are two brunettes, one that is European with an accent, and the other that is Caucasian with a tan. They both look like they are in their late 20s or even early 30s, thin, and medium sized breasts. There is a man involved here and he is balding, and has an average sized penis. They are all outdoors, soft music starts and we get oral introduced. Both women are trimmed here, and the dude isn’t shaved completely but has some shaved. WE see the trio start to work through a threesome, and it’s not too bad. The trio move to the bedroom and they continue their sex romp, and around the midway point they end up having anal sex. The anal is interesting, as it’s with one of the ladies that has breast implants and they do it reverse cowgirl. Other than that, it is just a mediocre sex romp with one of the girls obviously confused as to what to do during the sex, and just watches, looking somewhat bored. The dude loses his erection at the 44 minute mark, and the two women try to get him back up, and it seems like a struggle until he starts pulling hard and eventually cums. This is an awkward sex scene with little to no passion, and really drives down the value of the release if you ask me.

We move from the city to the farm. That’s where we see two blondes hanging out. They are platinum blondes, and one has massive fake breasts, the others are natural, and they look very much different. They are thing, slightly pail, and have your average farmer’s red plaid with jean shorts. One of them is way older, and the other is not. The two are out by some stables and they start to kiss a bit and undress a little. After a bit a guy shows up and tells them to come through and have sex.

We see Ceran Morris, Kim Kitaine, and Goldie Star in this scene having sex. It ends up going fast, and immediately goes into doggy style, with one of the girls moaning quite loudly upon insertion, but that’s it. There’s minimal sounds here, just the sex element, with a little bit of moaning as the three start to work through oral, and doggy style sex. Again, no condom here, and honestly Morris loses his erection at one point and the camera slows down and just lets him stand there while the women have sex, and look at the director. At one point the director is in the fame, and it’s funny to see, but after some time, we see Morris get back up and then cums all over the women. This is a lackluster, terrible sex scene that is a waste of talent.

Up next we see a couple of women in the back of a boat. They are hanging out and then stop at shore while a dude watches on. The women start to kiss, and we are taken to the next sex scene.

In the next sex scene we see Felicia and Lori Michaels start to have sex, going forward with oral and fingers first. These two girls have that “girl next door” quality, and Lori Michaels looks like a milf that I know, while Felecia is young, ethnic, thin, and has long hair. She’s only done lesbian scenes with one sole exception from what I know, and Lori Michaels is premiered here for the first time. The sex is ok at best, as they go outdoors, you can see that Michaels is uncomfortable with it, and Felicia tries to go through the motions with some slight moaning overall. The two don’t have a lot of chemistry, and while it’s a serviceable scene with two attractive ladies, there’s something missing, especially from Michaels.

This scene kind of takes a dip and we see Lori Michaels start to blow Sean Rider, the driver of the boat. She blows him and then the camera switches and we go to the bedroom where we continue moving forward with the two. There’s a bit of oral from Sean Rider here and it’s not that good, but then we go back to oral with Lori Michaels giving him head. It’s soft, sensual, and she really does well with this. A condom is placed for the scene, and we start to get into the sex, which is basic, mechanical, and lackluster. Lori Michaels is an attractive woman, but it doesn’t look like she’s enjoying the sex too much, while Sean Rider just goes through the motions of in and out as you would expect. After a few position changes and random kissing, and going through the motions of casual sex, Rider takes the condom off at one point and Lori blows him for the finish. It’s not a great one it’s kind of boring.

After the hard cut we are taken to a living room where we see Vince Vouyer and Peter North jacking off and not hard at all! I kid you not, this is a real thing that is happening in this movie. The two stop pulling rope and then approach two women that are kissing, and it’s Demi Fairbanks and Jill Kelly. This is where the duo turn into a foursome, and we get some real sex, instead of just trying to pull on some play-doh for the camera. There’s some calm music that starts, and we see the guys finally get hard and start working with the women, going into them with sex, and oral. Demi Fairbanks is not interested at times, as she receives oral and Peter North has to tell her that she’s supposed to suck him off, but isn’t doing that. Meanwhile, Vince Vouyer goes forward with Jill Kelly, all of this with no condom mind you. Jill Kelly moans the most here and it’s an interesting little sequence overall, and if you’re a fan of hers, she saves the whole scene, and really has true orgasms at several points. Demi Fairbanks is there, but isn’t really there and it looks like she just goes through the motions, and well it’s a bit tired overall. Overall, the best part of this is Jill Kelly getting off, the rest is just boring to me. At one point the dudes change partners, and you see things go forward there, which is an interesting pairing with Peter North and Jill Kelly being the most attractive of options at one point, but it’s limited in scope and by the time you really get into the scene, it’s time to cum and that’s that. Perhaps one of the laziest of scenes? I don’t know. The direction, the bedroom, the lighting, and editing all work against this one, and only Jill Kelly really saves this one for me. After some mediocre sex, Peter North shoots a blast that hits both women and that’s the end. The detriment here is Demi Fairbanks performance, which is abysmal, while Jill Kelly tries to save it, it’s not enough, I can’t believe how terrible this is. I wish I knew why the performance was so bad.

Up next we see the final portion of this movie and it shows Ed Powers showing up to a random house. He is going to be doing a scene and interview as per usual, and it features two women. This time around he introduces Nicole Jefferson and Taboo. Both women are young, thin, and ethnic. Both women are African American. We start with an interview in the bedroom before Ed Powers and the women start to kiss.

Ed Powers starts to remove his clothes alongside Nicole Jefferson and Taboo. Powers doesn’t have a huge penis, mind you, and he looks like a dork, but he has bedded some amazing women, and well, props for him for doing that. This one features two attractive ladies, and the trio go through some sexual positions and well, it’s ok at best. The oral is good, but the sex is laughable, with Powers still wearing his socks, and the women letting him plow them. There’s a bit of chemistry here, and some standard moaning, but nothing too crazy, as the camera seems to stick to one or two areas overall. Powers has sex with both women, and eventually finishes on their faces, and that’s it. A terrible ending, with a lackluster scenario, with two attractive women and one fugly dude. Good for Powers, good for him.

I give “Pick Up Lines 2” a 1 out of 5.

The only saving grace to this movie is the first Jill Kelly scene. Other than that, this is a lackluster gonzo movie, with a lot of downside. The camera work is bad, the editing is rough, there’s a blooper in the movie, and the music is just awful. Overall, this is not a great movie at all, and I don’t recommend it. Unless you are looking to buy the full series as a collector, in which case, have at it. Lori Michaels is still hot, Jill Kelly is hot, but man, you have a lot of wasted space in the other scenes.

