 |
| Guilty as Sin (1996) |
You ever wonder who the custodian of records is for these movies? The opening of this movie has a slow starting point, where you hear nothing, see nothing, but get that warning that the custodian of records has all the files on all of the performers, because they are all of age, etc.
The movie starts with three women talking. A secretary comes into an office and is talking about a new client. The new client is a blonde haired woman, and she said that she heard the attorney is the best and she needs the best. She’s in the worst running suit, and it’s hilarious. The office looks like your average set, grey carpeting, a book shelf, some books, a random credential, and a piece of Thomas Kincade art in the background. A desk, and brown bookshelf, and the lighting of course is coming from two angles, so the shadows are showcasing where the lighting rigs are. I’m trying to see if there’s a boom mic in the shot, but the editor did a good job of framing this enough to not see it, but I know it’s up there, and if you’re careful, you can catch the sound bouncing through it.
The blonde tells the attorney that she needs her, and the attorney said she doesn’t need anyone if she hasn’t been arrested or taken in for questioning yet. The blonde tries to convince the lawyer, but the attorney is not having it, until the blonde tells her a little more about her story, and that she has an alibi that has stopped her from killing her man. She says she has her own money, so there’s no way she could’ve killed her husband. When she starts that, the attorney sits down and starts to listen to a story, where we get a hard cut, and into the first scene of adult material.
We cut to a backyard swimming pool. There is a single camera shot looking in on Mickey G floating on a pool bed, and Missy comes through. She walks in with a bikini, but the frame of the shot is so uneven, you can barely see her get into the frame. The director has this shot framed horribly, and the sunlight is so bright, the backyard is washed out, the colors not grand. Missy is a thin, dirty blonde, and has that California tan. Missy gets down to the pool and starts to blow Mickey G immediately, without any interlude, and a hard camera cut, straight to the close up of her blowing him directly. I’m not a fan of the framing of this scene at all. The centering is all off, and the weight is positioned in an odd manner. Mickey G. begins giving Missy oral after she blows him for a while, and the two have basic chemistry, but nothing too grand. Missy’s make up is on point, non-reflective, and her blonde hair has roots that come through as the camera focuses in and out of the closeups. Mickey G. is unkempt and is playing a macho role here. Missy has long legs, that California, blonde, slightly tan but not really too pasty skin tone. The two get out of the pool and use the flotation device to go into more positions. Fans of Missy will find this performance to be adequate, as Mickey G goes through the motions of each position, his arm behind his back because the camera is right on the two as they try to have sex. This scene is quick, and ends with a cum shot on Missy’s face, as she moans. This is not a grand scene, but it’s straight sex, no condoms, and for the outdoors, safe in terms of fantasy land.
We go back to the attorney’s office where Missy talks about what is going on with the case. They talk about how an open marriage, and that they allowed one another to love others as well. Just then, Jonathan Morgan storms in and gives Missy a warrant for arrest. Then the attorney finally says she’ll be her client. Dana, is her name, and the acting here is horrible, with the exception of Jonathan Morgan. Morgan says that the woman shot her husband with a shotgun, and she’s guilty.
We move forward to an office building where Steve Drake and our attorney start to talk. They talk about what things are had by the client. The acting here isn’t too bad, not great, but the dialogue works well. The office here is an obvious set, with bad lighting, but Drake does well here as an evil attorney.
Another hard cut and we are nearly 20 minutes into the porno, and the plot thickens. We see a press release, then we get two women sitting in bed and talking more plot. Missy’s accused of murder, Steve Drake is the evil lawyer, and things keep moving forward, with lots of dialogue. That alone elevates this movie past minor porno status, and instead gives it a full 2 stars extra just for the plot, dialogue, and storyline.
Soft cut here, and we get Missy talking to her lawyer again. The two discuss the pieces of the case. This time we are in Missy’s house, but she’s wearing the same wardrobe as before. During this scene, Missy and her attorney discusses the relationship that Missy has with Charlie. Charlie is played by Peter North, mind you. It’s here that we transition to the next sex scene, and the director throws us into the mess.
