 |
| I Love You Molly Flynn (1988) Poster |
This movie starts with an original theme song from the 1980s, and features a lot of colorful elements. The theme song starts and then we see the cast come through with cheesy 1980s graphics. This is definitely one of the movies that went to the movie theaters, and it shows. The production values are high here, with interesting graphics, fonts, and overall design to the start. It’s almost like the entry of a sitcom, only with spliced in hardcore sex, but it features something endearing about it as well. Once the credits roll we go into the movie’s plot.
The opening shows Randy West talking to a blonde haired woman and he talks about well he’s dressed and how cleans up. They talk about how he’s going to meet with the president. Then a servant comes in, and interrupts them. The servant says that there’s someone to see Molly Flynn, and it’s none other than Joey Silvera. Flynn doesn’t want to see him, and is upset that he’s come back again. The two talk, and Flynn pushes Silvera away, stating that they are not like they were, and she’s not interested in his advances. That brings Randy West down to see what is going on. Silvera is introduced to Flynn’s new love, and we get moving forward with an awkward introduction, and your standard starting line for a romantic comedy. Despite Flynn not wanting Silvera to hang out, her new man invites silvera to make himself at home, and the couple leaves him downstairs while they rush upstairs.
We are sent to another scene, and it’s Flynn discussing the situation with Angel Kelly. She says that there’s an unexpected guest and that her ex is now in the house, and things are going to get complicated. She’s venting to the help, Angel Kelly is a maid for Flynn here.
We are moved to another scene, and here we see Joey Silvera and Tom Byron talking to Angel Kelly, talking about having some fun, but then Silvera is pushed aside and Tom Byron gets into things.
Tom Byron and Angel Kelly start to make out on a red couch, and the camera swipes to a blow job. Angel Kelly is an African American woman with a thin frame, short hair, and medium sized breasts. She is a beautiful woman, and Tom Byron still looks like his boyish self. There’s romantic music playing to start, and Angel is works her magic with a fast blow job and hand job combination that nearly forces Bryon to cum within a few minutes. The music continues, and the scene moves to oral for Kelly. The two move into a few positions, the most prominent being reverse cowgirl. The camera focuses on an artsy movement, and you don’t immediately see the penetration. It moves with the music, and eventually we see the two having full blown sex, as sweat starts to bead up on each participant. The music here is really good, the lighting is great, and while Tom Byron looks to be in “work mode” Kelly really gets into the process, squeezing her breasts, and moaning a great deal. After several position switches, and a good amount of time, the finale comes with Angel Kelly giving Byron a hand job, and him cumming in her hands, which is a sight to see as she really knows what she’s doing. The two kiss lightly and the scene ends.
There’s a swipe and we see Joey Silvera roaming around the house in a blue tank top. Joey Silvera knocks on the door of Molly Flynn’s bedroom, or what seems to be a bedroom. Silvera comes in and tries to kiss her, but Flynn says that she’s with someone but Silvera tells her that he misses her and the two start to kiss a little more, even though Flynn, played by Trinity Loren, does not want to get moving forward, saying that she’s with Andrew, and that he’s amazing and doesn’t want to cheat. The scene ends with Randy West refusing Trinity Loren’s advances.
We then move forward to see Joey Silvear cooking in a kitchen with Molly Flynn, aka Trinity Loren, and they just talk. They are talking about cooking, and whether they want Silvera to cook full time etc. Silvera discusses the issue of cooking, and catering, and whether they want him to stick around long term, and more. It’s an interesting conversation that happens without any sort of sexual advancements.
The movie changes scenes and now we end up looking at a random den and it’s Trinity Loren and Joey Silvera talking about old times. Silvera puts his hand on Loren’s breasts and tells her that she should relax, and then the two start to make out a little. Silvera proceeds, and Loren caves in.
Trinity Loren and Joey Silvera start to undress, kiss, and engage in sex. Trinity Loren is a young looking, blonde haired beauty, with large natural breasts. She wears stockings and a pair of silver high heels, as she begins to blow Silvera. There’s romantic music here, and the two start to have sex on a brown couch. Why is every couch in the world brown? Answer me that?! I’m just saying it’s really generic. The scene starts with some of the most romantic piano music I’ve ever heard in a porno, and the sex starts slow, with a focus on the blow job that is so simple, and yet somewhat passionate. There’s no condoms, Loren isn’t shaved, she has a full pubic mound of hair, and Silvera isn’t shaved either. The two start to have sex, and for once, the scene looks like the two have a great deal of chemistry together as they start to get into the action. At one point Silvera squeezes Loren’s breasts and she sucks on the nipples herself, while Silvera goes in and out of her slowly and then sped up. This is perhaps one of the best 1980s sex scenes that I’ve seen in a long time, as it is passionate, and definitely more than just pure sex. The two trade positions a couple of times, and it gets a little harder and faster, with Loren moaning quite a bit here. After a while the two end up on a coffee table where Silvera goes between Loren’s breasts and then cums for the finish.