The Temptation of Serenity (1994) Review

The Temptation of Serenity (1994) Poster

Today we are leaving the 1980s and we are going to be visiting the 1990s. Not too far away from the last movie I reviewed, but definitely a different era. Let’s get into our time machine and visit 1994. The 1994 release by Wicked Pictures known as “The Temptation of Serenity”. This is a movie that has been made famous because Serenity does her first boy-girl scene. She previously only did lesbian sex scenes on film, but this time around, she starts to work with men, and this is the first time she does it, making it a special release from Wicked Pictures. The stars of this movie includes, Serenity, Sindee Coxx, Tera Heart, Tony Tedeschi, Emerald Estrada, Jonathan Morgan, and Steve Justice. Is this release from 1994 a good option? Will it strike your fancy? Well, let’s take a look at some of the minor and major points associated with this movie from 1994 to the modern era.

The movie opens up with the credits and a silhouette of music that sounds like we’re going to Medieval Times. It’s an interesting concept, and we find out that this movie was written by Jonathan Morgan, and was directed by Jim Enright. He also served as editor, so good for him. The credits stop, and we are taken to the main part of the movie.

There’s a woman walking down the stairs with a random dude. It’s Serenity and a random actor, and she starts to complain about how her boss is not seeing eye to eye with her. She goes through a monologue of writing here, and it’s fascinating to see her try to act. It’s like a high school play on video, and there’s no film grain, mind you. It’s well lit, an office space, the costumes are good, and it truly does look like a low budget play on film. This is obviously a set. I like it. The lighting is from overhead, and you can totally tell that this is nothing more than a façade or a warehouse of sorts. Serenity is a thin, girl next door, and she tries hard to be the “Boss” here, and she fires her assistant. When he comes back in he knocks her out, and we get to the rest of the story.

The movie continues and we see Serenity show up to a game show. Jonathan Morgan plays a great role as game show host. He does great here, and Serenity shows up in a director’s chair. There is a panel with a man named D-Man and he’s sitting next to an angel. This game show focuses on Serenity’s character and whether she will go to Heaven or Hell. The host tells her that she’s dead, and that she’s in purgatory, and there is a battle for her soul. What will occur? Who will go forward? Serenity has no choice, and the movie continues. A game show type of sequence, and it’s interesting to say the least. The actors are good here.

We are directed to a screen where we see moments from Serenity’s life. Or rather, the character she is playing. We see that she was attracted to a man that was a pushover, and that she helped him gain some confidence, However, she also hooked up with his sister, and there’s a dichotomy of good and bad that occurred. To that effect, we see a full sex scene play out.

Sindee Coxx and Serenity are making out on a green couch, in what is a well lit warehouse of a studio setting, and of course this is being shot on VHS. The quality is mired, the music kicks in, and we see the two women start to get naked. Both women are blondes, both are thin, tanned slightly, have full makeup, and are mostly shaved. They almost like twins here. This is at the 8 minute mark, mind you, so you can tell there was some build up to this. The music is a piano driven smooth jazz tune, and the sound of the moaning is turned up for the viewer’s pleasure. As far as the sex is concerned, there’s a lot of oral, lots of finger play, and the camera focuses between the two. The two women are flawless as far as I’m concerned, and the sex is fine, it’s heated, and it’s pure. They seem to work very well together, and the movement isn’t half bad. Watching two girls go at it is great, and it’s nice to see them here.

The story continues, and we see that Sindee Coxx’s brother saw them having sex, and turned him into a transsexual individual. He was so upset. We go back to the game show and we see that the devil wins round one. We then see another round, to see if Serenity was selfless during her time at work. Serenity is in an office with Tera Heart, and Tony Tedeschi. Serenity’s character tells them that she will take on the work alone, and leaves them in the office alone.

Tera Heart and Tony Tedeschi wait for Serenity to leave, and then start making out. A Soft jazz tune comes in, and the two throw stuff off the desk, and start to really heavily pet. Tera Heart has breast implants, is tan, thin, and has long brunette hair. She kind of reminds of me of Kelly from “Saved By The Bell” a little, and she gets nude fast, while Tedeschi starts to go in for some foreplay to start this. The moaning is louder than the music, and Tera Heart is loud as Tony gives her oral and fingers her. The two change positions and Heart starts to blow Tony Tedeschi with gusto. This is a fast paced, hard blow job, and the two seem to really be getting into it, and it’s there that you see Tera Heart has some amazing looking light eyes. You’ll have a hard time not getting attracted to her as she gets up and sits on an erect Tedeschi. There’s no condom here, she’s mostly shaved, and starts to go to work on Tony while he sits on an office chair. After some back and forth you get to see the two go into anal and it works well enough. Tera Heart is loud, has black stockings on, and high heels, making it an interesting visual design element as the two have sex on a desk.

After the sex, with no money shot, mind you, you’ll find that we get back to the game show. We see that Serenity’s character ratted out her coworkers and that meant that she wasn’t all that good. That’s where we end up seeing that Serenity’s character is tied and may not go to hell but rather heaven. That’s where we are going to take a break from the action, and see the devil guy state that he needs a woman to help him win the soul. That’s where we see Jonathan Morgan in front of a makeup mirror getting ready, and he’s introduced to the devil woman, a thin, brunette, that looks a bit older, ahs extra large breasts, and dressed in all black.

Jonathan Morgan and Emerald Estrada teleport to the backstage area of the warehouse set that the movie is being made in, and we see them on a red comforter. The set is dark except for the spotlight on them and the movie goes forward with fast paced sex. Jonathan Morgan pulls down his pants and Emerald Estrada gives him a blow job, before he starts to get going too far. He gets hard immediately, and then the two move forward to sex. Estrada puts her legs nearly over her head and Morgan goes forward with focused strokes. Estrada moans a bit as he goes as fast as he can, and the music is a jazzy number that is instrumental that’s all. The scene is devilish in a way and it’s straight forward, sex, with speed as the major focal point. Morgan moves as though he only has an hour with an escort, so he just plows ahead, no major rhythm just frenetic movements forward. After a few positions, things get to a point where there’s anal. That’s around the 45 minute mark, and there’s no condom, so if you like raw anal, here you go, the scene turns into an anal sex one. This continues for a few minutes, and eventually Morgan can’t keep things in place, and he ends up cumming on her face and into her mouth, and that’s that. A devilish scene that works as a bit to move the story forward, and in an artistic way as well.

The scene ends and we see the Devil and an Angel talking to Serenity. She says that heaven is where she wants to go, and Serenity’s character is a bit scared about what will happen. Morgan goes back to the makeup chair and he is approached by an angel. The angel says that she is there to watch over him. The two teleport to another bed, in the same warehouse obviously, and the lights dim, and a spotlight is on them.

