Interview With A Milkman (1996) Review

Interview With A Milkman Poster 

There are a few tropes that come through in the world of pornography, and one of them is that of the milkman. The delivery of items to the home when a husband is away means that someone’s going to have sex. Well, in this movie from 1996, the Milkman is the center of the production. This movie comes from director Ralph Parfait, and was distributed by Vivid. It was released in 1996, and most likely was one of the movies that was once again screened through the Hot Network or Spice Cable Television. Either way, it stars some names you know, and some that you may not know. This movie stars, Madelyn Night, Laura Palmer, Jon Dough, Kimberly Kummings, Bobby Vitale, Sindee Coxx, and Steve Drake. The movie that we are going to review today is none other than, “Interview With A Milkman” from 1996.

We are greeted with the familiar Vivid Video introduction, and I love it. “You’re watching a Vivid feature presentation” is how we start things off, then we go straight into the credits. It says that this is a Paul Thomas production, and the graphics show up. We have a little ragtime tune starting, and we see a woman pouring milk all over her nude body. I’m assuming it’s Madelyn Night, but I’m not sure. If it is her, she is thin, soaked in milk, has large breasts, and is bathed in dark light. The opening isn’t so much a milk bath as much as it is a girl showering herself with a glass bottle of milk. This movie was written by Guillermo Brown, by the way. It’s an introduction that really is a throw back to the old days.

The movie goes onto show that it has film grain. I love when porno has film grain, and we see a man getting pushed through on a wheel chair. He pulls out a cigarette, and we start an interview. We see a glass of milk show up, and a random dude starts talking into a recorder. This is a nursing home, from what I can tell. The old man says that he was a good milkman in his younger days, and he starts to talk about his story. “I was the greatest milk delivery man in the world”. We then see a driver going around town delivering things door to door and we are thrown into the movie.

We see the delivery guy talking to a couple of women, and he asks if he can help with carrying a few things for the women. We then get moving forward with seeing the milk delivery guy just go through the motions as usual. The story goes through well enough, and there’s not much to this other than seeing that our Milk Delivery Man is top delivery guy, and he gets a silver medal at one point from Steve Drake. This is a high end production. You do not just get thrown into sex, you are thrown into a real story. The film grain gives a lot here, and I enjoy that aspect of it.

As the story goes, we see the delivery man enter his truck and there’s a glove filled with chocolate milk in it, and it starts to spray all over him. He then says he has to change his uniform. Meanwhile, at the offices of the milk delivery service, an angry caller wants Joey, the delivery guy to show up and deliver, and of course the secretary says he will go out there soon enough.

At around the 13 minute mark, we get the first taste that this is a porno movie. It features Madelyn Night as the secretary. Madelyn Night is a thin brunette with large breasts, tanned skin, and a trimmed pubic mound. She pulls out a vibrator and dips it in milk, and starts to masturbate for the camera. A soft jazz tune comes on, and we are taken into the fullness of her solo work. She is a beautiful woman, and the show here is a solo masturbating act. The soft jazz music and the overall production value of this scene makes it one of the more erotic scenes I’ve reviewed in a long time. You hear her moan, she drinks a little milk, and just uses her vibrator for the majority of the scene, and that’s it. It’s a good sequence with art and sex mixed in for good measure.

The camera cuts to a delivery, and it’s Joey. He comes into the home, and picks up an empty glass bottle, and then starts to look around to see if anyone is home. He creeps through the house and picks up empty milk bottles, trying to figure out if anyone is home, and trying not to make any noise. Hen then stumbles in on Jon Dough and Laura Palmer.

He sticks around to just watch what is going on.

