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| Satin Angels (1987) Poster |
The movie starts with a calm introduction to the movie with the title screen and the stars of the movie. There’s a bit of a country music theme here and we are not immediately taken to the sex, which is a moniker of the 1980s scene in many ways.
Once the credits roll, we see a card driving through a farm land. It’s a limo, and a woman opens up her window and says that she’s visiting her cousin. The lady is a blonde haired woman that looks a little like Traci Lords, but isn’t. The scene switches and we see a woman talking to a maid, enjoying a little orange juice in the shade. After some time out comes another woman, and she is carrying a saddle. The lady doesn’t like that the blonde is there. The plot thickens, and we are shown a room where the blonde and the maid talk and in a mirror there’s John Leslie nude, and he is wondering where the “slut” went. The two then move forward with the plot, talking about the gardener and nothing much else. The production value of these sequences are soap opera level, with nothing too fancy, although the sets are real, and it’s a legitimate Bread and Breakfast or just someone’s home that’s been fully decorated. There’s no nudity until the 5 minute mark when we see our blonde take her top off and wrap a towel around herself. She says she’s going to take a shower, and the camera just follows. After a quick wipe, we immediately go to the sex which starts at around the sixth minute mark.
The first major sex scene features Taija Rae and John Leslie. Leslie is an old school actor that made a name for himself through the golden age of porn, and Taija Rae is a blonde haired all natural big breasted woman that has 1980s rocker hair. The scene starts with a blow job, and then some romantic music starts coming in, which sucks. The set looks like a cheap motel, mind you, and the lighting is a bit off, low, but the camera goes to the action. The two have a bit of chemistry and it shows when Rae gets on top and starts to really get into the sex. The interesting aspect of this scene is that the bed they are on squeaks loudly. The blonde interrupts them at one point, but they get back to the sex. Taija Rae is not too skinny, she has some natural curves and when she’s having sex with Leslie you can see them move, she’s all woman, that’s for sure. No one is shaved, no one has condoms, this is the 1980s at its finest. Rae moans a great deal and while they switch positions, she keeps her lingerie on, and really looks good in this sequence. The only bad part is the music is terrible, and I mean completely terrible. However, Rae’s moans get so loud that it’s well worth checking out just for her scene. After a good amount of sex, Leslie finishes on Rae’s breasts and that’s the end. Nothing too crazy here, and it finishes with Leslie and Rae making out as the screen goes black.
When the camera comes back on, we see Taija Rae and Samantha Strong (the blonde from the beginning of the movie) talking, and Rae sparks a conversation saying, “what is this! Look”, and then brings Taija Rae’s face to her vagina.
In the second sex scene we see Taija Rae and Samantha Strong going through the motions of lesbian sex. The music ramps up and it’s a knock off of “Bad To The Bone” with instrumental loops, keyboards, and other crappy sound design. I hate the music in this movie, and it really takes me away from the whole thing. However, the two women are great, licking, using fingers, and really getting into the action. At around the 14 minute mark, there’s a sequence that appears to be filmed on a better format camera, but then switches back to regular porn-chic. Samantha Strong looks so much like Traci Lords at certain points you’ll swear it’s her. The two go through the motions of sex, fingering, and more, and you hear the moans a bit though it’s more of a terrible music video than anything else. The sex is fine, but it’s not nearly as good as some of the other lesbian scenes that I’ve reviewed on this blog.
The scene ends, and the two stare off into the distance, and we go back to the plot, which is razor thin at this point. We see Samantha Strong talking with Leslie for a second then going to the farm and just watching what is going on. A random dude is working out, and she watches him longingly. She then walks over to where he is and the two talk a bit, before Taylor and Strong kiss, and then we go forward to a very fascinating scene.
In what may be the strangest start to a sex scene, we are treated to an interesting use to a belt sander. I kid you not. Shone Taylor and Samantha Strong start a sex scene where Taylor uses a sander on Strong’s vagina and gets her to cum like a roaring storm, and it’s fascinating to say the least. The two start to kiss and looks like they are going to have sex after the vibrations of the machinery, and at one point Taylor even has his penis out for Strong to use her hands on. He sticks it in, and in comes Strong’s overbearing aunt, and stops the sex. Taylor zips up hard and it looks painful. Strong leaves with one last kiss, and the scene fades.
In the next scene we see John Leslie walking around the house naked while the family sits in the kitchen talking. They are all dressed up in what seems like 1980s prom dresses. They seem to be going out, or something, and it’s an interesting push forward. Peter North calls over the maid and says that after dinner they are going to get it on. We are then taken to a sequence with light piano music and a champagne glass. It’s Nina DePonca talking to Peter North by candlelight.