Amanda Addams and Jonathan Morgan slow things down, start to kiss on a bed that has a yellow comforter on top, and things go straight into oral. Amanda Addams is a thin, tanned, red head with large fake breasts. She’s partially shaved, and has a bit of pubic hair, but not much, and is a bit older here as well. She’s a bit more quiet than the devil woman, and the music is somewhat romantic in nature. It’s a quality starting point for a contrast of what heaven and hell may be in terms of sexual activity overall. Everything is made different here, including the blow job sequence, the sex which is a little slower, and the attention to the finer details. That’s a good artistic point for the director and the focused lighting, as well as the way the actors play the sexual element here. By the time the sex starts, you start to wonder if they are making love, as it’s tender, and not that hard. The two go through several motions, and eventually Morgan cums on Addams’ face. As far as sex is concerned, this may very well feel like a wedding night sex romp, honestly. It’s that different than the devilish sex scene that occurred before this one. It’s a nice dichotomy, honestly.

After the sex is over, we are taken back to the studio where we see another round of the game. We see the topic of love, and we see whether or not Serenity has a true love. The D-Man says that no one loves serenity, and then the Angel says that no one loves her either. Serenity’s character may end up going to hell, but she says that someone does love her, and she starts to think. Serenity’s character keeps saying that someone loves her, and she ends up waking up and on the lap of her assistant. She wakes up, and she was dreaming all along, and it’s her assistant, and he says that he loves her, and that she’s ok.

Some soft music comes in and the two start to make out. Here is the final sex scene of the movie and it starts with a delicate starting point. Some making out on an office chair, the same costumes from the beginning of the movie. Serenity and Steve Justice start to kiss like they are old friends, and lovers. They slowly undress and you get a feeling for this first time for Serenity, meaning her first time on film with a guy, and it’s fascinating to see how it’s played to be erotic, and artful at the same time. This is not frenetic sex in any way, it takes time to build forward. Serenity here looks like a college senior, with large breasts, dirty blonde hair, and dressed like she’s going to a job interview. She’s relaxed, sexy, and will most likely turn on anyone that has seen her work. She has that “girl next door” vibe to her look for this movie, and she even delicately moans to start the sex. Steve Justice finally gets a blow job in this scene and isn’t immediately hard. He’s not a big guy at all, he’s got an average sized penis, which seems to have a difficult time getting up at first glance. However, Serenity and him work things out enough for the elevator music to shift and the two to start penetration and more. There’s no condom used here, and it’s just forward process sex. The two have sex on a desk, and exchange just a couple of positions overall, nothing too fancy, and it’s actually kind of short and sterile. While the opening was great, the foreplay really made it seem good, the sex itself lacked in creativity, and chemistry. At one point you don’t even see much going on besides Steve Justice barely grinding and pushing into Serenity, obviously trying to last longer, but it’s not going to work as he eventually just finishes fast on Serenity’s backside and that’s it. Not exactly a thrilling sex scene.

He says, a guy would have to sell his soul to the devil for sex like that, and out comes the D-Man and he says, “Hey, a guy’s got a make a living”, and that’s the end.

I give “The Temptation of Serenity” a 4 out of 5.

I wanted to like this more, but the creativity shown in the movie, and the two stellar sex scenes make it an above average affair. The fact that it’s Serenity’s first boy-girl scene also factors in, but the creative lighting, the performance by Jonathan Morgan, and the attention to some finer details make this a worthwhile sex show to watch.

You can purchase “The Temptation of Serenity” by clicking here, and seeing why this is a well reviewed, kind of hot porno movie from 1994.

Let’s Talk Sex (1983) Review

Let's Talk Sex (1983) Updated Poster 

Once again we venture back into our time machine to visit another era of pornography. This happens a lot, since I tend to only pick moves that have plot, and something more than just gonzo sequences. I make exceptions here and there, but I’m only one man and I’m reviewing smut, and no one is reading. Today we venture back to 1983, a different year for everyone, and we are going to be discussing a movie that was directed by Paul G. Vatelli. This movie was distributed by Caballero Home Video, and it was no doubt seen on the big silver screen. With that in mind, let’s go forward to a movie that stars some big names. The movie is called, “Let’s talk Sex” and it was released in 1983. The stars of this movie include, Bridgette Monet, David Cannon, Pat Manning, Kevin James, Mona Page, Julia Parton, Mike Horner, Becky Savage, Kitten Natividad, Joy Larsen, Laurien Wilde, Melanie Scott, Tom Byron, and Herschel Savage. A big cast for a porno movie, but none the less, let’s take on this movie and see if it’s worth your time at all.

The movie starts with B-footage of what appears to be Downtown Los Angeles in the 1980s. There’s nothing too forward to talk about here, it’s just a nurse walking the streets alone. There’s some cat calling that occurs, and that’s it. The cat calling keeps going, but the nurse keeps walking. This nurse is a brunette in uniform, and that’s it, nothing crazy. She is walking home from her shift, and eventually makes it. She’s plain looking, brunette, thin body, small breasts, the 1980s uniform of a nurse, and she finally makes it to her house, where she can take off her hat, and settle in. We hear sirens in the background, and we see this woman walk through her home after work, assuming she’s single, and just going through the daily routine. Nothing fancy here, cinema more than a sexual romp begins this movie. I like that. We are shown what this woman is like, and within the standard of the sequence we see the lights go out. The lights go out, and it’s dark, our nurse hears something, and starts to walk towards the sound.

The nurse opens up a closet and she sees a random man in her bedroom! The man requests that she starts undressing, so she obliges. This is the start of a lot of horror movies, mind you. The woman starts to undress, and the music starts to get a bit more intense, like a 1980s slasher flick. She obliges, taking off her nurse’s uniform, lingerie, and shows off her nude body. He requests that she gets on her knees, and the music intensifies and we are taken to the sex within the first 10 minutes of this movie.

Bridgette Monet and David Cannon are the actors here. Bridgette is a girl next door type of woman, plain, and simple, while David Cannon looks like a home invader, and gets hard fast. Bridgette Monet starts to give him a blow job, and it’s nice and sensual as the music intensifies a little, mixing rock and new wave. Monet’s technique is actually pretty good, and the lighting is really dark here, except for the act. The two move to what appears to be a couch and there’s zebra print sheets on it. They engage in sex, with a couple of positions, but the film grain and lighting is so dark, it’s hard to tell what is going on. You can tell the movements, and the camera does let you in for a little bit of the sex, but it’s mostly a lot of outer camera angles with lackluster lighting. Maybe there’s a remastered edition of this, but my digital copy is still dark. The two have some boring sex, and it really isn’t much to write about. It’s not the worst sex scene I’ve seen, but it’s far from the best, and I do mean far. The scene ends with Monet blowing Cannon.