Laura Palmer bends over, and Jon Dough starts to spank her. Laura Palmer is a blonde haired, thin, tall, small breasted woman. She has model features, and she wears high heels for the start of this part. Dough spanks her until her butt starts turning red. All the while the Milkman watches. What I like about this scene is that it starts with dry humping. It completely starts with fully clothed, dry humping, spanking, and movement that is not nudity. In fact, it’s a way to get the actors to get a little more chemistry, and I like that part. After some dry humping, Palmer gets on her knees and starts to blow Jon Dough. He gets hard right away, and she just goes in on him, while a jazzy number starts to play. The set has an all wood wall, and looks like a den at a cabin somewhere, while the couch is a light brown color. Dough wears sunglasses as Palmer blows him, and it’s a slow, casual start to their sex, after the dry humping. After the blow job, we get some oral returned, then right into doggy style with no condom. Palmer moans, and Dough seems to have an urgency about getting forward progress into the sex. Palmer’s pale skin, blonde hair, and long legs really make for a hot scenario here. After a few positions, Palmer goes reverse cowgirl, and then Dough cups on her pubic mound, which is trimmed. That ends the scene, and that’s it. The scene is quite sensual, and definitely doesn’t feel like a robotic sequence, which is a great thing. The two genuinely shared a moment in this one, including Dough slapping his penis on Palmer’s pubic area after the sex.

The delivery guy keeps going on his route, and we see him going through the motions, nothing special. It continues the larger story arc of course. He ends up getting back to his truck nd there’s Kimberly Kummings waiting for him. She says that she wants special treatment, and while he declines at first, the two go in for a kiss and we are off to the races.

Bobby Vitale is the main guy here, and Kimberly Kummings throws herself at him. Kummings is a large breasted brunette, and she looks older in this scene, compared to Palmer. She is a great contrast to the blonde in the previous scene, and the two get right to action. Kummings gets on her knees and blows Vitale immediately, giving him a sense of urgency to start. The starting point here has some great jazz music, and the two are doing it in the parking lot, on a delivery truck. She has large breasts, tanned skin, and a thin frame. For the sex, it starts in reverse cowgirl, and just goes forward with some moaning from Kummings, and robotic movements from Vitale overall. She squeezes her oversized breasts, and does a little bit of talking, amidst moaning overall. The music subsides, and the camera fixes in on the action, although this time there’s a condom in plain view. She’s trimmed, with pubic hair on her mound, and the two just go through the motions, getting robotic at the 39 minute mark. There’s anal at the 41 minute mark, and doggy style, with an eventual money shot on Kumming’s backside, for the finish, and that’s it. Vitale doesn’t deliver a huge load, but it’s enough for the sequence overall.

Something sinister occurs here. Someone is changing the regular milk for chocolate milk! Or what appears to be chocolate milk, or something that is tainted.

We see Steve Drake and Madelyn Night kissing, and then we get a cancellation. Night and Drake discuss some issues with the business, cancellations, and they start to get back to the kissing. Steve Drake is a veteran, of course, and we see Madelyn Night earlier as a single performer. This is a little more sensual, with lots of kissing to start, and just chemistry that you would get from a couples movie, not a hardcore porno.

Drake puts Night on a wooden desk and gives her oral in a well lit office space. That’s the starting point of the sex, and it gets underway at around the 49 minute mark. A nice jazz number starts up as the two go in for oral. The music gets turned up a lot, but so does the sounds of the sex. The sound design in this movie is very odd. Whomever did the levels was not accurate. Drake takes Night and starts doggy style, and there’s a notable condom as Night asks for him to do it harder and harder. The angle is interesting, as it is trying to hide the condom, but there was definitely one there. After a position change it looks like Drake doesn’t have a condom on any longer, at least at the 51 minute mark. This could be a blooper or two different scenes edited together in the same space. Either way, the sex is robotic, and formulaic. The two don’t have that much chemistry and it shows. I can confirm that there is no condom after going doggy style, and I’m not sure why that was. Drake finishes on Night’s pubic mound, but she has a look of disgust at first.

After some time we see Vitale getting yelled at back at the office. He is then back on the job, and he continues to go on his way, until Sindee Coxx asks for help.

