Dangerous Tides (1997) Review

Dangerous Tides (1997) DVD Poster

Today we go back to the 1990s, when there were a few women that were owning the pornographic video world. I originally saw this movie on the Spice Network, so I didn’t get to see any hardcore elements at all. But now that I’m a grown man, and I was able to track down a copy of this thing, I’m watching it with fresh eyes, and it’s hardcore, and fully uncensored. This is a movie that has a larger budget than other options, and it’s definitely a good sign, because everything from the music, to the plot, to the sex is done with an artistic spin. Even though the movie isn’t shot on “film”, it’s really good overall, and has some great attention to detail, with two directors of photography, and an all star cast of 1990s porno men and women. “Dangerous Tides” was written and directed by Brad Armstrong, and it’s an interesting little movie of sex and action. The movie stars Ruby, Yvonne, Eric Price, Steve Drake, Jenna Jameson, Vince Voyeur, Alexandra Silk, Nici Sterling, Wilde Oscar, Angelica Sin, Antonia, Barocca, Melissa Hill, Mickey G., Missy, and Bard Armstrong.

The movie is a simple option up front. The movie is about a swinger’s cruise, and that’s it. It starts with Vince Voyeur checking the underside of the cruise ship and just goes through the check points, and that’s it. The movie then transitions to a couple talking about how they got into swinging, and that’s where the sex begins.

The opening sex scene features Ruby, Yvonne, Eric Price, and pornographic veteran Steve Drake. Drake is looking older for sure, but the women are the classic late 1990s porno ladies. Fake breasts, interesting pubic hair, shaved areas, and in this case redheads. The dialogue is forced, and there’s an attention to the overall details with transitions, and focus on the sex after the fact. When you see it, you’ll notice that the camera angles are a mix bag, and the music sounds like it’s from a 1990s video game like “Mist”. The couple here switch partners, and it’s off to the races, just straight sex, and nothing else. The most compelling thing about this scene for me is not so much the sex, but the transitional music, as it goes from soft new wave jazzy to a rock fusion, and I’m all about rock fusion! Not really, but the transition is interesting to me. This is a fine sex scene, but it’s just mechanical for the most part. There’s a little moaning here and there, but it’s really just a bit slow, and to the point, with nothing too exciting to report. Maybe it’s because they are on a boat, or maybe it’s just that the actors don’t have a lot of chemistry with one another, but it’s just a boring scene for me. It works, don’t get me wrong, but it’s not very sexy, it’s just routine. The money shot isn’t half bad, with Steve Drake finishing on one woman while the other licks it up and then blows him as well. That ending is worthwhile, but overall, it’s not a great scene.

Up next we see a mariachi playing and a bunch of girls dancing. That’s it. It’s kind of out of place if you ask me, but hey, it’s a scene, right? The Mexican guys must’ve loved the gig, and wow, I wish I knew how to play, I’d love to be in this movie with all the women dancing and touching my guitar, and other things. The women get nude, and that’s the transition to the next sex scene.

After the music stops, Jenna Jameson is given a tour of the cockpit and shown how to drive the boat. This leads to a sex with Vince Voyeur and Jenna Jameson. Now, I admit, I’ve seen a lot of scenes with her, and there’s not a lot of guys that have chemistry with her, but Vince is one of them. I’m not sure why, but the two here go through more than just the motions of sex, and it is actually a stunning thing to see. If you’re a fan of Jenna Jameson, then this is one of the scenes that you’ve probably seen pirated on tube sites. It’s Vince Voyeur and Jenna Jameson in the captain’s chair of a boat, and it’s actually quite good. Jenna Jameson puts on a show here, and Vince seems into it for the most part. The music is a casual piano driven jazz tune of the smooth jazz fusion variety. He gets into the action with ease, and the scene really is a hot one for the most part. There’s no condom, Jenna is shaved, and the two go through the motions of sex, and eventually Vince finishes on her chest, and that’s the end.

Next up we see the swingers all drinking and listening to the mariachi band play their songs. That’s about it. Nothing too crazy here, just a serenade of mariachi music, while the actors drink and are dressed up. Moving along the transition, we are taken to another part of the boat, and you know what that means!

Woa, wait a minute! Don't want to read this whole review? You don't have to! You can watch "Dangerous Tides" buy the DVD and more by clicking here!

In the next sex scene we see Alexandra Silk, Nici Sterling, and Wilde Oscar get it on. Oscar reminds me of a teacher I once had, and the two women are veterans of the porno world. I always thought Alexandra Silk was beautiful, and she is a stunning brunette here. However, the chemistry that Wilde has with the women isn’t all there, and it seems like he’s just trying to stay hard for the most part. This threeway lacks a sense of passion, but it works. The music is again jazzy, and somewhat 16-bit if you ask me. But for the most part it’s a standard sex scene with beautiful women, and a dude that is balding, and just lucky to be there for the most part if you ask me. At one point there’s anal, so if you’re into that then you’ll love this, and there’s no condoms here, everyone’s shaved, and it’s not bad, but it’s not great either.

Up next, a few pirates call in to the cruise ship, and state that they are going to save a ship that calls in. The four pirates look hilarious, as they are porno actors. I was laughing at the gun scenes, where they all loaded bullets, and cocked their guns. This is absurd, but hey, it’s a porno, so I guess it’s expected, right? The movie goes into hyper mode to show off speed and urgency, and it’s funny to watch. There’s a fake “Baywatch” soundtrack to this point of the movie, and you’re in about 45 minutes deep before the next sex scene. If you’re watching the whole movie like I am, then you’ll find that this drags on quite a bit.

This part shifts to an all lesbian sequence. There’s clear dildos, terrible disco type music, and all the women on board. This includes Angelica Sin, Antonia, Barocca, Charlie, Jenna Jameson, and Melisa Hill. They are all giving one another oral, using a clear dildo, and that’s about it. It’s a good scene, and there are some legit orgasms here and there, which are evident throughout. But there’s so much action going on, that it’s hard to concentrate on just one act overall, which can make things a bit difficult to manage getting your swerve on, so to speak. It’s a good lesbian sequence, but it’s just a lot going on overall. Plus the music is louder than the actors so it throws me off a little.

Up next, the pirates jump on board the ship and put guns to the crew. They say that they are going to kill the crew if they don’t comply. They say that they are looking for someone on the crew, and that they need to see him now! The captains play dumb, and that’s that. The pirates take the crew downstairs and look to find their man. Meanwhile, they kidnap one of the guys and they knock out Vince. Then they get all the women in a room and mistreat Jenna. The acting is bad, and it’s horrendous. The pirates then ask to know where the drugs are, and then carry out one of the captain’s while they leave the rest of the boat’s passengers in one room. I can’t believe that this plot thickens so much. While the pirates look for drugs, Jenna Jameson hatches a plan, and distracts one of the pirates, by having sex with him!

Up next, the final scene for Jenna Jameson in this movie, she finds Mickey G and they have sex. Jenna once again showcases here talent for acting and sex here. Mickey G, I’ve seen in other movies, and he definitely enjoys this one, as the two go through various different positions on board of the boat. Jenna has some cool underwear here, but of course she takes it off. I caught the camera guy and camera at around 1 hour and 2 minutes into the scene! I kid you not, they didn’t edit this out! Another blooper! In fact, the camera can be seen in multiple shots, the lens being on the left hand corner of the scene, which is ultimately distracting. But back to the sex, the two have some serious chemistry here, and it’s not half bad. It’s not a long scene, mind you. The two have sex in a couple of positions, but Mickey G. cannot hold on too long and eventually cums on Jenna’s stomach and pubic area. That’s it. This is a fast scene compared to the others, but Jenna steals the show again, and looks as though she’s really into it, while Mickey G. seems to be enjoying it a lot more than the average actor, which is fine by me. This is a hard scene, and good overall sex, as the two really go at it together. The music sucks, but hey, you can’t win em all. After the sex, Jenna gets the pirate’s gun and then throws him overboard! Then she goes to try and save the rest of the crew.

Meanwhile, one of the pirates finds drugs, and is happy, while Jenna saves everyone. But is stopped only by one of the pirates who wants to have sex with Melissa Hill. So now Brad Armstrong and Melissa Hill have sex. I’m a fan of Melissa Hill, I love her face, hair, and eyes. This scene isn’t half bad, it’s in the basement of the ship, and not half bad. While Hill blows Brad Armstrong, Missy looks on, and eventually wants to join in. She’s one of the pirates, and so she eventually jumps into the scene, and the two women really go to town on Armstrong. He gets a dual blow job, which is quite nice, and the scene progresses. Brad Armstrong gets some serious service here, and kudos to him, because he holds his erection for quite some time while the women work him over. Eventually the trio have sex, and Armstrong throws down a lot of pipe here, doing both women while maintaining his boots on. He eventually does anal on missy, and then cums overall, making this a good ending scene before the rest of the plot finishes off. He eventually cums on Missy’s back, and that’s the end of the show. This is a good sex scene, and it’s better than most of the other parts of the movie. I still love Melissa Hill’s eyes and overall performance here. The music is once again like a video game, with instrumentals that sound like they are part of “Donkey Kong Country”.

The movie transitions, and Jenna talks to the captain, and talks about saving the day. She does with a gun, and that’s it. The movie rolls to credits, and shows all the people that worked on it with a movie type credit ending and interesting font choice. This is the end, and well, it’s not much of an ending if you ask me.

I give “Dangerous Tides” a 3 out of 5.