The end of the scene is odd. We see Cannon pick up a phone and he is talking to a woman. We find out that he’s been alone the whole time, he’s been talking to a sex chat line, and that’s it. There’s no nurse, there’s nothing strange, it’s a phone sex fantasy that we’ve been seeing. The movie sends us to a call center where there’s women answering phones and it’s sex talk. The women start talking about their work, and that’s it. Nothing crazy. They talk about how going out with a customer is not possible, etc.

The movie continues and we are taken to a random house where a woman is going to take a bath. She tells her husband or some random dude that she’s going to the bath, and that’s it. We see a woman taking a bath. She has short hair, small breasts, long legs, and a thin frame. A woman straight out of 1983, that’s for certain. She starts to pleasure herself in the bathtub with bubbles when we see the man peaking in to see what she’s doing. This guy looks like Scott Baio, by the way. The bubbles get in the way of seeing any of the action, but our voyeur is getting a full view of the action. She continues to play with herself until we see the man leave and call a phone sex line.

During the phone sex, he talks about the fantasy that he has. He talks about the woman in the tub, and then we are taken to the two getting involved. Pat Manning and Kevin James start to make out, they are both nude and they get into the tub together. They move away from the tub and out to a patio, and that’s where we see more of the woman and of course James. The woman is not fit, she’s older, and is not shaved. That’s not to say it’s bad, but she’s a true milf before the word was ever invented. The lighting is good here, and you see them having sex outdoors, with multiple positions. There’s a rock instrumental underneath this, and it’s literally just the two having sex, nothing too crazy. You don’t hear a lot of the moaning or anything, as the music is louder. The film grain is here, and it truly looks like a 1980s low budget sex movie. There’s no condoms, no one is shaved, and the two just seem to be looking for a rhythm for the most part. After a few positions, Pat Manning rolls over for a blow job and then James finishes, and that’s it. It’s an ok sex scene, but it’s definitely lacking some gusto. The two work ok together, but when the music is better than the sex, there’s something problematic about what is going on.

The scene ends and we are taken to a warehouse. We see Mike Horner calling the sex line and focusing on getting some action from the fantasy line. He asks for two girls this time, and we are taken to a room where there’s two women. He lets out his fantasy and we are taken to the office where he is in the center of two women.

The camera moves towards the office and we see Mona Page, Julia Parton, and Mike Horner engaging in oral sex. Horner has a serious mustache for this one, and the two women are brunettes. Two brunettes with all natural bodies, pubic hair, and all. They are thin, one has larger breasts than the other, and one has a bikini tan line. The music is jazzy, with a spark of saxophone and a little electric guitar, and the sex is slow and steady. The lighting and camera work is not that good as the trio have sex on top of a desk. They eventually get to a blow job where Mike Horner eventually cums into the faces of the two women, and that’s it. Horner finishes, and the camera hard cuts to an exterior shot of a house. Not a great sex scene, mind you, mired by a lack of chemistry between the actors.

As we move forward we see a woman undress in her own home. She calls a sex line and starts to discuss the fantasy a little. It’s with this that we get a little departure from the past solution, as we now get a lesbian scene.

For this scene we get Becky Savage and Kitten Natividad doing phone sex. The two are not together, they are in separate rooms masturbating with a phone in their ears. One woman is using the phone to masturbate. They are both a bit older, with full pubic mounds, not shaved, and just writhe around with pleasure for the viewer. The lighting is once again darkened, and there’s a bit of moaning to accompany the sounds of smooth electric guitar riffs. It’s like going back in time to have sex, there’s no shaving, there’s just hair, and wetness, and two women getting themselves off. Of course, this may be Joy Larsen and Laurien Wilde, I’m not sure. It’s two women solo, and they are both brunettes, that’s all I can say about this one.

We move to another home, and this time we see Melanie Scott and Tom Byron hanging out. Melanie Scott is a thin, tan, blonde haired woman that looks like the girl next door from 1983. She has a full pubic mound, and Tom Byron looks very much like Mark Wahlberg did when he was first discovered in boogie nights. The two start to slowly kiss and then go to oral. There’s romantic piano music here, and the director shoots from various angles, allowing you to see everything that is going on. It’s not a terrible scene, mind you, it’s just a slow moving sexual romp that is more akin to making love than it is to anything you’d expect from porno. It’s sensual, it has climaxes, and it’s a straight forward shot through sex, no clips or cuts from what I can tell. If you like slow moving, multiple position sex with a climax that features a cum shot, then here you go. It works, it’s serviceable, but it’s lackluster in a lot of ways. I can understand why this was shown as it works for the movie’s plot and work, but other than that, it’s a lackluster sex scene.

The next scene shows Laurien Wilde asking a man to go out with her. They want to go out and meet at a bar. They make the date, and we see things go down at a bar. It’s dimly lit, there’s a pool table, there’s some contemporary music, and it looks like any other low budget made for cable horror flick. Laurien Wilde and Herschel Savage go from the bar to the house, and they just hang out a little before deciding to call the phone sex line.

After the call begins, we start to see Laurien Wilde and Herschel Savage engage in oral sex. There’s a nice rock tune coming through, when Laurien Wilde gets to work with Savage. Laurien is a thin, tall, natural woman that looks a lot like the girl next door at an upscale apartment building. She’s attractive, and could probably teach middle school right out of college, that type of look. She has long black hair, and services Savage quite well. She’s all natural, and Savage is too, the two have some decent chemistry, a bit of moaning, and they go through the motions. This is all done on a brown couch, with dark lighting, and several positions. There’s no speed here, they take their time, they work with one another and it is once again akin to making love, it’s that gentle overall. The finish comes with Savage letting go on Wilde’s face as she blows him, the director decides to go with slow motion for the finish. The call ends, the sex ends, and of course, the movie ends here as well.

I give “Let’s Talk Sex” a 2 out of 5.

The only saving grace of this movie is that it’s shot on film and has a plot and musical prowess. Other than that, this is a terrible, movie that has not aged well at all. I was astonished how bad some of it was, even though there was some interesting sex going on. It’s interesting on a historical level, not really going to turn you on at all, unless you love 1980s, slow moving, love making. If that’s your thing, then you’ll love this one.

You can purchase "Let's Talk Sex" on DVD by Clicking Here, and if you act fast, you can get a second movie all in the same set. Not bad for some 1980s porno action. 