We go back outside, and Missy is sitting on a park bench while TT Boy is over her, getting blown. The music starts, and it’s saxophone heavy, with TT Boy showcasing his prowess, and Missy putting on a show for Peter North, who plays the voyeur, or the cuck, depending on how you view this type of thing. Missy and TT Boy have a lot more chemistry than Mickey G did with her, and it shows. Missy rides him in various positions, and he gets really into it towards the end, giving Miss a great deal for the somewhat short scene all things considered. Meanwhile, Peter North sits and watches, and eventually TT Boy cums on Missy’s face, and positions her a bit further from him to get the first launch, which is fine, but not grand. It’s an ok scene, better than the first, that’s for certain.
The lawyer asks Missy if Charlie (Peter North) ever had other women, and that’s when the screen fades, and we see three women enter a room, and present themselves to North. Meanwhile, Missy watches from the corner of a badly decorated set. The show here starts immediately with terrible elevator rock music, that sounds all synth heavy. Nadia Moore, and Precious Silver are the actresses, and they are both skinny, model types, with enhanced breasts, and pretty faces. Both have darker hair, and are a contrast to missy’s blonde hair. The camera goes back and forth between solo action with Missy, to Peter North immediately getting blown and moaning. The set design here sucks, alongside with the lighting, which casts bad shadows all over the scene from overhead lighting. But as far as the sex is concerned, it’s not half bad, although North seems to be in work mode, while the women just go through the motions. You can tell the lighting is coming from the fourth wall, as the shadows give away the set details. As for titillation, the women put on a clinic of how to give ladies oral, meanwhile, North does his best to keep it up. The sex is as sterile as a brothel visit. This is not North’s best work, and Nadia and Precious seem to just be willing participants in a scene where they are more interested in each other, including one woman with a hood piercing. The music is horrible though, the set has green walls, and the camera is all over the place, so good luck with this one. Oh, and how can I forget, there’s a Peter North facial onto a tongue ring, and well, he doesn’t exactly drop a big load here, so if you’re looking for the best of North, this is not the scene for you.
We get back to the house that the attorney was in with Missy. The two start to discuss how many partners one another had. The two women continue to converse, and we get a scene where the attorney is driving. I kid you not, this is a legit movie, although B-level or C-level, but there’s structure here that you do not get with a lot of movies.
The lawyer shows up to her home and walks in, only to find Jonathan Morgan to be in her bed. The two argue about why she took the case. Morgan is a detective, mind you, and the two keep talking about the case, and how one thinks the client is guilty. Morgan gets thrown out of her house, in the worst acting job in the movie thus far.
A soft fade and we go to a court room scene. This is actually done well, and there’s even some non-sex actors in this! I love those! I was in one once. Anyways, this turns into a court room drama, and we get into the best dialogue, and attempts to act. If you are one to watch full movies, rather than just fast forward to sex, you’ll be delighted by the acting job done here. Except for the fact that the attorney here is just reading aloud, not from memory. The judge as well isn’t really taking it seriously, and why would he? It’s a porno, right? A witness is called to the stand, and it’s Alex Dane.
A hard cut takes us into the bedroom of Alex Dane and Peter North. Dane is a skinny, small breasted, brunette, and she immediately begins with a blow job on Peter North. The music here is horrendous, and the set design is actually straight of the 1980s. The flowery brown couch, the hardwood flooring, white piano, and terrible contrast of color and design makes me laugh. Dane and North have a bit of chemistry, especially Dane who really seems to get into the act of giving North a good scene. The two have sex on a brown couch with flowery patterns, and a reddish background, a thrift store find if you ask me. The sex goes through several instances, and positions, with North maintain speed, and precision eventually going through anal. It’s apparent that Dane isn’t that into it, but the scene calls for it, so it goes forward. The music is synth heavy, and it’s fake horns here, and it’s horrible. It’s louder than the sex sounds, which have Dane moaning and North just breathing heavily. After some time, North finishes on Dane’s chest, and that’s that. This is bland. Very little chemistry, and just run of the mill in terms of lighting, and camera work. It’s lazy if you ask me.