This is a big budget movie, it’s not half bad, but it’s not an amazing one either. Jenna Jameson’s scenes steal the show, and Melissa Hill does it for me personally. But other than those trio of scenes, it’s not that great overall. It’s simply not a great movie.

You can watch “Dangerous Tides” via DVD, VHS, and even streaming if you buy it by clicking here. I recommend checking it out for the three top scenes.

Beverly Hills Cox (1986) Review

Beverly Hills Cox (1986) Poster 

Today we are going back to 1986 and we are going to look into a parody film that stars Ginger Lynn. That’s right, the famous porno actress, Ginger Lynn, one of my first crushes, and one of the super stars of adult film, stars in this movie, which was shot for the big screen. You can tell throughout the movie that this was meant to be seen in theaters, not just on home video, as the film grain throughout is very much something that you would see in a grind house theater. In my area it was the Pussycat Theater that would play these movies, so in 1986, it was definitely a movie that you’d see there. The stars of this film include, Sheri St. Clair, Tantala Ray, Nick Random, Bridgette Monet, Ginger Lynn, Randy West, Sharon Mitchell, Tess Ferre, Francois, Jerry Butler, Shone Tayler, and Jamie Gillis. The plot is simple enough, it’s about a private detective played by Ginger Lynn as she uncovers several different cases. She narrates a great deal of the movie, and it starts with her walking the streets, and then going into a sex dungeon, where she catches a perp. The movie in question and review for today is none other than the parody of “Beverly Hill Cop”. This movie from 1986 is called “Beverly Hill Cox”, and while it is a parody, it doesn’t resemble the Hollywood version at all.

While this was meant to be for the big screen, it doesn’t shy away from the sex component, it’s very much an adult movie as within 3 minutes you get penetration, and you are reminded that this is all about sex. I could only imagine this on the big screen. The opening sex scene features Sheri St. Clair, Tantala Ray, and Nick Random. The trio have sex for a few minutes, and then Random cums on a woman’s butt, and that’s it. Meanwhile, Ginger Lynn watches, and then snaps a photo of what is going on. She says, “Smile for your wife”, and then runs off.

The story moves along for a story line. The story is that Suzy Cox is on the case, and that’s about it. The movie has some non-sex roles, mostly about what is going on in the world of private detective work. Ginger Lynn, isn’t the greatest actress, but she works well overall. The rest of the cast that is in non-sex roles aren’t half bad either. This is actually a “movie” I cannot stress that enough. The editing is crisp, and it really feels like more than just a porno, which I absolutely love. You can actually watch this fully, without just fast forwarding to the sex. It had a little comedy, it had a lot of sex, and some good acting, even for 1986!

Moving forward, we see a stake out, and it features Sharon Mitchell listening in on Bridgette Monet and Ginger Lynn getting affectionate. They start to kiss, and get out of their clothes, only to start a lesbian scene. It’s subtle, and sensual, like you’re watching softcore porno, which isn’t awful, but it’s far from what you’d expect from Lynn and the 1980s, as other scenes are more hardcore in nature. It’s a nice sensual, romantic, lesbian scene, that’s for sure.

This starts turning on Sharon Mitchell, remember, it’s a stake out. She gets turned on so much that she starts to grope Randy West, in the back seat of a car, and then they start to go at it. West and Mitchell have real chemistry here, and it’s really Mitchell that really pushes the scene, and the sexuality of the whole thing. West is just a by standard, and while he’s definitely into it, it’s Sharon Mitchell’s performance that takes the cake here, she’s really into it on all fronts, and creates such a good atmosphere of sex, that you start to get turned on. The director keeps going back to the lesbian scene, though, cutting back and forth, which I hate. I always hate when directors go from one scene to the next, in the middle of their sex scenes. The lesbian scene is romantic, soft, subtle, and well timed, meanwhile the car sex is fast, hard, and passionate. The sex doesn’t last too long, and eventually Randy West cums on Mitchell’s pubic hair. The two have serious chemistry, here, and it’s definitely not a long scene, but it works very well for what it is.

The movie moves forward to another scene, featuring a salesman trying to sell a woman on a dress. She goes to a dressing room, and the camera follows, naturally. The salesman yells out to another guy who is showing clothing to a customer, and it’s there that you see another sex scene, although somewhat robotic compared to what was just shown on the screen. Tess Ferre and Francois have sex in a dressing room. This is slow and methodical, without much passion at all. They go through the motions, and the most interesting thing is that Tess Ferre’s hair has sparkly stuff in it, so that’s kind of neat. Other than that, this is a scene that is somewhat boring and relatively easy to watch. Francois evetnaully cums, and that’s that. It’s a boring sex scene in a dressing room at a department store. Meanwhile, Ginger Lynn listens in another stall.

Ginger Lynn moves to another scene, going to a mechanic this time to get help with her car. She then becomes attracted to him, and the two start making out. There’s a lot of art given to this scene, with a lot of play with lighting, and music. The 1980s synth rock is not bad, but the sex scene is slow, and very “artsy” in a way. Lynn is juxtaposed with a Ferrari, and the mechanic keeps his shoes on, while Lynn gets into the action. This is not a great scene, as the two are mechanical (no pun intended) in nature. Eventually the mechanic cums on Lynn’s back, and that’s it. This is a short sex scene, and not that fun to watch. Lynn does ok, but Jerry Butler isn’t exactly grand, as he goes through the motions without any real passion. This was an “artsy” scene, that’s all I can say about that. Jerry Butler and Ginger Lynn do the deed, but meh, it’s not exciting.

The next scene features a phone call with a person detective agency and her women. She yells at the girls and says to not get in the way, and to keep an eye on their client. That transitions to another driving sequence, featuring Lynn, in Beverly Hills and finding different people. If you’re into story lines, then this is something that you’ll like. Because the story continues to be about the case, in which Cox is working, and she continues to use it properly. Next up, maids are at a party chopping things, and Ginger Lynn crashes the party in a black haired wig. She then moves around the party, and finds the client and shows up to a hot tub, where she grabs Sharon Mitchell and throws her in the tub! Shone Taylor then puts the moves on Sharon and the two start to go at it in a hot tub.

Sharon Mitchell and Shone Taylor go through to a blow job. Meanwhile, the camera cuts to Cox roaming around the mansion. While Mitchell continues to blow Taylor, her partner calls, and she tells her that Cox is roaming around. The camera cuts between the sex, and what Cox is doing, which is terrible, but hey, that’s just me. The movie shows off a lot of the sex, but also shows the story line developing towards the end. This must be because the movie was supposed to be for the big screen, otherwise what’s the point of transitioning so much? Mitchell’s performance here is great, once again showing off how much she seems to enjoy the process of movie making and sex. If you haven’t seen her work, maybe this is a good starting point. This scene really is a matter of a blow job, that’s about it.

With the end of the hot tub scene, the director moves the movie to Ginger Lynn, she’s investigating a room where Jamie Gillis finds her. The two talk about what’s going on in the night. They sit down and have champagne, and you know what’s going to happen next, right? The harpsichord music begins, and the two start kissing on the bed, and slowly start to work through what will be the last sex scene. Jamie Gillis and Ginger Lynn go through a passionate love scene, which is hardcore in nature, no doubt, but it’s not “hardcore” in that it’s rough or anything. It’s like watching two people make love, which isn’t a bad thing, but it’s definitely odd to see in porno. Ginger Lynn seems to genuinely enjoy this scene, and Gillis actually goes beyond work mode, the two becoming symbiotic. This is a passionate, arousing sexual scene, that you can tell throughout the motions, and of course the music. The passionate music plays, Lynn cums a few times, and the two kiss, embrace, and seem to really enjoy this sequence of sex. This is not clean cut, new school sex, mind you, there’s a lot of pubic hair, there’s a lot of sexual positions, and the money shot is not a major factor.

The story line continues, and we find out that Gillis’s character is known as the “Boner Bandit”, and he’s the mark that Cox was looking for. Gillis confesses to Cox, and that’s the end. The movie fades into the credits, and that’s where it all ends. I can see how this could be part of a double feature, because it’s only 1 hour and 20 minutes long, and the sex, honestly, isn’t that long at all. It’s good at times, but there are several ones that aren’t grand. As the movie continues, you get to see the twist ending, which I won’t spoil, but that’s it. The credits roll, and you get some close up shots of the production and a few little blooper elements, and that’s the end of the movie. Not much else to say about this one.

I give “Beverly Hills Cox” a 4 out of 5.

Why such a high rating? Well, it’s really Sharon Mitchell and Ginger Lynn that sold me. Sharon Mitchell and Randy West have some real chemistry, the acting isn’t half bad, and Lynn’s final scene is hot and passionate. It’s not heavy, it’s just sexy, and that’s something that is grand about porno sometimes. It can entice, without going overboard.

You can purchase “Beverly Hill Cox” at a variety of locations, I got a VHS copy for review. 

The Fanny (1997) Review

The Fanny (1997) Poster 

The year was 1997. I was only a teenager and wasn’t supposed to be watching porno, but with cable television came The Spice Network. It’s there that I started my quest to see as much adult movie stuff as I could, but if you recall that channel, then you know that they didn’t’ show any penetration, just a lot of naked people, no blow jobs, no penises, nothing. You instead got to see items in front of the bumping and grinding so you always thought that there was nothing really going on. It was like basic cable soft core, without the slow down, and stuff. Well, that’s where I first was introduced to the movie, “The Fanny”, which was a Wicked Pictures production, and it stars a bunch of people I know from other movies, and what not. Some of the actors included Toni James, Peter North, Kay London, Ashley Renee, Brittany Andrews, Shawna Edwards, Tony Tedeschi, and Steve Drake. These are all veterans of the industry, of course, and the main character is supposed to be a parody of “The Nanny”, the classic television show. Brittany Andrews tries to do her best impression, and it kind of works, so if you’re a fan of the show, you’re going to like the way that this all works out.