After the sex, we are taken to the kitchen where Randy West encounters Erica Boyer. Erica Boyer is a curvy dirty blonde, and she has classic 1980s highlights in her hair. She’s quite lovely here, compared to another scene that I saw her in where she and a dude were playing with a penis pump and he got massive before going in with her. There’s 1980s techno music that starts, and then we flash back to another scene.
The director flashes back to the brown couch where Joey Silvera and Trinity Loren are having sex, and the two are looking into each others eyes as Silvera goes all in with her. It’s a 1980s thing for the director to cut from sex to conversation to sex, and it’s mainly to give people in the movie theater a break between strokes, so that they can’t keep it up throughout, I assume. The finish here shows Silvera cumming on Loren’s pubic mound for the finish, and the two look into each others eyes and kiss, and it’s a nice little element overall.
We are taken back to the kitchen, and it’s Erica Boyer and Randy West. She has made him something to drink, it looks like a shake, and she talks about the ingredients, as the two talk. Erica Boyer gets on top of the counter and starts to give Randy West a little bit of a look while she rubs her breasts. Randy West tries to make conversation, but Boyer keeps trying to get him to touch her and kiss her, which he keeps trying to avoid. He can’t resist too long.
Randy West and Erica Boyer take off their clothes, and get on the counter for a starting point of oral sex. Boyer receives as Randy West and his stupid looking mustache go down on her, and then things switch up and she gives him a casual blow job. It’s slow, there’s romantic music that comes in, and West keeps talking about how amazing it is to have her mouth on his penis. The blow job continues through the scene, but the director decides it’s time for one of those infamous cuts. I kid you not, right when things are starting to get good, the director decides to cut to Trinity Loren talking to Silvera.
Silvera and Loren discuss how they made a mistake. They see things differently, but the sex is over, and Loren regrets getting moving forward with the sex. Silvera is proud of what happened, and Loren eventually walks away while Silvera is sitting with a grin.
The director cuts back to the kitchen, and that’s where Randy West is going all in with Erica Boyer. There’s once again good lighting, a nice counter top, and romantic music throughout. I’ve seen Boyer in a lot of other scenes, so this one is a bit tame, she seems to enjoy it for the most part, and West works up a sweat. Boyer is screaming at the 46 minute mark, and West is in full work mode, as the two share a connection after some time that is quite fascinating. They trade several different positions before Boyer eventually gives West a hand job and has him cum in her face and mouth. As she finishes West off Loren walks in on them, and he knows he’s in trouble.
At this point I got distracted. The main reason why is because this movie was dubbed in French for the copy that I got. “Do you speak French?” No! Then I realized that the movie wasn’t in French! It’s in German! Holy crap, how is it that I understand German? I don’t know, I can’t explain it, but I know what they are saying and perhaps I’ve watched too much porno.
We are taken to a room where Silvera, Billy Dee, and Randy West are smoking cigars and talking about what they do, and how business is going. Billy Dee talks about the changes that are going on in his industry, something about exporting things. Then Billy Dee starts to talk about a conquest he had while on a work trip, and in comes Erica Boyer.
Before they get too far, the director cuts to Loren and another blonde haired woman just talking.
The director goes back to the brown couch and we see Erica Boyer blowing Joey Silvera, while Billy Dee is in doggy style going in all the way with her. Again the romantic music kicks on, and the trio have sex on the brown couch in a somewhat passionate way. Silvera and Boyer do a lot of kissing here. And it’s fascinating to see overall.
The stupid director cuts again, and we are taken to a dining room where Randy West meets Sharon Kane. Sharon Kane is a blonde haired woman with short hair, red pumps, and she commands Randy West to give her oral. Randy West says that he can’t, because he is with someone and can’t just go in. Kane tells her to shut up and start going down. Then she insults him. So he gets on one knee and starts to give oral to Sharon Kane, but the director changes the scene.