Sindee Coxx is a blonde haired woman with big breasts, and a storied career in porn. She takes her clothes off, and gets on her knees to service Vitale. The blow job here is deliberate, slow, and steady. It’s nothing special, just straight forward, and Vitale isn’t even hard at first. The director moves the camera around so that you don’t see that action, but you can tell he’s not all the way there yet, so Coxx really has to work for this one. After a little 69, the two end up going at it on a picnic table, and Coxx is wearing nothing but a pair of knee high black boots. Vitale goes all in here, and the two are very close together for the scene, but at the 57 minute mark, you hear the director’s instructions! I kid you not! Coxx moans, and the two switch positions. I don’t see a condom in this one, and it appears to be anal at one point, and it’s not a terrible sequence at around the 59 minute mark. There’s a robotic element to this, although Coxx seems to enjoy the process a little. At one point Vitale chokes her hard, and you can see Coxx not really into it, but if you like hard pounding, there’s a sequence here for you as Vitale goes nuts at a few spots. The edits are rough here, the cuts are insane, and after the hour mark, Coxx seems to just give in to the movement. After a bit of work, Vitale cums on Coxx’s stomach and she moans a little. She’s almost completely shaved for this one.


For the final two sequences we are split screened. There is equal time spent with Madelyn Night and Sindee Coxx having sex with some chocolate milk as a momentum push, and we see Laura Palmer and Bobby Vitale having sex as well. The lighting int he Palmer and Vitale scene is blown out, with a lot of direct light, and shadows that show that this is a set. Palmer really goes in hard on her blow job this time, and it really makes up for the rest of the movie, which was a little robotic. As for Coxx and Night, the two are sensual, kissing, caressing and using their hands to go through the motions of lesbian sex. It’s not a bad sequence, mind you, and it has more passion than the other sex scenes that the two were in during this movie. After seeing them do oral, for a while, we are taken back to the den, and there’s no condom for the sex, as Palmer rides Vitale for the finish of this movie. The sex is adequate here, a little rough, but nothing crazy, with Palmer seemingly enjoying the process a bit. She reminds me of an old boss I once had, so the fantasy was real in this one. Vitale cums on her chin, and then in runs Jon Dough to discover them.

Dough runs after him. Then we are sent to the backyard of the house where Coxx and Night are. The movie runs through, and out of the blue we see Night and Vitale driving and boom, they cash into each other, and that is that. We see that Vitale’s character gets back to being the best employee, and then we are taken back to the interview.

We see an interview with the Milkman, and we hear that America has changed completely, and that the Milkman job is no longer great, and the rest of the degrading of American culture was due to the stop of milkman delivery.

I give “Interview With A Mlikman” a 3 out of 5.

Out of all the scenes, only 2 of them really spoke to me, and they were involving Laura Palmer. I’ll have to really look into more of her work, as she is definitely a shining light in this one. Other than that, it’s a serviceable movie with good film grain, a few interesting notes, but robotic, short sex scenes with a blooper thrown in for good measure.

The Many Faces of PJ Sparxx (1995) Review

The Many Faces of PJ Sparxx (1995) DVD Cover

Today we are going back to the 1990s. This time around we are going to be looking at a movie from Wicked Pictures and directed by Fred Lincoln. I have no doubt that this was one of the many movies that I saw on the Spice Network, when I was a teenager. The movie is from 1995, and it features a cast of performers you may know very well. The cast includes, Stephanie Swift, Vince Vouyer, PJ Sparxx, Colt Steel, Anna Malle, Hank Armstrong, Roxanne Hall, John Decker, Tyler Sweet, and Ruby. These are main players in the world of adult cinema at the time, and if you are familiar with 1990s porno, then you know these people already. This movie was released in 1995, and was distributed by Wicked Pictures, and the production value shows that from the starting line, only to get moving forward to a movie that has 5 scenes. So let’s go to the 1990s and see how this all plays out, in the movie, “The Many Faces of PJ Sparxx”.

The movie starts with a party scene, and in this scene we see Vince Vouyer dancing a bit. He is a stripper, and at the 5 minute mark, we realize that this is a porno, because he takes his underwear down, and Stephanie Swift is there to service him.