Lust In The Fast Lane (1984) Review

Lust In The Fast Lane (1984) Poster 

Stepping back into our time machine we are going back to a controversial subject. We are going to be talking about a movie that came out in 1984. While in Japan, I was able to procure a copy of “Lust In The Fast Lane”, and after giving some time to the idea, I’ve decided to review it today. What’s the big deal about this movie? Well, it stars a lot of 1980s stars, including Traci Lords. Now, whether you want to argue with the fact that this movie was made at a certain time in Lords life, or if it’s illegal is up to you. We’ve reviewed LEGAL copies of these movies in the past, and since I purchased this in Japan, I purchased a LEGAL copy of this, and will be reviewing it as such. So let’s go back to 1984, and discuss “Lust In The Fast Lane”, which was later released and edited to not have Traci Lords in it. The stars of the original site included Ginger Lynn, Tom Byron, Crystal Breeze, Traci Lords, Eric Edwards, Peter North, Beverly Bliss, Crystal Breeze, Sheri St. Clair, Marc Wallice, and David Sanders. This was originally shown in porno movie theaters and the film grain is completely there, so you’ll note that it is made for theaters, and that includes the story, transitions, and film quality. If you are in Europe, or anywhere else where Traci Lord videos are legal to purchase, or you run into something online, then perhaps, you will want to know whether or not this movie is worth checking out for review or pleasure. The movie is directed by Adam, and it was released by Pink Visuals.

The first thing that comes through is that Tom Byron and Traci Lords are a couple. They want to go somewhere for the weekend. Byron says, let’s get into the car and just go somewhere. Lords says she doesn’t know where to go or where to stay, and well, Byron is all about going out, so the two leave their kitchen, get into a car, and venture off on the road. On the road, the car that they are in breaks down and they have to walk. They end up walking to a random house. In the house they see a random guy that is nude, and a woman in a swimsuit. The couple tell them that the nearest gas station is 15 miles away, and that they should stick around, and stay the night. Lords keeps saying that they don’t want to disturb anyone, and that’s fine. The couple have walked into a home that is very much a swingers house. Everyone is introduced, and they are instructed to just enjoy themselves, and that’s when things go forward with a little sexual encounter to start.

The camera fades and we are taken to doggy style sex and it’s Tom Byron and Ginger Lynn. There’s a deep bass guitar riff happening, and we see Byron getting it on with Lynn, meanwhile, we see a shift to see Crystal Breeze, Traci Lords and Eric Edwards having sex as well. So we see juxtaposition with both sex scenes going on at the same time. I hate how these things work, but I get it. This movie was meant for you to see it in theaters, therefore the sex is cut and edited to show two different scenarios, and they are both quite good overall, but it’s difficult to get a chub going as a result. However, it’s a steady focused sexual film with moaning, movement, sweat, and a rock instrumental. No one is shaved, no one is wearing condoms, and the set looks like some random house in the valley somewhere. There’s not much more that can be said about this, the juxtaposition sucks, going back and forth between sex partners is stupid, and I don’t like how that’s done in the 1980s. However, as far as the literal sex is concerned, it’s fun to see these starts of the past just do it, without having to complicate anything, and if you’re a fan of Traci Lords and Ginger Lynn, you’ll love this opening sex scene as things really work very well. We get two money shots and to the body, and that’s about it.

The sex stops and we see the couples sitting on an old couch. Things are just quiet, before we see the scene change. The scene changes to show Traci Lords and Ginger Lynn sitting on a bed. The lighting is a bit good, and the lens moves in to see the two women start to make out. Soft music starts to play, and it’s a very romantic start to a sexual romp between Traci Lords and Ginger Lynn. The two start to get into the sex, going with oral, scissoring, and getting close together. They move around a great deal and start to moan a bit, enjoying the process of sex, before we see a man join them. After a while of the two enjoying the process of lesbian sex, Peter North shows up, and he’s hard. The two kiss while Peter North masturbates until he cums on their faces. This is a very unique little sequence at around 23 minutes. North really goes hard here, and cums a lot on the two, it’s even done in slow motion to show off the art of the sexual element. There’s a little sexual component to this, at one point it looks as though Ginger Lynn gets doggy style but it’s not a long sex scene with North involved. Lords doesn’t get involved with the sex, other than getting oral.

We move next to a den and there’s Tom Byron and 3 women. The host says that the ladies will have a good idea as to what to do next, and that’s when they get nude. Beverly Bliss, Crystal Breeze, Shery St. Clair, and Tom Byron start to have sex here. It’s a four some that starts with Byron getting blown soft, and it appears to be a struggle for him to get hard even though he has 4 women on him. The women are all brunettes, all natural, curvy, and look a bit older. Byron looks so young here, and eventually he gets hard enough to have sex. It’s obvious that he’s not that into the women here, and while the music starts to get louder, the moaning comes through as well, and it’s interesting to see this scene. It’s a bit awkward, but eventually Byron gets into it, even though the women are over acting. Eventually, Byron gives a money shot and that’s the end.

The scene switches and we get a little interlude between Tracy Lords and Tom Byron before we are taken to another part of the house.

The next part of the house features Sheri St. Clair, David Sanders, Marc Wallice, and Peter North. Sheri St. Clair has large natural breasts, a thin frame, and way too much makeup to make her look a little younger than she is. She’s got a full bush, has long curly brunette hair, and it’s interesting to see her here. She gives the guys a blow job here, and they aren’t that hard. It’ funny to see the dudes struggling and eventually getting harder. Peter North especially is not hard, as St. Clair tries to put two penises in her mouth, and they are not that hard. It’s funny to compare size here. The rock music is good here. The men go forward with having sex, and the highlight here is a double penetration point. There’s a DP sequence while St. Clair blows another guy, and it’s not half bad. It’s rare to see DP in these movies, so it’s interesting to see this one, and there’s no condom of course. Eventually all the dudes cum and that’s the end.

We are taken to a patio where Traci Lords and Tom Byron talk, and like to stay a little longer. The two then move to the inside of the house, some romantic saxophone music plays, and we see a shift.

This time around we see Tom Byron and Traci Lords making out in a bubble bath. Lords reaches Byron and starts to blow him. He gets hard fast here, and you can tell that he’s into the process, and has chemistry with Lords. He’s done several scenes with Lords at the time of filming this movie, so it’s known that they are good together. There’s some reciprocating oral before Traci and Tom start to have sex. The sex stars, and you can see that Lords gets wet for Byron, and the two have sex on some tiles while the bubble bath starts to dissipate a little. This is a simple sex scene, doesn’t last too long and eventually gets Byron to cum on Lords’ backside and that’s it. This is a simple sex scene that doesn’t last too long, mind you, and then just ends.