The scene changes and we are back with Erica Boyer, Billy Dee, and Joey Silvera on the stupid brown couch. This time the positions have switched and Boyer is getting plowed by Silvera.
The director cuts yet again and we see Randy West giving oral to Sharon Kane. Kane reacts with a lot of moaning and vibrations, but the editing once again stops things.
We get taken back to the Erica Boyer, Billy Dee, and Joey Silvera trio of sex, for about 2 minutes and they are all in with their sexual positions, but that’s not good enough. The director cuts again.
Another cut and we are taken to Boyer in reverse cowgirl with Billy Dee and she’s orgasming wildly, and it shows. It’s a good piece of footage, and one that is much longer than the director lets you see. Meanwhile, Joey Silvera tries to get hard and masturbates, and it’s a bad little element that I noticed. The director cuts again.
Sharon Kane blows Randy West on a dining room table, the same romantic song is still playing overall. Kane is wearing red lingerie, and reminds me of an escort I once met with a Romney sticker on her SUV. West isn’t huge here, and while he’s hard, you can tell that he’s just the average sized dude, but can seem to last forever.
The director cuts, as per usual. Boyer is blowing Billy Dee and Silvera at the same time as the two get ready for the money shots. The two start to masturbate wildly in a race of who cums first, and it’s not a terrible little sequence, but I don’t know how they can synchronize this sort of thing. Eventually both cum at the same time and that’s it, and Boyer is watching and laughing and seems to enjoy the whole thing.
The director cuts again, and this time we still have that romance in the air with the music. Randy West is now having sex with Sharon Kane on the table, and the two are making out while he pushes his pelvis into her deeply. They exchange a few positions and while there’s a bit of moaning, it starts to look a lot like mechanical sex, as the director asks the couple to slow down a little, and they oblige. It’s romantic with the song, and Kane asks West to finish, and hurry up. The chemistry seems lost at the one hour and 8 minute mark, and while this is still sex, it’s just not that good. After some reverse cowgirl on a chair, West cums onto Sharon Kane’s pubic mound, and Trinity Loren walks in and sees the goings on and calls Andrew a bastard. Randy West plays Andrew, and then Joey Silvera and Billy Dee walk in as well and laugh.
The screen fades to black, and we are taken to a staircase where Randy West and Joey Silvera are talking. The two are getting a real heart to heart about the nature of love and romance. They found out a bunch about each other, and the sex that goes on. Randy West feels bad, but Joey Silvera gives him some advice about how to get Loren back.
In another scene the plan goes forward. Joey Silvera and Randy West play fight in front of Trinity Loren. The winner gets to have her. Loren watches the two and Silvera pretends to knock out West, and he goes down. Then we see that Loren loves West more than Silvera, and stays with him.
Trinity Loren and Randy West start to kiss. Loren is taken aback because he got knocked out, but he says that he’s fine, and there comes the romantic music. The music starts and we are taken to a well lit bedroom where Trinity Loren starts one hell of a blow job on Randy West. The blow job here is epic, and Trinity Loren has such a good body, and her hair is so nice with minimal makeup here. The two really get into this sequence, and it’s one of the best sex scenes in the movie. After a swipe of the camera, the two get into the sex, and it’s good, with Randy West going as hard as he can with Loren, and Loren moaning throughout. It’s a fascinating push forward, with the two actually seeming into what they are doing, throughout the short sex romp. Eventually Randy West gets between Loren’s breasts and then cums. The director shows their faces, then shows the sequence, and it eventually the cum shot appears and that’s that.
Moving right along we see that Randy West and Trinity Loren have decided to get married, and Silvera congratulates them as they leave. That’s the end of the movie, right? Nope!
Right when you think the movie is over, in comes Angel Kelly. She talks to Silvera, and they start to kiss and then get into the sex. The sex is quick, on the brown couch in the den, and the two just go through the motions. There’s no major oral here, there’s no major foreplay, it’s just straight forward sex. Silvera looks to be in work mode and for this round Angel Kelly seems to be less than enthused to start, but the two eventually pick up the steam with the backdrop of romantic music playing again. After some position changes, the two end up in close proximity with Kelly giving Silvera a hand job until he cums, and that’s the end. He cums hard, and Kelly watches it all go down, and that’s that.
I give “I Love You Molly Flynn” a 2 out of 5.
There's not much more I can say about this one. This movie is plagued with problems. The women are pretty, the sex is just boring, with the exception of a couple of scenes. The romantic music really is awful.
No comments:
Post a Comment