The movie opens up with an introduction of The Fanny, and she works for a movie producer. The movie is a mix of comedy up front, and of course, sex throughout the movie. The first major sex scene doesn’t start until 8 minutes or so into the movie. This features Kay London, Toni James, and Peter North. They aren’t exactly great actors, but this isn’t about the acting, it’s about the sex, right? The sex stars and on comes the jazz music. New wave jazz is the worst, in my opinion, but that’s just my two cents. This features no condoms, and Peter North getting it on with two blondes. The blondes are similar in shape, size, and overall looks. However, one is more vocal than the other, and has a smoker’s voice. They seem to have a good sense of chemistry though, and while Peter North’s performances can range from mechanical to filled with passion, this is somewhere in the middle. The women seem to have more fun than North is, as they give each other oral as North goes to town in doggy style and other positions. If you’re a fan of lesbian sex, then you’ll like how Toni James and Kay London work here, meanwhile Peter North is just a stunt cock for the most part. Not a bad thing, but definitely not great either. After about ten or so minutes of sex, maybe a little longer, Peter North cums on both of the blondes, and that’s the end of the scene. The setting is the basement of a home, that’s been finished and has a black couch, and that’s that. The music keeps playing as North finishes. The most exciting part is the money shot, after he finishes, the women blow him, which I know for a fact is one of the most tantalizing things to do in the sexual world, so points for that.

Don’t want to read my ramblings? No problem, click here and purchase “The Fanny” on VOD and DVD by clicking here!

The movie transitions to Ashley Renee and Brittany Andrews talking. They are by a pool table, when things turn into a sexual romp. This is a lesbian scene that once again gets started with jazzy music. However, this time you get “cow bell” first. If you’re a fan of cowbell, you’ll definitely appreciate the starting line, but then comes the 1980s new wave keyboards, and you’re lost amidst large breasts, and lots of oral. This lesbian scene is in full character, so if you’re looking for a break from that, you aren’t going to find it here. Both women are thin, taller, and have a sense of passion in this scene. The two have fun with their hands, mouths, and moan a lot. It’s a standard lesbian scene, and not terrible, but not great either. It’s “functional” at best, and if you like two women getting it on, you’ll like this, as it works well for the most part.

Moving forward we get a transition, and then we see Tony Tedeschi talking to a random woman. Her name is Shawna Edwards, at least the actress’s name. As they start to kiss downstairs, upstairs, Kay London and Steve Drake start kissing, and so the director decides to go back and forth between the two sex scenes. This is a move I hate, honestly. I’d rather see one scene at a time, rather than jumping back and forth, but that’s just my take on things at this point. Tony Tedeschi wears a condom for his scene, which threw me off, since Peter North wasn’t wearing on in his scene. They are in the same couch area that the Peter North scene was in, so Shawna Edwards and Tony go for it. It’s not a bad scene, mind you, but it’s far from great. It’s porno, what can I say? It lacks a sense of passion, and you can tell that they are going through the motions, for the most part. There’s nothing wrong with that, but if you’re looking for that passionate, sexual romp, this doesn’t really showcase it, as Shawna Edwards seems lost amidst the bigger picture of porno, rather than focusing on the situation. But that happens sometimes. Steve Drake doesn’t wear a condom with Kay London, and the director switches between the two sex scenes editing back and forth. This device may work in regard to porno for the most part, but it’s something that’s not really needed as it takes away from the viewer’s romp. One thing I did notice was that upon going doggy with Tony Tedeschi and Shawna Edwards, he takes the condom off at one point, then puts it back on at one point. I’m not sure if this scene was filmed twice or not, but it’s obvious that there’s two takes and two different uses of condom and no condom. This scene is mechanical, while the Steve Drake and Kay London one is a little better, but not by much. The money shots here all land on the women’s stomach, and that’s it. Drake gives a little more gusto on the pubic hair of London, while Tedeschi finishes on the tattoo and stomach of Shawna Edwards. It’s not a bad scene, it’s just not great.

The end of the movie is up next, as there’s only one more scene left. Steve Drake and Tony Tedeschi ask The Fanny to stay. And then the inevitable happens, sex. All in character mind you, so if you had fantasies about seeing The Nanny in a sex scene, here you go, the finale, which features Brittany Andrews in a giant black hair wig, and Tony Tedeschi, doing his thing as always. The music is a little better here, mind you, and it’s an interesting departure from the rest of the smooth jazz that was playing earlier. It’s not terrible, but it’s not great, and it features slow moving keyboards, and mediocre synth drums. As for the sex, the foreplay is quite good overall. The two seem to have good chemistry during the oral, including rimming, which shows a close up throughout. However, when the actual sex starts, the two seem to lose steam at first, and Tony Tedeschi again dawns a condom. Andrews has a piercing down there, and the two seem to get more into it as the scene progresses. As the close up of Andrews and Tedeschi moves forward, you can see the glistening from how wet she’s getting, and how fun the scene must be overall, as she’s nearly squirting at one point. The sex goes on for a good while, and as you’d expect, after a few positions, things get rougher, and eventually Tony pulls out, removes the condom and cums on Andrews’ triple D breasts. That’s it, the full movie is over, and it ends with Andrews collecting cum and blowing Tony as the finale.

I give “The Nanny” a 3 out of 5.

There’s not a whole lot to save this movie. It’s a late 1990s Wicked Pictures movie, and it’s not horrendous. It has a few moments of comedy, and seeing Brittany Andrews in the wig is great. Other than that, it’s a standard porno from the late 1990s.

You can purchase “The Fanny” by going online and clicking here. The DVD version was released in 1999, but the VHS version was released in 1997. You can get it here, though.

The Right Connection (1995) Review

The Right Connection (1995) Poster 

We are back in our adult movie time machine and we stop in 1995. This time around we are going to see a movie titled, “The Right Connection”. This is a movie that was released on VHS and it starts with an interesting flag waving element. It talks about free speech, and tells people to vote, and more. It’s a few minutes long, and it’s about the Free Speech Legal Defense Fund. It says that the government doesn’t want you to watch porno, and other things, and that if you don’t fight, they could take it all away. Then you get the FBI warning, which I always love. You can’t duplicate this tape, obviously. I have a VHS copy of this, mind you. The movie then goes into the VCA Pictures logo, and away we go. Oh, and there’s a disclaimer from the Surgeon General, and talks about condom use, etc. This movie has some very cool 1980s music up front. The stars of this movie include Kia, Vince Voyeur, Misty Rain, Christi Lake, Felecia, Sahara Sands, Ariel Daye, and others. Clint Torres is the director of photography, and it’s edited by Hugh Briss, Dino and Earl do the music, and it’s directed by none other than Veronica Hart. Yes, that Veronica Hart!

The opening scene is a phone call, where Vince Voyeur calls a phone sex line, and speaks to Kia. Kia is an Asian woman, and she starts playing with herself. Vince talks to her, and the two have boring phone sex, and masturbation. It makes me never want to call a phone sex line, that’s for sure. To be fair, I have in the past, and it’s usually boring, but hey, that’s a thing of the past. This is a solo scene. It’s not a great scene, and Vince’s acting is terrible. This is just two people masturbating in different areas. Kia is pool side, and Vince is in an office, and the camera goes back and forth between the two. If you’re into solo scenes, this isn’t half bad, as both performers orgasm at different points, and that’s really it. The music is the most compelling part of all of this, honestly.

The next scene we get Vince calling the phone sex line and getting another Asian lady. But this time around, he starts imagining what goes on. He’s back in school, and Sahara Sands is his teacher. She talks to him and says that she’s going to have to spank Vince because he is late with his homework again. We then get a teacher and student scenario.

Sahara Sands is a pretty, tall, blonde, with small breasts, and long legs. Vince of course, is a standard in 1990s porno, and he does his job well. I had a boss that looked a little like Sahara Sands, so this is a particularly interesting scene for me. This is a cool scene, with Sahara sands over acting, and Vince doing his best to not look like he’s a robotic sex machine. He’s got good chemistry here, though, and he pulls through a great deal of positions with Sands, even if she is over acting at some spots. I can only imagine that she is, mind you, but hey, that’s what porno is about, right? Towards the mid-section of the scene, the two lose control of being characters, and actually start to go for it, and it shows. Vince especially just goes all in, and the two actually look like they are having fun in this otherwise routine sex scene. It’s interesting to see sweat, sound, and more. However, the music shifts into a new wave jazz thing that I hate. Sahara Sands gets really wet here, and she even squirts a little before Vince obliges her request to do anal. He puts on a condom for this, and then cums all over her rear, and it just looks great, as he has a lot going out on this one.

Moving along, we have another scene in which the phone is being used. Kia is sitting alone and she answers the phone. It’s Vince again, and he wants to talk to her again. He talks about how a girl is messing around with herself and a double headed dildo, which is Ariana, I believe. She’s on the phone, and she just goes through the motions of playing with it. Now, Kia watches that, and pulls out a clear dildo and plays with that, while the other woman, a redhead plays, and the camera goes back and forth between two women and Vince Voyeur again. It’s mostly sound and masturbation, nothing crazy. Again, the sound is the most compelling thing here.