After the sex, we are taken to a hallway where Tom says he needs to get going home, but the host says that there is one last activity that he should stay for, and that’s a group sex scene. Crystal Breeze, Ginger Lynn, Sheri St. Clair, Traci Lords, David Sanders, Eric Edwards, Marc Wallice, Peter North, and Tom Byron engage in an orgy to finish off this movie. I’ve seen plenty of porno movies and different stories that have come from them, and this ending sequence is not that titillating. There’s just too much going on here, and lots of camera switches with different focuses. You don’t really know who’s who here, until you start to get a few shots that pull away from the action. While this is functional, and I know that the people involved are having sex, and for the most part are enjoying the process of filming this scene, you can’t really get that focus that you need to get too excited. The camera is everywhere, doesn’t stick around with many of the couples, and just keeps going forward between everyone having sex. All of the sex ends, and we see Tom Byron say that he’s had enough sex.

After the sex ends, he gets bitten. Then smoke comes through the scene, and the men and women all say that he’s one of them now. They keep saying, “you’re one of us now”, and he’s scared, but he’s been bitten, and you find out that this has been a vampire ritual, and they all have fangs! What a twist ending! Tom Byron has been bitten and we see that he’s now a vampire too! That’s the end of this film, and wow, what a weird twist of fate.

I give “Lust In The Fast Lane” a 3 out of 5.

I would give this less of a score but that ending really got me, and it was interesting to see a porno movie with a twist ending like that. I haven’t witnessed a lot of twists and turns in porno quite like that. As for the sex, it’s ok, Traci Lords is fine in it, nothing special to remember, and the rest of the crew did ok as well. It’s kind of a short porno movie that really doesn’t pick up until the end where things really get wild. If you’re a huge fan of Lords, perhaps you’ll want to get this one, just not in the United States. Other than that, meh, I can’t say much more about this one.

Stupid Cupid (2000) Review

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Witch’s Tail (2000) Review

A Witch's Tail (2000) DVD Cover

Today we are going to venture to the year 2000. This movie was produced in 1999 but was released in 2000, and it is a movie that was directed by Bud Lee. Bud Lee takes on the director’s chair and the distribution company here is Adam and Eve. The movie that we will be reviewing today, is none other than, “Witch’s Tail”. This is a movie that I first caught wind of on the Spice Network, which is a cable channel that showed adult movies, but didn’t show the penetration or the erect penis. If you have seen that style of porn, it’s so odd, and yet so thrilling at the same time. Anyways, the stars of this movie include Julie Meadows, Chris Cannon, Cheyenne Silver, Steve Hatcher, Asia Carrera, Rayveness, Alexandra Silk, Anna Malle, Joel Lawrence, and Jon Dough. This is a higher end production and it has a story, which means it could be good, right? Well, let’s hope so.

The graphic sup front are interesting, with a focus on the budget. The credits come in with cool fonts and interesting colors, and we see a man riding a horse. A woman is on the side of the road and it appears to be back in the day. We are going back in time in this picture, even though it was filmed in the late 1990s, and released in 2000. The movie shows a Victorian woman with an umbrella, while a man is in the wild, riding on a horse as the credits come through.

Once the credits stop, we see a man in a confederate uniform. He comes to a woman and says that he has waited too long to see her. We then see that it’s a woman writing a novel, and is having a hard time coming up with a poetic way of describing the scene. After a few breaks, we get sent to a love making scene with the two characters.

For this sex scene, we start with Julie Meadows and Chris Cannon. Julie Meadows is all dressed up, and is a blonde with a shaved pubic mound. She’s a bit older here, and has long blonde hair, and a milf’s face, with nice legs, big teeth, and a thin body. The scene kicks in with some instrumental music, and Cannon going in for oral. After some oral, Meadows gets on her knees to blow Cannon while he’s still in the confederate uniform, mind you. The blow job is ok, nothing too fancy, and the director pushes you through the outer elements that they are in. They are outdoors, with natural lighting, and the exteriors are interesting, as they contrast with the sex that is about to go down. After some oral, we see a full frame view of the action, with Cannon going deep with Meadows. She’s naked, has small breasts, and the two focus on reverse cowgirl to start. The music dips a little and you hear the two’s bodies hitting one another, alongside Meadows moaning a great deal. The sound is enough to get you started if you’re looking for a scene to deliver a little tension relief. There’s no condom here, and after a few minutes, things switch up to anal and you really get a sense for the size, shape, and overall chemistry that the two have as Meadows squeals and gets louder as the two engage in anal. It’s a good scene, mind you, and it’s well lit with a standard of chemistry that I haven’t seen in a lot of movies up to this point. After some back and forth, anal, and different positions Cannon cums on Meadow’s face, and that’s the end of this scene.

After the scene, we get cut to a woman writing in her journal. She says that she’s having a hard time writing a novel, and she’s not sure how to continue. We see that it’s Asia Carrera and she’s just having writer’s block. A phone rings and she picks up, and talks to a publisher and says that she’s not lost on ideas. The publisher says that the next book has to be good, and it has to get into the top 10, and things should go very well or else. Then we progress with the story.

The story shows Asia Carrera and another brunette getting introduced to a random old dude. He has an accent that sounds a little like Sean Connery. The two women go into the study and we find out that it’s Carrera’s characters aunt, and she’s passed. She looks at all the pictures and notices that in every single one, the woman that has passed doesn’t age. It’s a weird coincidence at first, but she shrugs it off.

Next, we see Asia Carrera in a room on her laptop, when a wind comes in. The wind brings smoke and she looks out into a hallway. In that hallway are two people, and they start to kiss as Asia looks on.

Cheyenne Silver and Steve Hatcher start to makeout a little when an instrumental song starts. The next moment we see Silver on her knees sucking away at Hatcher. Cheyenne Silver is a thin, young woman with brunette hair, a thin frame, and is dressed like she is in the Gilded Age. The two are on a balcony for this scene, and they don’t have much chemistry at all. It’s a function sex scene, with a little moaning, but the music turns down and you get to see it all, and it’s not that grand. The lighting is dark, and you can barely see what’s going on, and at one point it looks like Hatcher’s wearing a condom, but I can’t really tell because the blocking and lighting is really bad. Silver is ok, but you can’t really see much of her in this scene, which gets done faster than expected. Silver is pretty, don’t get me wrong, but the lighting leaves a lot to be desired so don’t expect much from this one. The scene is interesting and the scenario works for the story here, while Asia looks on to see what’s going on. When the lighting gets a little better around the 30 minute mark, we see that Hatcher’s wearing a condom, and the scene really isn’t that fun to watch honestly. It’s ok at best.

After this night scene we are taken to a shower. We see Asia Carrera in the shower lathering up and enjoying the steam. Then we are taken outside where Rayveness and Asia Carrera are sun bathing. Some soft music starts, and the bikinis come off.