Stephanie Swift begins the scene with a blow job on Vince Vouyer, and her technique is grand. The brunette star has changed in recent years, as she’s now an advocate against sex abuse, and porn, but here she is performing at her prime with Vouyer in a toned, shaven state. The music is a classical mix of new wave jazz, and bass sounds. The set is a warehouse somewhere in porn valley, and honestly, it’s like any other den or living room scene, with a light colored couch, made of leather, and lighting that hides the boom mic here and there. The lighting is fine, the overall sequence is good, and if you’re a fan of Swift, you’ll love the length of her blow job for this sex starting point. A condom gets put on, and we see Swift start with cowgirl, facing Vouyer directly on the couch, and bouncing slowly until she starts to moan. There’s a good editing quality here, as the camera moves through various angles, all with a nice shadow of lighting from the perspective of where the director and cameras are. The two go through different positions, but eventually Vouyer can’t hold on, takes off the condom, and cums on Swift’s face. It goes up her nose at one point, and she stays in the scene, eyes closed, and that’s it. She blows him upside down at one point, and that makes this a stellar opener, even if the keyboard and guitar work takes me out of the show.

The movie moves forward, and we see P.J Sparxx asleep on the same couch. In comes John Decker in a suit and tie. The movie then goes forward to set up a simple plot, where Decker is not satisfied with his sex life. He talks to a girl, then we are taken to a bedroom set, very much a standard set that I’ve seen from Wicked Pictures. PJ Sparxx is in latex now, and talks to Armstrong about getting kinky. John Decker says, no. So then she goes to the kitchen and starts to write a letter to someone she wants, of course, not John Decker. This is a kitchen set, and it looks semi-real here, so maybe it’s not just a warehouse somewhere. She seems an envelope and sends it away, and that’s that.

After some time we see Sparxx in an office, and in walks Colt Steel. She says that she wants some action, and throws herself at Steel. He obliges, and starts to undress. This is in an office, and we see PJ Sparxx full body here. She’s thin, has large breasts, is blonde, and tan. She has a great body for the 1990s porn world, and Steel is cut out of, well, steel. He looks like he should be on the cover of a romance novel. Sparxx opens up her blouse to reveal her large breasts and steel immediately goes to sucking on them, and we venture into foreplay. The music here is all bass and some jazz notes, but mostly synth and bass heavy moments of jazz. Sparxx starts things off with a blow job, before Steel gets to give her oral. She’s shaven for the most part, with a slight amount of hair on her pubic mound, and the show continues with some nice oral close ups. The sex is tame, all things considered. Sparxx has black heels on, and she’s really loud during this one, as Steel goes through the motions of protected sex while she masturbates at the same time. She has such a loud, high pitched moan that it becomes a little annoying. Steel is concentrating, not passionate, robotic, and the lighting here throws a lot of shadows into the mix. There’s minimal passion here, and a little less chemistry between the two. Sparxx is glassy eyed at the 30 minute mark, and it just seems forced at times, almost like when hiring an escort and it’s just not that grand. She bends over at one point, and they go doggy style for a minute or two before Steel has to cum and lets go on her butt. Visually this is an ok scene, but it lacks the passion that the first scene had, so it is a diminished scene. Plus, Steel is more muscle than penis, so if you’re expect a hung guy, he’s not that big. At least not in comparison to his muscles, so there’s that.

The scene ends, and we are taken back to the house where we see Sparxx in a wig just talking, and what not. There’s a little bit of attention given to the scene, with talking, and then we are taken to another set. This time it’s a living room, and there’s a studio light in the left hand corner in full view! Oh man, there’s also a gear bag left under the foyer, and you see a full display of lighting left to be seen. Now, while Anna Malle is in one area, we see PJ Sparxx making a salad, and then a door bell that keeps ringing and ringing. Anna Malle is a hot woman, by the way, she passed away due to an auto accident from what I heard. But she’s tan, has large breasts, and is quite hot. I’ve always liked her enthusiasm, and in this one, she opens the door, and in comes Hank Armstrong to kiss her and the two passionately begin. All the while Pj Sparxx is making a salad, then she walks in on the two, and just looks on, with a smirk.