The two start to kiss, and here we go, the next sex scene. Peter North starts to makeout with Nina DePonca on a piano bench. Nina DePonca is an Afro-Asian looking woman with brown skin, dark eyes, black hair, and a maid’s outfit here. She’s thin, and has a small mouth compared to Peter North’s penis. There is a romantic music score playing while North gets a blow job, all dressed up. DePonca reveals here all natural breasts, and the two continue their movement towards sex starting with a blow job that leads to a handjob and more mouth action. After some of this, DePonca gets on top and the two have sex on a piano bench with North below DePonca. The two go up and down and it’s not half bad, it’s adequate. DePonca moans a bit, and the sex isn’t completely nude, while the set looks to be a music studio of sorts. The music here isn’t half bad compared to the rest of the film, which is an interesting touch. DePonca has a full set of lingerie, garters, and keeps a great deal on, including her panties which are taken to the side. At the 36 minute mark the two really start to get into this thing, and the chemistry is real with DePonca nearly tearing North’s shirt, and pushing him hard to get more into her. After some time on the bench, North picks up the woman and the two start to make noise on the piano while humping and it’s funny to see. It makes an annoying sound obviously, but it’s a funny little moment to watch. The two go at it for a long time, change positions, getting on top of the piano, on the floor, and more. It seems to be a continual shot with few edits too. As they are going forward Samantha Strong shows up and asks, what are you doing here? Strong says that she won’t tell anyone if they share. The scene continues and now, it’s a threeway! Samantha Strong, Nina DePonca, and Peter North start a threeway sex scene in what appears to be another room. A strong saxophone lead jazz tune starts, and it’s a classic send up to the 1980s music scene, like you’d here in a Cannon action film. This trio doesn’t have sex that long, and Strong does get into doggy style for a bit after getting some oral from North. After some time, and not long, North can’t hold it in and he drops a load for the money shot of this scene. North unloads a hard cum blast into Strong’s mouth and face, and she continues to blow him after the fact, making it one hell of an ending overall. This scene looks to be one long take too, which is interesting, and as the camera fades you can see that they didn’t leave the room, it’s still in the piano room, so it wasn’t half bad.
Moving forward, we see Taija Rae and Frankie Leigh talking about how they don’t trust anyone, and they just laugh together in lingerie. After a few moments, Leigh gets to Rae and starts to giver her oral. Frankie Leigh is a tall, black haired, pale skin woman that looks older here, and Rae looks far younger. Either way, the two start to have lesbian sex in a bedroom set that looks all too familiar. There’s a 1980s style saxophone driven rock song in the background, as the moans get louder and louder from Rae. The two exchange oral sex until John Leslie shows up. John Leslie, Frankie Leigh, and Taija Rae begin a sexual romp. It’s a smooth transition where Leslie receives a blow job and gets hard while watching the two women go at it. He keeps asking for some action, and the women are more involved with one another than paying attention to him. At the 50 minute mark, they have a hard time getting Leigh’s bra off, which is funny to see. After asking to get in on the action through the whole second half of this scene, Leslie finally gets to enter Leigh, while she gives Rae oral. No one’s shaved here, and the sex is average at best, with Leslie not really getting much traction and just looking at going through the motions. There’s little moaning here and there, and it’s obvious that the chemistry just isn’t that great between the actors for this particular scene. After some time going in and out Leslie cums on Rae’s pubic hair, and then the two women just keep kissing. Leslie looks mad, but the scene fades to black and we are taken to another part of the house.
In the kitchen we catch up with Shone Taylor. He’s just standing around when Samantha Strong comes in and the two talk a bit. He says that she’s gorgeous, and then she replies with, “gorgeous enough to have sex with”, or something like that, I got distracted for a second.
The final sex scene features Samantha Strong and Shone Taylor in the kitchen of what we assume is a country mansion. At this point we get a little pay off from the earlier scene that the two had. Shone Taylor is a blonde haired “every man”, and doesn’t have a huge penis or anything. Strong looks like Traci Lords here, with the makeup that makes her look just like her, and the throws and moans that are a bit over-reacted like the latter. The two have extreme chemistry though, and at the 59 minute mark Strong really cums hard with oral, and it’s perhaps a great touch here. The two seem to genuinely like each other and go nuts here. The music is a 1980s keyboard driven tune and that’s about it. After some oral, the two go through some hard sex on the counter of the kitchen, and the two scream together, which is interesting. There’s a great deal of sweat and focus here, and the two really get into the actual sex, which is always a great thing to see when you’re reviewing porno movies. It seems genuine, too. There’s no money shot here, and it looks as though Taylor cums inside Samantha Strong for this scene, but we don’t see that finish, it just kind of stops.
After the sex is done, the two embrace and kiss, but it seems as though Taylor has another thing on his mind. He keeps complimenting Strong, but he turns around and grabs a bottle of wine and pours it on her. He claims that he’s mad from earlier and he pours a whole bottle of wine on her. She slaps him, and the two have a little bit of a back and forth. Then Shone Taylor picks up Strong and places her on the counter and receives a blow job and mouth sex the likes you only see in modern porno as a standard. It’s here that you finally see that money shot, and after he cums Strong keeps sucking, and it truly is a glorious finish to the overall movie, although the plot has completely been thrown out the window at this point.
After the sex is over, we see the real motive behind Samantha’s visit. Samantha says that she was there in secret to ensure that a message was sent. And that’s the fact that Samantha now owns the house and everything, and that she’s going on her honeymoon with Shone Taylor, and that’s that. The end of this 1980s romp.
I give “Satin Angels” a 3 out of 5.
Overall, the music sucks. It was too loud, and it wasn’t that great to listen to. However, there are two major sex scenes that I enjoyed, including the final sex scene. The final sex scene here is one of epic proportions for me, as it looked like the two were really having fun, and it wasn’t just going through the motions of sex. The opening scene was good too, but nothing as good as the final scene that featured Shone Taylor and Samantha Strong. For that alone, this gets a 3 out of 5.
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