The transitional scene shows off what the call center looks like. It’s a pool side residence in the Hollywood Hills, and women are tanning while waiting on the phone lines. Vince calls again (his name is Mike), and he wants to talk to Kia again. This time around, he can’t find her, it’s Felicia, a young looking exotic woman, that I’ve seen in other movies. The two discuss something simple, about how Kia loves him and wants to talk to him and possibly meet down the line. We then transition to seeing Kia back at her lawn chair, and Vince calls back. The two engage in a story, and we get into another sex scene. This time, it’s Vince talking about his day, etc. He’s a photograph, etc.

Christi Lake shows up, and she’s amazing. Another one of my crushes has been Christi Lake because she looks like a former boss as well. I guess I have a weird thing about my bosses, but hey that’s just me. Vince plays the slave here, and Lake plays the domme. Meanwhile, the director cuts back and forth between this scene and Felicia listening in and masturbating. This is mostly Lake and Vince, however, on the set of a photo shoot. I’ve seen this happen before, with stars, so it’s almost like watching things behind the scenes. For the most part, the two have sex on the floor, to a boring soundtrack, but you get to see Felicia intercut between sex, and she’s using a dildo. But then you’re thrown back into the regular sex scene, and Vince eventually cums onto Christ Lake’s face. The most compelling part of this is the after elements where Lake gives oral after the money shot.

Next up, we get a conversation between two different dudes, and they discuss about their favorite girls, and the 1-800 numbers that they talk about. Kia talks about what Ariana and Misty Rain are doing, and they are both pierced and as alt as you could get in the mid 1990s. Kia describes the action to Vince, while Vince again masturbates. Meanwhile Ariana and Misty Rain go through a lesbian sex scene that is coupled with interesting instrumental music. The two are really into it, and then comes out a big clear double headed dildo, and the two go to town. This is the most exciting, and loud lesbian sex scene I’ve seen after reviewing many different movies here. If I were to give an award for this, I’d give this one an award for the most chemistry between girls, because the two really go to town here, and it’s just as exciting as I can possibly tell you. Multiple positions, double dildo penetration, and genuine emotion, and chemistry. It’s a sight to see folks, and perhaps the one reason to own this movie!

Up next, we get transitional scenes, and I remember where I first saw this movie! I first saw this movie on the Spice Cable Channel! I kid you not, I remember the scene because it features Nikki Arizona. She’s a redhead with a beautiful face, eyes, and body. Vince calls Felicia and tells her this story, and it’s about a female cop that arrests a couple of dudes. The guys are Vince Voyeur and Richie Razor. The music here sucks, which is an instrumental but isn’t nearly as good as some of the other things that were here. It’s another “new school jazz” tune. The set is an alley, with a red convertible, and Nikki is wearing a sheriff’s outfit. She starts to give both guys oral, and you get narration from Vince on the phone, and spliced in is Felicia talking on the phone. At a certain point the scene is all sex, and it features the trio going for it in the alley. Nikki Arizona reminds me of a high end escort in Las Vegas, and of course the two guys just go for it. After some different positions, Richie Razor puts on a condom, and gets into the action with Vince, going for a double penetration with Nikki Arizona on the concrete. As they do that, you get spliced back to Felicia, on the phone, playing with herself. Then you get spliced back into the garage or alley, rather, and the two guys finish on Arizona’s chest and face, and that’s that. Meanwhile, Felicia drops her phone and just goes to town with her hands. That’s the end of this scene, with everyone climaxing, except Arizona, because of course, she’s on the receiving end, but hey, that’s porno for you.

The scene ends, and we Vince talking to Kia once again. This time he invites her over to his house. This is a big taboo, because no performer on the phone ever does this, right? Well I guess that’s why it’s a fantasy. The movie’s final scene isn’t a long one, but it has been building throughout the movie, and so the two meet, and then go to the bedroom, and immediately just get into the action. Kia wears black heels here, and the two go from fully clothed to the bedroom right away. Kia reminds me of Asia Carrera a bit, but it’s definitely not her. The two start having sex nearly immediately, no foreplay, and not much more. Just straight sex in a silk, black bedroom, with ambient lighting. Several positions are done, with a great overall soundtrack. The soundtrack turns to the opening track, and honestly, it sounds like Kavinsky is doing the score, which I loved more than the sex itself. Towards the end of the scene, Vince calls out the finale, and eventually cums on Kia’s face, and that’s the end. Seriously, that’s it. A somewhat anti-climatic sex scene to end the fantasy, and that’s it.

The end of the scene, features Vince and Kia talking on the phone. That’s about it. She’s cooking, and Vince is in the bedroom, and the two meet in the kitchen, and that’s it. The fantasy of bedding a 1800 girl is the main finale here, and that’s that. The movie is over, and I’m going back to doing literally anything that is more important.

I give “The Right Connection” a 4 out of 5.

This movie has a lot going for it, mainly Kia, Vince Vouyer, Sahara Sands, Christie Lake, and Nikki Arizona. Veronica Hart’s direction isn’t half bad, and the music is good at times, making this a bit better than most movies. I didn’t hate it, and I actually enjoyed a few of the notes. The credits role, and that’s that, a half decent movie to watch.

You can purchase “The Right Connection” via a lot of different avenues, and see if this is a movie to add to your collection. I actually liked it a lot, which is a rare thing on this blog.

The Office XXX Parody (2009) Review

The Office XXX Parody (2009) Blu Ray

By this point, you’ve probably seen both version of the hit television show “The Office”. Well, with every hit show there comes a great deal of changes that come through. One of them is that there’s sex involved, meaning that there will be a sex parody. Now, I’ve reviewed a lot of older parodies, but this is the newest of reviews. The same old thing that you’d expect from the show, but this is porn, so it’s just funny, and not quite the same. “The Office XXX” is a 2009 parody that stars a lot of known names, and some not so known. In this movie that went straight to DVD and Blu Ray, you get Jenna Haze, James Deen, Ashlynn Brooke, Stephanie Swift, Codi Carmichael, Dane Cross, Faye Reagan, Gianna Michaels, Dahlia De’Nyle, Ralph Long, Rocco Reed, Alexis Texas, and Mark Wood. I hear there’s a second movie that was made in this series, but for this review, we focus on the 2009 version.

The movie opens up with the invitation of the camera crew as they were filming a documentary at the offices of a parody of Dunder Mifflin. The team is introduced, and they all have parts to play similar to what you’d expect from the show, but after a few minutes, within 5 minutes to be exact, you get thrown into the sex of the movie, leaving plot behind, as you’d expect from modern porn.

The first scene features Jenna Haze and James Deen. Jenna Haze is a famous porno star, and she’s looking a little older at this point, and James Deen is looking great as usual, despite the allegations that I’ve read about online. The two are supposed to be in a back office having sex, but they are so loud, that it breaks the idea of the being secret. Haze is a good performer, and has real chemistry with James Deen. The two flow through their scene relatively well, and it’s what you’d expect, office sex, with a classical music, jazzy tune in the background. Deen goes through the motions here, and it’s Haze that seems to enjoy it more than Deen, which is interesting to see. Haze is a beautiful lady, so this scene is quite hot for fans, and she seems to get into this one. At around twenty some odd minutes for so, the two go at it standing up, until Deen has to cum and finishes pointed at Haze’s mouth and that’s the end of the line for this scene. Not a bad one, not a great one, but definitely interesting with Jenna Haze, as she’s quite lovely.

The movie continues with a random interview about how sexual harassment in the office is a real deal. Then out of the blue, a lesbian scene begins. This scene is with Ashlynn Brooke and Stephanie Swift. Now, Stephanie Swift is one of my personal favorite ladies in the business, and I always wanted to meet her. I hear she’s living in Las Vegas and a part of the XXX Church group, retired, etc. IN this scene, you simply get a straight forward lesbian scene in the work place. It’s not a great one, but it’s not bad either. There’s a great deal of oral and a strap on used, and both women look great. Swift has several orgasms here, and Brooke is a lovely young blonde to her credit. The two take turns with oral, and the strap on and just go through the motions of lesbian sex. It’s a hot scene, with some real chemistry between the two.

The movie progresses to a scene where the fake Dwight and Jim are having a bit of a scuffle over being annoying to one another. We get some behind the scenes commentary like you would watch in the show, and some idiosyncratic moments of his personality.

After a little back and forth, we get a cut scene to Codi Carmichael and Dane Cross in the back room of the office, and they engage in sex. A young blonde and a fake Dwight go through the throws of passion on a puke looking couch, and it’s exactly how you would think. It’s a bit forced, with a little passion, and just the motions that you would probably expect from a porno. The two go through various positions, including oral, doggy, reverse cowgirl, and more, until Dane eventually cums on Carmichael’s chest. It’s an average scene, at best if you ask me. It’s not that grand.

The movie moves to an office meeting. It’s about sexual harassment. As the meeting continues Gianna Michaels shows up as a stripper and dances for the people. That causes a sex scene to ensue, and it features Faye Reagan and Michaels on a desk. The two have good chemistry together, and they play nicely. Reagan looks like a high priced Las Vegas escort that I know, and Michaels is a hot milf with dark hair, and large breasts. The two go through several positions of oral, then a strap on, and they maintain all the action on the desk of the office, going back and forth and showing off the intimate nature of sex, and orgasms. It’s not a bad scene, and a leg up from the previous lesbian scene in the movie. The techno music throws me off a little, but other than that, this is a good scene to watch.

Don’t want to read the rest of the review? You don’t have to! Buy “The Office XXX Parody” from 2009 on Blu Ray, DVD, and streaming by clicking right here.