Missy shows up and sees the two after they’ve had sex, and she’s upset.
The movie goes forward with the court case, and Drake keeps pushing the witness, and we get moving forward into Drake’s office. Here we see a blonde in a red dress talking to our prosecutor. The two start kissing, and soft music starts. Celine Devoux is the actress here, and she looks like Topanga from “Boy Meets World”, with her hair done like her, thick thighs, and skin tone that draws you in. The set here again is bland, but it’s done up to look like a cheap lawyer’s office or a motel, for that matter. The lighting sucks again, and I’m wondering who green lit this thing, but it’s a porno, so I guess I shouldn’t complain. Devoux and Drake begin with foreplay, and Drake giving some breast play to start. Devoux’s chest is natural, from what I can tell, but then again, this is 1996, maybe they aren’t? I don’t know, I should know. She has cake makeup, is trimmed, and the camera goes right into the tongue and labia, so if you’re a fan of oral, or want to learn, Drake seems to put on a clinic with the foreplay and oral. Drake uses his fingers, mouth, and more to get the first initial climax, and the camera moves lower to show you different angles, and I take back my comment about Devoux’s chest not being enhanced. The sex starts, and it’s casual, nothing crazy, reverse cowgirl, couch sex, Devoux moaning, and for the most part, it’s just run of the mill. I can’t really say it’s terrible, but it’s apparent that Drake and Devoux do not match chemistry, but rather are doing the job. Devoux is a blonde haired stripper type, and if that’s your thing, enjoy. Otherwise, you’re going to get distracted by the lack of chemistry, if that’s what you’e looking for. At the 72 minute mark, there’s anal, and that’s where the scene takes a tonal shift, with the two actually seeming to love what they do, so kudos on that. A cum shot on the chest of Devoux, and that’s the end of the scene.
Drake gets a phone call, and it’s Jonathan Morgan saying that there’s another murder. This time it’s a young man, and it’s another shotgun killing.
The movie then moves forward, and we get to see what really is happening. The attorney talks to Missy, and we then go to a room where Missy is talking to someone on the phone, yelling. The phone is tapped, and we are seeing the end of this story unfold. Missy is in on an extortion plot, she throws the phone down and pulls out a gun, and grabs a leather jacket, this thing is turning into a revenge thriller!
The plot finally thickens, and I’m all in here. A detective is on her tail, and we get some thriller type music, as she pulls up to a house, under the cover of night, to see Peter North come out in a suit, and he’s not dead afterall! North says that the two can run away together. The attorney shows up, talks her out of it, and right before she shoots North, a detective shows up and that’s the end. The whole story wraps up with a detective and our attorney.
Up to this point I didn’t want to name the attorney, because I’m lazy. It’s Blake Mitchell, a short haired redhead, with large breasts. Jonathan Morgan and her begin to kiss on the set of her apartment, and begin with breast play. The oral sex on this scene is good, and Morgan sure has some initial skills with Mitchell, which I definitely appreciated, considering this movie seems to lack in the sex department at times. The camera hides behind a plant at one point, which is hilarious to me. This apartment is designed like the worst Ikea in the world, mind you. The sex begins with a condom on, mind you, the first condom I’ve seen in this whole movie. We start with doggy style, and it’s ok at best. Mitchell moans, and Morgan concentrates, but you can tell that it’s just pure concentration, and nothing more. We switch to another position, Morgan on top and going forward as fast as he can, and then leading to an end of a cum shot on Mitchell’s triple D breasts, which the camera makes look enormous with the angle they choose.
The camera fades, and we get the end, that’s it. The end sequence, and a finish line for the movie.
“Guilty As Sin” was not my favorite movie in terms of sex. But as far as a full movie, with a script, with lots of dialogue, editing, sequencing, and full plot, this is a stellar example of what can be done with a minor budget, for a sex movie. It’s a movie I could see in theaters, and enjoy enough not to finish myself off within the first scene. That’s a special kind of porno movie, isn’t it? Well, it’s something alright.
I give “Guilty As Sin” a 3 out of 5.
No comments:
Post a Comment