Rayveness and Asia Carrera start to kiss, and then goes into oral. Rayveness here is younger, has brunette hair and tanned skin, with a pretty face, and nice body. She wears sunglasses here, and Asia Carrera here is trimmed, and looking great as you’d expect. The extent of the scene is mostly oral, and there’s not much to it, other than just pure sex, with the exception of Rayveness turning away and looks to be turned into a witch and disappears! This was an easy going scene with not a lot of action.

After the lesbian sex scene we see the publisher showing up and asking about the next chapter of Asia’s book. She gets mad, and then tells him that she’s going to get his job done if she’d leave her alone. After that, we are taken to the inside of the home where a random woman shows up. It appears to be Alexandra Silk, I think. She invites Asia Carrera to a party.

The next scene is the party. Some soft alternative rock music instrumentals start and we are taken to what appears to be a swingers party. Joel Lawrence, Alexandra Silk and Anna Malle start to kiss and make out, then oral begins. This is a fully blown threesome and Asia Carrera is there watching, and looking uncomfortable. Joel Lawrence wears a condom for this scene and it’s not bad. Anna Malle is a tanned, loud woman with large breasts and an Italian look to her. Alexandra Silk is a hippy looking woman with reddish hair, full bush, thin frame, and young face. The trio work through several different positions and lots of moaning and dirty talk, with good lighting until Lawrence comes on Anna Malle’s body. It’s a good scene with a nice finish but it’s not long, and just has some bad editing. Other than that, the scene has some chemistry, just not a lot of it. It’s ok at best.

After the scene we are taken to where Joel Lawrence is and he asks Asia Carrera where she was. She slaps Lawrence and runs away.

We are then taken to a place where Asia asks about what is going on. She talks to the care taker, and he tells her about Carrera’s aunt. It’s here that we get the full story, and it turns out that the aunt was a witch and the care taker talks about how he is there to take care of intruders and more. Then we see some laughable moments where he gets a sword and vanquishes a witch that shows up, only to leave Asia Carrera in a white nightgown and Jon Dough to show up as the reincarnation of the caretaker. This is an odd turn, but hey, it’s a porno, right?

Asia Carrera and Jon Dough begin to have oral sex, with a focus on her for once. They are outdoors, in the dark, and just begin with subtle foreplay into oral. There’s no condom here, it’s straight forward sex, with nothing too great to start. There’s an instrumental soundtrack here, and straight forward bare sex. It’s slow, methodical, and artsy. Carrera lies on her back for the most part. After some time the two switch positions and we get to doggy style, and Jon Dough just looks very mechanical compared to what Asia Carrera looks like. Carrera pushes back and seems to be cumming naturally while Dough just seems to be in work mode for the most part. It’s a dichotomy that occurs in porn a lot. The lighting is bad, the sound design shifts to just the sounds of the fire, and moaning from Carrera. The two continue in doggy style until Dough cums on her butt and that’s it. The scene ends, and we are left with the rest of the story. This scene isn’t that great, no matter how much Asia Carrera seems to like the sex, Dough just throws me off as a mechanical participant.

After the sex, we see Lawrence and Carrera talking about how the story just came to her, and that’s it. The two are left in an office and we see the end. Nothing special, and the credits role, and that’s about it.

I give “A Witch’s Tail” a 3 out of 5.

There’s a lot of lighting issues that mired the scenes here. Other than that, it seemed mechanical for the most part, with just a few saving graces. I didn’t find it to be grand at all, and while the opening sex scene does get you a bit hard, the rest is just boring, including the ending. Now, if you’re a big fan of Asia Carrera then you’ll want to pick this up for your collection.

You can purchase “A Witch’s Tail” on DVD or stream it by clicking here, and see what you think about the movie starring Asia Carrera.

Breeders (1996) Review

Breeders (1996) Poster

Well, here we go again, it’s time to get back into our time machine and look at the 1990s. It’s here that we are going to find out a bit more about a movie that has a lot of stars from the past, and some that you may be familiar with. This time around we are going to a larger budget movie option that was directed by Brad Armstrong, and distributed by Metro. This movie is called “Breeders”. It was released in 1996, and it has a higher budget than most. The stars of this movie include Sindee Coxx, Peter North, Dawn Burning, Kaitlyn Ashley, Alex Sanders, Sean Rider, Nadia Moore, Steve Drake, Anna Malle, Ruby, Gina LaMarca, Jon Severini, and Asia Carrera. The movie seems interesting enough, but is it any good? Well, let’s find out and see what’s up with this release from Metro.

From the start of the movie, you can tell that there was a higher budget than most. This movie starts with a very video game style introduction, with a lot of noise, and audio production to the credits. You really get a feel for the post-apocalyptic element that you’re going to be witnessing in this movie, that’s for sure.

Earth has become split into a few different factions. Those that are breeders and those that are not. The non-breeders are a band of criminals that want to kill everyone else. They are an underground group. They are criminals, and after the nuclear war killed everyone, only 12 people were left to breed. This is all talked about in the introduction which features a narrative voice. We see Peter North walking around a desolate area, which seems to me to be a spot near Inglewood.

Peter North runs into a busty blonde haired woman, and it’s none other than Sindee Coxx. Sindee Coxx gets on her knees and starts to blow Peter North. Sindee Coxx is a blonde haired, busty woman, and she has that California porno look. There’s a weird saxophone driven soundtrack that begins, and North stands amidst some dirt trees, with shadows being pushed to the side by the lighting rigs of the movie. It’s not well lit, but it’s lit enough to see what’s going on, and it’s Coxx going to town before North and her decide to have sex. The sex is adequate, the angles are ok, Peter North always looks like he’s in work mode, while Coxx seems to get wet and really get into the sex, even if it doesn’t last that long. The two work out well enough in multiple positions until North cums on Coxx’s pubic hair.

After North cums, we see some Roman Reigns looking dude come through and says, “they were here”. Then you are taken to an underground lair where a few guys are talking about how they need to kill more breeders. This is definitely a post-apocalyptic area, and it’s interesting to see, no doubt.