Anna Malle takes her panties off with the help from Hank Armstrong, then gets fingered to start the scene. She has her signature tan lines, and mostly shaved pubic region, and the two begin against a wall. The rock music in this scene is horrible, and takes me out of the scene right away. The light is hilarious on the left, and it casts some serious shadows where it shouldn’t be. The living room has a floral couch, white walls, and Armstrong goes down to oral right away. I should note that Anna Malle has her own panties in her mouth as she moans at what Armstrong is doing, although very calculated, and somewhat robotic. She eventually gets on her knees and blows Armstrong, and it’s the best one I’ve seen in a while. Anna Malle always seemed to enjoy this sort of thing, and she’s been in documentaries saying such things. There’s no condom here, and Anna Mall goes for doggy style on a floral couch, and she doesn’t seem to be enjoying it that much. She says a few dirty things, and Armstrong does his job, but it’s pretty much a robotic sexual transaction. It is also blown out with light, and the two just don’t seem to connect like I would expect. The director probably fell asleep at one point. Towards the 45 minute mark, we see anal start, and if you look at Anna Malle’s eyes and her direction she is looking for cues from the director, and it’s awful. It’s the most robotic sex scene I’ve seen in a long time. These two have no chemistry, and it’s just purely sexual. After some anal, Armstrong cums on Malle’s butt, then goes back into her, and she talks nasty, but geez, she’s not enthused here, and it truly is nothing short of transactional, like an escort, even with the final kisses. This is perhaps one of the worst modern sex scenes I’ve seen in terms of passion or lack of it.

We move along. We see John Decker hanging out in a bedroom and Roxanne Hall is dancing. Decker watches Hall undress, and she’s a somewhat tall, skinny, all natural young woman. Decker is in his underwear and in a bedroom set. He talks about how he got fired because his wife cheated with his boss, Roxanne Hall plays an escort, and wants to help Decker relax a little. So she begins with a blow job. Roxanne Hall gets oral John Decker, in a random bedroom, with green comforters and shadows all around as the lighting is coming from various sources. The shadows here are tough. At around 55 minutes, the two do 69, which is always a cool little spot, and the two seem to go through the motions in this scene. At the 58 minute mark, we go straight for anal, and there’s no condom. If you’re a fan of anal, you’ll like this one, as at one point Hall even screams, “John”, which is the actor’s real name. As for Decker, he does adequately here, hard, and penetrating anal, with some lube, and no condom. It’s only anal here, nothing big, and eventually Hall gets a facial, and that’s it. This is a good scene, with bad music, and interesting lighting, but Decker seems to have to hold onto his erection with his hand, and eventually just cums on Hall’s face, and mouth and that’s that. It’s ok, at best.

The final scene features three women on a hammock. They have toys, it’s got an upbeat jazzy tune, and it features PJ Sparxx, Tyler Sweet, and Ruby. This has natural light, and lots of it, as they are outdoors, and it is mostly just oral and toys. Nothing big here, just two blondes and a redhead. It’s perhaps one of the more boring scenes as the sound design takes a major dip here, and you barely here the moaning. The music is put on blast here, and the women seem ok with what they are doing, and seem to moan a bit, with toys etc. It’s a lengthy threeway lesbian scene, but it’s far from “great”. The scene ends with Decker walking in on the threesome, and shaking his head.

I give “The Many Faces of PJ Sparxx” a 2 out of 5.

One great scene doesn’t make for a stellar porno, and that’s all you really get for this one if you ask me. Now, as I always say, I’m just one man with one opinion. If you’re a fan of Sparxx, then you may love this one, and of course, if you’re a fan of Stephanie Swift, you’ll love the opening sequences. She does well in it.

You can purchase “The Many Faces of PJ Sparxx” by clicking here, or streaming it at the same site.

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The Pillowman (1988) Review

Pillowman Poster (1988) 

Today we are going back to a John Leslie directed movie. This movie in particular was released by VCA, and stars some major people. I’m going to say, that the diverse cast alone is one reason to see it, and the second? Well, the second is the fact that I used to see a lot of this poster around my local rental store. You see, I didn’t go to Blockbuster, I went to Asian owned video stores, and they would always have a well stocked porno section behind red curtains. So, I would see “The Pillowman” posters every time I went in, and never got to see the movie, until today. Today, we are going back in time to 1988, for a movie directed by John Leslie, and starring lots of great names, including the following. Chanel Price, Peter North, Brandy Wine, Tammy Reynolds, Joey Silvera, Aja, F.M. Bradley, Renee Morgan, Tony Montana, and Britt Morgan. Now that we know what movie we are reviewing, of course titled The Pillowman, and we know the stars, let’s get into this movie from 1988 to the future!