Up next, we are back at the office, and there’s a few guys and Dahlia De’Nyle hanging around. They decide it’s time to have sex, and that’s exactly what they do on the desks of the office. That’s it, nothing too crazy I guess, a standard threesome, with a bit of a robotic performance from the guys, and Dahlia saying the same old tired lines you would expect in a porno. She seems to get into it midway through the scene, however, and that makes it quite nice. However, at the 1 hour 43 minute mark, you see the boom mic wires on the right hand of the screen! What the hell? Throws me way out of the scene, and makes me laugh that there’s another blooper found in a porno. There’s no DP here, but the scene is lengthy, and features a lot of back and forth, no condoms, and an eventual finish on De’Nyle’s body. It’s not a bad scene, mind you, it’s just a bit robotic throughout the sequence. At one point one of the guy is pulling on a piece of rope, he’s not hard, and forces a cum shot, which was kind of sad. Oh well, that’s the porn world. The music is a jazzy, new wave tune, with a terrible bass line. Not a great ending, as you see a lot of rope and the actress getting the day done.

The final scene of the movie is a threeway, and it’s a doozy for fans of young blonde stars. Alexis Texas, Ashlynn Brooke and Mark Wood get in on this scene that starts with the standard, oral, and then quickly progresses into multiple positions on the desk of the office. For his part, Mark Wood does a lot of good here, he throws himself at these women with full force, and the women reply with equal enthusiasm. This is definitely a great sequence, and while Wood looks to be in “work” mode, it doesn’t matter, because the women seem to be really into the process here, and that makes for an interesting scene. Overall, the women are loud, Wood lasts a longer time than others, and there’s a lot of orgasms fake or not found in this sequence. The trio seem to move forward through every position, and Wood never loses his cool and just keeps pushing forward and grabbing on for dear life. Eventually, after a lot of back and forth between the two, Wood can’t hold on and leaves it all out on the butts of these two blonde performers. It ends like you’d think, and that’s it, the end of the show.

The movie ends with a few comedy elements. And that’s about it. Lee Roy Myers wrote and directed this one, and it’s the end of the show, with the credits rolling as if you’re watching The Office television show.

I give “The Office XXX Parody” a 3 out of 5.

It didn’t have a lot of gusto here, but it did have a lot of good throughout. Not enough to keep my attention through every scene, but enough to recommend it to the casual fan, which is not bad, but it’s up to you.

You can find “The Office XXX Parody” from 2009 on Blu Ray, DVD, and streaming by clicking right here.

The Xterminator (1986) Review

The Xterminator (1986) VHS Poster

Today we hit our time machine of porno and go back to 1986. We are going to review a movie that was a parody of The Terminator. Now, you already know that movie, but here is a different take on it, a sexual take on it. This doesn’t look like it was meant to be on the silver screen, a VHS production of source. Although, I wouldn’t be surprised if this was broadcast into porno theaters, it just doesn’t have that grain. I was able to get a VHS tape of this, and well, let’s dive into The Xterminator from 1986 and see what’s up.

The movie begins with what you can only assume is the Xterminator driving around. He comes across a brothel, and you see everything in first person. The first person allows you to hear the main character but not see him. Not until you see a mirror image and it does look like Arnold, but of course, it’s not. That cuts to a sex scene, naturally.

Shanna McCullough and Rick Savage start a sex romp, and it’s not half bad. McCullough’s performances are hit and miss, and I’ve seen Rick Savage before and he’s not half bad sometimes. This one is a slow progress scene on a couch. The two go through a great deal of oral before getting go to the main course. The most compelling of this scene is the jazzy saxophone sounds that plays in the background. Well, that and Shanna’s pearl necklace. She’s a beautiful woman, a brunette that’s all natural, with full pubic hair, and white heels on. Savage is a curly haired hairy dude, and while his performances can be labored, it seems like Shanna and him have a bit of chemistry. The two go through several positions on a cream colored couch, no condom, and lots of hair. Shanna moans a bit, to almost screaming, especially when Savage stimulates her while riding, a standard of today’s porno scene, but something you didn’t always see in the past. I wouldn’t recommend emulating what you see here, as most women don’t like it, but hey, if you ask maybe they will let you. Eventually Savage goes to town and cums all over shannas chest, and that’s the end of this scene. Shanna is quite lovely, and Savage is an average looking dude with a lot of pubic hair, but hey it’s 1986 after all.

The next scene goes back to first person mode, and you are taken to another room where Chanel Price and Kari Foxx are kissing. It’s here that the two start to work on each other, in a classic 1980s lesbian scene. Complete with lingerie. The piano music is a jazzy tune again, with a little bit of synthesizer thrown in. It sounds like Nintendo music if you ask me. The two seem to enjoy the process, mostly oral as you’d expect, slightly shaved. One woman is brunette with long curly hair, and the other is blonde, and they just go through the motions of oral for the most part. It’s a standard lesbian scene, with a lot of moaning, and what seems to be fake elements. There’s a bit of chemistry, but it’s kind of mechanical at times. The music is so distracting here, though.

We move forward from this scene going back to the tour. The tour of the brothel takes the Xterminator around rooms, and into a new place to see. This time around, the room features three people enjoying themselves. This scene features Trinity Loren, Marc Wallice, and Troy Tannier. The opening sequences is something that I personally enjoy seeing often, and it’s a hand job. One guy is hard and one isn’t, which is always a weird thing to see in porn. But the two dudes start to get up, and get into the mix. Trinity Loren is a blonde-haired woman, that has a very “punk” look to her. The scene features two men, and a mechanical sex scene. I cannot express to you how mechanical this was, as one of the dudes wasn’t that into it, and Trinity Loren was over-acting through this. There’s no DP here, and eventually the dudes cum on her chest and face, and this scene is done. It’s a mechanical, boring sex scene, that appears to have been over dubbed with moaning, and random male voices and moans. It just wasn’t grand.

The tour of the brothel continues, and this time we see Steve Drake in the shower. Steve Drake is naked, and he asks for the tour guide to clean him up. From this point the tour guide calls in two women, and they are Chanel Price and Kari Foxx. There’s a country music tune here, and two women, one blonde and one brunette shows up. One is very tall, taller than drake. Chanel Price is six foot four inches tall! That’s right, a tall pornstar! This isn’t a bad scene, and the two women go to town. At one point Steve Drake takes his cowboy hat off and puts it on Chanel while he is in doggystyle, which is funny, considering the cowboy, honky tonk music they decided to go with. If you’re a fan of kissing, there’s a lot of that here, and of course the traditional route of sex. The scene works for what it is, a straight sex threesome, and that’s about it. It seems a little mechanical for a bit, but it progresses nicely into an interesting romp for Drake and the girls. Eventually Drake cums on the belly of the brunette, Kari Foxx, and that’s the end of the scene. Not a terrible scene, but the real winner here is the shag green carpet that they do it on.

We then get taken back to the tour. The tour guide asks for the Xterminator’s jacket, and then continues the tour. You are in first person mode again, and the Xterminator tries to talk like Arnold, before we are thrown into the sex scene.

The director finally pulls away, and you now see the Xterminator, and he looks nothing like Arnold, but continues to try and talk like him, which is funny. Here you get Pattie Petite, who looks shockingly 1980s with her blonde hair, and Tony Martino getting into the action. A great deal of this is first person, or POV shots, then close ups of the penetration. It’s not a terrible scene, but it’s not going to win any awards either. Petite is a sexy woman, and she’s interesting to watch, but the overall direction and scene of them having sex on the floor isn’t that great. Perhaps it’s because they aren’t trying to break character, or it’s that they don’t have a lot of chemistry, it’s just an “average” scene of sorts. At one point it looks like Martino loses his erection, before getting back into it. The film progresses and Martino eventually cums on Petite’s stomach and that’s not all, she asks for him to put it back in after cumming once, and since he’s a machine, she keeps going, before stating that she’s going to get more girls.

When she returns she brings back Chanel Price, Kari Foxx, Shanna McCullough, and Trinity Loren. Tony Martino then gets to have all the women to himself, lucky guy. He has to remain in character, a parody of the Terminator, so he doesn’t react much until the end where he just says, “I am cumming, I am cumming”, and that’s it. He gets through all the women, and it’s not a terrible scene, but it’s not fun either. The women aren’t that loud, and the set is the same old gross couch. It’s an ok scene, mind you, it’s just not great.

I give “The Xterminator” a 2 out of 5.

It’s not a terrible movie, but it’s not great at all. Props to Tony Martino for staying in character throughout, but as a sex movie, it’s just kind of dry, and robotic, which is the point. It’s creative, no doubt, but it’s not titillating.

You can find “The Xterminator” from 1986 on VHS and every now and again you can see it on a compilation. However, it’s not that great, and is kind of boring overall. It’s not a great one, it’s just an interesting premise. Or you could just click here get the Terminator movie series for a better time.

Backside To The Future 2 (1987) Review

Backside To The Future 2 (1987) Poster

Guess what? For this movie we are going back to another sequel. This time around we are going to be going to the year 1987 for a sequel to the movie that I reviewed a while ago called “Backside To The Future”. This of course was a movie that was done by the Zane Group, directed by Val Rosen, and released after the initial one, and while that had nothing to do with the movie “Back To The Future”, this one tries a little harder. Even though this was in 1987, but it doesn’t look like it was played in movie theaters, at least not from the film grain here. It seems like it was filmed on VHS. This comes through fast, with sex up first, right after the credits begin.