After the guys say they need to get more breeders, the camera takes us to prison cell. It’s here that Dawn Burning, Kaitlyn Ashley, Alex Sanders and Sean Rider are. They are kissing, moaning, and starting to take off their clothes. The two women are blonde haired, big breasted women, with your classic porno look. One is tanned, the other isn’t. There’s a pubic mound that is trimmed, and there seems to be some genuine chemistry between the couples. For this scene, the lighting is great, the set dressing looks like something out of the “Walking Dead”, and close ups are really close, giving you a very specific view of the oral, and the different positions. The women seem to get into it, and the guys are hard, making this an interesting scene. The music is good too, and the only downside is the many shadows that are in here, which counteract with the glare of my television screen as I try to review this. Other than that, it’s an artistic balanced scene that you could easily splice into “The Walking Dead” and get fanfare for. At one point there is anal, and I wonder why the purpose of breeders would garner such a thing. I thought the purpose was repopulation? Then I remembered, this is a porno. At the 24 minute mark, the director accidentally shows what appears to be Sean Rider trying to get hard, and not being able to perform, so the edit goes back to Sanders, going in with anal. It threw me off balance, and it really doesn’t do well for the scene, and as the scene progressed there’s a lot of blocking, to ensure that you don’t see his short comings in the scene.

After the sex is done, we see the breeders putting on their clothes, and they are attacked by the rebels on motorcyles, and they have guns. They are all casually shooting at the breeders, and one of them gets shot in the arm. From this point forward we get a lot more story. We are taken through the story and lots of dialogue. There’s some clever acting from Steve Drake, Asia Carrera, and others. It’s actually not bad, and if you were to splice the non-sex elements of this movie, you’d actually get a nice little science fiction piece. After some back and forth between the tribes, and Steve Drake’s character introduced we are taken to the memories of his character.

Nadia Moore and Steve Drake are stuck in his memory, and he is slowly caressing and kissing her. They are about to have sex in what appears to be a military outpost. They start slow, with oral, and then start to go forward with a few sensual moments before engaging in sex. The music here is slow, methodical, and artsy, with a focus on the scenario as an art piece, even if there is a bit of sex involved. There’s a sense of purity to the sex here, and it’s interesting to see. However, Nadia Moore doesn’t seem that interested in Drake, and while he’s a pro, the scene lacks that authentic sensuality and chemistry that I feel is necessary for a good sex scene. Remember, this is a fantasy, so it’s interesting to see how this doesn’t really fulfill that element for me. It’s artsy, it’s hardcore, but without that little extra, it’s just two people going through the motions, and it shows. There’s not much to this sex scene, there’s minimal focus on the actual sex, Drake blows his load into Moore’s face, and the music continues to be erotic and we then get a director’s slow down to show off that this is art, not just porn. It’s not a terrible scene, but it lacks that certain sensuality that you’d expect from porn. It is a cool scene to watch though.

Up next we are taken to another lair and this time, it’s Alex Sanders meeting Ruby, and Anna Malle. However, the director has slowed everything down to the point where it’s kind of a terrible scene. The sound design is good, the artsy nature of the sex is not lost on me, but it’s so slow at times that it is just like flipping through a porno and watching the images kind of shift. It’s a lackluster scene that really ends with a cum shot and that’s it. You barely see the women, and the lighting is so bad, that you can’t really tell what’s going on with some of the shadows that are in place.

After the terrible sex scene, we are taken to a mercenary with a shot gun. This is a tall redheaded woman, and she asks for one of the bad guys to take off his clothing. She points a shotgun to him, and finds out that he has water, and then takes it from him, drinking the water and letting it drip on her body. This woman is Gina LaMarca and she is an older redhead, with a lot of makeup. She immediately starts kissing the rebel, and we are taken to the next scene.

In this scene, we are treated to Gina LaMarca and Jon Severini having sex. It starts with oral on her, and then moves forward to the traditional elements. She keeps her boots on. She is a tall redhead with a shaved pubic area, but with a clear landing strip, a tan body, and large augmented breasts. Severini and her have some great chemistry together and though the director again uses slow motion to capture some of it, and the music is horrendous, the two seem to work well together here. The two have sex in multiple positions, but mainly doggy style, but it’s mired by the director’s decision to use slow motion again, and keep the sound and music at full speed. It takes you away from the action, as the lighting shifts because they are outside. It’s a bad scene, and truly a baffling decision if you ask me. The two go well together, and the sex is fine when not in slow motion, but it’s the lighting, music, and lack of chemistry that gets me towards the end of the scene, which starts off nicely, and then mellows out towards the end. It’s like watching an escort work for an hour. Eventually Severini cums and it lands in LaMarca’s face a little, and that’s it. He’s not a big guy, and she doesn’t seem that interested in the sex, yelling out at the end and barely looking sweaty at all. It’s a lackluster display if you ask me.

After they have sex, the rebels come down on motorcycles and they are shot by the two. They get on their motorcycles and run off to another outdoor post.

I don’t know why, but the next scene after this includes Gina LaMarca and Jon Severini having sex again. That’s right, there’s essentially a duplicate scene from what you just saw, only this time it’s full speed, full sex, and features a cum shot to the back of LaMarca’s body. It’s not that good, it’s fast, and the lighting is horrendous. But at least we don’t get that crappy slow motion for this one. LaMarca moans a great deal, and the camera ends the sex fast.

After the sex, we see Steve Drake and Asia Carrera running to the lair of the bad guys with guns, and they go in guns blazing. They then go in and shoot the main guy, and we come to find out that he was a breeder all along. Drake shoots him, and that’s it. All of the bad guys are killed and we are left with just Breeders.

The movie takes a lighter tone when we see Asia Carrera and Steve Drake outside some abandoned building. Asia Carrera gets on her knees and starts to blow Steve Drake. The worst thing about this is the slow motion, and the director once again goes for artsy, with a focus on music that is sold at a swap meet by some Peruvian flautists. Steve Drake and Asia Carrera have sex outdoors, and it’s not a bad scene, if it wasn’t all done in slow motion! Asia is a beautiful woman, needs no introduction, and Drake really works well with her. The two seem to have some great chemistry in this sex scene, and while the motions are good, and you really get a feel for the sex, the slow motion elements mixed with real audio sounds is a horrible way to cast this. Drake eventually cums on Asia’s pubic mound and that’s it. We get a short, slow motion sex scene that was probably much funner for the actors to do than for me to watch. I didn’t even get half a chub, which makes this an odd finish to a cool movie.

I give “Breeders” a 2 out of 5.

This is a terrible movie. However, it’s interesting, it has a lot of cool elements to it, but it lacks all of the elements that make a good porno movie, good. The sex kind of sucks, but the story is cool, and the ideas are great. But the choice to make a lot of the sex slow motion and artsy really takes me out of it. Plus, the Asia Carrera scene should’ve been longer in my view. But then again, hey, I am not the director, I’m just a guy reviewing movies.

You can check out “Breeders” and see if you like it, as it is available on DVD, streaming, and other mediums. Click here to pick it up and get 15 minutes free for starting a trial. I didn’t hate it, but I also didn’t love it. Maybe you will, though.