The first thing that I liked was the font and titles shown for the movie. The movie starts with the title and then runs the credits, and we see a man with a letter jacket from high school, snooping around a home. He has a flash light, and we see him just looking around, obviously trying to be inconspicuous, as he wants to rob the place. The lights abruptly come on, and standing there is a blonde with a revolver. She asks, “what do you think you’re doing?”, and it’s Peter North with his hands up, and a gun to his chest! Chanel Price is holding the gun, has her hair up, and full makeup. She’s taller than Peter North, but maybe cause she has heels on. North says nothing, as a gun is on him, and Price starts to grab him, and see if he’s packing, to which she is surprised, cause she feels his penis. She pulls down North’s pants, and honestly, it’s not that big. It’s flaccid. It’s a little penis. But of course, that leads to sex.

Chanel Price, a tall, milf looking blonde, in a white dress starts to blow Peter North from a flaccid state to get him hard, and he grows fast. Fully erect, Peter North has been said to be very thick, and big, and of course we all know about his epic cum shots. I recall that Jenna Jameson states in her book that he was the first major porn star to open her up and really cause some pain, cause he was so big. Here, he’s the right size for Price, as she starts to strip him and get him to a point of sexual conquest. Chanel Price is a big girl, she’s tall, amazon features, large breasts, and is completely shaved. She towers over North, and goes into reverse cow girl to start. The set here screams 1980s, with a lot of bad drapes, terrible furnishings, rugs, and what appears to be a den in your uncle’s basement. Music kicks in as the two start to have sex, and it’s not that great. Price takes over the whole way, and she is truly a big, tall, girl. Looking up some info, I found out that Chanel Price is 6 foot 3 inches tall, and she totally looks it here, towering over Peter North. However, she gets into the sex, and if you are a fan of both tall blonde women, and Peter North, you’re going to love this one. The sex goes forward and eventually Price gives North a blow job until he cuts in her face, and that’s the end.

After the sex, Price says that she recognizes North as The Pillowman! He then tries to talk to her a little, and eventually gives up, and goes home. We then see North walking around the city, just chillin. It seems to be Los Angeles in the late 1980s. He walks into a pawn shop, and he just waits in line as we see people bargaining, and he gets yelled at for not paying up. It’s not a pawn shop, after all, it’s an apartment building and he is scolded for not paying the rent. We then see North talking to his roommate in a bad apartment, and it’s a random old guy. I though tit was Silvera, and of course he is an icon of good porn acting. However, the mood shifts as we are taken to another set, this is a warehouse porn set, and that’s where we see a couple of women making out.

The two women are Brandy Wine and Tammy Reynolds. One blonde and one brunette, and the two are making out, as Joey pulls out his penis and starts to masturbate. The women here are voluptuous, all natural breasts, big 1980s style hair, not shaved, and Joey has his fro and he’s stroking it. He then joins the action. We get close ups of Brandy Wine, Tammy Reynolds, and Joey Silvera getting into the sex. There’s some great jazz music for this scene. The set is terribly lit, and looks like your average porn garage in the valley, with a brown couch. There are no condoms here, it’s the 1980s, and Joey gets into it fast, first getting into the brunette, and really just going along the motions of sex. There’s some bad shadows here and there, and you can see the boom mic at one point, but the whole thing is casually filmed, with a focus on the action at times, and at other time, the women’s breasts. Nothing too fancy here, mind you. At the 32 minute mark, Silvera cups onto the brunette’s pubic mound, and then immediately gets back up and goes back into her! Silvera is a golden god for this, as I haven’t seen this since TT Body did it with Jenna Jameson, he gets a few more minutes of stroke before he cums again, and the refractory period of his work is incredible on this scene. Wow, Silvera pulls off a stellar scene elevating this movie’s rating from 1 out of 5 to a 3 out of 5 just for that sequence.