The opening scene features a blonde and random dude. They discuss how she can only cum when having sex in a car, and that means that we’re going to straight into the action. The 1980s jazzy music starts and you get a fully realized porn, with cameras inside the car. There’s a lot of chemistry in this one, and by that I mean a lot. I kid you not, this is perhaps the most entertaining and hardcore scene I’ve seen in a long time. The two here have so much chemistry that it is quite good, but here’s the thing, it doesn’t show that much hardcore penetration or anything. It kind of ends in about 5 minutes, and that’s it.

Moving along, the film shows off the DeLorean from the classic 1980s movie. The two couple from the beginning start to get in the car and drive, but it takes them into a new world, a time traveling one!

As the two are going through time, we get a blow job scene featuring Kim Alexis and Don Fernando. This is just a blow job scene, and it’s short, while you get a glimpse of our opening scene’s couple spliced in. The blow job is dirty, and it’s short lived, moving forward to the future, in which we see Joey Silvera and Samantha strong in a futuristic world.

Now, while you’re getting Silvera and Strong having sex in another time frame, the camera cuts back to Kim Alexis and Don Fernando. The blow job turns into full blown sex, and the two are hairy, and all natural. They have sex on a couch, and while it’s workable, they don’t have a lot of chemistry compared to the initial opening scene. The music good though, with a funk bass line and interesting keyboard rhythms to balance out the scene which has lackluster performances for the two. Alexis looks like the girl next door, while Don Fernando looks like a lawyer type. The two have casual sex, and it works, but it’s not very sexy if you ask me. Fernando eventually finishes on Alexis’ back during a guitar solo that is stellar.

That moves forward to the future in which Joey Silvera is having sex with Samantha Strong. Strong is a tall blonde and Silvera has that classic mustache that makes him hilarious to watch. You also see a future couple, whom I can only assume is Alica Monet and Buddy Love. All four of the people are having sex, with the camera focusing on Silvera most of all with a futuristic pair of sunglasses while he has sex. Buddy Love and Monet are good together, as he picks up the woman and goes to town. She’s dressed up with makeup that represents that they are in the future. This sequences is better than Silvera’s, although the camera cuts back and forth between the two. The music has a lot of horns in it, the women aren’t shaved, the men aren’t wearing condoms, and the set design is hilarious, with tin foil and carpeting. It’s a workable scene, but the shadows from the boom mic and director can be seen on the performers, which made me laugh a little. This is workable mind you, but far from sexy again. When the music is the most compelling part at times, you know you’re not watching a great porno. Eventually you get a money shot featuring Silvera as he cums on the blonde’s stomach.

As we move along in the movie, we see the couple thinking that they are in the 1970s. They just move along and talk to with the people that they are meeting, and the story continues, of course, in porno fashion.

Buddy Love and Kim Alexis steal the show at around 40 minutes into the movie. They have some good overall chemistry here, and Alexis is an all natural brunette with large breasts. Of all of the scenes this one truly is one for the ages, as they appear to have a lot of chemistry together. From the blow job sequence further, Alexis and Love really put on a showcase of sexual chemistry. This is an all natural scene, that makes you forget that you’re watching a vintage movie, as it looks like you’re watching a couple of long time lovers enjoy themselves together. While you’re watching this go down, the camera cuts away from the blow job sequence to the back of an old Cadillac. It features Samantha Strong and Don Fernando getting it on. The sex scene in the Cadillac doesn’t show a lot of penetration, it’s rated R and you’ve got a lot of obscured visuals, so you can’t really tell if it’s really going down or not. Meanwhile, you are taken to another scene, this time in a house, where a brunette and a dude are about to make love. According to IAFD this is a random “guy”, while others have stated it was Tom Byron.

The camera cuts back to Buddy Love and Kim Alexis, this Love goes forward with oral on Alexis. But that cuts to the back of a car again, and while this is a rated R scene, you can only imagine that they are doing it. Then the sequence cuts back to what I can only assume is in fact Tom Byron with Lisa Bright. They go at it in a bedroom, and it’s kind of sterile, focusing on the missionary position at first, but that changes the scene again, with the director going back to Buddy Love and Kim Alexis doing it again. This is a little better, with a lot of back and forth, then it switches to the bedroom again. This is a convoluted sexual movie, because there’s no clear defining line of what’s going on, who’s having sex with who, and the editing keeps getting you thrown back to another scene. It’s hard to keep track of names, who’s having sex with who, and the likes. At this point reviewing this becomes a little difficult to manage, but hey, if your goal is to get off, there’s plenty of retro sex to be had.

After this mix up of folks, you are thrown into an orgy scene with everyone in the cast. The music turns into a funky jazz piano tune with electric keyboard. The men and women just go at it on the floor, on a couch, and just move forward with what you’d expect. Here’s the most graphic of the scenes, with close ups of everything, moaning and groaning, hair, and all sorts of penetration. This is perhaps why the director chose to split the sequences throughout the movie? I don’t know. This is an orgy for the ages, but the camera work is awful, which makes me want to give up on the whole thing. It ends there, with the whole movie wrapping up into a funky beat of a movie.

I give “Backside To The Future” a 2 out of 5.

This is an awful movie, and a terrible sequel. I will say that Samantha Strong’s performances were fun to watch, but I am beginning to think that they didn’t really have sex but rather simulated sex in the cars. That’s where she shows off the best moves.

You can check out “Backside To the Future 2” via DVD or VHS, and can stream it of course. If you’re a collector, then you’ll want to watch this overall. If you can find it. I couldn't find another copy so I'll keep my VHS edition.

You can read my review of “Backside To The Future” here, and well, not sure what else to tell you about this one, it’s not worth it, but it’s an interesting look into the history of adult cinema yet again.

Forever (1990) Review

Forever (1990) DVD Cover 

Let’s venture back to the year 1990. That’s right, we are going back to 1990, and see a movie that was meant to go straight to VHS as the production quality is not that grand. I have no idea how I came across this one, but point is that I got it, and it’s not half bad. The movie has a simple premise, a couple are waiting for marriage but can’t wait, so they start to just go for it. While there’s a story, this gets right into the action within 2 minutes of the opening credits, and away we go! I never saw this one, so I went into this fresh, and well, I was pleasantly surprised initially. Let’s discuss “Forever” from 1990, a classic porno featuring Randy West, Tom Byron, Savannah, Stephanie Page, Cal Jammer, Joey Silvera, Heather Hart, an Trixey Tyler. These are familiar faces, with a few new women, overall. The turn of the 90s really shows in the wardrobe, and well the production, which I will get to as we move forward.

The first thing that you’re going to notice is how pretty Stephanie Page is. I think she is very pretty, and this is the first time I’ve seen her in porno. She is coupled with Randy West, and he has the curliest mop of hair. He’s still in his relative prime, if you ask me, as he puts on a show with Page. The two really have a lot of chemistry, and Page gets really wet, and starts to moan like crazy with West’s oral performance. This is perhaps one of the hottest scenes that I’ve personally reviewed in a long time. The music is distracting though, as it is a 1980s pop rock and jazz fusion that just doesn’t seem to fit the scene if you ask me. Page’s short brown hair, and large breasts are intriguing here, and West truly gives more than a mechanical performance here. There’s no condom in sight, and everyone’s shaved, marking the 1990s era scene. The scene goes about 8 or so minutes, and then West cums on Page’s pubic region. That’s it. The two starts dialogue that states that they are going to be married forever, which prompts the title of the movie to come through. And away we go with the credits, and another 1980s infused jazz track.

The movie goes forward with couples counseling. Randy West and Stephanie Page are in a therapist’s office and they just talk at first. This forwards the plot. The acting isn’t half bad, mind you, but it certainly brings forward the plot for those that like to have a little plot with their porno. I liked this aspect of the movie. It gives a little bit of weight to the overall story. Page tells the therapist that she has these wild fantasies, and that she watches others in them. This leads to a sex scene with a super veteran, Tom Byron! He has his long hair, and doesn’t have a beard yet, going for the 1990s rocker look that would transition into full blown grunge artist look by the mid 1990s.

Tom Byron and Savannah have sex in this scene, and if you have never seen a Savannah sex scene, well here’s your first look. If you don’t know about Savannah’s story, and the tragedy that befell her, you may want to read a bit into it. It’s really tragic. This scene isn’t half bad, with the exception of the terrible music that is given way too much fidelity over the moaning and the actual sex. There’s a bit of artistic liberty with the visuals, which you’ll have to see to really understand, with contrasts, colors, and transitions. Byron here works well with Savannah, but there seems to be a bit of a mechanical push towards the center of the scene. Yes, this looks ok on paper, but in practice, you’ll notice that the two don’t necessarily have a lot of chemistry, making it a little bit of a boring scene compared to the opener. Savannah has a unique, pretty look, and her blonde hair and style really attracted a lot of people to the early 1990s porn scene, I’m sure. I’m not sure what the big deal with Savannah was, her performance and Tom Byron’s work here is somewhat “normal” and nothing too crazy. He cums on her chest, and that’s about it. This just seemed routine in some ways, and while it is functional, it’s not nearly as hot as you’d expect, especially after that initial opening that had a lot of chemistry between the performers.

Up next, Randy West is on the therapist couch and he says that Page has been cheating on him and even had a threesome at the house. That leads to the next sex scene, and it’s a fourway, and features Tom Byron, Cal Jammer, and Stephanie Page, on a couch.

This next scene is just a standard foursome, with Page servicing everyone, and moments where some of the guys aren’t even hard. It’s kind of awkward, now that I think of it. The music isn’t half bad here, though. Tom Byron leaves a basketball jersey on, and he is the first to cum, cumming on Page’s butt, but then the scene transitions, and he gets blown next, while the other guys have a turn with Page. The music actually works here, it almost sounds like something that you’d here from the 16-bit era of video games, believe it or not. I swear it was like listening to the soundtrack of Toe Jam and Earl. This scene is workable, as page seems to enjoy the process, while the guys are just auxiliary pieces to her overall look. I couldn’t help but notice that at some points though, the men weren’t hard, jacking playdough, but eventually there were money shots, one of which was on her face. Not a bad scene, but it’s a quick one, etc.

Back to the therapist couch, Page talks about how Randy West cheating. It’s a threesome, and it gets into the action quick.

Heather Hart, Trixie Tyler, and Randy West are on a bed, and things heat up quite quickly. This isn’t a terrible scene, and once again the music saves the day. It’s a jazzy, 16-bit era type of musical number that makes me laugh and smile at the same time. The sex here is rudimentary, with Randy West throwing down another good performance as he’s known for being adequate without being a huge guy. He does well here, and the women give each other oral. They seem to all be enjoying it, but it’s not the best scene in the world, mind you. It’s adequate, It’s just over the mechanical line, as there’s some chemistry, but then there are moments where it just seems to be “average” at best. West does well here, and it sure seems that the women try to get into it, but really aren’t that “bisexual” and it shows. Randy West eventually finishes on one of the ladies pubic hair, and that’s it. This was interesting in that West goes with a brunette and blonde, which was great. Not a bad scene, but not a great one either. It’s “functional” scene at best.

Back to the therapist couch, West discusses what’s going on in the home, and he discusses what is going on and how he found out that his wife was cheating. He even discusses that the pool was emptied, and he jumped in and nearly broke his face off. Hilarious little scene, if you ask me. This moves the plot along, and we’re about 40 minutes into the movie, which isn’t terrible, which allows the movie to fly off.

Moving the plot along we see Randy West and Stephanie Page talking. The two talk and eventually it leads to a scene with Savannah and Page having sex. The two have a toy, and they just go through your normal expectations of early 1990s lesbian sex scenes. It’s not bad, and the music this time around is quite good again. It’s an instrumental track that has a jazzy feel, with a nice touch of electric drums. I was more distracted by the music than the actual sex here, which is not a good sign. Page seems to dig this scene, and Savannah does well too, so if you like their looks, you’ll love to see them perform oral, moan, and squirm with delight. Page is an intriguing woman, and at this point it’s hard not to fall for her a little.

After this scene, we get one more, and it features Trixie Tyler and Joey Silvera. Yes, the legendary Silvera! He’s got the mustache, and a lean body here, and he’s not half bad. Trixie here is a blonde cute girl, but looks as though she’s been around the scene for some time. Silvera isn’t pot bellied yet, and he does well here, putting on his normal showcase of moves, and sounds. The two have a bit of chemistry, mind you, so the sex isn’t sterile, and the two seem to genuinely work well in this capacity. Trixie is not completely shaved, and Joey still has some pubic hair. Trixie’s pearl necklace and garter belt add to the scene, and the rest is just a traditional sex scene, with another jazzy tune. The two go through multiple positions eventually ending with Trixie blowing Silvera and that’s it. The end of the sex, and it’s not half bad. Trixie still has that “1980s” hair spray look to her, which is a bit of a turn on for those of us that grew up in the 1980s. But doesn’t exactly have killer looks, but good technique.

That’s the last of the sex scenes. The movie ends with West and Page on the therapist’s couch, discussing their marriage. They then hug it out, and that’s the end.

I give “Forever” a 3 out of 5.

There are some good points of this movie, and Stephanie Page really rocks her performance. Silvera’s ender is good, and Randy West throws in a good performance too. The music isn’t terrible, and the movie goes through some alright moments, but it’s far from perfect, as you’d expect.

You can purchase “Forever” from various sources, and go back to the year 1990 to see this porno flick with a few good scenes, and only about 1 hour and 8 minutes of run time.

Did you see “Forever”? If so, drop me a comment below.

Car Wash Angels 2 (1999) Review

Car Wash Angels 2 DVD Cover (1999)

Once again, we visit the year 1999, only this time it’s to watch and review a sequel to one of the early reviews of this website. The movie is none other than “Car wash Angels 2”. That’s right, our first major sequel on this website, and it’s going to happen often. This movie is a direct sequel from the original that I reviewed here. “Car Wash Angels” has one of my favorite scenes from an adult movie, which was with T.T. Boy and Jill Kelly. On this sequel we are thrown into a new story, where the original Doctor Elvis is missing. This is more of a gonzo porno movie, as there’s a lot of sex and little progression of the story. You get an introduction of the main characters, as the credits come through, and then the movie gives you 12 scenes, and exactly what you’d expect if you saw the original. This is a movie that I first heard about on the Spice Network, and it was heavily edited. But this of course was hardcore, since I got the DVD, and well, it’s straight forward, so let’s get to talking about this sequel from Jim Holliday. This movie stars Chloe, Bobbi Bliss, Sydnee Steele, Shayla LaVeaux, Devin Wolf, Jill Kelly, Julian, Evan Stone, Renee LaRue, Barett Moore, Allysin Chaynes, Anita Cannibal, Brooke Hunter, Ron Jeremy, and so many others.

The opening scenes after the introductions is straightway gonzo style. It features the actress Chloe having sex with Evan Stone. Chloe has a very distinct vagina, if you ask me, and this starts with a blow job from the dark reddish haired siren. Stone gets off, but the scene goes directly into anal. Stone is ripped, and he seems to really enjoy anal, as well as Chloe from here moaning and screams. There’s a condom in this scene, but it keeps sliding, and it really looks as though it’s not going to stay on most of this scene as Stone goes deeper and deeper. The music has a rockabilly tone for a bit, with dancing bass lines, that start to move around as the action continues. There’s several positions done, with my favorite, reverse cowgirl getting a lot of attention here. At one point it certainly looks like the condom fell off, but the director hides that with a quick change of scene, and Stone cumming on Chloe’s back.

The scene ends and you get introduced to more women, and then you hear a funny tune about Car Wash Angels, which is a custom sitcom sounding tune. You then are introduced to all of the women in this movie, and there’s a lot of them. There’s a “who’s who” list of blonde haired porno babes, and wow, you’ll definitely be surprised by the list of women.

After the music, you get a scene with Bobbi Bliss and Sydnee Steele in the back of a truck. They play it up for the camera with a lot of moaning and sounds. The two seem to get into their lesbian scene, and it’s not bad at all. There’s a lot of oral here, and it’s not half bad. If you’re a fan of lesbian scenes, this is a good one for you, as the two are quite attractive. There’s rimming, oral, fingering, and more. The director focuses on close ups here overall. Both girls are pretty, and they just go through the masturbation and oral that the scene demands. The music is muted a bit, but it’s a jazzy tune, and it’s not a bad scene, but it’s definitely a bit more hardcore than the first movie.

The movie moves forward with Ron Jeremy and Evan Stone in an office. They are talking about how the car wash is going well, and all things are interesting. The acting here is funny, with Jeremy’s timing great. Tabitha stevens is also good here. After this scene, you get to the car wash, all of the women washing a car naked, which is a sight to see for sure. Moving on, the movie goes to a detective story, where two detectives are searching for what happened with Dr. Elvis. This transitions into a wipe, and a new sex scene.

The next sex scene features Shayla LaVeaux and Devin Wolf. This is a sterile scene at first, with bad acting. This is a fast moving sequence, with Shayla doing a lot of dirty talking as the scene goes forward. There’s a flesh covered condom in this scene which the director tries to hide. Devin Wolf keeps his socks on, which is distracting, and LaVeaux does a lot of the work here. She rides like crazy, and really does a great deal to make this scene somewhat good. Wolf seems to be bored at times, and while he holds onto his erection, it’s really Shayla that makes this scene great. There’s no music that I can tell during this scene, just her dirty talk and moaning, mixed with the sound of flesh getting pounded. Wolf cums on her feet, which was a new ending for me, and afterwards Shayla licks her own feet!

Next up, Julian and Jill Kelly are in the back of a truck, and they have sex. This is another disappointment between the two. I’ve seen them have sex before, they were in a Babewatch Sequel I reviewed, and honestly, this wasn’t that good. Jill Kelly is a good looking woman to me, but she didn’t do well with Julian for some reason. These two just didn’t have a lot of chemistry. At least not how I thought they should. It’s not a bad scene, but it’s definitely “mechanical” in a way. There’s multiple positions, condom used, and it’s not bad overall. Yes, it’s ok, but is it grand? Not really. Julian cums on Jill Kelly, and that’s it. Not a great scene, at all.

This transitions to a squirt gun fight, I kid you not. Then we’re back in the offices of the car wash going forward with that detective story. Then Evan stone shows up and surprises Renee LaRue. The two immediately start to do it.

Evan stone is a cool overall dude, and he starts with giving oral to Renee LaRue. She’s a tall blonde that’s nearly shaved. There’s a bit of comedy thrown in, but that’s fast, so if you didn’t catch the one liner, you definitely missed it, obviously. This is an ok scene, no doubt. Stone does well with LaRue and she is quite loud. I love the sound, and Stone is definitely in control here. He gets really into throwing his body into Renee, and she gives back just as well, so if there’s a best scene, it may be this one. Evan Stone as some great comedic timing, and he really does well in having sex here. There’s an anal element too, so if you like seeing him do anal, then this is going to be great. It’s a great overall scene, with a lot of sweat, sounds, and more. Eventually Stone cums on her breasts and that’s the end. There’s a comedic element throughout the scene with a skeleton showing up. It was funny.