Moving along, we end up with another moment in time. We see Peter North styling his hair, and he’s in a random warehouse set. He then appears at a random house, and talks to a dude. The set changes and we are in a den somewhere in Los Angeles. Aja comes down, and F.M. Bradley is on the other side of the den watching. Aja is a brunette, her hair is up, she has a 1980s look and feel to her, and immediately gets on her knees to suck off Peter North. Aja has natural breasts, and has this amazing look to her. She’s quite hot here, and North looks like he’s going to pop within a few minutes, but controls it a little. There’s no loud music here, but rather Aja moaning, and North staying in control, while the camera moves left to right, and zooms in and out at times. The shadows from the lighting are horrible here, and the brown couch is funny to me. Midway through the sex, Bradley shows up, fully naked, and gets asked to join the party. Bradley is a large black man, and Aja gives him a hand job, then puts a diaper on him, no joke! No joke! Then she puts a pacifier in his mouth! Then Aja returns to North for doggy style. After some back and forth, North cums on her butt, as Bradley watches, and that’s the end. Nothing too crazy here, but Aja is quite the beauty, as this is the first time I’ve seen her work. The mid point diaper change was really odd though. North asks her out, then Bradley gets mad and asks him to get out of his house and not to ask his wife out! Wow.

Bradley then takes off his diaper, and asks Aja to suck him off. Aja sucks Bradley off, as he spouts one liners and jokes, including “I have some wonton soup!”, and it’s funny to see. He doesn’t get all hard, but he gets a medium amount before he gets into Aja for some sex on the brown couch. He doesn’t last that long, less than 5 minutes, for a quickie and that’s it. I was surprised by how long the scene lasted, which was horrendously slow. He cums on her breasts, and that’s it. We are moving away to the final two scenes, and it’s been around 48 minutes at this point.

The movie’s plot continues, and now we are taken to a brothel of sorts, and we see Tony Montana and Renee Morgan get involved. There’s some nice jazz in this one, and that supersedes everything else. Renee Morgan is a skinny, brunette, with small breasts, and is supposed to be latin here, as Montana speaks Spanish one liners, and gets really into the sex. I mean, she’s more into it than anyone else in this movie, and that makes it great. Renee Morgan sucks off Tony Montana then goes into doggy style while wearing a Spanish hat. The two have sex for a while, and it’s not terrible, but it’s also nothing that I would want too see again. In the mean time, Joey Silvera is talking to what I can only assume is Britt Morgan and then starts to make out with her. Meanwhile, Peter North keeps asking about his free trip that Silvera promised him, and the camera goes back and forth to the sex. After some back and forth here, Montana ends up cumming onto Renee’s pubic region, which is not shaved. That scene ends, and we are taken back to North’s apartment.

The story moves forward, and we see Britt Morgan and Peter North talking at a bus stop. The movie’s plot thickens as North hasn’t paid rent at all, and then is invited to hang out with Morgan. Britt Morgan has large hair, she’s all blonde, and comes out wearing a nighty that is lace, and white. She does not have the most attractive face, it’s round, and somewhat unattractive, with a “baby” type of look, but she has a nice body, and well, she rides North’s literal head. That is funny, and she does have natural breasts. The set here is a random porn warehouse, and North can’t help but laugh at the beginning of this scene. I’ve never seen a woman literally ride a dude’s head and comment on his hair. Hair fetish? Is that a thing?

Peter North sits down on a faded brown couch, and Britt Morgan gets to work. She starts to suck him off, and he gets hard immediately. I don’t find Morgan that attractive, mind you, but honestly, she has good technique here. She moans a bit as they change positions, but Peter North is in robot mode. The jazz soundtrack is great here, and I liked that. However, the sex isn’t that great, and eventually North cums on Morgan’s shaved pubic region, and stomach, and that’s that. If you’re into blondes, perhaps you’ll like her, but this is a short scene that is spliced with other elements of the story line.

The plot continues to move forward, and we see that North and his friend get evicted. Then North gets into fatigues, and gets thrown out of a window, onto a deck and that’s it. This movie has a plot at first, then completely throws it out of the window, and well, it’s porn, so what did you expect, right?

I give “Pillowman” a 3 out of 5.

This is not a great movie, but I loved the production value, the non sex roles, the random jokes, and the attention to some finer details here and there. The women are pretty, and there’s at least one good sex scene that I’d watch again, just to see the double cum blast from Silvera, which is god like if you ask me.

Crazed (1997) Review

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