After the scene the detectives discuss how they are going to talk to every woman one by one.

Next up you get a scene with Julian and he’s blown by Anita Cannibal and Bobbi Bliss. That’s it. That’s all that they were doing, just blowing him, and that transitions back to another car wash.

The women are washing a car when Evan Stone shows up, and they just spout off the rules of the car wash.

Up next, we see Barett Moore and Devin Wolf. Barett looks familiar, because she is actually from XPW. This is Veronica Caine! That’s right, Veronica Caine is here, and it’s Devin Wolf again, doing his thing. He starts with oral, and then goes forward with having a good scene with Moore. Moore does anal, and there’s another flesh colored condom. It wasn’t half bad, but it’s very mechanical. Midway through this scene, you will be getting a second woman, Julie Meadows, showing up. That allows for Wolf to have a second helping in this scene. Both girls get anal, and that’s it, a good overall scene, but nothing so memorable that I would write home about. It’s ok, but it’s a bit mechanical. I will say this much, Meadows is louder than Moore, so that’s a good point.

The next thing that you are going to see is a dinner, where one of the girls tells a story. She tells a story of an all girl orgy, and then the movie goes to that. If you’re a fan of lesbian orgy scenes, then you’re going to love this one. It features 9 total girls, and they all go through various aspects of lesbian sex. Allysin Chaynes, Anita Cannibal, Brooke Hunter, Charmane Star, Chaz Vincent, CleoNichole, Daisy Chain, Gina Ryder, Inari Vachs, Kimberly Jade, Salina del Ray, Sydnee Steele, Temptress, Tracy Love, Victoria Evans, and Violet Love all have sex in this one.

Moving forward, you’re going to find Ron Jeremy and Bobbi Bliss talking, and eventually the two start having sex. Now, this is not vintage Ron Jeremy, this is fat Ron, and it’s a bit odd to see. He does well, as Bobbi squirms and loves the whole thing, but Ron is definitely not what he once was here. If you’re a fan of Ron Jeremy, then you’ll love this scene. It’s a quick scene, and it’s not half bad. If you like pretending that you’re having sex with hot women, then here you go, Ron Jeremy going to town, and eventually cumming on Bobbi Bliss’ feet, and that’s that.

We move to another car wash, and then a cutaway to three women having fun. These women include Angela Summers, Felecia, and Jill Kelly. It’s a standard lesbian scene, and it’s what you’d expect. Lots of oral, lots of hands, and a great deal pleasure. There’s a lot of moaning, and lots of hands. I don’t know what else to say, this is a hot scene, with a lot of tongues, and hands, and breasts.

The movie goes forward with the detective story, as it tries to shoehorn another element of storyline so that it’s not 100% gonzo. You need a plot in these right? That ends and we are taken a room where Jill Kelly, Tabitha Stevens, Evan Stone and Julian are. That’s where the foursome have sex, and it’s not half bad. Evan Stone really goes to work with Tabitha Stevens, and she really does well here, and makes a great deal of noise. Stone’s performance in this movie is definitely one to not miss. Tabitha gets really nasty here, and if you’re a fan of hers, then you’ll love watching this one. The two really work well together in this scene, and there’s no music, just them going to work and actually seeming like they like what they are doing. It’s rare to get a good scene like this, and it’s probably the best part of the movie. Out of the blue, Julian shows up and starts to have sex with the women, then changes with Stone, before they go for a DP on Jill Kelly. That finishes the scene, and it’s not bad. However, Jill Kelly’s performance is a bit mechanical compared to Tabitha Stevens, so that’s a bit of a let down. There are condoms used, so if you’re not a fan, you won’t like this one.

The movie ends with two women talking and just discussing how Dr. Elvis is probably doing ok, wherever he is. I wonder why they didn’t get him back? He was a funny element of the first movie.

I give “Car Wash Angels 2” a 3 out of 5.


There are good points, but honestly, I’m not a big fan of this. Just like many other sequels, this is not as great as the first one, not even a little.

You can buy, stream, and watch “Car Wash Angels 2” by clicking here. It’s not a bad movie, and if you’re a collector, get this and the first one here.

Did you see “Car Wash Angels 2”? If so, drop me a comment below.

Big Hair Romp (1974) Review

Big Hair Romp (1974) DVD-R Cover

Today we venture back to 1974 and we get a video that was distributed by “Something Weird”. This is a 1970s film that is very much looking like an amateur production. It has film grain, but it very much something that is not part of the professional landscape of adult films. This is as close to a gonzo porno movie as you’re going to get from the 1970s, at least from what I’ve seen thus far. This is a movie that enters a swinger’s world up front. You get natural beauties, normal looking dudes, and set pieces that look like your grandma’s house. This whole picture screams 1970s porno, and while it may or may not be part of the golden age, you’re going to see glimpses of “Boogie Nights” in the way that this is and overall shot. It’s amateur at times, it’s odd at times, and the symphony music really pulls you away from what is going on.

The only information about the performers that I can get here is that there’s some porn actors and some that aren’t listed or credited. Andy Bellamy, George Peters, John Keith, and Starlyn Simone are the main actors. I don’t know who is who, as they all start to look the same.

The story opens up with an orgy on the ouch. A couple of guys and 4 women are sitting around drinking when they start to kiss and caress. This leads three of the people to go to the bedroom. Then a couple is left on the couch and they get hot and heavy. They kiss and caress, and eventually the lady starts to give the gentleman a blow job. The symphony music is distracting, and there’s nothing shaved here. It’s an interesting scene, but it cuts to the bedroom before sex.

In the bedroom, one lucky dude is having sex with two young ladies. Both are brunette, natural, and he is just enjoying it. He’s getting a blow job while kissing another woman, and just when you think they are going to start getting into the action, the editor jolts you back to the couch.

Back at the couch an older man is getting head from a woman. The couch is distracting, but the music turns into a disco, rock tune, that is hard to ignore. The older dude is not getting hard, and it shows. He eventually gets it up, and the two start to shimmy on one another. This is a very basic, kind of mild scene. There’s a smooth jazz interlude when they start going at it, and the camera closes in on a lot of hair at one point, then you realize that you’re taken to the bedroom again!

This editing is jarring, and there’s so much hair. I kid you not, so much hair, and it’s just hard to watch. It’s a weird look, but hey, it is what the 1970s brought us, this is as pure and sexual as you’re going to find in a sex movie. So for that, the directors have triumphed. There’s a switch of scenery again, and you’re sent back to the couch.

This time on the couch you see penetration, and what appears to be a “stunt cock”, because there’s no way our older gentleman is getting this good, but hey, maybe he is? It’s a sideways view of the ongoing sex, and the woman is silent for it. It’s not sexy at all, and while she smiles at time, you don’t hear her or the movement, it’s kind of odd. A piano tune plays, and then the director sends you back to the bedroom.

This back and forth stuff is ridiculous if you ask me. It really takes away from the enjoyment of the movie. But perhaps this is something that is done because this was shown in theaters? I don’t know. Back to the bedroom the guy is still getting blown, and there’s still a lot of hair everywhere. Just when you think there’s going to be sex, the director cuts to the couch again! Come on man!

The couch shows a reverse cowgirl sequence, with our main couple, and the dude cums on his partners leg, and that’s the end of that. He goes limp, and you are treated to a science fiction melody after. This scene is not sexy, and it ends up getting kind of gross.

But then, you get thrown back into the bedroom, with 1970s wood paneling and someone sitting on the dudes face while he gets blown. This is a standard threesome at times, but with better music. If you like classical you’ll love the soundtrack on this one. Someone finally gets on for a ride and the squeaking of the bed frame is hilarious to listen to, as the sounds turn into just sex sounds. But right when our main man is going forward, the camera switches back to the couch.

On the couch, our two main people are just laying around and that’s it. The camera changes back to the bedroom though.

In the bedroom our threesome is kind of bland, but we have a piano tune to accompany the sex. There are a couple of positions, and you get to hear the women moan, but the dude is so hairy and the director’s direction is talked about overall. He pulls out to finish, and it gets all over the comforter, and then you hear the music come up over the sounds. The women laugh and this scene finishes, or does it? The women hang out with the dude, and he gets up for a second round, this time with the second partner riding him for the double finish. He once again pulls out and finishes, and the camera zooms in on the veins and cum that drips out. The jazz tune is so good it’s hard to remember that you’re watching a porno at this point.

A photographer shows up and he gets in bed with one of the ladies, and there you go. Another scene, and he is supposed to be gay. He says, “I’ve never been blown by a girl before”, and well this is a first, apparently, and it seems so natural. This is just a blow job scene with some hilarious music that is kind of like polka, reggae, and jazz all mixed into one. I was dying, and of course the dude cums in our lady’s face, and that’s the end. It’s just a blow job scene. Nothing really compelling here at all.

The movie gets everyone back to the couch and it ends with the men giving oral to the women while they moan.

I give “Big Hair Romp” a 2 out of 5.

This is a historical type of porno. There’s no story, it’s just straight sex, with music. It’s really a highlight of the “free love” movement. It wasn’t that great overall. It wasn’t terrible, but it wasn’t great either. The editing sucked, but the film grain was interesting overall. I could see how swinger clubs work, as I’ve been in one and this could very well be how it was in the 1970s suburban sex world. As a movie though, this is not grand.

You can find “Big Hair Romp” in a double feature pack through Something Weird Video. I don’t want to see this one ever again, but hey, there are some historians that may want to see this. Why not?

Did you see "Big Hair Romp"? If so, comment below and let me know about what you think.